History and Allegory in Borges's "La escritura del dios"
Identifieur interne : 000665 ( Main/Exploration ); précédent : 000664; suivant : 000666History and Allegory in Borges's "La escritura del dios"
Auteurs : Humberto Nú Ez-Faraco [Royaume-Uni]Source :
- Neophilologus [ 0028-2677 ] ; 2001-04-01.
Abstract
Abstract: Like most of Borges's short stories written during the 1940s, 'La escritura del dios' displays a dense fabric of literary and historical references which are not immediately obvious to the reader. There is no question that Borges made use of several pre-Columbian elements in its composition. At the same time, it is clear that the Story's cultural and philosophical framework goes beyond the literal sense of the narrative. Now the story has traditionally been associated with Buddhist, Neoplatonic and cabalistic views of the world; less common is its interpretation from a Dantean perspective. Borges was in fact actively engaged in the reading of the Commedia during the time of its invention, leaving deep traces in his creative production. Both readings, the mystical and the historical, meet at a point that, to my knowledge, has not been indicated by either party. Furthermore, although these and other elucidations of the story do not necessarily exclude each other, we must be prepared to understand the story in its most indeterminate form. This is articulated as the perennial struggle of opposites and it dervices form the author's wider reflections on the nature of evil.
Url:
DOI: 10.1023/A:1004851216166
Affiliations:
Links toward previous steps (curation, corpus...)
- to stream Istex, to step Corpus: 000480
- to stream Istex, to step Curation: 000480
- to stream Istex, to step Checkpoint: 000540
- to stream Main, to step Merge: 000667
- to stream Main, to step Curation: 000665
Le document en format XML
<record><TEI wicri:istexFullTextTei="biblStruct"><teiHeader><fileDesc><titleStmt><title xml:lang="en">History and Allegory in Borges's "La escritura del dios"</title>
<author><name sortKey="Nu Ez Faraco, Humberto" sort="Nu Ez Faraco, Humberto" uniqKey="Nu Ez Faraco H" first="Humberto" last="Nú Ez-Faraco">Humberto Nú Ez-Faraco</name>
</author>
</titleStmt>
<publicationStmt><idno type="wicri:source">ISTEX</idno>
<idno type="RBID">ISTEX:7AC3E79AE2564DC3E5658EE245AEC82CAD35091C</idno>
<date when="2001" year="2001">2001</date>
<idno type="doi">10.1023/A:1004851216166</idno>
<idno type="url">https://api.istex.fr/ark:/67375/VQC-6VMPJRP5-N/fulltext.pdf</idno>
<idno type="wicri:Area/Istex/Corpus">000480</idno>
<idno type="wicri:explorRef" wicri:stream="Istex" wicri:step="Corpus" wicri:corpus="ISTEX">000480</idno>
<idno type="wicri:Area/Istex/Curation">000480</idno>
<idno type="wicri:Area/Istex/Checkpoint">000540</idno>
<idno type="wicri:explorRef" wicri:stream="Istex" wicri:step="Checkpoint">000540</idno>
<idno type="wicri:doubleKey">0028-2677:2001:Nu Ez Faraco H:history:and:allegory</idno>
<idno type="wicri:Area/Main/Merge">000667</idno>
<idno type="wicri:Area/Main/Curation">000665</idno>
<idno type="wicri:Area/Main/Exploration">000665</idno>
</publicationStmt>
<sourceDesc><biblStruct><analytic><title level="a" type="main" xml:lang="en">History and Allegory in Borges's "La escritura del dios"</title>
<author><name sortKey="Nu Ez Faraco, Humberto" sort="Nu Ez Faraco, Humberto" uniqKey="Nu Ez Faraco H" first="Humberto" last="Nú Ez-Faraco">Humberto Nú Ez-Faraco</name>
<affiliation wicri:level="4"><country xml:lang="fr">Royaume-Uni</country>
<wicri:regionArea>Department of Spanish and Latin American Studies, University College London, Gower Street, WC1E 6BT, London</wicri:regionArea>
