TamazightV2, Francis, Curation, bibRecord, 000151

Writing empire, underwriting nation: discursive histories of Kabyle Berber oral texts

Identifieur interne : 000151 ( Francis/Curation ); précédent : 000150; suivant : 000152

Writing empire, underwriting nation: discursive histories of Kabyle Berber oral texts

Auteurs : Jane E. Goodman [États-Unis]

Source :

American ethnologist [ 0094-0496 ] ; 2002.

RBID : Francis:529-02-12200

Descripteurs français

Pascal (Inist)
- Afrique du Nord, Maghreb, Algérie, Kabylie, Berbère, Kabyle, Tradition orale, Genre littéraire, Idéologie, Identité culturelle, Différence, Authenticité, Colonialisme, Français, Nationalisme, Anticolonialisme, Libéralisme, Période postcoloniale, Poésie, Musique, Chanson, Esthétique, Occident, World music, Métadiscours, Intertextualité.
Wicri :
- geographic : Algérie.
- topic : Identité culturelle, Colonialisme, Nationalisme, Libéralisme, Musique.

English descriptors

KwdEn :
- Aesthetics, Algeria, Anticolonialism, Authenticity, Berber, Colonialism, Cultural identity, Differences, French, Ideology, Intertextuality, Kabyle, Kabylia, Liberalism, Literary style, Maghreb, Music, Nationalism, North Africa, Oral tradition, Poetry, Postcolonial period, Song, Western countries.

Abstract

The A. explores how colonial, nationalist, and media interests converge around the collection of oral texts. Moving from the French colonial project of collecting native lore to the nationalist project to recover indigenous heritage to the embedding of village songs in contemporary world music, he examines how oral texts from Algeria's Kabyle Berber region have been variously configured as signs through which social differences are imagined and hierarchically ordered. He foregrounds the history of intertextual penetration between North African poetic productions and Western aesthetic categories.

