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Index « AbsEn.i » - entrée « media »
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medgift < media < mediaeval  Facettes :

List of bibliographic references

Number of relevant bibliographic references: 17.
Ident.Authors (with country if any)Title
000012 (2008) Helma PaschCompeting scripts: the introduction of the Roman alphabet in Africa
000073 (1993) Joan GrossLetter From Morocco
000144 (2007) Jennifer E. Jacobs [États-Unis]‘Unintelligibles’ in vocal performances at Middle Eastern marriage celebrations
000251 (2011) Shahe S. Kazarian [Liban]Humor in the collectivist Arab Middle East: The case of Lebanon
000537 (2005) Allerd L. Peeters ; Leen D AenensBridging or bonding? Relationships between integration and media use among ethnic minorities in the Netherlands
000C61 (1989) Nancy H. HornbergerContinua of Biliteracy
000D06 (2005) Pilar Lacasa [Espagne] ; Héctor Del Castillo [Espagne] ; Ana B. García-Varela [Espagne]A Bakhtinian Approach to Identity in the Context of Institutional Practices
000E66 (2010) Helmut Gruber [Autriche]The Language of New Media Design: Theory and Practice by Radan Martinec and Theo van Leeuwen
001117 (2002) Jane E. Goodman [États-Unis]Writing empire, underwriting nation: discursive histories of Kabyle Berber oral texts
001316 (2008) Nasar Meer ; Tehseen NooraniA sociological comparison of anti‐Semitism and anti‐Muslim sentiment in Britain
001335 (2010) Donald Matheson [Nouvelle-Zélande]Positioning in Media Dialogue: Negotiating Roles in the News Interview by Elda Weizman
001500 (1971) William A. HachtenMoroccan News Media Reflect Divisive Forces While Unifying
001521 (2003) Elaine Salo [Afrique du Sud]Negotiating Gender and Personhood in the New South Africa
001898 (1983) Dennis Doxtater [États-Unis]Spatio-symbolic oppositions in ritual and architecture
001B47 (2000) Leigh SwigartThe Limits of Legitimacy: Language Ideology and Shift in Contemporary Senegal
001C67 (2012) Katerina DalacouraThe 2011 uprisings in the Arab Middle East: political change and geopolitical implications
001C72 (2001) Sandra Gayle CarterMoroccan Berberity, Representational Power and Identity in Video Films

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