List of bibliographic references
Number of relevant bibliographic references: 46.
[0-20] [
0 - 20][
0 - 46][
20-40]
| Ident. | Authors (with country if any) | Title |
|---|
| 000024 (2010) |
Judith Milhous [États-Unis] | WHAT ARE YOU READING? |
| 000033 (2010) |
Dassia N. Posner | PERFORMANCE AS POLEMIC: TAIROV'S 1920 PRINCESS BRAMBILLA AT THE MOSCOW KAMERNY THEATRE |
| 000038 (2010) |
| List of Books Received as of 1 December 2009 |
| 000039 (2010) |
| LIST OF BOOKS RECEIVED AS OF 1 MAY 2010 |
| 000080 (2009) |
Christina S. Mcmahon | FROM ADAPTATION TO TRANSFORMATION: SHAKESPEARE CREOLIZED ON CAPE VERDE'S FESTIVAL STAGE |
| 000082 (2009) |
Matthew Buckley | ELOQUENT ACTION: THE BODY AND MEANING IN EARLY COMMEDIA DELL'ARTE |
| 000359 (2008) |
Alain Badiou | RHAPSODY FOR THE THEATRE: A SHORT PHILOSOPHICAL TREATISE |
| 000384 (2008) |
Emily Carr [Canada] | Review of "Martin Banham, Jane Milling, Extraordinary Actors: Essays on Popular Performers University of Exeter Press (2004)" |
| 000840 (2000) |
Klaus Van Den Berg | Review of "Claude Schumacher, Rebecca Rovit, Alvin Goldfarb, Robert Skloot, Anat Feinberg, Staging the Holocaust: The Shoah in Drama and PerformanceTheatrical Performance During the HolocaustThe Theatre of the HolocaustEmbodied Memory: The Theatre of George TaboriSpectacular Suffering: Theatre, Fascism, and the Holocaust Cambridge University Press The Johns Hopkins University Press/PAJ Books University of Wisconsin Press University of Iowa Press Indiana University Press (1998) (1999) (1999) (1999) (1999)" |
| 000869 (1999) |
Susan Brady | Library Internet Resources: Conducting Performing Arts Research Online |
| 000896 (1998) |
W. B. Worthen | Shakespeare and Postmodern Production: An Introduction |
| 000951 (1998) |
Roger W. Herzel | Review of "William D. Howarth, French theatre in the Neo-classical era, 1550–1789 Cambridge University Press (1997)" |
| 000A74 (1995) |
Michael L. Quinn | Uncertain Slovakia: Blaho Uhlár, Stoka and Vres |
| 000A98 (1995) |
| List of Books Received |
| 000B20 (1995) |
Todd S. Gilman | Augustan Criticism and Changing Conceptions of English Opera |
| 000B36 (1994) |
Marvin Carlson | The Haunted Stage: Recycling and Reception in the Theatre |
| 000B66 (1994) |
| Books Received |
| 000C35 (1993) |
| Books Received |
| 000D99 (1989) |
Anya Peterson Royce | Who was Argentina? Player and Role in Late Seventeenth Century Commedia dell'Arte |
| 000E42 (1989) |
Pierre Danchin [France] | Review of "Spire Pitou, The Paris Opéra: An Encyclopedia of Operas, Ballets, Composers, and Perfomers. Rococo and Romantic, 1715–1815 Greenwood Press (1985)" |
| 000E86 (1988) |
Marvin Carlson | Review of "Ronald W. Vince, Ronald W. Vince, Ronald W. Vince, Ancient and Medieval Theatre: A Historiographical HandbookRenaissance Theatre: A Historiographical HandbookNeoclassical Theatre: A Historiographical Handbook Greenwood Greenwood Greenwood (1984) (1984) (1988)" |
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