TamazightV2, Francis, Curation, bibRecord, 000154

Estudio etnoarqueológico sobre la cerámica Gzaua (Marruecos). Técnica y contexto social de un artesanado arcaico

Identifieur interne : 000154 ( Francis/Curation ); précédent : 000153; suivant : 000155

Estudio etnoarqueológico sobre la cerámica Gzaua (Marruecos). Técnica y contexto social de un artesanado arcaico

Auteurs : Jesus Gonzalez Urquijo [Espagne] ; Juan José Ibanez Estevez [France] ; Lydia Zapata Pena [Royaume-Uni] ; Leonor Pena Chocarro [Italie]

Source :

Trabajos de prehistoria [ 0082-5638 ] ; 2001.

RBID : Francis:525-02-11224

Descripteurs français

Pascal (Inist)
- Afrique, Maroc, Ethnologie, Ethnoarchéologie, Atelier de potier, Céramique, Technique de fabrication, Organisation sociale, Femme, Berbère, Tradition, Archaïque, Production, Echange, Spécialisation, Artisanat, Etude, Gzaua, Tribu, Chefchaouen, Magreb, Utilisation.
Wicri :
- geographic : Maroc.
- topic : Ethnologie, Céramique, Femme, Production, Artisanat.

English descriptors

KwdEn :
- Africa, Archaic, Berber, Ceramics, Craft activities, Ethnoarchaeology, Ethnology, Exchange, Manufacturing techniques, Morocco, Potter's workshop, Production, Social organization, Specialization, Study, Tradition, Woman.

Abstract

The women pottery-makers in the Gzaua tribe (Chef<.harden, NW Morocco), who are part of the Berber pottery tradition of the north of the Mahgreb, still make ceramics with very archaic techniques. Pottery is constructed by slab building, open fired and exchanged in very restricted geographical area. The study of the techniques and of the social organization of production and use represents a relevant reference for the specialists in pottery technology and, in general, for those interested in the topic of craft specialization.

