Serveur d'exploration autour du Bourgeois gentilhomme - Exploration (Accueil)

Index « ISSN » - entrée « 0027-4631 »
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List of bibliographic references indexed by 0027-4631

Number of relevant bibliographic references: 249.
[0-20] [0 - 20][0 - 50][20-40]
Ident.Authors (with country if any)Title
000089 (2010) Amanda Eubanks Winkler [États-Unis]Sexless Spirits?: Gender Ideology and Dryden's Musical Magic
000102 (2010) Carl B. Schmidt [États-Unis]Francis Poulenc and Robert Shaw: A Remarkable Symbiotic Relationship
000443 (2008) Jann PaslerTheorizing Race in Nineteenth-Century France: Music as Emblem of Identity
000458 (2008) Joshua S. WaldenComposing Character in Musical Portraits: Carl Philipp Emanuel Bach and L'Aly Rupalich
000499 (2007) Matthew McdonaldDeath and the Donkey: Schubert at Random in Au Hasard, Balthazar
000627 (2005) Maribeth ClarkThe Role of Gustave, ou Le bal masqué in Restraining the Bourgeois Body of the July Monarchy
000823 (2002) Anya SuschitzkyDebussy's Rameau: French Music and Its Others
000873 (2001) John ByrtAlteration in Handel: A Fresh Approach
000920 (2000) Roberta Montemorra MarvinMusic at Court during the Reign of Maria Luigia, Duchess of Parma, Piacenza, and Guastalla: A Partial Survey
000B19 (1997) Mark A. RadiceSites for Music in purcell’s Dorset Garden Theatre
000B60 (1996) Silke Leopold ; Irene ZedlacherThe Orchestra in Early Opera
000C14 (1995) Jane F. FulcherThe Preparation for Vichy: Anti-Semitism in French Musical Culture Between the Two World Wars
000C29 (1995) Claudia R. JensenMusic for the Tsar: A Preliminary Study of the Music of the Muscovite Court Theater
000C30 (1995) Edith BorroffMore News on Women' s Accomplishments
000C70 (1994) Neal ZaslawThe New Grove Dictionary of Opera
000C91 (1994) Theodor W. AdornoII. THE MUSIC APPRECIATION HOUR AS PROMOTER OF MUSICAL PSEUDO-CULTURE
000D94 (1992) David MontgomeryViews, Reviews, and Nonviews: Two Studies in Historical Performance Practice
000E14 (1992) Anthony NewmanInequality (Inégales): A New Point of View
000E46 (1991) Kevin BazzanaThe Uses and Limits of Performance Practice in François Couperin's Huitiême Ordre
000E75 (1991) William MallochBach and the French Ouverture
000F50 (1989) Holly EastmanThe Drama of the Passions: Tate and Purcell's Characterization of Dido

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HfdIndexSelect -h $EXPLOR_AREA/Data/Main/Exploration/ISSN.i -k "0027-4631" 
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