INSIDE/INTERIORS: CHARDIN'S IMAGES OF THE FAMILY
Identifieur interne : 000640 ( Main/Exploration ); précédent : 000639; suivant : 000641INSIDE/INTERIORS: CHARDIN'S IMAGES OF THE FAMILY
Auteurs : René DémorisSource :
- Art History [ 0141-6790 ] ; 2005-09.
English descriptors
- Teeft :
- Adult activity, Bird organ, Canary, Card castles, Chardin, Charming child, Connaissances humaines, Denis diderot, Diderot, Diligent mother, Domestic domain, Domestic space, Domestic sphere, Domestic world, Eighteenth century, Etienne bonnot, Exterior space, Fresh eggs, Genre, Governess, Gure, Gures, History painting, Hunterian museum, Imminent departure, Kitchen maid, Lady sealing, Laundress, Lepicie, Little brother, Little girl, Louvre, Marivaux, Mercure, Morning toilet, Musee, Musees nationaux, National gallery, Nouveau traite, Oeuvres diverses, Open doors, Paysan parvenu, Peinture, Pierre rosenberg, Pious woman, Private collection, Rene demoris, Same time, Schoolmistress, Scraper, Scullery maid, Soap bubbles, Staatliche museen, Stockholm, Third estate, Turnip, Turnip scraper, Verbal language, Young girl, Young schoolmistress.
Abstract
This article examines afresh well‐known paintings by Jean‐Siméon Chardin that represent the domestic interior, and questions the extent to which they circumscribe a moral realm and invoke an ideal of ‘happy families’. Chardin's families are rarely nuclear; rather they constitute complex and potentially dynamic households that include servants as well as parents and children. Through a close analysis of individual works, including still‐life and figure subjects, this essay draws attention to the ambiguity of the domestic domain as a space of the presocial, of wild, untamed drives, and one in which social aspirations are occasionally played out. It reflects on the passions and desires of the domestic world, intimated by an artist usually associated with Enlightenment.
Url:
DOI: 10.1111/j.1467-8365.2005.00472.x
Affiliations:
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