Writing empire, underwriting nation: discursive histories of Kabyle Berber oral texts
Identifieur interne : 000151 ( Francis/Curation ); précédent : 000150; suivant : 000152Writing empire, underwriting nation: discursive histories of Kabyle Berber oral texts
Auteurs : Jane E. Goodman [États-Unis]Source :
- American ethnologist [ 0094-0496 ] ; 2002.
Descripteurs français
- Pascal (Inist)
- Afrique du Nord, Maghreb, Algérie, Kabylie, Berbère, Kabyle, Tradition orale, Genre littéraire, Idéologie, Identité culturelle, Différence, Authenticité, Colonialisme, Français, Nationalisme, Anticolonialisme, Libéralisme, Période postcoloniale, Poésie, Musique, Chanson, Esthétique, Occident, World music, Métadiscours, Intertextualité.
- Wicri :
- geographic : Algérie.
- topic : Identité culturelle, Colonialisme, Nationalisme, Libéralisme, Musique.
English descriptors
- KwdEn :
Abstract
The A. explores how colonial, nationalist, and media interests converge around the collection of oral texts. Moving from the French colonial project of collecting native lore to the nationalist project to recover indigenous heritage to the embedding of village songs in contemporary world music, he examines how oral texts from Algeria's Kabyle Berber region have been variously configured as signs through which social differences are imagined and hierarchically ordered. He foregrounds the history of intertextual penetration between North African poetic productions and Western aesthetic categories.
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<front><div type="abstract" xml:lang="en">The A. explores how colonial, nationalist, and media interests converge around the collection of oral texts. Moving from the French colonial project of collecting native lore to the nationalist project to recover indigenous heritage to the embedding of village songs in contemporary world music, he examines how oral texts from Algeria's Kabyle Berber region have been variously configured as signs through which social differences are imagined and hierarchically ordered. He foregrounds the history of intertextual penetration between North African poetic productions and Western aesthetic categories.</div>
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<fC01 i1="01" l="ENG"><s0>The A. explores how colonial, nationalist, and media interests converge around the collection of oral texts. Moving from the French colonial project of collecting native lore to the nationalist project to recover indigenous heritage to the embedding of village songs in contemporary world music, he examines how oral texts from Algeria's Kabyle Berber region have been variously configured as signs through which social differences are imagined and hierarchically ordered. He foregrounds the history of intertextual penetration between North African poetic productions and Western aesthetic categories.</s0>
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<s5>06</s5>
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<s2>NN</s2>
<s5>06</s5>
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<fC03 i1="07" i2="N" l="FRE"><s0>Tradition orale</s0>
<s5>07</s5>
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<fC03 i1="07" i2="N" l="ENG"><s0>Oral tradition</s0>
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<s5>10</s5>
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<s5>10</s5>
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<s5>11</s5>
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<fC03 i1="11" i2="S" l="ENG"><s0>Differences</s0>
<s5>11</s5>
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<fC03 i1="12" i2="N" l="ENG"><s0>Authenticity</s0>
<s5>12</s5>
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<s5>13</s5>
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<s5>13</s5>
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<s5>14</s5>
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<s5>15</s5>
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<s5>15</s5>
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<fC03 i1="16" i2="N" l="FRE"><s0>Anticolonialisme</s0>
<s5>16</s5>
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<fC03 i1="16" i2="N" l="ENG"><s0>Anticolonialism</s0>
<s5>16</s5>
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<s5>17</s5>
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<s5>17</s5>
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<s2>ND</s2>
<s5>18</s5>
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<fC03 i1="18" i2="N" l="ENG"><s0>Postcolonial period</s0>
<s2>ND</s2>
<s5>18</s5>
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<s5>19</s5>
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<s5>19</s5>
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<s5>21</s5>
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<s5>22</s5>
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<s5>22</s5>
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<s2>NG</s2>
<s5>23</s5>
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<s2>NG</s2>
<s5>23</s5>
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<s2>NI</s2>
<s4>INC</s4>
<s5>31</s5>
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<fC03 i1="25" i2="N" l="FRE"><s0>Métadiscours</s0>
<s2>NI</s2>
<s4>INC</s4>
<s5>32</s5>
</fC03>
<fC03 i1="26" i2="N" l="FRE"><s0>Intertextualité</s0>
<s2>NI</s2>
<s4>CD</s4>
<s5>96</s5>
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<fC03 i1="26" i2="N" l="ENG"><s0>Intertextuality</s0>
<s2>NI</s2>
<s4>CD</s4>
<s5>96</s5>
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