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Picture and Counter-Picture: An Attempt to Involve Context in the Interpretation of Théâtre Italien Iconography

Identifieur interne : 000B22 ( Main/Exploration ); précédent : 000B21; suivant : 000B23

Picture and Counter-Picture: An Attempt to Involve Context in the Interpretation of Théâtre Italien Iconography

Auteurs : Bent Holm

Source :

RBID : ISTEX:233DAD207191681C53AE174E61A7CF6385C50E03

Abstract

On 23 February 1653 the 15-year old Louis XIV performed in the court ballet La Nuit (Plate 21), at the Petit-Bourbon in Paris. A political allegory with clear allusions to recent events, it represented the suppressed rebellion of the Fronde, with a promise of a glorious future for the realm. The dénouement featured the monarch in an apotheosis, in the shape of Le Roy Soleil (Sun King), who dispels the dark forces of the night. This was certainly Louis's first appearance in the role, but definitely not the last.

Url:
DOI: 10.1017/S0307883300017028


Affiliations:


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Le document en format XML

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<div type="abstract">On 23 February 1653 the 15-year old Louis XIV performed in the court ballet La Nuit (Plate 21), at the Petit-Bourbon in Paris. A political allegory with clear allusions to recent events, it represented the suppressed rebellion of the Fronde, with a promise of a glorious future for the realm. The dénouement featured the monarch in an apotheosis, in the shape of Le Roy Soleil (Sun King), who dispels the dark forces of the night. This was certainly Louis's first appearance in the role, but definitely not the last.</div>
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