Serveur d'exploration autour du Bourgeois gentilhomme

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Walls, Music in the English Courtly Masque 1604–1640

Identifieur interne : 000280 ( Istex/Corpus ); précédent : 000279; suivant : 000281

Walls, Music in the English Courtly Masque 1604–1640

Auteurs : Peter Holman

Source :

RBID : ISTEX:423EEEB9FAF9A3D85CD743D134F84E56B9878824
Url:
DOI: 10.1017/S0261127900001789

Links to Exploration step

ISTEX:423EEEB9FAF9A3D85CD743D134F84E56B9878824

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,
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.
<publisher-loc>Oxford</publisher-loc>
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<publisher-name>Clarendon Press</publisher-name>
,
<year>1996</year>
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<fn-group>
<fn id="fn01" symbol="1">
<label>
<sup>1</sup>
</label>
<p>
<citation id="ref002" citation-type="book">
<name>
<surname>Dent</surname>
<given-names>E. J.</given-names>
</name>
,
<source>Foundations of English Opera</source>
(
<publisher-loc>Cambridge</publisher-loc>
,
<year>1928</year>
; repr. 1965)</citation>
;
<citation id="ref003" citation-type="book">
<name>
<surname>Arundell</surname>
<given-names>D.</given-names>
</name>
,
<source>The Critic at the Opera</source>
(
<publisher-loc>London</publisher-loc>
,
<year>1957</year>
)</citation>
.</p>
</fn>
<fn id="fn02" symbol="2">
<label>
<sup>2</sup>
</label>
<p>
<citation id="ref004" citation-type="book">
<name>
<surname>Sabol</surname>
<given-names>A.</given-names>
</name>
,
<source>Four Hundred Songs and Dances from the Stuart Masque</source>
(
<publisher-loc>Providence, R.I.</publisher-loc>
,
<year>1978</year>
)</citation>
.</p>
</fn>
<fn id="fn03" symbol="3">
<label>
<sup>3</sup>
</label>
<p>
<citation id="ref005" citation-type="book">
<source>Matthew Locke and Christopher Gibbons: Cupid and Death</source>
, ed.
<name>
<surname>Dent</surname>
<given-names>E. J.</given-names>
</name>
, rev. A. Lewis, Musica Britannica 2 (
<publisher-loc>London</publisher-loc>
, 2/
<year>1965</year>
)</citation>
.</p>
</fn>
<fn id="fn04" symbol="4">
<label>
<sup>4</sup>
</label>
<p>Modern edition in
<citation id="ref006" citation-type="book">
<source>Greaves, Mason, Earsden: Songs (1604) and Ayres (1618)</source>
, ed.
<name>
<surname>Spink</surname>
<given-names>I.</given-names>
</name>
, The English Lute-Songs, second series, 18 (
<publisher-loc>London</publisher-loc>
,
<year>1962</year>
)</citation>
.</p>
</fn>
<fn id="fn05" symbol="5">
<label>
<sup>5</sup>
</label>
<p>
<citation id="ref007" citation-type="book">
<source>Trois Masques à la cour de Charles Ier d'Angleterre</source>
, ed.
<name>
<surname>Lefkowitz</surname>
<given-names>M.</given-names>
</name>
(
<publisher-loc>Paris</publisher-loc>
,
<year>1970</year>
)</citation>
.</p>
</fn>
<fn id="fn06" symbol="6">
<label>
<sup>6</sup>
</label>
<p>Modern edition in
<citation id="ref008" citation-type="book">
<source>Robert Johnson: Ayres, Songs and Dialogues</source>
, ed.
<name>
<surname>Spink</surname>
<given-names>I.</given-names>
</name>
, The English Lute-Songs, second series, 17 (
<publisher-loc>London</publisher-loc>
, 2/
<year>1974</year>
), no. 5</citation>
. Unfortunately, it omits the essential second soprano part printed in the sole source,
<citation id="ref009" citation-type="book">
<name>
<surname>Wilson's</surname>
<given-names>John</given-names>
</name>
<source>Cheerful Ayres or Ballads</source>
(
<publisher-loc>Oxford</publisher-loc>
,
<year>1660</year>
)</citation>
.</p>
</fn>
<fn id="fn07" symbol="7">
<label>
<sup>7</sup>
</label>
<p>
<citation id="ref010" citation-type="journal">
<name>
<surname>Ward</surname>
<given-names>J.</given-names>
</name>
, ‘
<article-title>Newly Devis'd Measures for Jacobean Masques</article-title>
’,
<source>Acta Musicologica</source>
,
<volume>60</volume>
(
<year>1988</year>
), pp.
<fpage>111</fpage>
–42</citation>
;
<citation id="ref011" citation-type="book">
<name>
<surname>Holman</surname>
<given-names>P.</given-names>
</name>
,
<source>Four and Twenty Fiddlers: The Violin at the English Court 1540–1690</source>
(
<publisher-loc>Oxford</publisher-loc>
,
<year>1993</year>
;
<edition>2nd edn</edition>
<year>1995</year>
), chap. 8</citation>
.</p>
</fn>
<fn id="fn08" symbol="8">
<label>
<sup>8</sup>
</label>
<p>
<citation id="ref012" citation-type="thesis">
<name>
<surname>Lasocki</surname>
<given-names>D.</given-names>
</name>
, Professional Recorder Players in England, 1540–1740, Ph.D. dissertation,
<publisher-name>University of Iowa</publisher-name>
,
<year>1983</year>
,
<sc>i</sc>
, pp.
<fpage>105</fpage>
–12</citation>
;
<citation id="ref013" citation-type="other">
<name>
<surname>Holman</surname>
</name>
,
<italic>Four and Twenty Fiddlers</italic>
, pp.
<fpage>233</fpage>
–4</citation>
.</p>
</fn>
<fn id="fn09" symbol="9">
<label>
<sup>9</sup>
</label>
<p>
<xref ref-type="bibr" rid="ref013">Ibid.</xref>
, p. 186.</p>
</fn>
<fn id="fn10" symbol="10">
<label>
<sup>10</sup>
</label>
<p>
<xref ref-type="bibr" rid="ref013">Ibid.</xref>
, pp. 252–3.</p>
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