ABSTRACTS AND AUTHORS

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ABSTRACTS AND AUTHORS

Auteurs :

Source :

• Art History [ 0141-6790 ] ; 2005-11.

RBID : ISTEX:9485E6997084DFD0619D31F2C427CAF8C0B75C3A

English descriptors

• Teeft :
  • Academic conventions, Academic ideology, Achievement award, Albert museum, Ambitious artist, Analytical models, Ancient rome, Architectural education, Architectural historians, Architectural practice, Archival investigation, Archive berlin, Artistic matters, Artistic value, Associate professor, Authors faith, Authors henri labrouste, Authors inscriptions, Barnett newman, Bibliotheque martin bressani, Blackwell publishing, Brief consideration, British museum, Broader range, Canonical chinese, Catalogue raisonne, Celat research centre, Changeless china, Charles sanders theory, Chicago press, Chinese collections, Chinese scroll painting, Choses ecrites, Christian faith, Classic example, Clement greenberg, Coauthored publication, Contemporary life, Critical reaction, Ctional possibilities, Cultural historian, Cultural history, Cultural studies, Cultural transition, Derniere hypothese, Differents caracteres, Doctoral dissertation, Early france paul duro, Early garden, Early stage, Early years, Enigmatic body, Essay probes, Eternal truths, Figures peintes, Fine arts, Fink verlag, Fourteenth centuries, Fourteenth centuries zhang hongxing, French painting, French regime, Full professor, Fundamental change, Fundamental types, Garden history, Garsington road, Generative role, Genre, Genre historique, Genre painting, Gothic revival, Graphic systems, Haptic taste, Henri bibliotheque, Herbert boone professor, Historical consciousness, Historical evidence, Historical genre, Historical genre painting, Historical imagination, Historical museums, Historical record, Historical shocks, History department, History issn, History painting, Human sciences, Humboldt university, Iconic modes, Ideographic chinese, Imaginative dimension, Implicit challenge, Incongruous relationship, Ingres, Ingres blackwell, Ingres susan, Intellectual frameworks, Interpretive essay, Intricate relations, Ironical museum, Jean louis schefer, Johns hopkins university, Larger ambitions, Late china, Limited edition, Louis leopold boilly, Main street, Major bearer, Marc grignon, Martin bressani, Material culture, Material factor, Material practice, Mcgill university, Media archaeology, Media culture, Media technologies, Media theory, Mellon foundation, Mellon lectures, Michael charlesworth, Modern life, Napoleonic france, Narrative aesthetics, National gallery, National museums, Nineteenth century, Numerous writings, Originary moment, Paolo uccello, Paradigmatic model, Parallel lines wolfgang ernst stephen bann, Paul duro, Paul smith, Perfect traveller, Perfect traveller jean louis schefer, Physical forms, Pictorial culture, Pictorial elements, Pictorial invention, Pictorial motifs, Pictorial space, Political activities, Political eminence, Pragmatic philosophy, Psychological tensions, Quebec city, Queen anne, Questions paleolithique, Recent books, Recent publications, Regard chinese, Regents chair, Rhetorical strategy, Richard shiff, Romantic literature, Romantic period, Romantic search, Same time, Scenographie tableau, Schefer, Senior curator, Several publications, Slightest residues, Spiritual content, Stephen analyses, Stephen bann, Stephen work, Supportive critics, Technological phenomena, Traditional assumptions, True vine, Uncritical acceptance, Uneven process, Versite laval, Visual sources, Wentworth castle, Wentworth castle michael charlesworth, Wolfgang ernst, Yale university press, Yorkshire landscape, Zhang hongxing.

Url:

• https://api.istex.fr/ark:/67375/WNG-7SW4HV2B-3/fulltext.pdf

DOI: 10.1111/j.1467-8365.2005.00490.x

Affiliations:

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