SOCIAL STRUCTURE AND GENERATIONS IN ART:
Identifieur interne : 001B40 ( Istex/Corpus ); précédent : 001B39; suivant : 001B41SOCIAL STRUCTURE AND GENERATIONS IN ART:
Auteurs : Emanuel LevySource :
- Sociological Quarterly [ 0038-0253 ] ; 1990-06.
English descriptors
- Teeft :
- Abortive attempts, American journal, Anne foner, Artistic conventions, Artistic ideology, Artistic innovations, Artistic matters, Artistic policy, Balfour declaration, Bolshevik revolution, Cameri, Cameri theater, Cameri theaters, Case study, Case study ofthe hebrew theater, Class struggle, Columbia university press, Cultural center, Cultural ideals, Cultural settings, Cultural tradition, Demographic conditions, Demographic structure, Differential impact, Dominant culture, Dominant theme, Early kibbutzim, Eastern europe, Equal rights, First decade, First group, First time, Formative years, Founding group, Founding members, Fourth theater, Fourth troupe, Free press, Generation status, Generation unit, Generation units, Generational, Generational theater, Generational theaters, German russian, Greater diversity, Habima, Habima theater, Haifa, Haifa theater, Haifa theaters, Harold pinter, Hebrew, Hebrew language, Hebrew theater, Historical dramas, Historical events, Historical location, Ideological groups, Indigenous hebrew drama, Israeli, Israeli drama, Israeli society, Israeli theater, Jewish community, Jewish ghetto, Jewish history, Jewish theater, Kibbutz, Labor movement, Language hebrew yiddish english, Literary works, Major parts, Majority vote, Many pioneers, Marilyn johnson, Militant zionists, Modem, Municipal theater, National home, National theater, Nineteenth century, October revolution, Ohel, Ohel theater, Ohel theaters, Older theaters, Other theaters, Oxford university press, Physical appearance, Positive reference group, Repertoire, Revolutionary spirit, Russell sage, Russian theater, Same generation unit, Second theaters, Sharp opposition, Similar proportions, Small group, Social forces, Social issues, Social structure, Soviet russia, Soviet union, Star system, Structural location, Stylistic innovations, Sufficient condition, Tennessee williams, Theater, Theatrical institution, Theme jewish israeli, Third production, Topical israeli, Troupe, Tsarist regime, Veteran groups, Veteran theaters, Wellesley college, Western europe, Yiddish, Yiddish literature, Yiddish theater, Yiddish theaters, Young israeli playwrights, Young people, Young players, Younger generation, Younger players, Zionist, Zionist philosophy, Zionist pioneers.
Abstract
This study examines artistic innovations from the point of view of age structure and age stratification. Drawing on Mannheim's theory of generations, it describes and analyzes the history of the Hebrew theater, from its beginnings in 1917 to 1977, in terms of four theaters that were expressions of generation units. The study suggests that the crucial variable in explaining changes in artistic ideologies, contents, and styles of the Hebrew theater is Mannheim's concept of generation unit. The emergence and evolution of these generational theaters are explained in relation to changes in the demographic, political, and social structures of Israeli society during the historical era under consideration. Special emphasis is placed on the role of youth in originating artistic innovations and on the problems of maintaining and institutionalizing innovations.
