Disclosing women's voices
Identifieur interne : 001438 ( Istex/Corpus ); précédent : 001437; suivant : 001439Disclosing women's voices
Auteurs : Margaret YellolySource :
- Early Music [ 0306-1078 ] ; 2005-11.
English descriptors
- Teeft :
- Academic enquiry, Active agents, Actress zhemhugova, Agrarian workers, Agricultural husbandry, Ancient contradiction, Anonymous denunciation, Aristocratic owners, Artistic endeavour, Auguste manuscript, Austern, Barbara strozzi, Beth study, Biographical chapters, Bortolo caserana, Business affairs, Careful research, Certain frustration, Characteristic harmonies, Chiara cuzzolani, Chivalric romance, Choreographic structures, Clearer perspective, Complex steps, Concert programmes, Consolidated bibliography, Contextual survey, Controversial area, Convent music, Count sheremetiev fantasy, Courtly love, Courtly song, Cultural roles, Current body, Dance history scholars, Dance manuals, Dance terms, Dance training, Dance training traditions, Daniel heartz, Different approach, Distinctive feature, Dramatic narrative, Dubious reputation, Dulces exuviae, Dynamic vibrancy, Early dance, Early music november, Elite women, Elizabeth jacquet, Emphatic recitatives, Encode ideologies, English dimension, Erotic uvulating throat, Essential reading, Everyday lives, Excellent guidance, Exceptional singer, Expressive dance, Expressive dancing, External evidence, Familiar themes, Female sexuality, Female vocality, Feminine desire, Ferrere, Ferrere ballets, Ferrere manuscript, Financial gain, Francesca caccini, French airs serieux, French connection, Full citations, Further chapter, Gender, Gender images, Gender representation, Gender representations, Gender studies, Gifted women, Grottesco influence, Henry viii, Heroic deeds, Hierarchical systems, Historical sources, Imaginative articulation, Impressive chapter, Inna naroditskaya, Intellectual power, International elements, Italian ballet, Italian dancers, Italian grotteschi, Jeanice brooks, John weaver, Large dowry, Late ingrid brainard, Lawyer ordano, Likely performer, Limited ways, Linda phyllis austern, Maddelena primo libro, Major women composers, Makebelieve world, Margaret yelloly, Medici orsina, More occupations, Much research, Music manuscript, Musical activities, Musical culture, Musical examples, Musical features, Musical history, Musical images, Musical performance, Musical practices, Musical tone, Musical world, Mysterious british library, Netherlands court, Noble lineage, Opera comique, Opera singer, Operatic style, Original treatise, Other forms, Other tables supply data, Pantomimic dance, Paris theatres, Personal narrative, Pictorial illustrations, Political reforms, Positive functions, Powerful tsarinas, Powerless victims, Prima donna caterina porri, Primary sources, Primo libro, Private world, Professional singer, Provocative contribution, Public sphere, Puzzling features, Recent decades, Renaissance studies, Repressive control, Richard leppert, Romantic fiction, Romantic songs, Russian serf theatres, Same time, Second marriage, Secondary sources, Sensory experience, Serf actresses, Serf theatre, Several countries, Several decades, Several essays, Sexual boundaries, Sexual metaphors, Social class, Social milieu, Social position, Social rules, Social sciences, Social space, Social status, Social worlds, Specific references, Specific ways, Spiritual aspiration, Strong women, Successful singer, Such dance, Such research, Suitable marriage, Theatrical dance, Theatrical enterprises, Theatrical interests, Thematic sections, Thomasin lamay, Tudor court, Twin obligations, Unusual contribution, Unvalued music, Valuable parallels, Valuable source, Veritable explosion, Vienna ballet company, Visual representations, Visual sources, Vocal representation, Whole subject, Wider european profile, Wider group, Women artists, Women musicians.
Url:
DOI: 10.1093/em/cah163
Links to Exploration step
ISTEX:CA9BF2001D5BA533C2468C9E6AB29E9C58C357C0Le document en format XML
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<journal-id journal-id-type="hwp">earlyj</journal-id><journal-title>Early Music</journal-title><abbrev-journal-title abbrev-type="publisher">Early Music</abbrev-journal-title><issn pub-type="ppub">0306-1078</issn><issn pub-type="epub">1741-7260</issn><publisher><publisher-name>Oxford University Press</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="other">cah163</article-id><article-id pub-id-type="doi">10.1093/em/cah163</article-id><article-categories><subj-group subj-group-type="heading"><subject>BOOK REVIEWS</subject></subj-group></article-categories><title-group><article-title>Disclosing women's voices</article-title><subtitle><italic>Musical voices of early modern women: many-headed melodies</italic>, ed. Thomasin LaMay (Aldershot: Ashgate, 2005), £50</subtitle></title-group><contrib-group>
<contrib contrib-type="author"><name><surname>Yelloly</surname><given-names>Margaret</given-names></name>
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