Bulletin board
Identifieur interne : 001675 ( Istex/Corpus ); précédent : 001674; suivant : 001676Bulletin board
Auteurs :Source :
- Music Educators Journal [ 0027-4321 ] ; 1977-04.
English descriptors
- Teeft :
- Alice tully hall, American institute, American music, Application forms, April, Arizona cello society, Band directors, Carnegie hall, Cello, City university, Claremont graduate school, Community colleges, Condensed score, Folk music, Foreign study, Full score, Group environments, High school, High school students, International percussion symposium, Johns hopkins university, Kennedy center, Lincoln center, Martha baird rockefeller fund, Music teachers, Musical games, National endowment, Peabody institute, Practical guide, Public schools, Robert washburn, School musician director, Sight reading, Symphonic band, Tuba, Tuba solo, York city.
Url:
DOI: 10.2307/3395280
Links to Exploration step
ISTEX:BAD23FC9444F0EAAB5CE60ED83387A7D2A8F5CFCLe document en format XML
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1976</json:string></ref_bibl><bibl></bibl></unitex></namedEntities><ark><json:string>ark:/67375/M70-L8LXCJ1K-T</json:string></ark><publicationDate>1977</publicationDate><copyrightDate>1977</copyrightDate><doi><json:string>10.2307/3395280</json:string></doi><id>BAD23FC9444F0EAAB5CE60ED83387A7D2A8F5CFC</id><score>1</score><fulltext><json:item><extension>pdf</extension><original>true</original><mimetype>application/pdf</mimetype><uri>https://api.istex.fr/ark:/67375/M70-L8LXCJ1K-T/fulltext.pdf</uri></json:item><json:item><extension>zip</extension><original>false</original><mimetype>application/zip</mimetype><uri>https://api.istex.fr/ark:/67375/M70-L8LXCJ1K-T/bundle.zip</uri></json:item><istex:fulltextTEI uri="https://api.istex.fr/ark:/67375/M70-L8LXCJ1K-T/fulltext.tei"><teiHeader><fileDesc><titleStmt><title level="a" type="main" xml:lang="en">Bulletin board</title></titleStmt><publicationStmt><authority>ISTEX</authority><publisher scheme="https://scientific-publisher.data.istex.fr">SAGE Publications</publisher><pubPlace>Sage CA: Los Angeles, CA</pubPlace><availability><licence><p>sage</p></licence></availability><p scheme="https://loaded-corpus.data.istex.fr/ark:/67375/XBH-0J1N7DQT-B"></p><date>1977</date></publicationStmt><notesStmt><note type="other" scheme="https://content-type.data.istex.fr/ark:/67375/XTP-7474895G-0">other</note><note type="journal" scheme="https://publication-type.data.istex.fr/ark:/67375/JMC-0GLKJH51-B">journal</note></notesStmt><sourceDesc><biblStruct type="inbook"><analytic><title level="a" type="main" xml:lang="en">Bulletin board</title><idno type="istex">BAD23FC9444F0EAAB5CE60ED83387A7D2A8F5CFC</idno><idno type="ark">ark:/67375/M70-L8LXCJ1K-T</idno><idno type="DOI">10.2307/3395280</idno><idno type="article-id">10.2307_3395280</idno></analytic><monogr><title level="j">Music Educators Journal</title><idno type="pISSN">0027-4321</idno><idno type="eISSN">1945-0087</idno><idno type="publisher-id">MEJ</idno><idno type="PublisherID-hwp">spmej</idno><imprint><publisher>SAGE Publications</publisher><pubPlace>Sage CA: Los Angeles, CA</pubPlace><date type="published" when="1977-04"></date><biblScope unit="volume">63</biblScope><biblScope unit="issue">8</biblScope><biblScope unit="page" from="9">9</biblScope><biblScope unit="page" to="21">21</biblScope></imprint></monogr></biblStruct></sourceDesc></fileDesc><profileDesc><creation><date>1977</date></creation><langUsage><language ident="en">en</language></langUsage></profileDesc><revisionDesc><change when="1977-04">Published</change></revisionDesc></teiHeader></istex:fulltextTEI><json:item><extension>txt</extension><original>false</original><mimetype>text/plain</mimetype><uri>https://api.istex.fr/ark:/67375/M70-L8LXCJ1K-T/fulltext.txt</uri></json:item></fulltext><metadata><istex:metadataXml wicri:clean="corpus sage not found" wicri:toSee="no header"><istex:xmlDeclaration>version="1.0" encoding="UTF-8"</istex:xmlDeclaration><istex:docType PUBLIC="-//NLM//DTD Journal Publishing DTD v2.3 20070202//EN" URI="journalpublishing.dtd" name="istex:docType"></istex:docType><istex:document><article article-type="other" dtd-version="2.3" xml:lang="EN"><front><journal-meta><journal-id journal-id-type="hwp">spmej</journal-id><journal-id journal-id-type="publisher-id">MEJ</journal-id><journal-title>Music Educators Journal</journal-title><issn pub-type="ppub">0027-4321</issn><publisher>
<publisher-name>SAGE Publications</publisher-name>
<publisher-loc>Sage CA: Los Angeles, CA</publisher-loc>
</publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.2307/3395280</article-id><article-id pub-id-type="publisher-id">10.2307_3395280</article-id><article-categories><subj-group subj-group-type="heading"><subject>Articles</subject></subj-group></article-categories><title-group><article-title>Bulletin board</article-title></title-group><pub-date pub-type="ppub"><month>04</month><year>1977</year></pub-date><volume>63</volume><issue>8</issue><fpage>9</fpage><lpage>21</lpage><custom-meta-wrap><custom-meta xlink:type="simple"><meta-name>sagemeta-type</meta-name><meta-value>Other</meta-value></custom-meta><custom-meta xlink:type="simple"><meta-name>search-text</meta-name><meta-value> bulletin board Reforms in French music education. Music has long been a stepchild of education in France, but the days of “Berlioz who?” may soon be coming to an end. In the fall of 1976, the government of President Ciscard d'Estaing began to implement programs that, if all goes as planned, should give the country one of the best music programs in the world. Under an initial three-year plan drawn up at the Ministry of Education, five pilot music academies will be set up to present thousands of concerts for school children in an attempt to make music a more integral part of the child's environment. In addition, these academies will hold sessions for primary and secondary level students to familiarize them with the instruments of the orchestra. The general status of music teachers will be elevated throughout the school system. Under a budget that provides for the formation of at least 1,000 new school orchestras and 5,000 new choirs by 1978, children are to be encouraged to learn an instrument and to form orchestras and choirs. High school students may be able to take music as a subject for their final exams following courses in music studies, and a