A01	`01`	`1`		`@0 0082-5638`
A03		`1`		`@0 Trab. prehist.`
A05				`@2 58`
A06				`@2 1`
A08	`01`	`1`	`SPA`	`@1 Estudio etnoarqueológico sobre la cerámica Gzaua (Marruecos). Técnica y contexto social de un artesanado arcaico`
A11	`01`	`1`		`@1 GONZALEZ URQUIJO (Jesus)`
A11	`02`	`1`		`@1 IBANEZ ESTEVEZ (Juan José)`
A11	`03`	`1`		`@1 ZAPATA PENA (Lydia)`
A11	`04`	`1`		`@1 PENA CHOCARRO (Leonor)`
A14	`01`			`@1 Dpto. de Ciencias Históricas, Universidad de Cantabria. Avda. de los Castros, s/n. @2 39005 Santander @3 ESP @Z 1 aut.`
A14	`02`			`@1 ERS 2091 Centre National de la Recherche Scientifique, IPO @2 07460 Jalès-Berrias @3 FRA @Z 2 aut.`
A14	`03`			`@1 Dept. of Archaeology, University of Cambridge, Downing Street @2 CB2 3DZ @3 GBR @Z 3 aut.`
A14	`04`			`@1 Laboratorio di Archeobiologia, Musei Civici di Como, Piazza delle Medaglie d'Oro 1. @2 22100 Como @3 ITA @Z 4 aut.`
A20				`@1 5-27`
A21				`@1 2001`
A23	`01`			`@0 SPA`
A24	`01`			`@0 eng`
A43	`01`			`@1 INIST @2 25014 @5 354000095944000010`
A44				`@0 0000 @1 © 2002 INIST-CNRS. All rights reserved.`
A45				`@0 1 p.3/4`
A47	`01`	`1`		`@0 525-02-11224`
A60				`@1 P`
A61				`@0 A`
A64	`01`	`1`		`@0 Trabajos de prehistoria`
A66	`01`			`@0 ESP`
A68	`01`	`1`	`ENG`	`@1 Ethnoarchaeological Study of Gzaua Pottery (Morocco). Technique and Social Context of a Traditional Craftmanship`
A68	`02`	`1`	`FRE`	`@1 Etude ethnoarchéologique de la poterie des Gzaua (Maroc). Technique et contexte social d'un artisanat traditionnel`
C01	`01`		`ENG`	@0 The women pottery-makers in the Gzaua tribe (Chef<.harden, NW Morocco), who are part of the Berber pottery tradition of the north of the Mahgreb, still make ceramics with very archaic techniques. Pottery is constructed by slab building, open fired and exchanged in very restricted geographical area. The study of the techniques and of the social organization of production and use represents a relevant reference for the specialists in pottery technology and, in general, for those interested in the topic of craft specialization.
C02	`01`	`H`		`@0 52541 @1 II`
C02	`02`	`H`		`@0 525`
C03	`01`	`H`	`FRE`	`@0 Afrique @2 NG @5 01`
C03	`01`	`H`	`ENG`	`@0 Africa @2 NG @5 01`
C03	`02`	`H`	`FRE`	`@0 Maroc @2 NG @5 02`
C03	`02`	`H`	`ENG`	`@0 Morocco @2 NG @5 02`
C03	`03`	`H`	`FRE`	`@0 Ethnologie @5 03`
C03	`03`	`H`	`ENG`	`@0 Ethnology @5 03`
C03	`04`	`H`	`FRE`	`@0 Ethnoarchéologie @5 04`
C03	`04`	`H`	`ENG`	`@0 Ethnoarchaeology @5 04`
C03	`05`	`H`	`FRE`	`@0 Atelier de potier @5 05`
C03	`05`	`H`	`ENG`	`@0 Potter's workshop @5 05`
C03	`06`	`H`	`FRE`	`@0 Céramique @5 06`
C03	`06`	`H`	`ENG`	`@0 Ceramics @5 06`
C03	`07`	`H`	`FRE`	`@0 Technique de fabrication @5 07`
C03	`07`	`H`	`ENG`	`@0 Manufacturing techniques @5 07`
C03	`08`	`H`	`FRE`	`@0 Organisation sociale @5 08`
C03	`08`	`H`	`ENG`	`@0 Social organization @5 08`
C03	`09`	`H`	`FRE`	`@0 Femme @5 09`
C03	`09`	`H`	`ENG`	`@0 Woman @5 09`
C03	`10`	`H`	`FRE`	`@0 Berbère @2 NN @5 10`
C03	`10`	`H`	`ENG`	`@0 Berber @2 NN @5 10`
C03	`11`	`H`	`FRE`	`@0 Tradition @5 11`
C03	`11`	`H`	`ENG`	`@0 Tradition @5 11`
C03	`12`	`H`	`FRE`	`@0 Archaïque @2 ND @5 12`
C03	`12`	`H`	`ENG`	`@0 Archaic @2 ND @5 12`
C03	`13`	`H`	`FRE`	`@0 Production @5 13`
C03	`13`	`H`	`ENG`	`@0 Production @5 13`
C03	`14`	`H`	`FRE`	`@0 Echange @5 14`
C03	`14`	`H`	`ENG`	`@0 Exchange @5 14`
C03	`15`	`H`	`FRE`	`@0 Spécialisation @5 15`
C03	`15`	`H`	`ENG`	`@0 Specialization @5 15`
C03	`16`	`H`	`FRE`	`@0 Artisanat @5 16`
C03	`16`	`H`	`ENG`	`@0 Craft activities @5 16`
C03	`17`	`H`	`FRE`	`@0 Etude @5 17`
C03	`17`	`H`	`ENG`	`@0 Study @5 17`
C03	`18`	`H`	`FRE`	`@0 Gzaua @4 INC @5 31`
C03	`19`	`H`	`FRE`	`@0 Tribu @4 INC @5 32`
C03	`20`	`H`	`FRE`	`@0 Chefchaouen @4 INC @5 33`
C03	`21`	`H`	`FRE`	`@0 Magreb @4 INC @5 34`
C03	`22`	`H`	`FRE`	`@0 Utilisation @4 INC @5 35`
N21				`@1 238`
N82				`@1 PSI`

