Uwe Japp / Stefan Scherer / Claudia Stockinger (Hgg.), Das romantische Drama. Produktive Synthese zwischen Tradition und Innovation. 2000
Identifieur interne : 000769 ( Main/Exploration ); précédent : 000768; suivant : 000770Uwe Japp / Stefan Scherer / Claudia Stockinger (Hgg.), Das romantische Drama. Produktive Synthese zwischen Tradition und Innovation. 2000
Auteurs : Hilda M. Brown [Royaume-Uni]Source :
- Arbitrium [ 0723-2977 ] ; 2003-11-28.
English descriptors
- Teeft :
- Component parts, Different genres, Disparate elements, Dramatic form, Dramatist, Friedrich schlegel, Genre, Japp, Kleist, Lyric poetry, Michele essay, Novalis, Other forms, Pace goethe, Programme, Romantic drama, Romantic irony, Romantic poetry, Romantic programme, Romantische, Romantische drama, Schlegel, Tieck, Volker contribution.
Abstract
To the non-specialist the concept of German Romantic drama is immediately problematic. Might the absence of these works on the Spielplan of the German speaking stage seem like a judgement of history? Can one substitute other criteria than performability as criteria? Or, more bluntly: what justification can there be for the attention of 13 leading experts in Romantic scholarship to be focussed so intensely on this esoteric theme and the results enshrined in a book amounting to almost 300 pages? Even among students of German literature there will be many who are likely to be sceptical and who will be looking for answers to such questions.
Url:
DOI: 10.1515/ARBI.2003.205
Affiliations:
Links toward previous steps (curation, corpus...)
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- to stream Istex, to step Curation: 001455
- to stream Istex, to step Checkpoint: 000651
- to stream Main, to step Merge: 000771
- to stream Main, to step Curation: 000769
Le document en format XML
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<front><div type="abstract" xml:lang="en">To the non-specialist the concept of German Romantic drama is immediately problematic. Might the absence of these works on the Spielplan of the German speaking stage seem like a judgement of history? Can one substitute other criteria than performability as criteria? Or, more bluntly: what justification can there be for the attention of 13 leading experts in Romantic scholarship to be focussed so intensely on this esoteric theme and the results enshrined in a book amounting to almost 300 pages? Even among students of German literature there will be many who are likely to be sceptical and who will be looking for answers to such questions.</div>
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