test of music literacy and aptitude will be included in entrance examinations at French teachers colleges. Music counselors will be appointed to aid university presidents in trying to interest more graduates in music teaching as a career. Composer Marcel Landowski, who will be in charge of implementing the reforms, has stated that his aims include transforming music in the nation's primary and secondary schools into a combination of “game, festival, and communion” and has called for the commissioning of works espe- cially written for children to perform. Although gifted children will be encouraged, the emphasis of the new programs will lie on fostering knowledgeable enjoyment of music rather than creating professional musicians. Parents polled on education. Parents of children attending U.S. public schools believe that they share in the responsibility for the national drop in achievement test scores, and they're willing to work with educators to improve the quality of their children's education. These are two of the most striking findings in the Eighth Annual Survey of the Public's Attitudes Toward the Public Schools, a project jointly conducted by the Gallup Poll and the Charles F. Kettering Foundation. When asked to choose from a list of possible causes for the drop in test scores (which is often equated with a drop in the quality of education), sixty-five percent of the parents selected “less parent attention, concern, and supervision of the child.” Seventy-seven percent favored the suggestion “… that courses be offered at convenient times to parents in order to help them help their children in school,” and fifty-one percent of those interviewed would be willing to pay additional taxes to support such a program. In other findings of the survey, the demand for more emphasis on career education was strongly voiced, with eighty percent of the parents favoring an increase in career preparation in high school and fifty-two percent desiring the inclusion of more information about careers in the elementary curriculum. When asked to choose from suggested ways of improving the overall quality of public school education,fifty-one percent of re- Fot CoKceti died Ctucteftt- CHR0N0L0G, Jared Spears (M)…$35.00 We are proud of this addition to our catalog by Mr. Spears, and we think it is his best to date. Very practically written for performance by high school groups. GRANT US THY MERCY, Lotti, Arr. by C. R. Spinney (ME)…… 12.50 A chorale-like setting of a sacred piece, which makes a good concert number as well as a study in pitch and balance. TUMBALALAIKA, Arr. by C. R. Spinney (ME)…………… 12.50 A refreshing setting of the well-known Russian folk song; a new addition to the Planned Program Series (Junior High and smaller High Schools). GRANT US THY MERCY— Lotti/Spinney…………….$12.50 A chorale setting excellent for concert or teaching use. TUMBALALAIKA—Spinney …… 12.50 New treatment of a famous Russian folk song, fine for Junior High or smaller High Schools. CAPRICCIO C0NCERTANT— McBeth…………………. 40.00 Commissioned by and dedicated to the South Dakota All State Band and the South Dakota Bicentennial Commission. RAPSCALLION—Barnes……… 35.00 Subtitled Overture-Scherzo for Symphonic Band —a brilliant and ingratiating piece for concert and contest. JUBIL0S0—Panerio …………. 30.00 Winner of the 1975 ABA-Ostwald Award. Very playable by groups at the high school level, as well as college. FESTIVAL MUSIC FOR A CROWN PRINCE—Tohno………. 35.00 Original band music, written for the wedding of Crown Prince Aki-hito of Japan. Rehearsal record included. SUITE R0YALE—Lully/Schaefer …. 25.00 Orginially written for displays by the horsemen of the King of France. A brilliant and interesting addition to the band repertoire. TO BE FED BY RAVENS—McBeth … 40.00 SOUTHERN MUSIC COMPANY P.O. BOX 329 SAN ANTONIO, TEXAS 78292 mej/april '77 9 Can better actually cost less? Emphatically yes! Remo RotoToms are proving superior to standard wood or metal timpani in dozens of Orff/Schulwerk and other elementary music training programs around the country. Tuning is simple and secure. The sound is professional. And RotoToms are far more rugged, yet are amazingly compact, lightweight and fully portable. See your Remo dealer or write for RotoToms catalog. REMO REMO, INC. 12804 RAYMER STREET, NORTH HOLLYWOOD, CALIFORNIA 91605 EMERGENCY REPAIR KIT CONTENTS—Cork Cement-Chain Nose Pliers-Spring Hook-Swivel Top Screwdriver-Feelers-Cork Knife-Valve, Key, Slide, and Bore Oil-Cork Grease-Asst. Clarinet Pads-Asst. Sax Pads-Asst. Flute Pads-Asst. Water Key Springs-French Horn Cord-Asst. Flat Spring Screws-Alcohol Lamp-Key Bending Pliers-Brasso-Pad Leveling Tool-Special Pad Prick-Rawhide Mallet-Pivot Screw Key Reamer-Stick Shellac-1/64″, 1/32″, 1/16″, 3/32” Sheet Cork-Asst. Water Key Corks-Tapered Neck Corks-Asst. Valve Stem Corks-Asst. Valve Stem Felts-Asst. Felt Bumpers-Asst. Sax Key Felts-Asst. Needle Springs-Asst. Flat Springs-Asst. Flat Spring Screws-Asst. Valve Springs-Asst. Pivot and Thumb Rest Screws/Valve Cleaning Rod-Valve Mirror-Emery Strip-Asst. Lyre Screws-Asst. Ligature Screws-Asst. Baritone & Sousa Bell Screws. 'Repair bills driving you up the wall?” Special Offer! $99.95 Hazelton Band Instrument Repair 611-68th Place Kenosha, Wisconsin 53140 spondents wanted to “devote more attention to the teaching of basic skills/' and fifty percent wanted to “enforce stricter discipline.” A consensus was found in favor of requiring high school students to pass a standard examination in order to receive a diploma, with sixty-five percent of parents registering agreement. “High moral standards” was the quality in students thought to be most neglected by schools and parents alike, and learning to think for oneself was regarded as most important in the overall development of the child. In an effort to examine attitudes toward school budget reductions, the pollsters presented a list of eight ways by which budgets could be cut and asked interviewees to record favorable or unfavorable opinions for each item. A reduction in administrative personnel was most often cited, with seventy-two percent of the respondents favoring a cut. Eliminating after-school activities, such as band or athletics, ranked fifth on the list, with only thirty-one percent in favor. As in past years, discipline continued to be regarded as the most serious problem in the public