Url:
DOI: 10.1111/j.1533-8525.1990.tb00325.x
Links to Exploration step
ISTEX:800E143026E9A23799770597DB0333D616546B80Le document en format XML
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Special emphasis is placed on the role of youth in originating artistic innovations and on the problems of maintaining and institutionalizing innovations.</p></abstract><langUsage><language ident="en"></language></langUsage></profileDesc></teiHeader></istex:fulltextTEI><json:item><extension>txt</extension><original>false</original><mimetype>text/plain</mimetype><uri>https://api.istex.fr/ark:/67375/WNG-LXT4WM7C-Z/fulltext.txt</uri></json:item></fulltext><metadata><istex:metadataXml wicri:clean="Wiley, elements deleted: body"><istex:xmlDeclaration>version="1.0" encoding="UTF-8" standalone="yes"</istex:xmlDeclaration><istex:document><component version="2.0" type="serialArticle" xml:lang="en"><header><publicationMeta level="product"><publisherInfo><publisherName>Blackwell Publishing Ltd</publisherName><publisherLoc>Oxford, UK</publisherLoc></publisherInfo><doi origin="wiley" registered="yes">10.1111/(ISSN)1533-8525</doi><issn type="print">0038-0253</issn><issn type="electronic">1533-8525</issn><idGroup><id type="product" value="TSQ"></id><id type="publisherDivision" value="ST"></id></idGroup><titleGroup><title type="main" sort="SOCIOLOGICAL QUARTERLY">Sociological Quarterly</title></titleGroup></publicationMeta><publicationMeta level="part" position="06002"><doi origin="wiley">10.1111/tsq.1990.31.issue-2</doi><numberingGroup><numbering type="journalVolume" number="31">31</numbering><numbering type="journalIssue" number="2">2</numbering></numberingGroup><coverDate startDate="1990-06">June 1990</coverDate></publicationMeta><publicationMeta level="unit" type="article" position="0020300" status="forIssue"><doi origin="wiley">10.1111/j.1533-8525.1990.tb00325.x</doi><idGroup><id type="unit" value="TSQ203"></id></idGroup><countGroup><count type="pageTotal" number="22"></count></countGroup><eventGroup><event type="firstOnline" date="2005-04-21"></event><event type="publishedOnlineFinalForm" date="2005-04-21"></event><event type="xmlConverted" agent="Converter:BPG_TO_WML3G version:2.3.2 mode:FullText source:HeaderRef result:HeaderRef" date="2010-03-01"></event><event type="xmlConverted" agent="Converter:WILEY_ML3G_TO_WILEY_ML3GV2 version:3.8.8" date="2014-02-10"></event><event type="xmlConverted" agent="Converter:WML3G_To_WML3G version:4.1.7 mode:FullText,remove_FC" date="2014-11-04"></event></eventGroup><numberingGroup><numbering type="pageFirst" number="203">203</numbering><numbering type="pageLast" number="224">224</numbering></numberingGroup><correspondenceTo>*Direct all correspondence to: Emanuel Levy, Department of Sociology, Wellesley College, Wellesley, MA 02181.</correspondenceTo><linkGroup><link type="toTypesetVersion" href="file:TSQ.TSQ203.pdf"></link></linkGroup></publicationMeta><contentMeta><countGroup><count type="referenceTotal" number="51"></count><count type="linksCrossRef" number="2"></count></countGroup><titleGroup><title type="main">SOCIAL STRUCTURE AND GENERATIONS IN ART:</title><title type="subtitle">A Case Study of the Hebrew Theater</title></titleGroup><creators><creator creatorRole="author" xml:id="cr1" affiliationRef="#a1" corresponding="yes"><personName><givenNames>Emanuel</givenNames><familyName>Levy</familyName></personName></creator></creators><affiliationGroup><affiliation xml:id="a1"><unparsedAffiliation>Wellesley College</unparsedAffiliation></affiliation></affiliationGroup><abstractGroup><abstract type="main" xml:lang="en"><p>This study examines artistic innovations from the point of view of age structure and age stratification. Drawing on Mannheim's theory of generations, it describes and analyzes the history of the Hebrew theater, from its beginnings in 1917 to 1977, in terms of four theaters that were expressions of generation units. The study suggests that the crucial variable in explaining changes in artistic ideologies, contents, and styles of the Hebrew theater is Mannheim's concept of generation unit. The emergence and evolution of these generational theaters are explained in relation to changes in the demographic, political, and social structures of Israeli society during the historical era under consideration. Special emphasis is placed on the role of youth in originating artistic innovations and on the problems of maintaining and institutionalizing innovations.