‘Sonade, que me veux tu?’: reconstructing French identity in the wake of Corelli's op.5
Identifieur interne : 001541 ( Istex/Curation ); précédent : 001540; suivant : 001542‘Sonade, que me veux tu?’: reconstructing French identity in the wake of Corelli's op.5
Auteurs : Peter WallsSource :
- Early Music [ 0306-1078 ] ; 2004-02.
English descriptors
- Teeft :
- Adagio, Allegro, Allegro adagio, Allegro staccato, Antonio meloni, Appellent sonate, Arcangelo, Arcangelo corelli, Avec, Bass line, Bass viol, Bass violin, Basse, Basso, Basso continuo, British library, Cette, Chant, Character pieces, Chercher faire avec, Chiesa, Chiesa sonatas, Chiesa type, Cimbalo, Comme, Composition dequelles, Corelli, Dance forms, Doit entrer, Duval, Early years, Elles, Elles commencent, Elles prennent, Engraving, Especes principales, External features, Faire, Faire avec, Faire briller, Faite ordinairement, Faudroit faire comme, French colleagues, French composition, French music, French musicians, French violin clef, French violinists, Frontispiece, Fugal, Fugue, Genre, Grave violino violone, Imitative entries, Instrument society, Italian features, Italian tradition, Italiens, Italiens appellent, John walsh, Joseph marchand, Largo, Last movement, Livre, Louis livre, Louis premier livre, Marchand, Mascitti, Mascitti engraving, Michael talbot points, Michele, Michele mascitti, Mieux cette soit, Moto perpetuo, Music letters, Musique, Musique fait, Musique instrumentale, Musique italienne, Nationale, Notre dame, Opening fugue violon basse, Opening movement, Opening sonata, Ordinairement, Peintre grossier, Picart, Plusiers sortes, Private communication, Quelque espece, Recueils appelle, Second book, Second movement, Seul, Seul instrument, Sonata, Sonate, Sonates, Sonates dont, Sonates sont, Sonates violon seul, Sonates violon seul avec, Sons touchans, Sont, Telle composition, Toit oblig, Toutes sortes, Transport sonate, Trois mouvements, Violin line, Violin part, Violino, Violino solo, Violino violone, Violon, Violoncello, Violone, Violone cemballo, Voix, Voix humaine, Voulant introduire.
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DOI: 10.1093/earlyj/32.1.27
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Peter Walls<affiliation><mods:affiliation>Peter Walls is the author of Music in the English courtly masque (OUP, 1996) and History, imagination, and the performance of music (Boydell, 2002). He is currently on leave from his position as Professor of Music at Victoria University of Wellington while he acts as Chief Executive of the New Zealand Symphony Orchestra</mods:affiliation><wicri:noCountry code="subField">Orchestra</wicri:noCountry></affiliation>Le document en format XML
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