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Le document en format XML

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<author><name sortKey="Pena Chocarro, Leonor" sort="Pena Chocarro, Leonor" uniqKey="Pena Chocarro L" first="Leonor" last="Pena Chocarro">Leonor Pena Chocarro</name>
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<profileDesc><textClass><keywords scheme="KwdEn" xml:lang="en"><term>Africa</term>
<term>Archaic</term>
<term>Berber</term>
<term>Ceramics</term>
<term>Craft activities</term>
<term>Ethnoarchaeology</term>
<term>Ethnology</term>
<term>Exchange</term>
<term>Manufacturing techniques</term>
<term>Morocco</term>
<term>Potter's workshop</term>
<term>Production</term>
<term>Social organization</term>
<term>Specialization</term>
<term>Study</term>
<term>Tradition</term>
<term>Woman</term>
</keywords>
<keywords scheme="Pascal" xml:lang="fr"><term>Afrique</term>
<term>Maroc</term>
<term>Ethnologie</term>
<term>Ethnoarchéologie</term>
<term>Atelier de potier</term>
<term>Céramique</term>
<term>Technique de fabrication</term>
<term>Organisation sociale</term>
<term>Femme</term>
<term>Berbère</term>
<term>Tradition</term>
<term>Archaïque</term>
<term>Production</term>
<term>Echange</term>
<term>Spécialisation</term>
<term>Artisanat</term>
<term>Etude</term>
<term>Gzaua</term>
<term>Tribu</term>
<term>Chefchaouen</term>
<term>Magreb</term>
<term>Utilisation</term>
</keywords>
<keywords scheme="Wicri" type="geographic" xml:lang="fr"><term>Maroc</term>
</keywords>
<keywords scheme="Wicri" type="topic" xml:lang="fr"><term>Ethnologie</term>
<term>Céramique</term>
<term>Femme</term>
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<term>Artisanat</term>
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<front><div type="abstract" xml:lang="en">The women pottery-makers in the Gzaua tribe (Chef<.harden, NW Morocco), who are part of the Berber pottery tradition of the north of the Mahgreb, still make ceramics with very archaic techniques. Pottery is constructed by slab building, open fired and exchanged in very restricted geographical area. The study of the techniques and of the social organization of production and use represents a relevant reference for the specialists in pottery technology and, in general, for those interested in the topic of craft specialization.</div>
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<fA06><s2>1</s2>
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<fA11 i1="01" i2="1"><s1>GONZALEZ URQUIJO (Jesus)</s1>
</fA11>
<fA11 i1="02" i2="1"><s1>IBANEZ ESTEVEZ (Juan José)</s1>
</fA11>
<fA11 i1="03" i2="1"><s1>ZAPATA PENA (Lydia)</s1>
</fA11>
<fA11 i1="04" i2="1"><s1>PENA CHOCARRO (Leonor)</s1>
</fA11>
<fA14 i1="01"><s1>Dpto. de Ciencias Históricas, Universidad de Cantabria. Avda. de los Castros, s/n.</s1>
<s2>39005 Santander</s2>
<s3>ESP</s3>
<sZ>1 aut.</sZ>
</fA14>
<fA14 i1="02"><s1>ERS 2091 Centre National de la Recherche Scientifique, IPO</s1>
<s2>07460 Jalès-Berrias</s2>
<s3>FRA</s3>
<sZ>2 aut.</sZ>
</fA14>
<fA14 i1="03"><s1>Dept. of Archaeology, University of Cambridge, Downing Street</s1>
<s2>CB2 3DZ</s2>
<s3>GBR</s3>
<sZ>3 aut.</sZ>
</fA14>
<fA14 i1="04"><s1>Laboratorio di Archeobiologia, Musei Civici di Como, Piazza delle Medaglie d'Oro 1.</s1>
<s2>22100 Como</s2>
<s3>ITA</s3>
<sZ>4 aut.</sZ>
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<fA20><s1>5-27</s1>
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<s5>354000095944000010</s5>
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<fA44><s0>0000</s0>
<s1>© 2002 INIST-CNRS. All rights reserved.</s1>
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<fA45><s0>1 p.3/4</s0>
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<fA64 i1="01" i2="1"><s0>Trabajos de prehistoria</s0>
</fA64>
<fA66 i1="01"><s0>ESP</s0>
</fA66>
