The Decline of the Art of Composition: A Technical‐Critical Study

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The Decline of the Art of Composition: A Technical‐Critical Study

Auteurs : Heinrich Schenker ; William Drabkin

Source :

• Music Analysis [ 0262-5245 ] ; 2005-03.

RBID : ISTEX:D4D288B74CCDDCE58C57B10A91F08B0298B1DBD9

English descriptors

• Teeft :
  • Abbreviation, Abduction, Absolute melody, Absolute music, Absolute terms, Accentuation, Ancient times, Andante, Antecedent, Antecedent phrase, Anton bruckner, Aristocratism, Artistic effect, Artistic error, Artistic intelligence, Artistic principles, Bach, Beautiful music, Beethoven, Berlioz, Blackwell, Blackwell publishing, Bottom margin, Brahms, Cadence, Carl maria, Certain amount, Certain forcedness, Chamber music, Choral music, Christoph willibald ritter, Churchyard duet, Clarinet, Classical composers, Classical form, Classical masters, Classical works, Commendatore, Complete precision, Component part, Compositional technique, Comprehensive mastery, Consequent phrase, Cyclic, Cyclic composers, Cyclic composition, Cyclic form, Cyclic work, Cyclic works, Dear audience, Deceptive cadence, Decisive achievements, Development section, Domenico scarlatti, Drama part, Dramatic composer, Dramatic effect, Dramatic grounds, Dramatic truth, Duet, Emanuel, Emanuel bach, Entire life, Entire movement, Entire story, Eroica symphony, Fantastic symphony, Fifth symphony, Final cadence, Fine arts, First appearance, First group, First movement, First movements, First part, First place, First section, First theme, First time, Fourth movement, Franz liszt, Fugue, Fundamental difference, Further course, Further development, Gain insight, Genre, German masters, German nation, German requiem, Giovanni, Gluck, Great masters, Great variety, Greater extent, Greatest freedom, Group construction, Half cadence, Hard work, Harmonic, Harmonic progression, Harmonielehre, Haydn, Healthy relationship, Heinrich, Heinrich schenker, High degree, High time, Higher sense, Horn parts, Hugo wolf, Hungarian dances, Hybrid genre, Imperfect cadence, Individual components, Individual content, Individual events, Individual parts, Individual passages, Individual theme, Individual themes, Instrumental music, Instrumental works, Internal associations, Irrationality, Italian serenade, Jubilaumsausgabe, Judgement, Large form, Large number, Larger group, Larger unity, Last movement, Last part, Last phase, Last section, Leporello, Limitless riches, Liszt, Little feeling, Long pieces, Long stretches, Long subject, Long time, Lower order, Magic flute, Main theme, Major group, Major section, Marginal note, Marginal notes, Melodic construction, Mendelssohn, Metric organisation, Meyerbeer, Middle section, Modern cyclic works, Modulation, Modulation section, Motivic, Motivic material, Mozart, Music analysis, Music drama, Music dramas, Musical association, Musical associations, Musical atom, Musical cohesiveness, Musical conscience, Musical construction, Musical content, Musical form, Musical idea, Musical laws, Musical logic, Musical perspective, Musical principles, Musical standpoint, Musical synthesis, Musical talent, Musical terms, Nineteenth century, Ninth symphony, Opera composers, Operatic composition, Operatic music, Oratorio, Orchestral technique, Organisation, Original typescript, Oster collection, Other arts, Other composers, Other hand, Other instruments, Other path, Other reason, Other respects, Other things, Other words, Other works, Otto erich deutsch, Parallel construction, Parallel constructions, Pencil note, Piano accompaniment, Piano concerto, Piano concertos, Piano quartet, Piano quartets, Piano solo, Piano sonata, Piano sonatas, Piano trio, Piano trios, Poetic intent, Present generation, Present time, Previous material, Principal theme, Programmatic, Programmatic composer, Programmatic music, Programme, Programme music, Progression, Publishing, Quintet, Rapid parallelisms, Real life, Real world, Realise, Realised, Recapitulation, Recent times, Recognise, Return modulation, Richard strauss, Richard wagner, Riches, Same extent, Same language, Same path, Same piano trio, Same problem, Same symphony, Same thing, Same time, Schematic pattern, Schematic plan, Schenker, Schumann, Sebastian bach, Second group, Second half, Second scene, Second section, Second theme, Secondary group, Secular cantatas, Seraglio, Serenade, Several instruments, Several motives, Short statement, Similar terms, Simple reason, Single theme, Sixth symphony, Slow movement, Smaller elements, Solo instrument, Sonata, Sonata form, Song form, Square brackets, Strictest sense, String orchestra, String quartet, String quartets, String quintets, Strong accent, Stupid tones, Subject matter, Subsidiary area, Such cases, Such works, Superfluous repetitions, Symphonic development, Symphonic poem, Symphonic poems, Systematic catalogues, Technical considerations, Theatre audiences, Theatrical effect, Thematic, Thematic development, Thematic groups, Thematic material, Third group, Third movement, Third section, Third sections, Tiny amount, Tonality, Tone colour, Tonic, Total artwork, Trans, True genius, True geniuses, True masters, True work, Truthfulness, Typescript, Unnumbered page, Various elements, Violin concerto, Vocal music, Wagner, Wagnerian sense, Weak bars, Weber, Wind instruments.

Url:

• https://api.istex.fr/ark:/67375/WNG-JPFSQ9FW-B/fulltext.pdf

DOI: 10.1111/j.1468-2249.2005.00217.x

Affiliations:

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