List of bibliographic references indexed by history
Number of relevant bibliographic references: 56.
[0-20] [
0 - 20][
0 - 50][
20-40]
| Ident. | Authors (with country if any) | Title |
|---|
| 000066 (2011) |
D. Haslam [Royaume-Uni] | The history of obesity |
| 000116 (2010) |
Edward Pearce | The Enemies of Promise: Labour's Long War against Education |
| 000117 (2010) |
Harriet Kramer Linkin | Mary Tighe and Literary History: The Making of a Critical Reputation |
| 000191 (2009) |
Aaron Kozbelt [États-Unis] | Performance time productivity and versatility estimates for 102 classical composers |
| 000471 (2008) |
Jonathon Erlen [États-Unis] | Research on the history of psychiatry |
| 000591 (2006) |
Emanuele Senici | Opera on Stage. Ed. by Lorenzo Bianconi and Giorgio Pestelli. Trans. by Kate Singleton. pp. xii + 346. The History of Italian Opera, 5. (University of Chicago Press, Chicago and London, 2002, $55. ISBN 0-226-04591-9.) Opera in Theory and Practice, Image and Myth. Ed. by Lorenzo Bianconi and Giorgio Pestelli. Trans. by Kenneth Chalmers and Mary Whittall. pp. xiv + 456. The History of Italian Opera, 6. (University of Chicago Press, Chicago and London, 2003, $70. ISBN 0-226-04592-7.) |
| 000628 (2005) |
Roland Vaubel [Allemagne] | The Role of Competition in the Rise of Baroque and Renaissance Music |
| 000631 (2005) |
Colin Lawson | The Birth of the Orchestra: History of an Institution, 1650–1815. By John Spitzer and Neal Zaslaw. pp. xx + 614. (Oxford University Press, Oxford and New York, 2004, £95. ISBN 0-19-916434-3.) |
| 000645 (2005) |
Robert D. Hume [États-Unis] | Construction and Legitimation in Literary History |
| 000688 (2004) |
Arnold Whittall [Royaume-Uni] | Review: Wagner's Meistersinger: Performance, History, Representation |
| 000695 (2004) |
Christine Jonas-Simpson [Canada] | Musical Expressions of Life: A Look at the 18th and 19th Century from a Human Becoming Perspective |
| 000702 (2004) |
Solomon Marcus [Roumanie] | Formal Languages: Foundations, Prehistory, Sources, and Applications |
| 000736 (2003) |
Gavin Alexander | The Elizabethan Lyric as Contrafactum: Robert Sidney's ‘French Tune’ Identified |
| 000737 (2003) |
Jean Maruani [France] ; Roland Lefebvre [France] ; Marja Rantanen [France] | Science and Music: From the Music of the Depths to the Music of the Spheres |
| 000745 (2003) |
Helen M. Greenwald | Review: Opera: A History in Documents |
| 000762 (2003) |
Annette Davison [Royaume-Uni] | Music and Multimedia: Theory and History |
| 000769 (2003) |
Hilda M. Brown [Royaume-Uni] | Uwe Japp / Stefan Scherer / Claudia Stockinger (Hgg.), Das romantische Drama. Produktive Synthese zwischen Tradition und Innovation. 2000 |
| 000886 (2001) |
Laurent Guillo | Les livres de musique de Hugues Picardet (1560-1641), procureur général au Parlement de Bourgogne |
| 000A67 (1998) |
James Gilbert [États-Unis] | The opening of the American mind: Canons, culture, and history |
| 000A72 (1998) |
Randy Harris | The emergence of semantics in four linguistic traditions: Hebrew, Sanskrit, Greek, Arabic. Amsterdam studies in the theory and history of linguistic science, Series III—Studies in the history of the language sciences 82 |
| 000A80 (1998) |
Richard Wightman Fox [États-Unis] | Religious advocacy and American history |
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