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A03		`1`		`@0 Am. ethnol.`
A05				`@2 29`
A06				`@2 1`
A08	`01`	`1`	`ENG`	`@1 Writing empire, underwriting nation: discursive histories of Kabyle Berber oral texts`
A11	`01`	`1`		`@1 GOODMAN (Jane E.)`
A14	`01`			`@1 Indiana University @3 USA @Z 1 aut.`
A20				`@1 86-122`
A21				`@1 2002`
A23	`01`			`@0 ENG`
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A44				`@0 0000 @1 © 2002 INIST-CNRS. All rights reserved.`
A45				`@0 6 p.`
A47	`01`	`1`		`@0 529-02-12200`
A60				`@1 P`
A61				`@0 A`
A64	`01`	`1`		`@0 American ethnologist`
A66	`01`			`@0 USA`
A68	`01`	`1`	`FRE`	`@1 Ecriture, empire, et nation : histoires discursives des textes oraux des Berbères de Kabylie`
A99				`@0 50 notes`
C01	`01`		`ENG`	@0 The A. explores how colonial, nationalist, and media interests converge around the collection of oral texts. Moving from the French colonial project of collecting native lore to the nationalist project to recover indigenous heritage to the embedding of village songs in contemporary world music, he examines how oral texts from Algeria's Kabyle Berber region have been variously configured as signs through which social differences are imagined and hierarchically ordered. He foregrounds the history of intertextual penetration between North African poetic productions and Western aesthetic categories.
C02	`01`	`N`		`@0 52996 @1 VII`
C02	`02`	`N`		`@0 529`
C03	`01`	`N`	`FRE`	`@0 Afrique du Nord @2 NG @5 01`
C03	`01`	`N`	`ENG`	`@0 North Africa @2 NG @5 01`
C03	`02`	`N`	`FRE`	`@0 Maghreb @2 NG @5 02`
C03	`02`	`N`	`ENG`	`@0 Maghreb @2 NG @5 02`
C03	`03`	`N`	`FRE`	`@0 Algérie @2 NG @5 03`
C03	`03`	`N`	`ENG`	`@0 Algeria @2 NG @5 03`
C03	`04`	`N`	`FRE`	`@0 Kabylie @2 NG @5 04`
C03	`04`	`N`	`ENG`	`@0 Kabylia @2 NG @5 04`
C03	`05`	`N`	`FRE`	`@0 Berbère @2 NN @5 05`
C03	`05`	`N`	`ENG`	`@0 Berber @2 NN @5 05`
C03	`06`	`N`	`FRE`	`@0 Kabyle @2 NN @5 06`
C03	`06`	`N`	`ENG`	`@0 Kabyle @2 NN @5 06`
C03	`07`	`N`	`FRE`	`@0 Tradition orale @5 07`
C03	`07`	`N`	`ENG`	`@0 Oral tradition @5 07`
C03	`08`	`N`	`FRE`	`@0 Genre littéraire @5 08`
C03	`08`	`N`	`ENG`	`@0 Literary style @5 08`
C03	`09`	`N`	`FRE`	`@0 Idéologie @5 09`
C03	`09`	`N`	`ENG`	`@0 Ideology @5 09`
C03	`10`	`N`	`FRE`	`@0 Identité culturelle @5 10`
C03	`10`	`N`	`ENG`	`@0 Cultural identity @5 10`
C03	`11`	`S`	`FRE`	`@0 Différence @5 11`
C03	`11`	`S`	`ENG`	`@0 Differences @5 11`
C03	`12`	`N`	`FRE`	`@0 Authenticité @5 12`
C03	`12`	`N`	`ENG`	`@0 Authenticity @5 12`
C03	`13`	`N`	`FRE`	`@0 Colonialisme @5 13`
C03	`13`	`N`	`ENG`	`@0 Colonialism @5 13`
C03	`14`	`N`	`FRE`	`@0 Français @2 NN @5 14`
C03	`14`	`N`	`ENG`	`@0 French @2 NN @5 14`
C03	`15`	`N`	`FRE`	`@0 Nationalisme @5 15`
C03	`15`	`N`	`ENG`	`@0 Nationalism @5 15`
C03	`16`	`N`	`FRE`	`@0 Anticolonialisme @5 16`
C03	`16`	`N`	`ENG`	`@0 Anticolonialism @5 16`
C03	`17`	`N`	`FRE`	`@0 Libéralisme @5 17`
C03	`17`	`N`	`ENG`	`@0 Liberalism @5 17`
C03	`18`	`N`	`FRE`	`@0 Période postcoloniale @2 ND @5 18`
C03	`18`	`N`	`ENG`	`@0 Postcolonial period @2 ND @5 18`
C03	`19`	`N`	`FRE`	`@0 Poésie @5 19`
C03	`19`	`N`	`ENG`	`@0 Poetry @5 19`
C03	`20`	`N`	`FRE`	`@0 Musique @5 20`
C03	`20`	`N`	`ENG`	`@0 Music @5 20`
C03	`21`	`S`	`FRE`	`@0 Chanson @5 21`
C03	`21`	`S`	`ENG`	`@0 Song @5 21`
C03	`22`	`N`	`FRE`	`@0 Esthétique @5 22`
C03	`22`	`N`	`ENG`	`@0 Aesthetics @5 22`
C03	`23`	`N`	`FRE`	`@0 Occident @2 NG @5 23`
C03	`23`	`N`	`ENG`	`@0 Western countries @2 NG @5 23`
C03	`24`	`N`	`FRE`	`@0 World music @2 NI @4 INC @5 31`
C03	`25`	`N`	`FRE`	`@0 Métadiscours @2 NI @4 INC @5 32`
C03	`26`	`N`	`FRE`	`@0 Intertextualité @2 NI @4 CD @5 96`
C03	`26`	`N`	`ENG`	`@0 Intertextuality @2 NI @4 CD @5 96`
N21				`@1 273`
N82				`@1 PSI`