<placeName><settlement type="city">Londres</settlement>
<region type="country">Angleterre</region>
<region type="région" nuts="1">Grand Londres</region>
</placeName>
<orgName type="university">University College de Londres</orgName>
</affiliation>
</author>
</analytic>
<monogr></monogr>
<series><title level="j">Neophilologus</title>
<title level="j" type="sub">An International Journal of Modern and Mediaeval Language and Literature</title>
<title level="j" type="abbrev">Neophilologus</title>
<idno type="ISSN">0028-2677</idno>
<idno type="eISSN">1572-8668</idno>
<imprint><publisher>Kluwer Academic Publishers</publisher>
<pubPlace>Dordrecht</pubPlace>
<date type="published" when="2001-04-01">2001-04-01</date>
<biblScope unit="volume">85</biblScope>
<biblScope unit="issue">2</biblScope>
<biblScope unit="page" from="225">225</biblScope>
<biblScope unit="page" to="243">243</biblScope>
</imprint>
<idno type="ISSN">0028-2677</idno>
</series>
</biblStruct>
</sourceDesc>
<seriesStmt><idno type="ISSN">0028-2677</idno>
</seriesStmt>
</fileDesc>
<profileDesc><textClass></textClass>
<langUsage><language ident="en">en</language>
</langUsage>
</profileDesc>
</teiHeader>
<front><div type="abstract" xml:lang="en">Abstract: Like most of Borges's short stories written during the 1940s, 'La escritura del dios' displays a dense fabric of literary and historical references which are not immediately obvious to the reader. There is no question that Borges made use of several pre-Columbian elements in its composition. At the same time, it is clear that the Story's cultural and philosophical framework goes beyond the literal sense of the narrative. Now the story has traditionally been associated with Buddhist, Neoplatonic and cabalistic views of the world; less common is its interpretation from a Dantean perspective. Borges was in fact actively engaged in the reading of the Commedia during the time of its invention, leaving deep traces in his creative production. Both readings, the mystical and the historical, meet at a point that, to my knowledge, has not been indicated by either party. Furthermore, although these and other elucidations of the story do not necessarily exclude each other, we must be prepared to understand the story in its most indeterminate form. This is articulated as the perennial struggle of opposites and it dervices form the author's wider reflections on the nature of evil.</div>
</front>
</TEI>
<affiliations><list><country><li>Royaume-Uni</li>
</country>
<region><li>Angleterre</li>
<li>Grand Londres</li>
</region>
<settlement><li>Londres</li>
</settlement>
<orgName><li>University College de Londres</li>
</orgName>
</list>
<tree><country name="Royaume-Uni"><region name="Angleterre"><name sortKey="Nu Ez Faraco, Humberto" sort="Nu Ez Faraco, Humberto" uniqKey="Nu Ez Faraco H" first="Humberto" last="Nú Ez-Faraco">Humberto Nú Ez-Faraco</name>
</region>
</country>
</tree>
</affiliations>
</record>
Pour manipuler ce document sous Unix (Dilib)
EXPLOR_STEP=$WICRI_ROOT/Wicri/Europe/France/explor/NotreDameDeParisV1/Data/Main/Exploration
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000665 | SxmlIndent | more
Ou
HfdSelect -h $EXPLOR_AREA/Data/Main/Exploration/biblio.hfd -nk 000665 | SxmlIndent | more
Pour mettre un lien sur cette page dans le réseau Wicri
{{Explor lien |wiki= Wicri/Europe/France |area= NotreDameDeParisV1 |flux= Main |étape= Exploration |type= RBID |clé= ISTEX:7AC3E79AE2564DC3E5658EE245AEC82CAD35091C |texte= History and Allegory in Borges's "La escritura del dios" }}
This area was generated with Dilib version V0.6.33. |