The changing scene
Identifieur interne : 000489 ( Istex/Corpus ); précédent : 000488; suivant : 000490The changing scene
Auteurs :Source :
- Music Educators Journal [ 0027-4321 ] ; 1978-03.
English descriptors
- Teeft :
Url:
DOI: 10.2307/3395442
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ISTEX:7302575D88F0E0AA26F63792A63E3EC9316A24E7Le document en format XML
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Jerry</json:string><json:string>Janet Pummill</json:string><json:string>Keith Clark</json:string><json:string>Vital Importance</json:string><json:string>Richard Mingus</json:string><json:string>Thomas Dunn</json:string><json:string>Jean Landa</json:string><json:string>Gilbert Keathley</json:string><json:string>Walter Rodby</json:string><json:string>Gordon Paine</json:string><json:string>Jack Gallagher</json:string><json:string>Kenneth Burward-Hoy</json:string><json:string>Virginia BurwardHoy</json:string><json:string>Leonard Rumery</json:string><json:string>Jefferson County</json:string><json:string>Eugene Ormandy</json:string><json:string>John Fonville</json:string><json:string>La Scala</json:string><json:string>Bruno Amato</json:string><json:string>J. Clifton</json:string><json:string>Daniel V. Robinson</json:string><json:string>Norman E. Burgess</json:string><json:string>Barbara Sauer</json:string><json:string>Kathleen Harris</json:string><json:string>AkiRehearsal</json:string><json:string>Thomas Schippers</json:string><json:string>Otto Laske</json:string><json:string>C.R.Spinney</json:string></persName><placeName><json:string>Calgary</json:string><json:string>Philadelphia</json:string><json:string>Germany</json:string><json:string>United States</json:string><json:string>San Antonio</json:string><json:string>Canada</json:string><json:string>New York City</json:string><json:string>Cincinnati</json:string><json:string>Europe</json:string><json:string>Jordan</json:string><json:string>Japan</json:string><json:string>Bayreuth</json:string><json:string>Rome</json:string><json:string>Spoleto</json:string><json:string>Israel</json:string><json:string>York</json:string><json:string>France</json:string><json:string>Italy</json:string></placeName><ref_url></ref_url><ref_bibl></ref_bibl><bibl></bibl></unitex></namedEntities><ark><json:string>ark:/67375/M70-595XVC9G-2</json:string></ark><publicationDate>1978</publicationDate><copyrightDate>1978</copyrightDate><doi><json:string>10.2307/3395442</json:string></doi><id>7302575D88F0E0AA26F63792A63E3EC9316A24E7</id><score>1</score><fulltext><json:item><extension>pdf</extension><original>true</original><mimetype>application/pdf</mimetype><uri>https://api.istex.fr/ark:/67375/M70-595XVC9G-2/fulltext.pdf</uri></json:item><json:item><extension>zip</extension><original>false</original><mimetype>application/zip</mimetype><uri>https://api.istex.fr/ark:/67375/M70-595XVC9G-2/bundle.zip</uri></json:item><istex:fulltextTEI uri="https://api.istex.fr/ark:/67375/M70-595XVC9G-2/fulltext.tei"><teiHeader><fileDesc><titleStmt><title level="a" type="main" xml:lang="en">The changing scene</title></titleStmt><publicationStmt><authority>ISTEX</authority><publisher scheme="https://scientific-publisher.data.istex.fr">SAGE Publications</publisher><pubPlace>Sage CA: Los Angeles, CA</pubPlace><availability><licence><p>sage</p></licence></availability><p scheme="https://loaded-corpus.data.istex.fr/ark:/67375/XBH-0J1N7DQT-B"></p><date>1978</date></publicationStmt><notesStmt><note type="other" scheme="https://content-type.data.istex.fr/ark:/67375/XTP-7474895G-0">other</note><note type="journal" scheme="https://publication-type.data.istex.fr/ark:/67375/JMC-0GLKJH51-B">journal</note></notesStmt><sourceDesc><biblStruct type="inbook"><analytic><title level="a" type="main" xml:lang="en">The changing scene</title><idno type="istex">7302575D88F0E0AA26F63792A63E3EC9316A24E7</idno><idno type="ark">ark:/67375/M70-595XVC9G-2</idno><idno type="DOI">10.2307/3395442</idno><idno type="article-id">10.2307_3395442</idno></analytic><monogr><title level="j">Music Educators Journal</title><idno type="pISSN">0027-4321</idno><idno type="eISSN">1945-0087</idno><idno type="publisher-id">MEJ</idno><idno type="PublisherID-hwp">spmej</idno><imprint><publisher>SAGE Publications</publisher><pubPlace>Sage CA: Los Angeles, CA</pubPlace><date type="published" when="1978-03"></date><biblScope unit="volume">64</biblScope><biblScope unit="issue">7</biblScope><biblScope unit="page" from="7">7</biblScope><biblScope