Americana Index to The Musical Quarterly 1915–1957
Identifieur interne : 000A57 ( Istex/Corpus ); précédent : 000A56; suivant : 000A58Americana Index to The Musical Quarterly 1915–1957
Auteurs :Source :
- Journal of Research in Music Education [ 0022-4294 ] ; 1958-10.
English descriptors
- Teeft :
- Aaron copland, Alden, Alice barnett, American composer, American music, Antheil, Apel, Aria, Arnold schoenberg, Arthur berger, Arthur bird, Arthur shepherd, Bainbridge, Bainbridge crist, Bart6k, Bassoon, Benjamin carr, Bernard rogers, Bethlehem, Blair, Blair fairchild, Bloch, Book review, Book reviews, Broder, Bukofzer, Cantata, Cappella, Carl engel, Carl ruggles, Carlos, Carlos chavez, Cello, Chamber orchestra, Charles ives, Charles martin loeffler, Clarinet, Concertino, Cond, Copland, Cowell, Crist, Current chronicle, Curt sachs, Damrosch, Daniel gregory mason, David stanley smith, Easy instructor, Edward macdowell, Engel, Ernest bloch, Ethelbert, Etude, Film music, First performance, Flute, Folk ballad, Francis hopkinson, Frankenstein, Franko, Fugue, Goldman, Gospel hymns, Gottschalk, Graf, Grainger, Griffes, Gustav, Gustav strube, Handel, Hanson, Harp, Harpischord, Harpsichord, Hastings, Heinrich, Heitor, Henry cowell, Hewitt, Hindemith, Hopkinson, Horatio parker, Howard hanson, Hyatt, Ives, James hewitt, John alden, John alden carpenter, John hill hewitt, John knowles paine, John tasker howard, Juilliard, Knowles, Liszt, Loeffler, Louis moreau gottschalk, Luigi, Macdowell, Memoriam, Mennin, Merrymount, Moder, Modern music, Moreau, Music publisher, Musica, Musical instruments, Nathan broder, Nevin, Oboe, Otto, Paine, Passacaglia, Paul creston, Paul henry lang, Paul hindemith, Percy grainger, Persichetti, Piano concerto, Piano sonata, Pianoforte, Psalter, Quartet, Quintet, Randall, Randall thompson, Record review, Record reviews, Revueltas, Rhapsody, Roger sessions, Ruggles, Sachs, Samuel barber, Schoenberg, Serenade, Silvestre, Silvestre revueltas, Sinfonia, Sonata, Song cycle, Songster, Sonneck, Sowerby, Star spangled banner, Sternfeld, String orchestra, String quartet, Strube, Symphonic poem, Symphony orchestra, Tasker, Templeton, Thomas hastings, Viii, Vincent persichetti, Violoncello, Virgil thomson, Vols, Wallingford, Wallingford riegger, Walter kramer, Walter piston, Watts, Weill, Willi, William schuman, Wintter, Wintter watts, Xiii, Xlii, Xvii, Xviii, Xxii, Xxiii, Xxiv, Xxix, Xxvi, Xxvii, Xxviii, Xxxi, Xxxii, Xxxiii, Xxxiv, Xxxix, Xxxv, Xxxvi, Xxxvii, Xxxviii.
