BourgeoisGentilV1, Hal, Corpus, bibRecord, 000108

Un signe du caractère soupçonneux de Lully : le monogramme "LD"

Identifieur interne : 000108 ( Hal/Corpus ); précédent : 000107; suivant : 000109

Un signe du caractère soupçonneux de Lully : le monogramme "LD"

Auteurs : Pascal Denécheau

Source :

Revue de musicologie [ 0035-1601 ] ; 2006.

RBID : Hal:halshs-00128704

Descripteurs français

mix :
- Ballard, Livret, Lully, XVIIe siècle, partition, éditeur.

Abstract

A mysterious monogram was stamped into the librettos prepared for performances at the Académie royale de musique between 1673 and 1699. It also appears on most printed editions of Lully's operas (even on one by his son Jean-Louis, "Zéphire et Flore") published by Ballard from 1677 to 1689. Combining the letters "L" and "D", the monogram was attributed to Lully by Lois Rosow without an explanation of its function. The examination of some copies of Lully's scores at the Bibliothèque nationale de France reveals that the monogram was always stamped at the same place for the same title, and sometimes surprisingly, without ink. This study leads to the hypothesis that Lully used it to prove that the librettos and scores stored at the Ballard's shop were still his property. Thus, the letters "L" and "D", which could stand for "Lully Depositor", may also be a sign that the composer did not trust his publisher.

Url:

https://halshs.archives-ouvertes.fr/halshs-00128704

Links to Exploration step

Hal:halshs-00128704

Le document en format XML

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            <abstract xml:lang="en">A mysterious monogram was stamped into the librettos prepared for performances at the Académie royale de musique between 1673 and 1699. It also appears on most printed editions of Lully's operas (even on one by his son Jean-Louis, "Zéphire et Flore") published by Ballard from 1677 to 1689. Combining the letters "L" and "D", the monogram was attributed to Lully by Lois Rosow without an explanation of its function. The examination of some copies of Lully's scores at the Bibliothèque nationale de France reveals that the monogram was always stamped at the same place for the same title, and sometimes surprisingly, without ink. This study leads to the hypothesis that Lully used it to prove that the librettos and scores stored at the Ballard's shop were still his property. Thus, the letters "L" and "D", which could stand for "Lully Depositor", may also be a sign that the composer did not trust his publisher.</abstract>
            <abstract xml:lang="fr">Un mystérieux monogramme fut tamponné à l'intérieur des livrets imprimés pour les représentations de l'Académie royale de musique entre 1673 et 1699. Il apparaît également sur la plupart des éditions imprimées des opéras de Lully (et même sur celle de "Zéphire et Flore", pastorale composée par son fils Jean-Louis), publiées par Ballard entre 1677 et 1689. Composé des lettres "L" et "D" entrelacées, le monogramme fut attribué à Lully par Lois Rosow. Sa fonction est restée inexpliquée. L'examen de quelques exemplaires des partitions de Lully conservés à la Bibliothèque nationale de France révèle que le monogramme fut toujours tamponné au même endroit des partitions d'une même œuvre, quelquefois sans avoir été préalablement encré. Cette étude conduit à l'hypothèse que Lully utilisait le monogramme pour prouver que les livrets et les partitions, bien que stockés dans la boutique de Ballard, restaient sa propriété. Les lettres "L" et "D", qui signifiraient "Lully Depositor", seraient alors le signe que le compositeur n'avait aucune confiance en son éditeur.</abstract>
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Un signe du caractère soupçonneux de Lully : le monogramme "LD"

Un signe du caractère soupçonneux de Lully : le monogramme "LD"

Source :

Descripteurs français

Abstract

Links to Exploration step

Le document en format XML

Pour manipuler ce document sous Unix (Dilib)

Pour mettre un lien sur cette page dans le réseau Wicri