unit="page" to="8">8</biblScope></imprint></monogr></biblStruct></sourceDesc></fileDesc><profileDesc><creation><date>1978</date></creation><langUsage><language ident="en">en</language></langUsage></profileDesc><revisionDesc><change when="1978-03">Published</change></revisionDesc></teiHeader></istex:fulltextTEI><json:item><extension>txt</extension><original>false</original><mimetype>text/plain</mimetype><uri>https://api.istex.fr/ark:/67375/M70-595XVC9G-2/fulltext.txt</uri></json:item></fulltext><metadata><istex:metadataXml wicri:clean="corpus sage not found" wicri:toSee="no header"><istex:xmlDeclaration>version="1.0" encoding="UTF-8"</istex:xmlDeclaration><istex:docType PUBLIC="-//NLM//DTD Journal Publishing DTD v2.3 20070202//EN" URI="journalpublishing.dtd" name="istex:docType"></istex:docType><istex:document><article article-type="other" dtd-version="2.3" xml:lang="EN"><front><journal-meta><journal-id journal-id-type="hwp">spmej</journal-id><journal-id journal-id-type="publisher-id">MEJ</journal-id><journal-title>Music Educators Journal</journal-title><issn pub-type="ppub">0027-4321</issn><publisher>
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</publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.2307/3395442</article-id><article-id pub-id-type="publisher-id">10.2307_3395442</article-id><article-categories><subj-group subj-group-type="heading"><subject>Articles</subject></subj-group></article-categories><title-group><article-title>The changing scene</article-title></title-group><pub-date pub-type="ppub"><month>03</month><year>1978</year></pub-date><volume>64</volume><issue>7</issue><fpage>7</fpage><lpage>8</lpage><custom-meta-wrap><custom-meta xlink:type="simple"><meta-name>sagemeta-type</meta-name><meta-value>Other</meta-value></custom-meta><custom-meta xlink:type="simple"><meta-name>search-text</meta-name><meta-value> The changing scene Boston University has added several new faculty members. Composer and conductor Jan Johnson Swafford has been named assistant professor in theory. John Milton Peel, an author and composer, has also been appointed as assistant professor in theory. Conductor Thomas Dunn, a former editor-in-chief of the E. C. Schirmer Music Company, is now associate professor and director of choral organizations. Walter Rodby, president of the Illinois Music Educators Association, has been appointed community professor and director of choral activities at the College of St. Francis, Joliet, Illinois. A former music teacher at Joliet Township High School, Rodby also taught at Homewood-Flossmoor High School in Illinois, where he served as director of vocal music for eighteen years and department chairman for nine years. Mount Royal College, Calgary, Alberta, Canada, has announced several appointments to its conservatory of music. Norman E. Burgess, associate director of the conservatory, has been promoted to director. The new associate director, Phillip Johnson, was formerly supervisor of music for the Moose Jaw Board of Education, Moose Jaw, Saskatchewan, Canada. Tuba specialist Paul Hoelzley, previously assistant professor at Baldwin-Wallace College, Berea, Ohio, and violin specialist Zoltan Szabo, a former faculty member at Indiana State University, Terre Haute, have also joined the Mount Royal faculty. Other additions to the staff include Kenneth Bur-ward-Hoy, violin; Virginia Burward-Hoy, cello; Jean Landa, oboe; Tom Miller, percussion; Richard Mingus, horn; and Haig Robinson, piano. UT at San Antonio. Three new faculty appointments have been announced in the division of music at the University of Texas at San Antonio. Charles Berginc has become a lecturer of trumpet. James Chudnow serves as lecturer of contrabass. Douglas Lyren is now assistant professor of choral music. California State University, Fullerton, has appointed Benton Minor, professor of music and conductor of the university wind ensemble, to a three-year term as chairman of the music department. Other appointments to the university faculty include Bruno Amato, associate professor of music in composition and music theory; Keith Clark, associate professor of music and conductor of the university's symphony orchestra; Michael Kurkjian, lecturer in music and director of opera theatre; Gordon Paine, assistant professor of music, conductor of the Chamber Singers, and teacher in the area of choral literature and conducting; and Laurance Timm, assistant professor of music, applied