Url:
DOI: 10.1177/002242945800600204
Links to Exploration step
ISTEX:0CACEA0A54BE5A041F76245F2EF04491E9D007CCLe document en format XML
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</publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.1177/002242945800600204</article-id><article-id pub-id-type="publisher-id">10.1177_002242945800600204</article-id><article-categories><subj-group subj-group-type="heading"><subject>Articles</subject></subj-group></article-categories><title-group><article-title>Americana Index to <italic>The Musical Quarterly</italic> 1915–1957</article-title></title-group><pub-date pub-type="ppub"><month>10</month><year>1958</year></pub-date><volume>6</volume><issue>2</issue><fpage>5</fpage><lpage>144</lpage><custom-meta-wrap><custom-meta xlink:type="simple"><meta-name>sagemeta-type</meta-name><meta-value>Other</meta-value></custom-meta><custom-meta xlink:type="simple"><meta-name>cover-date</meta-name><meta-value>Fall 1958</meta-value></custom-meta><custom-meta xlink:type="simple"><meta-name>search-text</meta-name><meta-value> Americana Index to The Musical Quarterly 1915−1957 A suite) (John Alden Carpenter), XVI, AARON COPLAND (Arthur Berger), XL, Oct ‘ 30, 452, 458−461, 463, 465; XXIII, Jan ’ 54, 93−98 (Book Review by Law Jan ‘ 37, 41; XXXVIII, Jul ’ 52, 482−483 rence Morton) (Record Review by Irving Fine) ABBOT, Francis H. and Swan, Alfred J., AJ). 1919 (mixed chorus, soprano solo and EIGHT NEGRO SONGS, XIV, Apr orchestra) (Horatio Parker), XVI, Apr ‘ 30, 160 ’ 28, 286 Academy Award (Copland film music for Aeolian Hall (NYC), VI, Jan ‘ 20, 9; VI, The Heiress), XXXVII, Apr ’ 51, 161 Apr ‘ 20, 237; VII, Jan ’ 21, 33; XVI, Oct ‘ 30, 451 Academy of Music (See: Lowell Mason), AFRICANIA DE LA MUSICA FOLKXXXIX, Jan ’ 53, 85 LORICA DE CUBA, LA (Fernando Academy of Music (Boston), XIII, Apr ‘ 27, 232, 241, 242, 243; XXXII, Jan ’ 46, 74, Ortiz), XXXVIII, Apr ‘ 52, 325−327 75; XLII, Jul ’ 56, 361, 363 (Book Review by Harold Courlander) Academy of Music (NYC), VI, Jan ‘ 20, 81, AFRO-AMERICAN FOLK SONGS (Henry E. Krehbiel), XII, Apr ’ 26, 310 84−85; XVIII, Jan ‘ 32, 77, 79; XXIII, Oct ’ 37, 413; XXVIII, Jul ‘ 42, 273, 275 Agamede' s Song (Paul Ardayne), XI, Jul ’ 25, 417 Academy of Music (Philadelphia, Pa.), XXII, Jan ‘ 36, 2; XXVIII, Jul ’ 42, 274, AGRAMONTE, Emilio, XVIII, Jan ‘ 32, 89, 94 291 ACHRON, Joseph, XXXIII, Jan ’ 47, 109; Ah, Love, But a Day (Mrs. H. H. A. XXXVII, Oct ‘ 51, 476 Beach), XI, Jul ’ 25, 386 Oct ‘ 49, 612−613, 615 “ Acoustics: Suggestions in Behalf of an Unpopular Subject” (Louis C. Elson), I, Jul ’ 15, 410−415 Actus Tragicus (chamberorchestra) (Erich Air from County Derry (Percy Grainger), Itor Kahn), XLI, Oct ‘ 55, 521 (Samuel Barber), XXIII, Apr ’ 37, 129 Adagio for Strings XXXIII, Apr ‘ 47, 186 AITKEN, John (Philadelphia publisher), ADAMOWSKI, Josef, XXI, Jan ’ 35, 42, 46 XXI, Apr ‘ 35, 204, 205 ADAMOWSKI, Timothee (violinist), AKS, Harold (as director, Inter-Racial XXVIII, Jul ’ 42, 295; XXX, Jul ‘ 44, Chorus, NYC), XXXVIII, Jul ’ 52, 437 308 AKST, Harry, IX, Oct ‘ 23, 476 ADAMS, Mrs. Crosby, XVI, Apr ’ 30, 190 Aladdin Suite for Orchestra (Edgar Still Adams and Liberty (words by Robert man Kelley), VIII, Oct ‘ 22, 550−551 Treat Paine), XXIII, Apr ’ 37, 198 ALBRECHT, Otto Edwin, XXX, Jan ‘ 44, ADGATE, Andrew, XXI, Apr ’ 35, 202−203 