<fA68 i1="01" i2="1" l="ENG"><s1>Ethnoarchaeological Study of Gzaua Pottery (Morocco). Technique and Social Context of a Traditional Craftmanship</s1>
</fA68>
<fA68 i1="02" i2="1" l="FRE"><s1>Etude ethnoarchéologique de la poterie des Gzaua (Maroc). Technique et contexte social d'un artisanat traditionnel</s1>
</fA68>
<fC01 i1="01" l="ENG"><s0>The women pottery-makers in the Gzaua tribe (Chef<.harden, NW Morocco), who are part of the Berber pottery tradition of the north of the Mahgreb, still make ceramics with very archaic techniques. Pottery is constructed by slab building, open fired and exchanged in very restricted geographical area. The study of the techniques and of the social organization of production and use represents a relevant reference for the specialists in pottery technology and, in general, for those interested in the topic of craft specialization.</s0>
</fC01>
<fC02 i1="01" i2="H"><s0>52541</s0>
<s1>II</s1>
</fC02>
<fC02 i1="02" i2="H"><s0>525</s0>
</fC02>
<fC03 i1="01" i2="H" l="FRE"><s0>Afrique</s0>
<s2>NG</s2>
<s5>01</s5>
</fC03>
<fC03 i1="01" i2="H" l="ENG"><s0>Africa</s0>
<s2>NG</s2>
<s5>01</s5>
</fC03>
<fC03 i1="02" i2="H" l="FRE"><s0>Maroc</s0>
<s2>NG</s2>
<s5>02</s5>
</fC03>
<fC03 i1="02" i2="H" l="ENG"><s0>Morocco</s0>
<s2>NG</s2>
<s5>02</s5>
</fC03>
<fC03 i1="03" i2="H" l="FRE"><s0>Ethnologie</s0>
<s5>03</s5>
</fC03>
<fC03 i1="03" i2="H" l="ENG"><s0>Ethnology</s0>
<s5>03</s5>
</fC03>
<fC03 i1="04" i2="H" l="FRE"><s0>Ethnoarchéologie</s0>
<s5>04</s5>
</fC03>
<fC03 i1="04" i2="H" l="ENG"><s0>Ethnoarchaeology</s0>
<s5>04</s5>
</fC03>
<fC03 i1="05" i2="H" l="FRE"><s0>Atelier de potier</s0>
<s5>05</s5>
</fC03>
<fC03 i1="05" i2="H" l="ENG"><s0>Potter's workshop</s0>
<s5>05</s5>
</fC03>
<fC03 i1="06" i2="H" l="FRE"><s0>Céramique</s0>
<s5>06</s5>
</fC03>
<fC03 i1="06" i2="H" l="ENG"><s0>Ceramics</s0>
<s5>06</s5>
</fC03>
<fC03 i1="07" i2="H" l="FRE"><s0>Technique de fabrication</s0>
<s5>07</s5>
</fC03>
<fC03 i1="07" i2="H" l="ENG"><s0>Manufacturing techniques</s0>
<s5>07</s5>
</fC03>
<fC03 i1="08" i2="H" l="FRE"><s0>Organisation sociale</s0>
<s5>08</s5>
</fC03>
<fC03 i1="08" i2="H" l="ENG"><s0>Social organization</s0>
<s5>08</s5>
</fC03>
<fC03 i1="09" i2="H" l="FRE"><s0>Femme</s0>
<s5>09</s5>
</fC03>
<fC03 i1="09" i2="H" l="ENG"><s0>Woman</s0>
<s5>09</s5>
</fC03>
<fC03 i1="10" i2="H" l="FRE"><s0>Berbère</s0>
<s2>NN</s2>
<s5>10</s5>
</fC03>
<fC03 i1="10" i2="H" l="ENG"><s0>Berber</s0>
<s2>NN</s2>
<s5>10</s5>
</fC03>
<fC03 i1="11" i2="H" l="FRE"><s0>Tradition</s0>
<s5>11</s5>
</fC03>
<fC03 i1="11" i2="H" l="ENG"><s0>Tradition</s0>
<s5>11</s5>
</fC03>
<fC03 i1="12" i2="H" l="FRE"><s0>Archaïque</s0>
<s2>ND</s2>
<s5>12</s5>
</fC03>
<fC03 i1="12" i2="H" l="ENG"><s0>Archaic</s0>
<s2>ND</s2>
<s5>12</s5>
</fC03>
<fC03 i1="13" i2="H" l="FRE"><s0>Production</s0>
<s5>13</s5>
</fC03>
<fC03 i1="13" i2="H" l="ENG"><s0>Production</s0>
<s5>13</s5>
</fC03>
<fC03 i1="14" i2="H" l="FRE"><s0>Echange</s0>
<s5>14</s5>
</fC03>
<fC03 i1="14" i2="H" l="ENG"><s0>Exchange</s0>
<s5>14</s5>
</fC03>
<fC03 i1="15" i2="H" l="FRE"><s0>Spécialisation</s0>
<s5>15</s5>
</fC03>
<fC03 i1="15" i2="H" l="ENG"><s0>Specialization</s0>
<s5>15</s5>
</fC03>
<fC03 i1="16" i2="H" l="FRE"><s0>Artisanat</s0>
<s5>16</s5>
</fC03>
<fC03 i1="16" i2="H" l="ENG"><s0>Craft activities</s0>
<s5>16</s5>
</fC03>
<fC03 i1="17" i2="H" l="FRE"><s0>Etude</s0>
<s5>17</s5>
</fC03>
<fC03 i1="17" i2="H" l="ENG"><s0>Study</s0>
<s5>17</s5>
</fC03>
<fC03 i1="18" i2="H" l="FRE"><s0>Gzaua</s0>
<s4>INC</s4>
<s5>31</s5>
</fC03>
<fC03 i1="19" i2="H" l="FRE"><s0>Tribu</s0>
<s4>INC</s4>
<s5>32</s5>
</fC03>
<fC03 i1="20" i2="H" l="FRE"><s0>Chefchaouen</s0>
<s4>INC</s4>
<s5>33</s5>
</fC03>
<fC03 i1="21" i2="H" l="FRE"><s0>Magreb</s0>
<s4>INC</s4>
<s5>34</s5>
</fC03>
<fC03 i1="22" i2="H" l="FRE"><s0>Utilisation</s0>
<s4>INC</s4>
<s5>35</s5>
</fC03>
<fN21><s1>238</s1>
</fN21>
<fN82><s1>PSI</s1>
</fN82>
</pA>
</standard>
</inist>
</record>