schools. Nine other problem areas cited, in descending order of importance, were: integration/segregation/busing, lack of proper financial support, poor curriculum, use of drugs, difficulty of getting “good” teachers, parents' lack of interest, size of school/ classes, school board policies, and pupils' lack of interest. Reprints of the survey can be purchased in lots of twenty-five for $5 from the Director of Administrative Services, Phi Delta Kappa, P.O. Box 789, Eighth and Union, Bloomington, Indiana 47401. New orchestra category. A new classification of orchestra—”Regional”— encompassing orchestras with budgets between $500,000 and $1.5 million has been announced by the American Symphony Orchestra League. The name “regional” was adopted because orchestras in this budget category have expanded their seasons and their budgets in recent years by traveling widely in their geographic area to reach new audiences. Orchestras such as the Oregon Symphony, formerly the Portland Symphony, and the Oklahoma Symphony, formerly the Oklahoma City Symphony, have changed their names to reflect this increased emphasis on outreach service. Sixteen American orchestras and two Canadian orchestras are represented in the new category. Previously, the “Metropolitan” category included all orchestras budgeted between $100,000 and $1 million, and the term “Major” applied to or- 10 mej/april HI chestras with budgets over $1 million. Action at the 1976 League National Conference raised the threshold for “Major” orchestras to $1.5 million, which necessitated a split in the “Metropolitan” category. The term “Metropolitan” now refers to orchestras with budgets between $100,000 and $500,000. Solving the vandalismproblem. In April 1975, a Congressional subcommittee report showed that a dramatic increase in violence and vandalism in the public schools was a critical problem for the American educational system. Stopping School Property Damage, by John Zeisel of Harvard University's graduate school of design, presents schools and school officials with the opportunity to implement local strategies that can cut the cost of both intentional and accidental school property damage. A joint publication of the American Association of School Administrators (AASA) and the Educational Facilities Laboratories, the book provides guidelines for designing future school buildings and setting up administrative programs for existing structures. Developed through interviews with experienced educators, architects, and students throughout the country, the proposals represent a straightforward approach to the problem of vandalism, and many can be implemented with relatively little expense. Copies of the 106-page, soft-cover book can be ordered for $4.95, plus $1 for shipping, from the AASA, 1801 North Moore Street, Arlington, Virginia 22209. Premieres. MEJ has been informed of the following world premiere performances: Rudolph Bubalo's Space-scape for Orchestra and Tape, October 10,1976, Carnegie Hall, New York City; Mario Davidovsky's Sfr/'ng Quartet No. 3 in One Movement, October 17, 1976, Juilliard Theatre in Lincoln Center, New York City; Ned Rorem's Women's Voices, November 4, 1976, Alice Tully Hall, New York City; Donald Bryant's The Tower of Babel, November 10, 1976, First Presbyterian Church, Ann Arbor, Michigan; Verne Reynolds' Events, November 30,1976, New York State School Music Association meeting, Concord Hotel, Kia-mesha Lake, New York; George Roch-berg's Partita Variations, December 4, 1976, John F. Kennedy Center for the Performing Arts, Washington, D.C.; William Kraft's Ombra, December 18, 1976, John F. Kennedy Center for the Performing Arts, Washington, D.C.; Alan Brings' Concerto da Camera No. 2 for Violin and Percussion, December 19, 1976, Jordan Hall, Boston; Charles Dodge's Extensions 2, February 7,1977, Alice Tully Hall, New York City;SeymourShifrin'sResponses MUSIC EDUCATORS NATIONAL PLACEMENT CENTER NEW COMPUTERIZED SYSTEM OFFERS YEAR-'ROUND … JOB SEARCH PROGRAMS for Candidateswhoareseeking placementinMusic Programs rangefrom16.00(3mos.)to $25.00 (1 yr.). No added commissions. Servicesinclude:1)Biweekly Job Search and the distribution of JobReportsoncurrentstaff openings,2)Noticetoemployers of your availability3) Lifetimeentryofqualifications into the System. CANDIDATES, send your request for an Entry Form to: FREE TO EMPLOYERS CANDIDA TE SEARCH AND Job OutletService. EMPLOYERSare invitedtoreleasetheir staff openings through the System without fee. An electronic search will be conducted and candidate profile reports forwarded promptly. Report your staff openings as they occur to: MUSIC/ART PLACEMENT PROGRAM c/o O'BRIEN & O'BRIEN P.O.Box271,Buffalo,N.Y.14221 jiiaiiifljAjj NEW EDUCATIONAL BOOKS A PRACTICAL GUIDE FOR CHORAL REHEARSALS by C. Eberhardt (P8290). $7. 50 An ideal classroom text, this concise, useful book prepares directors to conduct disciplined, intensive choral rehearsals, well-prepared in vocal techniques. APPROACH TO NEW MUSIC by W. Rebner and I. Bettag High(P8108a); Low(P8108b); each, $8. 50 These vocal studies are designed to introduce the singer to problems of contemporary vocal music, resulting in familiarity with modern styles and new confidence with contemporary vocal techniques. J, S. BACH - ST. MATTHEW PASSION Instruction and Introduction for Study by Helmuth Rilling (P8270). $25. 00 A practical guide for preparation and performance of Bach's masterwork, with background/introduction for the choral director and detailed rehearsal suggestions for each section (extensive musical examples). INTRODUCTION TO SIGHT READING byW. Keilmann (P8165). $9.00 This systematic approach enables the beginning pianist to learn precise and correct sight reading during the course of regular piano lessons. C. F. PETERS CORPORATION 373 PARK AVENUE SOUTHNEW YORK. NEW YORK 100161 The Tuba Handbook by J. Kent Mason 1Comprehensive, handy, & readable.1 1Answers all your tuba needs and 1 1 clarifies many misconceptions. Well1 1 indexed, printed, bound. 13 chapters, 1 1107 pages of text, photos, and illustrations. 