Explorations in the interrelations of literature and music in a non-western context: China, Japan, India and Africa

Identifieur interne : 001103 ( Istex/Corpus ); précédent : 001102; suivant : 001104

---

Explorations in the interrelations of literature and music in a non-western context: China, Japan, India and Africa

Auteurs : Jean-Pierre Barricelli

Source :

• Neohelicon [ 0324-4652 ] ; 1983-03-01.

RBID : ISTEX:ACC2EC54FD719A9734E3BEA5EB47CBD44CA6CF85

English descriptors

• Teeft :
  • 1nterrelationsof literatureand music, 8for japan, Abstract interrelation, Accurate service, Actual music, Actual nightingale, Actual notations, Addresses love, Aesthetic results, Africa music, Africa today, African idioms, African languages, African music, African scholars, American literature, Ancient chinese, Arabic influence seeps, Arabic music, Armando martins janeira, Arts interlock, Atmospheric conditions, Attic greek, Attractive possibility, Ballad drama, Ballet master, Bamboo flutes, Bamboo grove, Barrtcelli types, Basic fact, Basic orientation, Basic question, Beethovenian background, Best approach, Best sense, Binding quality, Black africa, Black african, Black continent, Black peoples, Bliss wiant, Broad appeal, Bucknell review, Central interest, Central question, Centrifugal word, Certain emphasis, Certain languages, Chill wind, China institute, Chinese classics, Chinese drama, Chinese language, Chinese literature, Chinese music, Chinese poetry, Chinese poets, Chinese university, Chinese vocable, Ching dynasty, Christian church practices today fare, Civilized society, Clarendon press, Classical lndian dance, Classical nohgaku, Classical theatre, Comic opera, Comparative literature, Comparative nature, Comparative process, Comparative study, Complex relation, Compositional styles, Conceptual level, Court flutes, Cradle songs, Creative kind, Crescendo publishing, Critic comments, Critical limitationsin, Cultural anthropology, Cultural export, Current area, Dance center, Dance forms part, Dance operas, Dante symphony, Dante symphony literarily, Daughter tsuji, Degree intervals, Descriptive music, Detroit monographs, Different people, Difficult question, Dilettantish affinity, Direct expression, Direct imitation, Dominant position, Donald keene, Double talent, Dramatic poetry, Earl miner, Earle ernst, Early hindu, Early japan, Early opera, Elastic rhythm, Emotional change, Emotional tension, Epic poetry, Equal importance, Ethiopian church, Etymological sense, European experience, European music, Excellent blends, Expert musictan, Exploratory essay, Exploratory level, Extant book, Extant examp, Extraneous words, Famous drama momiji gari, Famous ivth century author kalidasa, Fertile investigation, Fine arts, Firm ground, First book, Fjapanese music history, Flute, Flute player, Folk drama, Folk melodies, Folk teyts, Foreign influences, Francis bebey, French bookstore, Fundamental problem, Genuine experience, Geographical consistency, Geographical landmarks, Geza guilds, Geza notation, Great hindu artist rabindranath tagore, Greater freedom, Greatest development, Greatest women, Greek chorus, Half dozen meanings, Harmonic effect, Harmonized coexistence, Harvard university press, Hedonistic sake, Heian period century, Heike story, Highflown settings, Hindu, Hindu gods, Hindu music, Hindustani music, Hindustani styles, Historical songs, Hong kong, Human experience, Human voice, Imperial court, Important roles, Improvisational possibility, Indefinite pitch, Indian culture, Indian music, Inflection, Information coordinators, Inner form, Inseparable bonds, Interdisciplinary area, Interesting phenomenon, Interrelation, Interrelationsof literatureand music, Intimate correspondence, Introductory music, Italian devices, Japan music, Japanese drama, Japanese music, Japanese soil, Japanese tradition, Josephine bennett, Kabuki drama, Kabuki theatre, Kamakura century, Kapila vatsyayan, Krishnadhan banerji, Kritis century, Kwabena nketia, Kyogen comedy, Lady tale, Latter interaction, Lawrence hill, Literary orientation, Literary text, Literatureand music, Little dramas, Logical area, Love lyrics, Lute lessons, Lute sagas, Lyrical dramas, Main character, Major chants, Makota ueda, Manchu oppressiveness, Many critics, Many drums, Many variations, Manyoshu anthology, Melismatic expression, Melismatic melodi, Melodic genre, Melodic materials, Melodic movement, Melodic organization, Melodic rules, Meng chih, Mere explorational conjectures, Michiyuki movement, Microscale modalities, Microtonal scales, Mighty warrior arjun, Ming dynasty, Ming dynasty century, Monkey music, Monosyllabic language, Monosyllabic