Pour manipuler ce document sous Unix (Dilib)

EXPLOR_STEP=$WICRI_ROOT/Wicri/Linguistique/explor/TamazightV2/Data/Francis/Curation

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Pour mettre un lien sur cette page dans le réseau Wicri

{{Explor lien
   |wiki=    Wicri/Linguistique
   |area=    TamazightV2
   |flux=    Francis
   |étape=   Curation
   |type=    RBID
   |clé=     Francis:525-02-11224
   |texte=   Estudio etnoarqueológico sobre la cerámica Gzaua (Marruecos). Técnica y contexto social de un artesanado arcaico
}}

This area was generated with Dilib version V0.6.33.
Data generation: Wed Nov 15 18:28:35 2017. Site generation: Sat Feb 10 16:46:27 2024

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	Attention, ce site est en cours de développement ! Attention, site généré par des moyens informatiques à partir de corpus bruts. Les informations ne sont donc pas validées.

Serveur d'exploration Tamazight

Estudio etnoarqueológico sobre la cerámica Gzaua (Marruecos). Técnica y contexto social de un artesanado arcaico

Estudio etnoarqueológico sobre la cerámica Gzaua (Marruecos). Técnica y contexto social de un artesanado arcaico

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Descripteurs français

English descriptors

Abstract

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