1 $10 prepaid, postpaid. (See March ad) I ISonante PublicationsI P.O. Box 74, Station F,I Toronto, Canada, M4Y 2L4I Second Edition KODALY35 Lesson $5.95 Plans and Folk Song Supplement Sr. LORNA ZEMKE MARK FOSTER MUSIC COMPANY Box 4012,ChampaignIL61820 the choral music of pedagogically sound, but fun! TARI FKrHFR62 Cooper Sq. /Al\lmnCIVNew York 10003 mej/april'7711 and David Winkler's Three Sonnets, February 10,1977, Carnegie Hall, New York City; and Paul Zibits' The Death of a Wild Flower, March 11, 1977, Orchestra Hall, Chicago. MBA festival. The second annual Marching Bands of America National Workshop/Competition Festival will take place June 1-5, 1977, at the University of Wisconsin-Whitewater. Junior high school, high school, and college students, and band directors at all levels may participate in the workshop portion of the event. Workshop applications may be submitted for an entire band, a group of students, or an individual and should be received by April 30, 1977, to ensure the availability of housing and meals. Each band entering the competition section will receive a rating and a plaque, and trophies and prize money are offered. The competition is limited to the first fifty bands from grades nine through twelve who send in the entry fee and appearance bond; the selection is based on postmarks. A performance-evaluation event will be held for the first twelve senior high school bands who submit the entry fee and bond. Performance-evaluation entrants will be evaluated and receive written and taped comments. Complete details can be obtained from Marching Bands of America, P.O. Box 97, Elk Grove Village, Illinois 60007. Piano pedagogy degree offered. The University of Colorado, Boulder, has announced a doctor of musical arts degree program entitled “Piano Pedagogy: Process of Croup Environments.” During the program, controlled group environments are provided to encourage individuals to explore their uniqueness, independence, and awareness of creative potential in the development of performance abilities. Interpersonal sensitivity is fostered by the group dynamic process. The degree concentrates on the understanding of the concepts presented and their implementation in piano performance and instruction. Details are available from Guy Duckworth, College of Music, University of Colorado, Boulder 80302. Young artists auditions. The Martha Baird Rockefeller Fund for Music, Inc., has announced its fifth annual west coast auditions for young performing artists to be held in Los Angeles on May 16-17 and in San Francisco on May 20, 1977. Professional vocal and instrumental soloists between the ages of twenty and thirty-five who need financial assistance to take necessary career steps, who have completed their basic music training (including all degree courses), and who NEW BAND MUSIC CREDO — Fisher Tull A commission of Northeast Louisiana University, this work, as implied by its title, is in the nature of a profession of faith. “Credo is in a concise three-part form that is lean and trim in design and effective in impact … the scoring is colorful and imaginative.” The Instrumentalist, August, 1976. Medium difficult. Scored for Symphonic Band with Full Score. Duration: 5' 30”. EPIGON IV — Robert Washburn Although not a tone row work, it does, however, employ a twelve-note theme with a harmonic scheme which is essentially diatonic. The form is ABA with a slow introduction and features separate instrumental choirs with considerable emphasis on the percussion section. A commission of the Hewlett, New York, High School Wind Eiv semble. Difficult. Scored for Symphonic Band with Full Score. Duration: 6'. MARCH — OPUS ′76 — Robert Washburn A commission of the New York State School Music Association to commemorate the Bicentennial and to honor Dean Harrington for his thirty-two years of service to the organization. It is a spirited concert march in a contemporary idiom employing an eight-note series based on l-7-7-6 — 1-9-7-6 of the major scale. Ideal for high schools. Medium difficult. Scored for Symphonic Band with Full Score. Duration: 4'. SEASIDE PARK — Richard Franko Goldman A march written for the dedication of a new bandstand being erected at Coney Island's Seaside Park. It was performed there in June, 1975, and at Damrosh Park, Lincoln Center for the Performing Arts, by the Goldman Band. The harmonic and contrapuntal interest of the work is unusual. Ideal for marching bands and band concerts. “… a very good one … tuneful.” School Musician Director and Teacher, November, 1976. Medium difficult. Scored for Full Band with Condensed Score. Duration: 3' 30”. SYMPHONY “X” (Big “D”) — Don Gillis Originally written for orchestra and dedicated to the late Walter Toscanini, this transcription for band was prepared by the composer and premiered in 1972. In four movements titled All American City, Requiem for a Hero, Conventioneer and Cotton-Bowl. “Melodic lines appealing and in character with the titles. Altho short, this symphony expresses many musical ideas and shows strong compositional skills … highly recommended for medium to advanced high school and college level bands.M School Musician Director and Teacher, November, 1976. Scored for Symphonic Band with Full Score. Duration: 13' 15”. TUBA RHAPSODY — Clare Grundman Dedicated to Martin Erickson of the U.S. Navy Band, this is a much-needed addition to the Tuba Solo literature with Symphonic Band or Wind Ensemble, encompassing all facets of Tuba articulation and interpretation. Scored for Symphonic Band with Full Score. Tuba Solo also published separately. Band, medium difficult; Tuba Solo, medium difficult to difficult. Duration: 9' 30”. WALTZ AND CELEBRATION from “Billy the Kid” — Aaron Copland/Philip J. Lang This original work for orchestra is here presented in a fine band transcription. “Music has great appeal … excellent variety and rhythm, color, tonality, dynamics and melody … excellent overall appeal.” School Musician Director and Teacher, April, 1976. Medium difficult. Scored for Symphonic Band with Condensed Score. Duration: 6' 30”. Complete miniatures available if requested on organizational letterhead. BOOSEY & HAWKES P.O. Box 130, Oceanside, N.Y. 11572 mej/april '77 13 Transcontinental Music Publications An Old Publishing House in New Hands Transcontinental is under new management and at a new address Transcontinental is a Unique Catalogue of Music by Distinguished Composers of the Past and Present for Service in Synagogues and in Churches and for Concert Performance He CHORAL MUSIC Samuel Adler, Jean Berger, Herman Berlinski, Julius Chajes, Isadore Freed, Herbert Fromm, Jack Gottlieb, Max Helfman, Reuven Kosakoff, Benedetto Marcello, Frederick Piket, Salomone Rossi, Heinrich Schalit, Jacob Weinberg, Lazare Weiner, and many others. Also Sacred Vocal Solos, Organ Music, and Instrumental Music Send for free catalogue and chorus sampler Transcontinental Music Publications 838 Fifth Avenue, New York, N.Y. 10021 MUSIC COPYING KIT! MS 3000 rub-ori symbols, staff materials and instructions. Duplicate the appearance of professionalpublishedmusic.Kit $9.95ppd. Guaranteed,MUSIC-AID,Box 3881-M, Torrance,Calif. 