BourgeoisGentilV1, Istex, Corpus, bibRecord, 000646

‘L’Église des Français’ de Strasbourg (1538–1563): Rayonnement européen de sa liturgie et de ses psautiers. By Robert Weeda. pp. 170. Collection d’études musicologiques, 94. (Valentin Koerner, Baden-Baden and Bouxwiller, 2004, €58. ISBN 3-87320-594-7.)

Identifieur interne : 000646 ( Istex/Corpus ); précédent : 000645; suivant : 000647

‘L’Église des Français’ de Strasbourg (1538–1563): Rayonnement européen de sa liturgie et de ses psautiers. By Robert Weeda. pp. 170. Collection d’études musicologiques, 94. (Valentin Koerner, Baden-Baden and Bouxwiller, 2004, €58. ISBN 3-87320-594-7.)

Auteurs : Richard Freedman

Source :

Music and Letters [ 0027-4224 ] ; 2005-11.

RBID : ISTEX:F17051F1678B34CEB7FEAEE031D3EA137B394E93

English descriptors

Teeft :
- French opera, French protestants, Genevan, Liturgy, Middle years, Psalter, Sixteenth century, Strasburg, Strasburg liturgy, Weeda.

Url:

https://api.istex.fr/ark:/67375/HXZ-C4BLMB03-0/fulltext.pdf

DOI: 10.1093/ml/gci108

Links to Exploration step

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        <article-title><italic>‘L’Église des Français’ de Strasbourg (1538–1563): Rayonnement européen de sa liturgie et de ses psautiers</italic>
. By Robert Weeda. pp. 170. Collection d’études musicologiques, 94. (Valentin Koerner, Baden-Baden and Bouxwiller, 2004, €58. ISBN 3-87320-594-7.)</article-title>

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    <p>Jean Calvin’s Geneva has long held the attention of scholars interested in the musical and liturgical history of the French Reformation. It was here, after all, that musicians like Loys Bourgeois and other <italic>chantres</italic>
 crafted a repertory of psalm tunes that together formed the central corpus of congregational song for the new church. But the centrality of the Genevan musical and liturgical reforms has tended to obscure from view the varied sources of this tradition, and its equally varied uses among French Protestants in communities far beyond the Genevan orbit. In what ways were Calvin’s reforms shaped by his encounter with related efforts already under way in nearby Strasburg, where he lived and studied between 1538 and 1541? And to what extent did the Strasburg liturgy maintain a distinctive character and influence, even as the Genevan Psalter spread far and wide? Robert Weeda’s compact but useful volume considers these and other questions, assembling a rich body of documentary evidence about the varied musical manifestations of reform undertaken during the middle years of the sixteenth century.</p>

    <p>The author begins by examining the work of two important reformers active in Strasburg during Calvin’s sojourn there. In the writings of the German theologian Martin Bucer, for instance, Weeda finds important anticipations of Calvin’s ideas on the proper relationship between civil and religious authority, as well as the place of song in congregational worship. Calvin’s views on the pedagogical utility and moral character of song likewise find close correspondence in the writings of Jean Sturm, Rector of the Strasburg Gymnasium and an important member of the French Protestant community in that city. Before Calvin’s return from Strasburg in 1541, Weeda observes, the Genevan liturgy was largely inattentive to music, focusing instead on scriptural text and pulpit oratory. But—as the central chapters of the book document—starting in the 1540s the new church applied itself to the musical Psalter with sudden vigour, along lines that echo but transform similar efforts undertaken in Strasburg not long before. The story of the Genevan Psalter from the early 1540s up to its completion in 1562 has been told before (notably in Pierre Pidoux’s monumental <italic>Le Psautier huguenot du XVI</italic>
 <sup>e</sup>
 siècle (Basle, 1962) and in Weeda’s own recent <italic>Le Psautier de Calvin: L’histoire d’un livre populaire au XVI<sup>e</sup>
 siècle (1551–1598)</italic>
 (Turnhout, 2002); reviewed in <italic>Music & Letters</italic>
, 85 (2004), 99–100). Yet as the present survey reminds us, the surviving sources reveal a patchwork process that was at times chaotic, with frequent substitution, adaptation, and revisions of texts and tunes alike. Indeed, few of us remember that Calvin’s first published set of psalm paraphrases and their melodies (from the <italic>Aulcuns pseaulmes et cantiques mys en chant</italic>
 of 1539) was issued not in Geneva but in Strasburg.</p>