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Le document en format XML

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<author><name sortKey="Goodman, Jane E" sort="Goodman, Jane E" uniqKey="Goodman J" first="Jane E." last="Goodman">Jane E. Goodman</name>
<affiliation wicri:level="1"><inist:fA14 i1="01"><s1>Indiana University</s1>
<s3>USA</s3>
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<country>États-Unis</country>
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<idno type="inist">529-02-12200</idno>
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<idno type="stanalyst">FRANCIS 529-02-12200 INIST</idno>
<idno type="RBID">Francis:529-02-12200</idno>
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<series><title level="j" type="main">American ethnologist</title>
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<profileDesc><textClass><keywords scheme="KwdEn" xml:lang="en"><term>Aesthetics</term>
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<term>Cultural identity</term>
<term>Differences</term>
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<term>Kabyle</term>
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<term>Liberalism</term>
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<keywords scheme="Wicri" type="geographic" xml:lang="fr"><term>Algérie</term>
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<keywords scheme="Wicri" type="topic" xml:lang="fr"><term>Identité culturelle</term>
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<front><div type="abstract" xml:lang="en">The A. explores how colonial, nationalist, and media interests converge around the collection of oral texts. Moving from the French colonial project of collecting native lore to the nationalist project to recover indigenous heritage to the embedding of village songs in contemporary world music, he examines how oral texts from Algeria's Kabyle Berber region have been variously configured as signs through which social differences are imagined and hierarchically ordered. He foregrounds the history of intertextual penetration between North African poetic productions and Western aesthetic categories.</div>
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<fA68 i1="01" i2="1" l="FRE"><s1>Ecriture, empire, et nation : histoires discursives des textes oraux des Berbères de Kabylie</s1>
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<fA99><s0>50 notes</s0>
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<fC01 i1="01" l="ENG"><s0>The A. explores how colonial, nationalist, and media interests converge around the collection of oral texts. Moving from the French colonial project of collecting native lore to the nationalist project to recover indigenous heritage to the embedding of village songs in contemporary world music, he examines how oral texts from Algeria's Kabyle Berber region have been variously configured as signs through which social differences are imagined and hierarchically ordered. He foregrounds the history of intertextual penetration between North African poetic productions and Western aesthetic categories.</s0>
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<fC03 i1="01" i2="N" l="FRE"><s0>Afrique du Nord</s0>
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<fC03 i1="01" i2="N" l="ENG"><s0>North Africa</s0>
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<fC03 i1="02" i2="N" l="FRE"><s0>Maghreb</s0>
<s2>NG</s2>
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<fC03 i1="02" i2="N" l="ENG"><s0>Maghreb</s0>
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<fC03 i1="03" i2="N" l="FRE"><s0>Algérie</s0>
<s2>NG</s2>
<s5>03</s5>
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<fC03 i1="04" i2="N" l="FRE"><s0>Kabylie</s0>
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<s5>04</s5>