90510 Send 501 for sampler. the choral music of TK/\f\h NEMC ACTION Stretch Your Dollars! NEMC, the world's largest instrument sales and rental company, will Stretch your $s. Include our name on your permanent bid list for all purchases, such as Bd. of Ed., Parent Clubs, Music Funds, step-up instructions for your students, etc., and send all bids, quotes etc. to: NEMC pedagogically sound, but fun! TARI FKrHFR62 Cooper Sq. /Al\lnnCIVNew York 10003 We suggest a new course for teaching the composition of music: JOHN S. DAVIES: BEGINNING TO COMPOSE A classroom course intended to allow for individual pace, this is a book by an English teacher of young people (ages 10 to 12). There are two pupils' books and one teacher's book. The course could take a full year. Graded exercises are aimed in Book 1 toward the composition of technically correct and musically satisfying melodies; in Book 2, toward 2-part writing. Performance of the music is incorporated into the teaching and is an intrinsic part of the learning. Pupils' Books 1 and 2, each $1.75 Teacher's Book, $2.75 At all fine book and music stores; for examination copies, write to the Publisher, Dept. EJ. Mammmmmmmt Music Department OXFORD UNIVERSITY PRESS, INC. 200 MADISON AVENUE, NEW YORK, N.Y. 10016 have acquired some professional solo performing experience may audition. Grants are made on the basis of the performer's artistic accomplishment in relation to his or her proposed project, which must be directly related to professional needs. Grants are not available for any pre-professional purpose, unpaid performance or study abroad, or basic living expenses. Amounts awarded range between $1,000 and $3,500. Interested musicians should contact the Martha Baird Rockefeller Fund for Music, Inc., One Rockefeller Plaza, Room 3315, New York City 10020. Applications must be submitted by April 18, 1977. Communitycollegefellowships. Fellowships providing a year of advanced study in musicology, history, English, or philosophy for community college humanities faculty members are available at Claremont Graduate School, Claremont, California. Each fellowship offers tuition, a stipend of $13,700 paid over nine months, and up to $500 for transportation. Funded by the National Endowment for the Humanities and the Andrew W. Mellon Foundation of New York, the program is designed to enable the fellows to develop their knowledge of their fields and thus enrich their teaching. Applicants must submit a research project proposal, in broad outline form, for the academic year. In addition to working on individual projects, participants will meet once a week to discuss the problems and opportunities facing humanities teachers in community colleges. Interested persons should write to the Humanities Faculty Development Program, Claremont Graduate School, Claremont, California 91711, by May 1, 1977. Research proposals will be accepted until May 15. Folk Music Council conference. The University of Hawaii at Manoa has been chosen as the site for the twenty-fourth International Folk Music Council Conference, to be held August 13-18, 1977. Themes for the meeting include the interrelations between folk music and other forms of music; music: change, innovation, and acculturation; folk music and dance in education and socialization; and music and dance in national and ethnic identity. Round-table discussions, workshops, and exhibits will be held, and papers, recordings, and films will be presented. Excursions to the Polynesian Cultural Center and the Bishop Museum are planned. Participation in the conference is open to members of the council. Persons interested in registering for the event or obtaining membership information should write the Sec- 14 mej/april '77 retary-General, International Folk Music Council, Music Department, Queen's University, Kingston, Ontario, Canada. Registration must be made prior to May 1, 1977, to ensure accommodation. Women in American music. The National Endowment for the Humanities has awarded a $118,130 grant to Adri-enne Fried Block of Staten Island College, City University of New York, and Carol Neuls-Bates, formerly on the staff of the music division of the New York Public Library, to compile Women in American Music: a bibliography. Intended to cover art, folk, and popular music from colonial times to the present, the bibliography will document the activities of women composers, educators, and patrons, and include books, articles, dissertations and theses, compositions, recordings, inventories of works by American women in large music collections, and inventories of correspondence. Information about compositions, such as type and number of parts required, reviews, and location of the autograph copy, will also be provided. Abstract forms for inclusion in the bibliography can be obtained from the project's office at the Graduate Center of City University, 33 West 42nd Street, New York City 10036, Cello composition contest. The American Society of University Composers (ASUC) and the Arizona Cello Society are sponsoring a cello composition competition. Works for multiple cello ensemble (more than four cellos) with the possible addition of other instruments, voice, or electronic tape, may be submitted by any composer. Compositions for ballet, opera, chorus, or similar groups are also permissible. A $1,000 prize will be awarded, and the winning work will be performed by the Arizona Cello Society at ASUC conferences. Details of required submission procedures can be obtained from Takayori Atsumi, Music Department, Arizona State University, Tempe 85281. Contest entries must be postmarked no later than midnight May 2, 1977. Rostropovitchmaster course.The Academy of Music, Basel, will host a four-week master course for violoncello conducted by Mstislav Rostropovitch from August 14 to September 14, 1977. The first two-week session of the course includes