List of bibliographic references indexed by theatre
Number of relevant bibliographic references: 24.
[0-20] [
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| Ident. | Authors (with country if any) | Title |
|---|
| 000024 (2015-10) |
Barbara Nestola [France] ; Michael Klaper ; Sara Elisa Stangalino ; Hendrik Schulze | Xerse. Cavalli/Lully |
| 000049 (2013) |
Jeanne-Marie Hostiou [France] ; Monnier Clémence | Le Rendez-vous des Tuileries ou le coquet trompé |
| 000071 (2011) |
Nobuko Akiyama [Japon] | Mathilde de Mlle de Scudéry : une lecture croisée avec le théâtre de l'époque |
| 000469 (2008) |
Michael J. Sidnell [Canada] | Semiotic arts of theatre |
| 000594 (2006) |
Miranda Welby-Everard | Imaging the Actor: the Theatre of Claude Cahun |
| 000625 (2005) |
Don Fader | The ‘Cabale du Dauphin’, Campra, and Italian Comedy: The Courtly Politics of French Musical Patronage around 1700 |
| 000963 (2000) |
Klaus Van Den Berg | Review of "Claude Schumacher, Rebecca Rovit, Alvin Goldfarb, Robert Skloot, Anat Feinberg, Staging the Holocaust: The Shoah in Drama and PerformanceTheatrical Performance During the HolocaustThe Theatre of the HolocaustEmbodied Memory: The Theatre of George TaboriSpectacular Suffering: Theatre, Fascism, and the Holocaust Cambridge University Press The Johns Hopkins University Press/PAJ Books University of Wisconsin Press University of Iowa Press Indiana University Press (1998) (1999) (1999) (1999) (1999)" |
| 000A77 (1998) |
| Reviews |
| 000A79 (1998) |
Roger W. Herzel | Review of "William D. Howarth, French theatre in the Neo-classical era, 1550–1789 Cambridge University Press (1997)" |
| 000C62 (1995) |
| REVIEWS |
| 000D85 (1993) |
Mary Ann Frese Witt | Fascist ideology and theatre under the Occupation: the case of Anouilh |
| 000D88 (1993) |
Stephen M. Rader [États-Unis] | A Comparison of Characteristics of Intellectually Gifted and Non-Intellectually Gifted Adolescents and Young Adults Participating in Theatre Arts Programs |
| 000E81 (1991) |
Andrea Webster | Play politics: policing theatre in Indonesia |
| 001030 (1988) |
Marvin Carlson | Review of "Ronald W. Vince, Ronald W. Vince, Ronald W. Vince, Ancient and Medieval Theatre: A Historiographical HandbookRenaissance Theatre: A Historiographical HandbookNeoclassical Theatre: A Historiographical Handbook Greenwood Greenwood Greenwood (1984) (1984) (1988)" |
| 001135 (1986) |
Hans Ulrich Gumbrecht [Allemagne] | Eighteenth-Century French Theatre as Medium for the Enlightenment |
| 001186 (1984) |
Maria Voda Ca Pu An | Theatre and reflexivity |
| 001466 (1977) |
David James Fisher | The Origins of the French Popular Theatre |
| 001822 (1965) |
| Book Reviews |
| 002146 (1771-01-01) |
Henry Fielding | The mock doctor: or, the dumb lady cur'd. A comedy. Done from Moliere. As it is acted at the Theatre-Royal in Drury-Lane. By His Majesty's servants. With the musick prefix'd to each song. |
| 002147 (1761-01-01) |
Henry Fielding | The mock doctor: or, the dumb lady cur'd. A comedy. Done from Moliere. As it is acted at the Theatre-Royal in Drury-Lane. By His Majesty's servants. With the musick prefix'd to each song. |
| 002148 (1753-01-01) |
Henry Fielding | The mock doctor: or, the dumb lady cur'd. A comedy. Done from Moliere. As it is acted at the Theatre-Royal in Drury-Lane, by His Majesty's servants. With the musick prefix'd to each song. |
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