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<fC03 i1="05" i2="N" l="FRE"><s0>Berbère</s0>
<s2>NN</s2>
<s5>05</s5>
</fC03>
<fC03 i1="05" i2="N" l="ENG"><s0>Berber</s0>
<s2>NN</s2>
<s5>05</s5>
</fC03>
<fC03 i1="06" i2="N" l="FRE"><s0>Kabyle</s0>
<s2>NN</s2>
<s5>06</s5>
</fC03>
<fC03 i1="06" i2="N" l="ENG"><s0>Kabyle</s0>
<s2>NN</s2>
<s5>06</s5>
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<fC03 i1="07" i2="N" l="FRE"><s0>Tradition orale</s0>
<s5>07</s5>
</fC03>
<fC03 i1="07" i2="N" l="ENG"><s0>Oral tradition</s0>
<s5>07</s5>
</fC03>
<fC03 i1="08" i2="N" l="FRE"><s0>Genre littéraire</s0>
<s5>08</s5>
</fC03>
<fC03 i1="08" i2="N" l="ENG"><s0>Literary style</s0>
<s5>08</s5>
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<fC03 i1="09" i2="N" l="FRE"><s0>Idéologie</s0>
<s5>09</s5>
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<fC03 i1="09" i2="N" l="ENG"><s0>Ideology</s0>
<s5>09</s5>
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<fC03 i1="10" i2="N" l="FRE"><s0>Identité culturelle</s0>
<s5>10</s5>
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<s5>10</s5>
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<fC03 i1="11" i2="S" l="FRE"><s0>Différence</s0>
<s5>11</s5>
</fC03>
<fC03 i1="11" i2="S" l="ENG"><s0>Differences</s0>
<s5>11</s5>
</fC03>
<fC03 i1="12" i2="N" l="FRE"><s0>Authenticité</s0>
<s5>12</s5>
</fC03>
<fC03 i1="12" i2="N" l="ENG"><s0>Authenticity</s0>
<s5>12</s5>
</fC03>
<fC03 i1="13" i2="N" l="FRE"><s0>Colonialisme</s0>
<s5>13</s5>
</fC03>
<fC03 i1="13" i2="N" l="ENG"><s0>Colonialism</s0>
<s5>13</s5>
</fC03>
<fC03 i1="14" i2="N" l="FRE"><s0>Français</s0>
<s2>NN</s2>
<s5>14</s5>
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<s2>NN</s2>
<s5>14</s5>
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<fC03 i1="15" i2="N" l="FRE"><s0>Nationalisme</s0>
<s5>15</s5>
</fC03>
<fC03 i1="15" i2="N" l="ENG"><s0>Nationalism</s0>
<s5>15</s5>
</fC03>
<fC03 i1="16" i2="N" l="FRE"><s0>Anticolonialisme</s0>
<s5>16</s5>
</fC03>
<fC03 i1="16" i2="N" l="ENG"><s0>Anticolonialism</s0>
<s5>16</s5>
</fC03>
<fC03 i1="17" i2="N" l="FRE"><s0>Libéralisme</s0>
<s5>17</s5>
</fC03>
<fC03 i1="17" i2="N" l="ENG"><s0>Liberalism</s0>
<s5>17</s5>
</fC03>
<fC03 i1="18" i2="N" l="FRE"><s0>Période postcoloniale</s0>
<s2>ND</s2>
<s5>18</s5>
</fC03>
<fC03 i1="18" i2="N" l="ENG"><s0>Postcolonial period</s0>
<s2>ND</s2>
<s5>18</s5>
</fC03>
<fC03 i1="19" i2="N" l="FRE"><s0>Poésie</s0>
<s5>19</s5>
</fC03>
<fC03 i1="19" i2="N" l="ENG"><s0>Poetry</s0>
<s5>19</s5>
</fC03>
<fC03 i1="20" i2="N" l="FRE"><s0>Musique</s0>
<s5>20</s5>
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<s5>20</s5>
</fC03>
<fC03 i1="21" i2="S" l="FRE"><s0>Chanson</s0>
<s5>21</s5>
</fC03>
<fC03 i1="21" i2="S" l="ENG"><s0>Song</s0>
<s5>21</s5>
</fC03>
<fC03 i1="22" i2="N" l="FRE"><s0>Esthétique</s0>
<s5>22</s5>
</fC03>
<fC03 i1="22" i2="N" l="ENG"><s0>Aesthetics</s0>
<s5>22</s5>
</fC03>
<fC03 i1="23" i2="N" l="FRE"><s0>Occident</s0>
<s2>NG</s2>
<s5>23</s5>
</fC03>
<fC03 i1="23" i2="N" l="ENG"><s0>Western countries</s0>
<s2>NG</s2>
<s5>23</s5>
</fC03>
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<s2>NI</s2>
<s4>INC</s4>
<s5>31</s5>
</fC03>
<fC03 i1="25" i2="N" l="FRE"><s0>Métadiscours</s0>
<s2>NI</s2>
<s4>INC</s4>
<s5>32</s5>
</fC03>
<fC03 i1="26" i2="N" l="FRE"><s0>Intertextualité</s0>
<s2>NI</s2>
<s4>CD</s4>
<s5>96</s5>
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<fC03 i1="26" i2="N" l="ENG"><s0>Intertextuality</s0>
<s2>NI</s2>
<s4>CD</s4>
<s5>96</s5>
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Serveur d'exploration Tamazight

Writing empire, underwriting nation: discursive histories of Kabyle Berber oral texts

Writing empire, underwriting nation: discursive histories of Kabyle Berber oral texts

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