individual lessons before an audience for approximately six hours daily. Selected participants will hold public rehearsals and concerts with an orchestra during the second two weeks. Lectures will be given in English, French, German,andRussian.Applications Ask about…ask for Super-Sensitive Junior-Size STAINLESS STEEL STRINGS Superb Quality and Longer Lasting Tone… Won't Rust or Corrode … Popular Prices AVAILABLE IN EVERY WANTED SIZE! VIOLIN 4/4, 3/4,1/2,1/4,1/8 and 1/16 VIOLA Standard, Intermediate and Junior CELLO 4/4, 3/4, 1/2, 1/4 and 1/8 BASS Regular, Extra-Long and Junior Sold in better music stores or write tor literature to: SUPER-SENSITIVE MUSICAL STRING CO. Porter Rd., R.R. 4, Box 30-V Sarasota, FL 33577 FREE COLOR CATALOG! New Selection ot QUALITY & UNIQUE GIFT ITEMS Unusual Figurines, Mugs, Metal Scufpture, Notes nand Greeting Cards, Stationery, Tote Bags, Desk [-JandLeadedGlass,Pendants, Charms, Cm.Music Boxes,Wind Chimes, JVlUSlOa Wall Clocks, and much more. Vvift P.O.Box 16099/Dept.M3/Seattle,Wa.98136 FREE Guitar Teachers Guide Ronny Lee's new manual of valuable teaching making ideas. It's FREE. Sunrise Publishing Co. 671-ME Second Ave., N.Y., N.Y. 10016 Lutton Music Personnel Service If you are available for a teaching position in Music, let us serve you. We have calls for Music Teachers with degrees in all phases of Applied Music and Music Education in the Public Schools, Colleges, Universities and Conservatories. C. A. Lutton, Director B. Lutton, Co-Director State National Bank Plaza Suite 405 Evanston, Illinois 60201 (312)864-1005 J w A Science Fiction Musical Comedy “From Mars to Oz' Comic adventures of Dorothy and company returning to OZ as senior citizens to spend their golden age by the yellow brick road. Eleven Original Songs Including: “Plenty of Fun in 200V1 “Brother Can you Spare a Slice” (of pizza) “Pot Holes & Puddles on Yellow Brick Road” Sixty Minutes of: Delightful Dialogue, Witty Jokes, Catchy Tunes -- $4.95 -- The Joyce Music Co.18 Meadow Lane Roslyn Heights, New York 11577 May Members dui| Members Watch for your MENC membership renewal notices. Keep your membership continuous. Renew promptly. To ensure uninterrupted membership, your renewal must be received at MENC headquarters office no later than: April 15 for May members May 15 for June members mej/april '77 15 will be considered in the order of their arrival and will be judged on professional qualifications. Evidence of acquired diplomas and a short curriculum vitae must be enclosed. A list of works to be performed, which should include a concerto and/or sonata, must accompany the application. A suggested repertoire, application forms, and further details can be obtained from the Academy of Music, Basel, Leonhardsstrasse 6, CH 4051 Basel. 1976-1977 Fulbright scholars. Three Americans were awarded 1976-1977 Fulbright-Hays scholarships for lecturing and research in music. Charles Hamm, professor of music at the University of Illinois, Urbana, received a lectureship in musicology for Calcutta. Associate professor of music Jozef M. Pacholczyk of the University of Maryland, Baltimore, was awarded a lectureship in ethnomusicology for New Delhi, India, A research award for Japan went to Richard L. Teitel-baum, visiting assistant professor of music and codirector of the electronic media studios at York University, Toronto. Armstrong awards rights to Hansen. In what is said to be a move to expand the number and improve the caliber of compositions available to woodwind musicians, Armstrong Publishing Company, a division of W. T. Armstrong Company, has awarded publication and distribution rights for all its new works to Charles Hansen Publications, Miami Beach, Florida. In addition, Armstrong has entered into agreements with several performers and composers to author and edit new works. Chamber ensemble competition. The Chamber Music Society of the Monterey Peninsula has announced its sixth annual Chamber Ensemble Award Auditions to be held May 14, 1977, in Carmel, California. Nonprofessional ensembles of from three to five musicians prepared under the direction of a coach may enter. All performers must be under the age of twenty-six. A $1,000 first prize and a $500 second prize will be awarded, and a concert appearance will be arranged for the winners. A 71/2 ips, reel-to-reel tape recording of one movement from each composition entered must accompany each application. One slow and one fast movement should be included. Tape recordings, application forms, and a registration fee of $5 for each member of the ensemble should be submitted by April 11, 1977. Contact Marie Oliver, Audition Committee Chairwoman, P.O. Box 312, Pacific Grove, California 93950. ? FREE BANDRIBBON AWARD TO BAND DIRECTORS (When sent to School Address) NEW! 24 - Hour Telephone Speed - Order Service telephone order when rates are lowest (503) 838-1752 Quality Bands Deserve Quality Symbols The best trumpet players praise Clark Terry. Clark Terry praises the best trumpet. BANDRlBBONS;\ Bg. U.S. PftUnt Offlc Eye-Catching Planned Awards Worn With Pride By America's Better Bands ACHIEVEMENT-HONORS SERVICE-IDENTIFICATION UNIQUE CUSTOM SERVICE BANDRIBBONS P.O. Box 145 Monmouth, Oregon 97361 Clark Terry gets a lot of praise from music lovers and fine musicians alike. Clark Terry's lets a lot of praise too. “Many compliments from many sources!' Clark says. He plays an Olds Custom. The one piece bell is seamless so nothing interferes with Clark's full bodied tones. The touch is smooth and fast—just like Clark's touch—so he can breeze through those lyrical passages he's famous for. And, whether he's soloing in a warm, intimate room, or leading a big, high energy band, Clark Terry's trumpet projects the perfect presence for every stage. There are five models in the Olds Custom series. All of them great. And have you noticed lately, n there's news about brass, me news is Olds. You oughta blow one. Clark Terry. He's keeping Olds Young. Another Quality Product from Norlin 7373 N CICER0AVE.LINC0LNW00D.il 60646 51 NANTUCKET BLVDSCARBOROUGH ONTARIO CANADA NorliiK mej/april '77 17 From Switzerland Classic Guitar Player Konrad Ragossnig. From Hawaii… Slack-Key Guitarists The Beamers (Keola & Kapono). From USA Folk-Rock Guitarist Paul Cotton of Poco From USA… Nashville Recording Star Buddie Cannon. From Germany Guitar Entertainer & Educator Peter