    <p>Weeda next turns to the story of the Strasburg liturgy and its continuing evolution in the mid-sixteenth century. Among the various musicians who had a hand in the crafting of the Strasburg psalm repertory, the editorial work of Jean Garnier, supervisor of a series of musical imprints issued there during the 1540s and 1550s, seems especially important. In the changing selection of text and tunes, and in his revealing prefatory remarks about the individual psalters we learn much about the varieties of local musical practice in French Protestant congregations beyond Geneva. (Among Weeda’s appendices is one that charts the differences among the various Strasburg editions of the psalter.) Here, too, we learn something of the efforts of local pastors to sustain independence for the Strasburg Église des français (as the church for the local French-speaking community was known), which seems to have been pressed between the local dominance of Lutheran parishes on one hand and the external influence of Calvin’s Geneva consistories on the other. And yet on account of this at times vigorously contested autonomy, the Strasburg editions and liturgy exerted a profound influence over some other far-flung communities of French Protestants, notably in Metz, Tournai, and even in the English towns of Glastonbury and London.</p>

    <p>Weeda’s narrative unfolds as a series of small case studies, each chosen to illuminate an important intellectual encounter, liturgical innovation, or seminal imprint of the period. The brevity of these individual segments at times helps us to focus our attention on a particular place or person. But it also obliges the author to retrace contextual material in order to make each small chapter coherent. And although the typography is not always consistent in the ways that it presents quotations or translations from original documents (they are sometimes in italics, at other times within quotation marks—see e.g. p. 83), the many quotations from chronicles, prefaces, consistorial rulings, and other primary sources are well chosen to give important information about the character and context of the psalms as they were sung in Protestant communities. The explanatory notes (conveniently printed at the foot of each page) are also rich in bibliographical detail that will allow interested scholars to examine the original sources in a fuller context. Through all of this, we are reminded of the patent variety that characterized Protestant musical practice during the middle years of the sixteenth century. And just as scholars have come to recognize the profoundly local character of musical practice among Catholic communities in those years, Weeda’s study shows us that Reformation musical ideals were hardly uniform, even in the highly centralized ethos of the Genevan church. The story of the Strasburg Psalter, both before and after Calvin’s sojourn there, has much to teach us.</p>

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   |texte=   ‘L’Église des Français’ de Strasbourg (1538–1563): Rayonnement européen de sa liturgie et de ses psautiers. By Robert Weeda. pp. 170. Collection d’études musicologiques, 94. (Valentin Koerner, Baden-Baden and Bouxwiller, 2004, €58. ISBN 3-87320-594-7.)
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	Serveur d'exploration autour du Bourgeois gentilhomme
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Serveur d'exploration autour du Bourgeois gentilhomme

‘L’Église des Français’ de Strasbourg (1538–1563): Rayonnement européen de sa liturgie et de ses psautiers. By Robert Weeda. pp. 170. Collection d’études musicologiques, 94. (Valentin Koerner, Baden-Baden and Bouxwiller, 2004, €58. ISBN 3-87320-594-7.)

‘L’Église des Français’ de Strasbourg (1538–1563): Rayonnement européen de sa liturgie et de ses psautiers. By Robert Weeda. pp. 170. Collection d’études musicologiques, 94. (Valentin Koerner, Baden-Baden and Bouxwiller, 2004, €58. ISBN 3-87320-594-7.)

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