</p></abstract></abstractGroup></contentMeta></header></component></istex:document></istex:metadataXml><mods version="3.6"><titleInfo lang="en"><title>SOCIAL STRUCTURE AND GENERATIONS IN ART:</title><subTitle>A Case Study of the Hebrew Theater</subTitle></titleInfo><titleInfo type="alternative" contentType="CDATA" lang="en"><title>SOCIAL STRUCTURE AND GENERATIONS IN ART:</title></titleInfo><name type="personal"><namePart type="given">Emanuel</namePart><namePart type="family">Levy</namePart><affiliation>Wellesley College</affiliation><affiliation>Correspondence address: *Direct all correspondence to: Emanuel Levy, Department of Sociology, Wellesley College, Wellesley, MA 02181.</affiliation><role><roleTerm type="text">author</roleTerm></role></name><typeOfResource>text</typeOfResource><genre type="article" displayLabel="article" authority="ISTEX" authorityURI="https://content-type.data.istex.fr" valueURI="https://content-type.data.istex.fr/ark:/67375/XTP-6N5SZHKN-D">article</genre><originInfo><publisher>Blackwell Publishing Ltd</publisher><place><placeTerm type="text">Oxford, UK</placeTerm></place><dateIssued encoding="w3cdtf">1990-06</dateIssued><copyrightDate encoding="w3cdtf">1990</copyrightDate></originInfo><language><languageTerm type="code" authority="rfc3066">en</languageTerm><languageTerm type="code" authority="iso639-2b">eng</languageTerm></language><physicalDescription><extent unit="references">51</extent><extent unit="linksCrossRef">2</extent></physicalDescription><abstract lang="en">This study examines artistic innovations from the point of view of age structure and age stratification. Drawing on Mannheim's theory of generations, it describes and analyzes the history of the Hebrew theater, from its beginnings in 1917 to 1977, in terms of four theaters that were expressions of generation units. The study suggests that the crucial variable in explaining changes in artistic ideologies, contents, and styles of the Hebrew theater is Mannheim's concept of generation unit. The emergence and evolution of these generational theaters are explained in relation to changes in the demographic, political, and social structures of Israeli society during the historical era under consideration. Special emphasis is placed on the role of youth in originating artistic innovations and on the problems of maintaining and institutionalizing innovations.</abstract><relatedItem type="host"><titleInfo><title>Sociological Quarterly</title></titleInfo><genre type="journal" authority="ISTEX" authorityURI="https://publication-type.data.istex.fr" valueURI="https://publication-type.data.istex.fr/ark:/67375/JMC-0GLKJH51-B">journal</genre><identifier type="ISSN">0038-0253</identifier><identifier type="eISSN">1533-8525</identifier><identifier type="DOI">10.1111/(ISSN)1533-8525</identifier><identifier type="PublisherID">TSQ</identifier><part><date>1990</date><detail type="volume"><caption>vol.</caption><number>31</number></detail><detail type="issue"><caption>no.</caption><number>2</number></detail><extent unit="pages"><start>203</start><end>224</end><total>22</total></extent></part></relatedItem><identifier type="istex">800E143026E9A23799770597DB0333D616546B80</identifier><identifier type="ark">ark:/67375/WNG-LXT4WM7C-Z</identifier><identifier type="DOI">10.1111/j.1533-8525.1990.tb00325.x</identifier><identifier type="ArticleID">TSQ203</identifier><recordInfo><recordContentSource authority="ISTEX" authorityURI="https://loaded-corpus.data.istex.fr" valueURI="https://loaded-corpus.data.istex.fr/ark:/67375/XBH-L0C46X92-X">wiley</recordContentSource><recordOrigin>Blackwell Publishing Ltd</recordOrigin></recordInfo></mods><json:item><extension>json</extension><original>false</original><mimetype>application/json</mimetype><uri>https://api.istex.fr/ark:/67375/WNG-LXT4WM7C-Z/record.json</uri></json:item></metadata><serie></serie></istex></record>Pour manipuler ce document sous Unix (Dilib)
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