melody, More exposure, More unmelodious, Mouth organ, Much research, Multiple talent, Musical accompaniment, Musical atmosphere, Musical development, Musical effect, Musical effects, Musical insistence, Musical instruments, Musical modes, Musical patterns, Musical phrases, Musical references, Musical themes, Musical time span, Musical tradition, Musicoliterary affinities, Musicoliterary interrelation, Musicoliterary level, Musique modernes, Muslim publication, Mutual correspondence, Mvet players, Nakairi interlude, Nara period, Natural kind, Nonsense syllables, Northern muslim, Northwestern university press, Operatic tradition, Operative form, Oral tradition, Ornamental agrdments, Other areas, Other arts, Other critics, Other qualities, Other words, Outdoor settings, Panchpakesa bhagvatar, Parallel growth, Particular deity, Particular moods, Particularlyin analogy, Peculiar notes, Pedagogical projects, Peggy holroyde, Pentatonic system, Percussive combinations, Percussive strains, Personal contacts, Pervasive phrases, Pervasive presence, Poetic expression, Poetic prose, Poktes franr, Popular theater, Previous period, Primary requirement, Princess uttara, Professional musicians, Psychological meaning, Psychological timing, Purest form, Quiet night, Rabindrahath tagore, Recent times, Referential material, Reginald massey, Regional languages, Regional variations, Relative outsider, Religious practices, Religious purpose, Religious purposes, Religious ritual, Religious songs, Rhapsodic iiird century group, Rhythmic patterns, Right hand, Roland lebel, Rudimentary instruments, Sacred incarnation krishna, Saharan boundary people, Same period, Same reason, Sangeet natak akademi, Sanskrit drama, Sanskrit sources, Score instruments, Secular form, Secular music, Semantic difficulties, Semantic question, Several centuries, Sgdlichen dynastie, Sheer repetition, Shigetoshi kawatake, Shih ching collection, Short syllables, Similar features, Simple comparison, Simple level, Simplest form, Small team, Social activity, Social context, Social experience, Song drama, Songs coherence, Sophisticated aesthetics, Sound sequences, Southern hindu music, Special instruments, Special interdisciplinary courses, Special relation, Special relationship, Special wonder, Specific identifications binding overture, Specific places, Strange tonalities, Stress melody, Stress words, Strict framework, Strict musicalization, Structural analogy, Structural correspondences 1like others, Structural elements, Styles overlap, Stylistic switches, Substantive links, Successful appearances, Successive arrangement, Such parallelisms, Symbiotic accompanim, Symbolic meaning, Symphonic form, Talent sultan ibrahim adil shah, Theatrical arts, Theatrical elements, Themajor keyand, Theoretical discussions, Theoretical question, Third world, Thomas mann, Tone language, Tone production, Tonic accent, Total instinct, Total isolation, Toyoehiro nagami, Traditional chinese, Traditional regulations, Tranformed shrine ritual music, Tribal cultures, Unflagging curiosity, Unique hogaku, Various authors, Verbalizing music, Veritable intimacy, Veritable textures, Viiith century, Vishnu narayan bhatkhande, Vital function, Vith century, Vocal music, Walter kaufmann, Western context, Western languages, Western literature, Western music, Western poets, Western study, Western tradition, William jones, Wind pattern, Words guide, Workable notations, World literature, Xiiith century, Xiiith century treatise, Xiith century, Xixth century, Xlth century, Xviiith centuries, Xviithxixth century, Xvth century, Yuan dynasty, Zeami motokiyo.

Url:

• https://api.istex.fr/ark:/67375/1BB-TD1PZKJV-K/fulltext.pdf

DOI: 10.1007/BF02090409

---

Links to Exploration step

ISTEX:ACC2EC54FD719A9734E3BEA5EB47CBD44CA6CF85

---

Le document en format XML

---

Pour manipuler ce document sous Unix (Dilib)

EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/BourgeoisGentilV1/Data/Istex/Corpus

HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 001103 | SxmlIndent | more

Ou

HfdSelect -h $EXPLOR_AREA/Data/Istex/Corpus/biblio.hfd -nk 001103 | SxmlIndent | more

Pour mettre un lien sur cette page dans le réseau Wicri

{{Explor lien
   |wiki=    Wicri/Musique
   |area=    BourgeoisGentilV1
   |flux=    Istex
   |étape=   Corpus
   |type=    RBID
   |clé=     ISTEX:ACC2EC54FD719A9734E3BEA5EB47CBD44CA6CF85
   |texte=   Explorations in the interrelations of literature and music in a non-western context: China, Japan, India and Africa
}}

---

This area was generated with Dilib version V0.6.33. Data generation: Sun Sep 29 22:08:28 2019. Site generation: Mon Mar 11 10:07:23 2024