51; XXXII, Apr ‘ 46, 171 Adieu pour jamais (Charles Martin Loeffarticle by, “ Adventures and Discoveries of a Manuscript Hunter,” XXXI, Oct ler), XI, Jul ’ 25, 320, 326 ADLER, M. J., XIX, Jul ‘ 33, 323 ’ 45, 492−503 “ Adonais” (overture) (George Whitefield Albuquerque (N.M.) Symphony, XXXVII, Oct ‘ 51, 482 Chadwick), XXI, Jan ’ 35, 45 Advenimiento (Juan Francisco Garcia), Alchin Chair of Composition, UCLA XXXI, Apr ‘ 45, 218−219 to Carolyn Alchin), (memorial “ Adventures and Discoveries of a ManuXXXVII, Oct ’ 51, 472 script Hunter” (Otto E. Albrecht), ALDERMAN, Pauline, XXXVII, Oct ‘ 51, XXXI, Oct ’ 45, 492−503 471 5 music by, Sextet for Woodwinds, French Horn and Trumpet, Op. 73, XXXV, A Bel-Ebat (Blair Fairchild), XIV, Jan '28, 149−154 Adventures in a Perambulator (orchestral STREL, XIX, Oct '33, 397−398 AIKEN, John (publisher), XVIII, Apr '32, 313 AINSWORTH, Henry, XII, Apr '26, 309 Ainsworth PSALTER (See: Ainsworth, Henry), XII, Apr '26, 309 AIKEN, Jesse, THE CHRISTIAN MIN- ALDRICH, Putnam, XXXVIII, Oct ‘ 52, 533, 553 article by, “ Bach' s Technique of Transcription and Improvised Ornamentation,” XXXV, Jan ’ 49, 26−35 book by, ORNAMENTATION IN J. S. BACH' S ORGAN WORKS, XXXVII, Arthur Mendel) Alpine Echo (a song of the “ Alleghaneans” -Family Singers), XXXII, Jan ‘ 46, 64 ALTHOUSE, Paul, VI, Jan ’ 20, 9 ALTSCHULER, Jacob, XXVI, Jan ‘ 40, 115 ALTSCHULER, Modest, IV, Jan ’ 18, 30; XXXIII, Jan ‘ 47, 17; XXXVI, Apr ’ 50, 162 Alvorada na Floresta Tropical (Dawn in a Tropical Forest) (Heitor Villa- Apr '51, 290−294 (Book Review by ALDRICH, Richard, I, Oct '15, 628; X, Lobos), XLI, Jan '55, 79 Jan '24, 154, 155; XII, Apr '26, 153; Amahl and the Night Visitors (opera) XXIII, Oct '37, 428−439; XXV, Jul '39, (Gian-Carlo Menotti), XXXVIII, Apr 263 '52, 296−298 AMANS, John, XV, Jul ‘ 29, 472 portrait, XXIII, Oct ’ 37, Opp. 430 article by, “ Robert Franz on Schubert Amazones (Heitor Villa-Lobos), XLI, Apr and Others,” XIV, Oct ‘ 28, 486−494 ’ 55, 225 ALFONSECA, Juan Bautista, XXXI, Apr America (symphony) (Ernest Bloch), ‘ 45, 212−213, 214 XVIII, Jan ’ 32, 12, 183 America (Pablo Claudio), XXXI, Apr ‘ 45, portrait, XXXI, Apr ’ 45, Opp. 218 “*Alfred Einstein and Curt Sachs” (Erich 215 Hertzmann), XXVII, Jul ‘ 41, 263−279 America (symphonicpoem) (Fuentes Laureano Mat6ns), XXXIII, Jul ’ 47, 379 Alglala (opera) (Fanning-de Leone), XI, Apr ‘ 25, 308 America, Commerce and Freedom (Alex Alice in Wonderland (Irving Gifford Fine), ander Reinagle), XXIV, Jan ’ 38, 73 XXXV, Apr ‘ 49, 282−285 “ Americain the Arts” (Babette Deutsch), Alice M. Ditson Fund (Columbia UniverVII, Jul ’ 21, 303−308 sity), XXXII, Apr ‘ 46, 197; XXXII, “ Americain the French Music of the Seventeenth and Eighteenth Centuries” Jul ’ 46, 372; XXXIV, Oct ‘ 48, 594, 599; XXXV, Apr ’ 49, 219; XXXVI, (Lionel de La Laurencie), VII, Apr ‘ 21, 284−302 Jul ’ 50, 444; XXXVI, Oct ‘ 50, 585 All Quiet Along the Potomac (John Hill “’ America‘: The Origin of Its Melody” Hewitt), XVII, Jan ’ 31, 37 (Edward A. Maginty), XX, Jul ‘ 34, All the Words That I Gather (voice) 259−266 (Louis Campbell-Tipton), XIV, Jan American Academy (Rome), XVIII, Jan ‘ 29, 147−148 ’ 32, 33; XXII, Apr ‘ 36, 142, 151; XXIV, Allah (George W. Chadwick), XI, Jul ’ 25, Jul ‘ 38, 250; XXXV, Jan ’ 49, 2 384 American Academy (See: National Institute of Arts and