The opera parodies of Florent Carton Dancourt
Identifieur interne : 000774 ( Main/Exploration ); précédent : 000773; suivant : 000775The opera parodies of Florent Carton Dancourt
Auteurs : John S. PowellSource :
- Cambridge Opera Journal [ 0954-5867 ] ; 2001-07.
Abstract
Unlike the opera parodies performed at the Comédie-Italienne in the 1690s and collected by Evariste Gherardi, Dancourt's Angélique et Médor and Renaud et Armide were performed during the première runs of their target operas – Lully's and Quinault's Roland and Armide, respectively. Undoubtedly prompted by Lully's opera monopoly and the draconian restrictions on music and dance that affected the musical repertory at the Comédie-Française, Dancourt's parodies take a tongue-in-cheek view of the madness of opera in general, while specifically satirizing the themes, characters, and operatic situations found in Roland and Armide.
Url:
DOI: 10.1017/S0954586701000878
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