Organum at Notre-Dame in the twelfth and thirtheenth centuries : rhetoric in words and music.
Identifieur interne : 000448 ( Main/Merge ); précédent : 000447; suivant : 000449Organum at Notre-Dame in the twelfth and thirtheenth centuries : rhetoric in words and music.
Auteurs : Guillaume Gross [France]Source :
- Plainsong and Medieval Music [ 0961-1371 ] ; 2006.
Descripteurs français
Abstract
This article investigates the methods of elaboration used in making organum at the cathedral of Notre-Dame in Paris during the twelfth and thirteenth centuries. Its aim is to show how and why tripla and quadrupla came to be composed as an expression of their cultural context and to investigate conditions determining the elaboration of these virtuosic pieces destined for the celebration of the greatest feasts in the new cathedral.
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Its aim is to show how and why tripla and quadrupla came to be composed as an expression of their cultural context and to investigate conditions determining the elaboration of these virtuosic pieces destined for the celebration of the greatest feasts in the new cathedral.</div></front></TEI></record>Pour manipuler ce document sous Unix (Dilib)
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