Bursch. From USA… CMA Entertainer of the Year Mel Tillis. FromUSA… Folk-Rock Group WThe Richie AFuray Band. From France… Country Jazz Guitar Player Marcel Dadi. We've got the world on our string: D'Angelico. Professional guitar players the world o ver prefer DAn gelico Strings. For a fuller, richer, more vibran t soun d, pick D Angelico. And don't fret with anything less. The Ultimate in Strings and Picks, none liner… perfect for pickin'. D'Merle Guitars, Inc. P.O. Box 153 Huntington Station, New York 11746 Now available: D'Angelico Flat Picks, Finger Picks and Thumb Picks, in most popular sizes. D'Merle successor to D'Angelico, New York. BAY VIEW MUSIC FESTIVAL (near Petoskey, Mich.) JUNE 26—AUGUST 21,1977 Individual study and Masterclasses with Artist/teachers, Opera Workshop, Chamber Music, Theory, History, Choir, Orchestra. COLLEGE CREDIT SCHOLARSHIPS Write: Bay View, Mich. 49770 Phone: (517) 463-1910 H E I F E T Z NOW! The first book on HEIFETZ ever published. Hard cover, 512 pages, magnificently illustrated— more than 230 photos chronicling every important event in Heifetz's life from 1917 to present. Send $15.95 (cost includes postage and handling) or write for FREE brochure. PAGANINIANA PUBLICATIONS, Inc. P.O. Box 27, Neptune, N.J. 07753 Trombone workshop. More than 200 trombonists from around the world will meet from May 30 to June 4,1977, in Nashville, for the seventh annual International Trombone Workshop. Exhibits, clinics, master classes, recitals, and activities presented by trombone teachers and performers in the symphonic, jazz, studio, recital, “avant-garde,” and education fields are planned for the event, which will feature the Marcellus-Melick Choir and “Superbones.” For information, contact Henry Romersa, P.O. Box 513, Peabody College, Nashville 37203. Peabody joins Johns Hopkins. An affiliation between the Peabody Institute and The Johns Hopkins University, both located in Baltimore, has been announced by the boards of trustees of both institutions. Under the terms of the agreement, which takes effect in July of 1977, the Peabody Institute will maintain its corporate identity while the responsibility for supervision of its day-to-day management is assumed by the university. In future, the conservatory will be known as The Peabody Institute of The Johns Hopkins University. Hymn Society relocates. Information on the aims and functions of the Hymn Society of America, Inc., and a list of its publications can now be obtained from the national headquarters at Wittenberg University, Springfield, Ohio. The society has moved its offices from New York City to take advantage of Wittenberg's strong theological and church music orientation and to obtain a more geographically central location. Musicprofessorshipendowed. Pfeiffer College, Misenheimer, North Carolina, has received a $300,000 gift from Mame Boren Spence, a longtime member of the board of trustees at the college, to establish a chair of music in her name. The principal of the gift will be placed in the college's endowment fund, with the income earned assigned to support the salary of the person holding the position. Richard Harding Brewer, director of choral music and professor of music at Pfeiffer, was named the first Mame Boren Spence Professor of Music. New officers for Phi Mu Alpha. Phi Mu Alpha Sinfonia music fraternity has chosen new national officers for its 1976-1979 triennium. Serving as national president will be Lucien P. Stark, chairman of the piano department, University of Kentucky, Lexington. First vice-president is Emile Ser-poss of Brooklyn College, City University of New York. James Patrenos, dean of the school of education, Liv- /MOVING? id number (from label or membership card). new address .zip code music educators journal Paste mailing label below Dear Member: The Post Office will not forward MEJ unless you pay extra postage. We regret we cannot replace lost copies. Allow six weeks for your change of address. 1902 Association Drive, Reston, Va. 22091 18 mej/april '77 THE ETA COHEN VIOLIN METHOD Book One Violin part, with teacher's notes $2.40 Piano accompaniments 5.60 A famous British violin method, with new material and new accompaniments. THE VIOLIN by Berthold Tours $6.00 Edited and revised by W.H. Reed PIANOFORTE TECHNIQUE ON AN HOUR A DAY By Geoffrey Tankard and Eric Harrison $4.40 FIRST YEAR METHOD FOR VIOLA2 20 By Winifred Copperwheat PLAYING THE CELLO An approach through live music makingStudent $6.00 Accomp.3.80 By Hugo Cole & Anna Shuttleworth A BOOK FOR THE CELLIST Solo passages from $9.00 orchestral works By Cedric Sharpe See your dealer or write: novemo puBLicaTionsjnc. 145 Palisade Street Dobbs Ferry, NY 10522 SIGHT SINGING EAR TRAINING SCORE PREPARATION ONE-DAY WORKSHOPS IN THE TECHNIQUES OF MUSICAL HEARING conducted by LEE HUMPHRIES Co-author of Ear Training: An Approach Through Music Literature; Coordinator of Ear Training and Director of the Contemporary Music Ensemble of the University of Minnesota; President of the Minnesota Music Theory Consortium MILWAUKEEMarc Plaza ST. LOUIS: Chase-Park PlazaCLEVELAND. Bond Court Sat., March 19, 1977 Sat., April 2, 1977 Sat., April 23, 1977 CHICAGO: Arlington Park Hilton KANSAS CITY: Crown CenterATLANTA: Hyatt Regency Sat., March 26, 1977 Sat., April 16, 1977Sat., April 30, 1977 MINNEAPOLIS. Radisson Downtown Sat., May 7, 1977 Tuition $25 payable to: WEEKEND WORKSHOPS IN MUSIC P.O. Box 9653, Minneapolis, MN 55440 ingston University, Alabama, is chairman of the Council of Province Governors. Donald Travis of Murray State University, Kentucky, has been elected to the newly created post of collegiate representative to Sinfonia's National Executive Committee. Maurice I. Laney of Eastern Michigan University, Ypsilanti; Robert E. Marsh of Ball State University, Muncie, Indiana; and J. Eugene Duncan of Morehead State University, Kentucky, complete the fraternity's governing panel. Ludwig percussion symposium. The University of Wisconsin at Eau Claire will host the Ludwig Sixth International Percussion Symposium on July 24-30,1977. An assortment of clinics and concerts will feature the Black-earth Percussion Group, consisting of artists-in-residence at Northern Illinois University, Dekalb. Five specialist tracks of instruction are offered: drum set, mallet keyboard, marching percussion, performance in percussion, and a generalist track for