oboe, and woodwind chamber music and conductor of the university's concert band. University of Illinois. Additions to the music faculty of the University of Illinois at Urbana-Champaign include L. Kathryn Bumpass, lecturer in musi-cology; Charles Capwell, lecturer in musicology; John Fonville, lecturer in flute; Marion Gushee, assistant professor of musicology; G. Jerry Jordan, lecturer in music education; Otto Laske, visiting assistant professor of composition-theory; Alexander Murray, professor of flute; Janet Pummill, assistant professor of group piano; and Leonard Rumery, assistant professor of choral conducting. A practical contemporary work written for summer band camp use. PRELUDIO E DANZA, Panerio (MD). 35.00 Lush, brilliant, romantic —all fit this newer work by the composer of Jubiloso. CHR0N0L06, Jared Spears (M)…… 35.00 We are proud of this addition to our catalog by Mr. Spears, and we think it is his best to date. Very practically written for performance by high school groups. GRANT US THY MERCY, Lotti, Arr. by C. R. Spinney (ME)…… 12.50 A chorale-like setting of a sacred piece, which makes a good concert number as well as a study in pitch and balance. TUMBALALAIKA, Arr. by C. R. Spinney (ME)……………… 12.50 A refreshing setting of the well-known Russian folk song; a new addition to the Planned Program Series (Junior High and smaller High Schools). CAPRICCIO C0NCERTANT— McBeth…………………. 40.00 Commissioned by and dedicated to the South Dakota All State Band and the South Dakota Bicentennial Commission. RAPSCALLION—Barnes………… 35.00 Subtitled Overture-Scherzo for Symphonic Band —a brilliant and ingratiating piece for concert and contest. JUBILOSO—Panerio …………. 30.00 Winner of the 1975 ABA-Ostwald Award. Very playable by groups at the high school level, as well as college. FESTIVAL MUSIC FOR A CROWN PRINCE—Tohno………. 35.00 Original band music, written for the wedding of Crown Prince Aki-hito of Japan. Rehearsal record included. SUITE R0YALE—Lully/Schaefer …. 25.00 Orginially written for displays by the horsemen of the King of France. A brilliant and interesting addition to the band repertoire. TO BE FED BY RAVENS—McBeth … 40.00 SOUTHERN MUSIC COMPANY P.O. BOX 329 SAN ANTONIO, TEXAS 78292 mej/mar ‘78 Selmer Announces a New Service of Vital Importance to Music Teachers, Music Majors, and Graduate Students [riUSJC RESEARCH CLEARING HOUSE: A MUSIC RESEARCH DATA BANK AT YOUR FINGERTIPS Are you working on an accountability plan for your music department? Are you eager to keep pace with new developments in wind instrument technique? Are you writing a seminar paper or dissertation on Josquin des Pres? Are you experimenting with programmed learning for band members, or setting up a curriculum of jazz studies? If you are investigating for any reason any subject within the whole vast field of music and music education, Music Research Clearing House can save you incalculable hours of tedious and often unproductive searching for source materials. You have only to submit the subject of your study to Music Research Clearing House, a free educational service of Selmer. We will send you a custom-made computer printout listing complete bibliographical information on dissertations that deal with your chosen subject. Ordering instructions enclosed with your bibliography make it convenient to purchase the dissertations best suited to your needs. This extraordinary service is made possible by University Microfilms International, publishers of nearly 400,000 dissertations on almost every conceivable subject, whose computers are programmed to retrieve within seconds all those titles relevant to any selected topic. The publications their data bank makes readily accessible represent more than a century of scholarly and scientific research. Only recent advances in computer technology make such highly sophisticated information retrieval practical. By special arrangement with University Microfilms International, Music Research Clearing House is making free access to this data bank available to music educators and students. If you are working on a specific problem or research project, or if you would like more details on the mechanics of this valuable new educational tool, write Music Research Clearing House, 813 West South Street, Kalamazoo, MI 49007. Selmer The Selmer Company Box 310, Elkhart, Indiana 46515 Colorado State University, Fort Collins, has announced three faculty appointments in the department of music. Kathleen