Viewing Souvenirs
Identifieur interne : 000610 ( Main/Exploration ); précédent : 000609; suivant : 000611Viewing Souvenirs
Auteurs : Amy F. OgataSource :
- Journal of Design History [ 0952-4649 ] ; 2002.
Abstract
This article considers how the international exposition was represented in peepshow souvenirs, folding paper devices that gave a three-dimensional view of the interior. Using Walter Benjamin's notion of the world's fair as a phantasmagoria, I argue that the optical souvenirs produced for international expositions reconfirmed the enchanted visual experience in a way that other mass-produced souvenirs could not and, moreover, that this held implications for both popular consumption and collective memory.
Url:
DOI: 10.1093/jdh/15.2.69
Affiliations:
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Le document en format XML
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<front><div type="abstract">This article considers how the international exposition was represented in peepshow souvenirs, folding paper devices that gave a three-dimensional view of the interior. Using Walter Benjamin's notion of the world's fair as a phantasmagoria, I argue that the optical souvenirs produced for international expositions reconfirmed the enchanted visual experience in a way that other mass-produced souvenirs could not and, moreover, that this held implications for both popular consumption and collective memory.</div>
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