List of bibliographic references
Number of relevant bibliographic references: 25.
[0-20] [
0 - 20][
0 - 25][
20-24][
20-40]
| Ident. | Authors (with country if any) | Title |
|---|
| 000016 (2012) |
Michael Watts [Royaume-Uni] ; Barbara Ridley [Royaume-Uni] | Identities of dis/ability and music |
| 000021 (2011) |
Martin Meyer [Suisse] ; Stefan Elmer [Suisse] ; Maya Ringli [Suisse] ; Mathias S. Oechslin [Suisse] ; Simon Baumann [Royaume-Uni] ; Lutz Jancke [Suisse] | Long‐term exposure to music enhances the sensitivity of the auditory system in children |
| 000022 (2011) |
Tim Shephard [Royaume-Uni] | Constructing Isabella d'Este's musical decorum in the visual sphere |
| 000038 (2009) |
M. Tervaniemi [Finlande] ; S. Kruck [Allemagne] ; W. De Baene [Belgique] ; E. Schröger [Allemagne] ; K. Alter [Royaume-Uni] ; A. D. Friederici [Allemagne] | Top‐down modulation of auditory processing: effects of sound context, musical expertise and attentional focus |
| 000043 (2009) |
Stefan Koelsch [Royaume-Uni, Allemagne] | Music‐syntactic processing and auditory memory: Similarities and differences between ERAN and MMN |
| 000047 (2009) |
Andrea Creech [Royaume-Uni] ; Susan Hallam [Royaume-Uni] | Interaction in instrumental learning: the influence of interpersonal dynamics on parents |
| 000048 (2009) |
María Herrojo Ruiz [Espagne, Allemagne] ; Stefan Koelsch [Royaume-Uni, Allemagne] ; Joydeep Bhattacharya [Royaume-Uni, Autriche] | Decrease in early right alpha band phase synchronization and late gamma band oscillations in processing syntax in music |
| 000070 (2007) |
Stefan Koelsch [Allemagne, Royaume-Uni] ; Sebastian Jentschke [Allemagne] ; Daniela Sammler [Allemagne] ; Daniel Mietchen [Allemagne] | Untangling syntactic and sensory processing: An ERP study of music perception |
| 000074 (2007) |
Marilyn Blank [Royaume-Uni] ; Jane Davidson [Royaume-Uni] | An exploration of the effects of musical and social factors in piano duo collaborations |
| 000075 (2007) |
Magnus Marsden [Royaume-Uni] | All‐male sonic gatherings, Islamic reform, and masculinity in northern Pakistan |
| 000097 (2006) |
Anne Barron [Royaume-Uni] | Copyright Law's Musical Work |
| 000098 (2006) |
Krzysztof Kubacki [Royaume-Uni] ; Robin Croft [Royaume-Uni] | Artists' attitudes to marketing: a cross‐cultural perspective |
| 000107 (2005) |
Jo Haynes [Royaume-Uni] | World music and the search for difference |
| 000110 (2005) |
Peter Schneider [Allemagne] ; Vanessa Sluming [Royaume-Uni] ; Neil Roberts [Royaume-Uni] ; Stefan Bleeck [Royaume-Uni] ; André Rupp [Allemagne] | Structural, Functional, and Perceptual Differences in Heschl's Gyrus and Musical Instrument Preference |
| 000111 (2005) |
Colin Durrant [Royaume-Uni] | Shaping Identity Through Choral Activity: Singers' And Conductors' Perceptions |
| 000114 (2005) |
Owen Rees [Royaume-Uni] | Adventures of Portuguese ‘Ancient Music’ In Oxford, London, and Paris: Duarte Lobo’s ‘Liber Missarum’ and Musical Antiquarianism, 1650–1850 |
| 000115 (2004) |
Björn Heile [Royaume-Uni] | ‘Transcending Quotation’: Cross‐Cultural Musical Representation in Mauricio Kagel's Die Stücke der Windrose für Salonorchester |
| 000122 (2003) |
Frankie Williams [Royaume-Uni] | What Does Musical Talent Look Like to You? And What is the Role of the School and its Partners in Developing Talent? |
| 000137 (2002) |
Jane W. Davidson [Royaume-Uni] ; Sophia J. Borthwick | Family Dynamics and Family Scripts: A Case Study of Musical Development |
| 000161 (1999) |
Tia Denora [Royaume-Uni] | Music as a technology of the self |
| 000163 (1999) |
Alison Wray [Royaume-Uni] | Singers on the trail of ‘authentic’ Early Modern English: the puzzling case of /æ:/ and /ε:/ |
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