Le ballet de la nuit Louis XIV and dance: an examination of Waddesdon's source for Le ballet de la nuit, 6th Annual Dance Symposium, 21 April 2004, Waddesdon Manor and New College, Oxford
Identifieur interne : 000408 ( Istex/Corpus ); précédent : 000407; suivant : 000409Le ballet de la nuit Louis XIV and dance: an examination of Waddesdon's source for Le ballet de la nuit, 6th Annual Dance Symposium, 21 April 2004, Waddesdon Manor and New College, Oxford
Auteurs : Juliet CareySource :
- Early Music [ 0306-1078 ] ; 2004-08.
English descriptors
- Teeft :
- Ancien ephemera, Annual dance symposium, Aural drama, Birmingham oratory, Catherine massip, Charles babell, Choral music, Chronological cast, Coloured designs, Copying project, Costume designs, Court ballets, Court masques, Cultural contexts, Cultural strategy, Danican philidor, David parrott, Early years, Elizabeth woodrough, Fairground acrobats, Formal rhythms, Grandes nuits, Incomplete scores, Instrumental trio, Intriguing group, Isaac benserade, Ivory musette, Jennifer thorp, Juliet carey, Keyboard arrangement, Lionel sawkins, Literary analysis, Manuscript records, Meaningful clarity, Michael burden, Mike fear, Musical archaeology, Musical aspect, Musical contexts, Musical instrument makers, Musical instruments, Musical scores, Musical survival, National trust, Nuit, Nuit louis, Numerous characters, Operatic souvenirs, Other entertainments, Other items, Paris salons, Persuasive reading, Philippa glanville cast, Political authority, Professional performers, Remarkable entertainments, Rothschild collection, Rothschild collections, Scholarly rigour, Second concert, Single voice, Speculative versions, Stable monarchy, Temporal structure, Theatrical costume designs, Trade cards, Traditional reading, Vocal groupings, Waddesdon, Waddesdon manor, Young louis.
Url:
DOI: 10.1093/em/32.3.486
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