Harris, now assistant professor of voice, formerly taught at the University of Oklahoma, Norman. Instructor of trumpet Barbara Sauer taught previously at Lincoln University, Lincoln University, Pennsylvania. Gilbert Keathley, instructor of low brass, is replacing William Runyan, who is on leave for the current academic year. Jack Gallagher has joined the faculty of The College of Wooster, Wooster, Ohio, as an instructor of music. A composer and trumpet player, Gallagher previously taught in the Beth-page (Long Island) Public Schools and served as a teaching assistant in music theory and music appreciation at Cornell University, Ithaca, New York. Daniel V. Robinson has joined the Wooster faculty as a visiting assistant professor of music. BCD OuDCBnuDcDlTaCnQ Thomas Schippers, an eminent American opera and orchestra conductor, died December 16, 1977, at the age of forty-seven in New York City. Born in Kalamazoo, Michigan, Schippers studied piano at the Curtis Institute in Philadelphia. In 1948, at the age of eighteen, he was invited by Eugene Ormandy to conduct the Philadelphia Orchestra, and he became conductor of the Lemonade Opera Company in New York in the same year. He was later named opera conductor of the New York City Opera Company and made his debut at the Metropolitan Opera in 1955. Schippers cofounded the Spoleto Festival in Italy with Gian Carlo Menotti in 1958 and acted as music director for the event for many years. Orchestral conducting engagements took him all over the United States and to Europe and Israel. He was also a principal opera conductor for La Scala and a guest conductor at Covent Garden, the Rome Opera, and the Wagner shrine in Bayreuth, Germany. In 1970, Schippers accepted the position of music director of the Cincinnati Symphony Orchestra, from which he resigned shortly before his death. James Easton Patterson died October 18, 1977, at the age of twenty-seven. Patterson was a director of choral music at Lakewood High School, Jefferson County, Colorado. </meta-value></custom-meta></custom-meta-wrap></article-meta></front></article></istex:document></istex:metadataXml><mods version="3.6"><titleInfo lang="en"><title>The changing scene</title></titleInfo><titleInfo type="alternative" lang="en" contentType="CDATA"><title>The changing scene</title></titleInfo><typeOfResource>text</typeOfResource><genre type="other" displayLabel="other" authority="ISTEX" authorityURI="https://content-type.data.istex.fr" valueURI="https://content-type.data.istex.fr/ark:/67375/XTP-7474895G-0">other</genre><originInfo><publisher>SAGE Publications</publisher><place><placeTerm type="text">Sage CA: Los Angeles, CA</placeTerm></place><dateIssued encoding="w3cdtf">1978-03</dateIssued><copyrightDate encoding="w3cdtf">1978</copyrightDate></originInfo><language><languageTerm type="code" authority="iso639-2b">eng</languageTerm><languageTerm type="code" authority="rfc3066">en</languageTerm></language><relatedItem type="host"><titleInfo><title>Music Educators Journal</title></titleInfo><genre type="journal" authority="ISTEX" authorityURI="https://publication-type.data.istex.fr" valueURI="https://publication-type.data.istex.fr/ark:/67375/JMC-0GLKJH51-B">journal</genre><identifier type="ISSN">0027-4321</identifier><identifier type="eISSN">1945-0087</identifier><identifier type="PublisherID">MEJ</identifier><identifier type="PublisherID-hwp">spmej</identifier><part><date>1978</date><detail type="volume"><caption>vol.</caption><number>64</number></detail><detail type="issue"><caption>no.</caption><number>7</number></detail><extent unit="pages"><start>7</start><end>8</end></extent></part></relatedItem><identifier type="istex">7302575D88F0E0AA26F63792A63E3EC9316A24E7</identifier><identifier type="ark">ark:/67375/M70-595XVC9G-2</identifier><identifier type="DOI">10.2307/3395442</identifier><identifier type="ArticleID">10.2307_3395442</identifier><recordInfo><recordContentSource authority="ISTEX" authorityURI="https://loaded-corpus.data.istex.fr" valueURI="https://loaded-corpus.data.istex.fr/ark:/67375/XBH-0J1N7DQT-B">sage</recordContentSource></recordInfo></mods><json:item><extension>json</extension><original>false</original><mimetype>application/json</mimetype><uri>https://api.istex.fr/ark:/67375/M70-595XVC9G-2/record.json</uri></json:item></metadata><author></author><serie></serie></istex></record>Pour manipuler ce document sous Unix (Dilib)
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