1741-7287 < 1741-8399 < 1742-1241

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List of bibliographic references

Number of relevant bibliographic references: 260.
[0-20] [0 - 20][0 - 50][20-40]

Ident.	Authors (with country if any)	Title
000031 (2010)	Amanda Eubanks Winkler [États-Unis]	Sexless Spirits?: Gender Ideology and Dryden's Musical Magic
000044 (2010)	Carl B. Schmidt [États-Unis]	Francis Poulenc and Robert Shaw: A Remarkable Symbiotic Relationship
000357 (2008)	Jann Pasler	Theorizing Race in Nineteenth-Century France: Music as Emblem of Identity
000372 (2008)	Joshua S. Walden	Composing Character in Musical Portraits: Carl Philipp Emanuel Bach and L'Aly Rupalich
000400 (2007)	Matthew Mcdonald	Death and the Donkey: Schubert at Random in Au Hasard, Balthazar
000519 (2005)	Maribeth Clark	The Role of Gustave, ou Le bal masqué in Restraining the Bourgeois Body of the July Monarchy
000703 (2002)	Anya Suschitzky	Debussy's Rameau: French Music and Its Others
000754 (2001)	John Byrt	Alteration in Handel: A Fresh Approach
000797 (2000)	Roberta Montemorra Marvin	Music at Court during the Reign of Maria Luigia, Duchess of Parma, Piacenza, and Guastalla: A Partial Survey
000988 (1997)	Mark A. Radice	Sites for Music in purcell’s Dorset Garden Theatre
000A27 (1996)	Silke Leopold ; Irene Zedlacher	The Orchestra in Early Opera
000A80 (1995)	Jane F. Fulcher	The Preparation for Vichy: Anti-Semitism in French Musical Culture Between the Two World Wars
000A95 (1995)	Claudia R. Jensen	Music for the Tsar: A Preliminary Study of the Music of the Muscovite Court Theater
000A96 (1995)	Edith Borroff	More News on Women' s Accomplishments
000B35 (1994)	Neal Zaslaw	The New Grove Dictionary of Opera
000B57 (1994)	Theodor W. Adorno	II. THE MUSIC APPRECIATION HOUR AS PROMOTER OF MUSICAL PSEUDO-CULTURE
000C52 (1992)	David Montgomery	Views, Reviews, and Nonviews: Two Studies in Historical Performance Practice
000C72 (1992)	Anthony Newman	Inequality (Inégales): A New Point of View
000D04 (1991)	Kevin Bazzana	The Uses and Limits of Performance Practice in François Couperin's Huitiême Ordre
000D33 (1991)	William Malloch	Bach and the French Ouverture
000E08 (1989)	Holly Eastman	The Drama of the Passions: Tate and Purcell's Characterization of Dido

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