Influences of the Early Eighteenth‐Century Social Minuet on the Minuets From J. S. Bach’s French Suites, BWV 812‐17
Identifieur interne : 001956 ( Istex/Corpus ); précédent : 001955; suivant : 001957Influences of the Early Eighteenth‐Century Social Minuet on the Minuets From J. S. Bach’s French Suites, BWV 812‐17
Auteurs : Eric MckeeSource :
- Music Analysis [ 0262-5245 ] ; 1999-07.
English descriptors
- Teeft :
- Bach, Basic idea, Basic idea presentation, Bass line, Blackwell, Blackwell publishers, Cadence, Cadential progression, Cambridge university press, Classical form, Classical music, Classical style, Complete agreement, Consistent hypermetre, Continuation group, Dance books, Dance figures, Dance music, Dance notation, Dancing master, Dancing masters, Downbeat, Early music, Eighteenth century, Eric, Exhibits sentence structure, Final cadence, First half, First note, First phrase, Formal basis, French court, French court dancing, French suite, French suites, Functional dance, Functional minuets, Further emphasised, Further improvement, General rule, Geographical listing, Global closure, Good taste, Harmonic rhythm, Hypermetre, Inner voice, Instrumental music, Inuets, Irregular phrase structures, Klavier, Linear descent, Menuet, Menuet ordinaire, Metrical, Metrical levels, Metrical structure, Metrical unit, Metrical units, Middle phrase, Minuet, Minuet music, Minuet step, Motivic, Motivic material, Music analysis, Music theory, Musical strains, Musical surface, Notated, Notated metre, Opening bars, Opening material, Opening melody, Opening phrase, Opening reverences, Ordinaire, Other court dances, Other dances, Oxford university press, Particular type, Perfect cadence, Phenomenal accent, Phenomenal accents, Phrase boundaries, Phrase construction, Phrase structure, Phrase structures, Polyphonic texture, Practical necessity, Progression, Rench, Rhythmic displacements, Right hand, Schirmer books, Second half, Second phrase, Second subphrase, Sentence structure, Social dances, Solo texture, Standard feature, Structural uniformity, Theatrical dances, Tomlinson, Tonal music, Tonic, Treatise, Uites, Upper voice, Vocal music, Voice exchange, Wilhelm friedemann.
Url:
DOI: 10.1111/1468-2249.00092
Links to Exploration step
ISTEX:1D678CB05878C131E8066B5E96F3E6A5ED283C04Le document en format XML
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