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List of bibliographic references

Number of relevant bibliographic references: 37.
[0-20] [0 - 20][0 - 37][20-36][20-40]
Ident.Authors (with country if any)Title
000C34 (2004) Adrian W. B. RandolphGendering the period eye: deschi da parto and Renaissance visual culture
000C35 (2004) Peter OsborneArt beyond aesthetics: philosophical criticism, art history and contemporary art
000C36 (2006) Jo Applin‘THIS THREATENING AND POSSIBLY FUNCTIONING OBJECT’: LEE BONTECOU AND THE SCULPTURAL VOID
000C45 (2003) Dorothy RoweCultural Crossings: performing race and transgender in the work of moti roti
000C71 (2011) Luca CaddiaBehind and Beyond, the Picturesque Still Lives
000C72 (2011) Jennifer L. RobertsFailure to Deliver: Watson and the Shark and the Boston Tea Party
001000 (2008) Phillippa PlockWATCHING WOMEN WATCHING WARRIORS: NICOLAS POUSSIN'S TANCRED AND ERMINIA AND THE VISUALITY OF PAPAL COURT TOURNAMENTS
001001 (2009) Jeremy TannerKARL MANNHEIM AND ALOIS RIEGL: FROM ART HISTORY TO THE SOCIOLOGY OF CULTURE
001C62 (2005) Mechthild FendBODILY AND PICTORIAL SURFACES: SKIN IN FRENCH ART AND MEDICINE, 1790–1860
001C63 (2005) Deborah CherryINTRODUCTION: ABOUT STEPHEN BANN
001E96 (1997) Briony FerTreading Blindly, or the Excessive Presence of the Object
002D06 (2004) Ruth B. PhillipsMaking sense out/of the visual: Aboriginal presentations and representations in nineteenth‐century Canada
002D07 (2004) Deborah CherryART HISTORY VISUAL CULTURE
002D08 (2004) Angela RosenthalVisceral culture: blushing and the legibility of whiteness in eighteenth‐century British portraiture
002D09 (2006) Sophie BerrebiPARIS CIRCUS NEW YORK JUNK: JEAN DUBUFFET AND CLAES OLDENBURG, 1959–1962
002D10 (2005) Wolfgang ErnstLET THERE BE IRONY: CULTURAL HISTORY AND MEDIA ARCHAEOLOGY IN PARALLEL LINES
002D12 (2004) Alex PottsTactility: The Interrogation of Medium in Art of the 1960s
002D13 (2003) Matthew RampleyMax Dvořák: art history and the crisis of modernity
002D18 (1991) Stephen MelvilleCOMPELLING ACTS, HAUNTING CONVICTIONS
002F43 (1987) Francis FrascinaPICASSO'S ART: A BIOGRAPHIC FACT?
002F91 (1999) Stefan GermerPleasurable Fear: Géricault and Uncanny Trends at the Opening of the Nineteenth Century

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