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List of bibliographic references indexed by only

Number of relevant bibliographic references: 22.
[0-20] [0 - 20][0 - 22][20-21][20-40]
Ident.Authors (with country if any)Title
000000 (2021) Samuel R. Mathias [États-Unis] ; Leonard Varghese [États-Unis] ; Christophe Micheyl [France] ; Barbara G. Shinn-Cunningham [États-Unis]Gradual decay and sudden death of short-term memory for pitch.
000007 (2020) Antonia Fumarola [Italie] ; Valter Prpic [Royaume-Uni] ; Riccardo Luccio [Italie] ; Carlo Umiltà [Italie]A SNARC-like effect for music notation: The role of expertise and musical instrument.
000014 (2019) Marina Kliuchko [Danemark, Finlande] ; Elvira Brattico [Danemark] ; Benjamin P. Gold [Canada] ; Mari Tervaniemi [Finlande] ; Brigitte Bogert [Finlande] ; Petri Toiviainen [Finlande] ; Peter Vuust [Danemark]Fractionating auditory priors: A neural dissociation between active and passive experience of musical sounds.
000019 (2018) Claudia Castiglione [Italie] ; Alberto Rampullo [Italie] ; Silvia Cardullo [Italie]Self Representations and Music Performance Anxiety: A Study With Professional and Amateur Musicians.
000025 (2017) Carolyn M. Mcclaskey [États-Unis]Standard-interval size affects interval-discrimination thresholds for pure-tone melodic pitch intervals.
000039 (2015) Katharina Heller [Allemagne] ; Claudia Bullerjahn [Allemagne] ; Richard Von Georgi [Allemagne]The Relationship Between Personality Traits, Flow-Experience, and Different Aspects of Practice Behavior of Amateur Vocal Students.
000045 (2014) Mathilde Groussard [France] ; Fausto Viader [France] ; Brigitte Landeau [France] ; Béatrice Desgranges [France] ; Francis Eustache [France] ; Hervé Platel [France]The effects of musical practice on structural plasticity: the dynamics of grey matter changes.
000049 (2014) Philip A. Fine [Royaume-Uni] ; Jane Ginsborg [Royaume-Uni]Making myself understood: perceived factors affecting the intelligibility of sung text.
000050 (2014) John G. Neuhoff ; Pascale LidjiLanguage familiarity, expectation, and novice musical rhythm production.
000052 (2014) Erwin Schoonderwaldt [Allemagne] ; Eckart Altenmüller [Allemagne]Coordination in fast repetitive violin-bowing patterns.
000055 (2013) Christian Alexander Mikutta [Suisse] ; Simon Schwab ; Sandra Niederhauser ; Othmar Wuermle ; Werner Strik ; Andreas AltorferMusic, perceived arousal, and intensity: psychophysiological reactions to Chopin's "Tristesse".
000058 (2013) S. Pau [Allemagne] ; G. Jahn ; K. Sakreida ; M. Domin ; M. LotzeEncoding and recall of finger sequences in experienced pianists compared with musically naïve controls: a combined behavioral and functional imaging study.
000063 (2012) Rie Matsunaga [Japon] ; Koichi Yokosawa ; Jun-Ichi AbeMagnetoencephalography evidence for different brain subregions serving two musical cultures.
000070 (2011) Gavin M. Bidelman [États-Unis] ; Jackson T. Gandour ; Ananthanarayan KrishnanCross-domain effects of music and language experience on the representation of pitch in the human auditory brainstem.
000076 (2008) Antoine J. Shahin [États-Unis] ; Larry E. Roberts ; Wilkin Chau ; Laurel J. Trainor ; Lee M. MillerMusic training leads to the development of timbre-specific gamma band activity.
000078 (2007) Stefan Koelsch [Allemagne] ; Sebastian Jentschke ; Daniela Sammler ; Daniel MietchenUntangling syntactic and sensory processing: an ERP study of music perception.
000081 (2007) Steven Brown [États-Unis] ; Michael J. MartinezActivation of premotor vocal areas during musical discrimination.
000082 (2006) Mari Tervaniemi [Finlande] ; Anu Castaneda ; Monja Knoll ; Maria UtherSound processing in amateur musicians and nonmusicians: event-related potential and behavioral indices.
000086 (2004) Steven Brown [États-Unis] ; Michael J. Martinez ; Donald A. Hodges ; Peter T. Fox ; Lawrence M. ParsonsThe song system of the human brain.
000090 (2003) M. Lotze [Allemagne] ; G. Scheler ; H-R M. Tan ; C. Braun ; N. BirbaumerThe musician's brain: functional imaging of amateurs and professionals during performance and imagery.
000094 (2003) Christian Gaser [États-Unis] ; Gottfried SchlaugBrain structures differ between musicians and non-musicians.

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