nonpercussionists. For details and application forms, write the International Percussion Symposium, University of Wisconsin, 610 Langdon Street, Room 714, Madison, Wisconsin 53706. Cornish accredited—changes name. The sixty-two-year-old Cornish School of the Allied Arts, Seattle, has changed its name to Cornish Institute of the Allied Arts following its accreditation as a four-year college. Cornish now offers bachelor's degrees in dance, design, fine arts, and music, as well as college-level training in theatre. The school will continue its full range of part-time courses for pre-school through senior high school students and adults. IAA joins NASM. The Interlochen Arts Academy (IAA), Interlochen, Michigan, was granted full membership in the National Association of Schools of Music (NASM) at the fifty-second annual NASM meeting held in Atlanta on November 21-23,1976. The first secondary school accepted for membership in the organization (whose members include 450 universities, colleges, conservatories, and community colleges), IAA comes under the recently established category of “Non-Degree-Granting Institutions” for schools that specialize in preprofessional and/or college-preparatory curriculums in music. “PrevinandthePittsburgh/' an eight-part evening series featuring the Pittsburgh Symphony Orchestra and its conductor Andre Previn, will be shown on WQED Pittsburgh and other Public Broadcasting System outlets nationally for eight Sundays from 20 mej/april '77 April 24 through June 12, 1977. In addition to two concerts taped during the symphony's regular Heinz Hall season, the programs will include a discussion on the effect of Impressionism on art and music, with Thomas Hoving, curator of the Metropolitan Museum of Art in New York; a jazz spectacular, with Oscar Peterson as guest artist; an informal demonstration by Previn and the symphony musicians on the topic “Who Needs to Rehearse?”; and a conversation between Previn and Isaac Stern on the playing of classical trios, with comments by the symphony's principal cellist Michael Grebanier, The International Trumpet Guild will hold its 1977 conference at the University of Illinois, Urbana, on May 18-21. Among the artist-faculty members participating will be Arthur H. Benade, the Minnesota Orchestra trumpet section, Robert Nagel, Robert Sheldon, Don Smithers, Marvin Stamm, Glen Stuart, and the Western Brass Quintet. Features of the conference include a student solo competition, student evaluations, videotapes from the International Brass Congress, and tours of the Herbert L. Clark and John Philip Sousa Libraries and the Carl Busche Instrument Collection. For information, write Cordon Mathie, Crane School of Music, State University College, Potsdam, New York 13676. “Oldest electronic violin.” Bernard T. Johnson Jr., a music major at the University of Maryland—Eastern Shore, Princess Anne, has helped to create the “world's oldest electronic violin.” Built by German craftsman Facibat Anno in 1732, the instrument had its top and soundpost reset by Willes E. Gault. Johnson, the violin's owner, then sanded, drilled, restyled, and painted the external components and installed the internal electronic segments. The instrument was displayed at the university during September and October 1976. European tour program. The American Institute for Foreign Study (AIFS) has announced the development of Sounds of America, a program created to offer music directors customized touring arrangements throughout Europe. Sounds of America will arrange tours to suit the needs of individual choral or instrumental ensembles and can arrange for participation in nearly all major international music festivals. F. H.Thoelke, a former director of Concerts Abroad, has joined the AIFS staff as a consultant for the program. For further information, write Sounds of America, The American Institute for Foreign Study, 102 Greenwich Avenue, Greenwich, Connecticut 06830. </meta-value></custom-meta></custom-meta-wrap></article-meta></front></article></istex:document></istex:metadataXml><mods version="3.6"><titleInfo lang="en"><title>Bulletin board</title></titleInfo><titleInfo type="alternative" lang="en" contentType="CDATA"><title>Bulletin board</title></titleInfo><typeOfResource>text</typeOfResource><genre type="other" displayLabel="other" authority="ISTEX" authorityURI="https://content-type.data.istex.fr" valueURI="https://content-type.data.istex.fr/ark:/67375/XTP-7474895G-0">other</genre><originInfo><publisher>SAGE Publications</publisher><place><placeTerm type="text">Sage CA: Los Angeles, CA</placeTerm></place><dateIssued encoding="w3cdtf">1977-04</dateIssued><copyrightDate encoding="w3cdtf">1977</copyrightDate></originInfo><language><languageTerm type="code" authority="iso639-2b">eng</languageTerm><languageTerm type="code" authority="rfc3066">en</languageTerm></language><relatedItem type="host"><titleInfo><title>Music Educators Journal</title></titleInfo><genre type="journal" authority="ISTEX" authorityURI="https://publication-type.data.istex.fr" valueURI="https://publication-type.data.istex.fr/ark:/67375/JMC-0GLKJH51-B">journal</genre><identifier type="ISSN">0027-4321</identifier><identifier type="eISSN">1945-0087</identifier><identifier type="PublisherID">MEJ</identifier><identifier type="PublisherID-hwp">spmej</identifier><part><date>1977</date><detail type="volume"><caption>vol.</caption><number>63</number></detail><detail type="issue"><caption>no.</caption><number>8</number></detail><extent unit="pages"><start>9</start><end>21</end></extent></part></relatedItem><identifier type="istex">BAD23FC9444F0EAAB5CE60ED83387A7D2A8F5CFC</identifier><identifier type="ark">ark:/67375/M70-L8LXCJ1K-T</identifier><identifier type="DOI">10.2307/3395280</identifier><identifier type="ArticleID">10.2307_3395280</identifier><recordInfo><recordContentSource authority="ISTEX" authorityURI="https://loaded-corpus.data.istex.fr" valueURI="https://loaded-corpus.data.istex.fr/ark:/67375/XBH-0J1N7DQT-B">sage</recordContentSource></recordInfo></mods><json:item><extension>json</extension><original>false</original><mimetype>application/json</mimetype><uri>https://api.istex.fr/ark:/67375/M70-L8LXCJ1K-T/record.json</uri></json:item></metadata><author></author><serie></serie></istex></record>Pour manipuler ce document sous Unix (Dilib)
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