Letters), XXXVII, All-College Symphony Forum (Los An Oct ‘ 51, 482 geles), XXXVI, Oct ’ 50, 580 Alleluia for mixed voices a cappella American Academyof Arts and Letters, X, Oct ‘ 24, 546; XXXIV, Oct ’ 48, 533 (Randall Thompson), XXXV, Jan ‘ 49, 20 American Academy of Arts and Sciences, ALLEN, Warren D., XXXIX, Jan ’ 53, 35 XXVI, Apr ‘ 40, 164 article by, “ Baroque Histories of Music,” American Antiquarian Society (Worcester, XXV, Apr ’ 39, 195−209 Mass.), XVIII, Apr ‘ 32, 329, 332 ALLEN, William Francis, SLAVE SONGS American Art Journal (NYC), XVIII, Jan American Balladry (See: Howard Brockway, John and Alan Lomax, Anna Blanche Mc Gill, Josephine Mc Gill, Allen A. Brown Music Collection, Boston John Jacob Niles, Louise Pound) (Mass.)Public Library, XXX, Jan ’ 44, 64 ALMAND, Claude, music by, Concerto for Piano and Orchestra, XLI, Jan '55, 77; John Gilbert: A Steamboat Overture Orchestra Commission), (Louisville 77 AMERICAN BALLADS AND FOLK OF THE UNITED STATES, IV, Jan '18, 31; XII, Apr '26, 307; XLII, Oct '56, 466, 467 '32, 90, 101 SONGS (John and Alan Lomax, eds.), XXI, Jan '35, 108−112 AMERICAN BALLADS AND SONGS XXXVII, Apr '51, 255; XLI, Jan '55, (Louise Pound), XIV, Apr '28, 284285, 286, 292 AMERICAN BIBLIOGRAPHY Evans) (See: Hopkinson, (Charles Francis), Alouette (French Canadian folk song), XXIX, Jan '43, 131 6 XXIV, Oct '38, 481 American Musicological Society, XXI, Oct ‘ 35, 484; XXIII, Jan ’ 37, 2; XXIII, Oct AMERICAN COMPOSERS ON AMERI' 37, 430; XXIV, Jan ‘ 38, 97; XXV, Oct CAN MUSIC, A SYMPOSIUM (Henry ’ 39, 510; XXVIII, Oct ‘ 42, 502; Cowell), XIX, Jul ’ 33, 351−353 XXXVII, Oct ‘ 51, 501, 524; XXXIX, AMERICAN COMPOSERS ON AMERIApr ’ 53, 241; XLII, Jan ‘ 56, 99 CAN MUSIC (See: Harris, Roy, on American Opera Company (See also: Thurber, Jeannette), XXIII, Oct ’ 37, rhythm), XXXIII, Jan ‘ 47, 22 American Council of Learned Societies, 413 XXVIII, Apr ’ 42, 227 American Philosophical Society (Philadel American Creed (Roy Harris), XXXI, Jan phia), XXXV, Apr ‘ 49, 179 ’ 45, 108, 109 “ American Crowd Music, The Energy of” American Polonaise (Wallingford Riegger), XXXVI, Jan ‘ 50, 43 T. Carl Whitmer), IV, Jan ’ 18, 98−116 “ American Epilogue to ‘ On Old Violins' ” American Quality in the Music of Louis Moreau Gottschalk, The“ (Carl E. by Lucien Greilsamer,” XIII, Jul ’ 27, Lindstrom), XXXI, Jul ‘ 45, 356−370 431−433 American Festival Overture (William “ American” Quartet American Centennial Exposition Music (Phildelphia, 1876), XXXVII, Apr ‘ 51, 184−202 “ American College Man in Music, The” (W. J. Baltzell), I, Oct ’ 15, 623−636 American Colleges, Lists of (See: “ American College Man in Music, The”), I, Oct ‘ 15, 623−636 American Company, XXI, Apr ’ 35, 194; XXX, Jan ‘ 44, 51 (See also: Early Theatre in America; Ballad Opera) American Composer (See: “ Serge Koussevitsky and the American Composer’) ” American Composer, An“ (Olin Downes), IV, Jan ‘ 18, 23−36 ” American Composer, The“ (Henry F. Gilbert), I, Apr ’ 15, 169−180 ” American Composer and the American Music Publisher“ (Oscar G. Sonneck), IX, Jan ‘ 23, 122−144 ” American Composer: The Victim of His Friends“ (John Tasker Howard), VIII, Jul ’ 22, 313−318 American Composers Alliance, XXXI, Oct ‘ 45, 422 American Composersand ” Special Services“ in Wartime, XXXIV, Jan ’ 48, 9−10 American Composers' Choral Association (NYC), XVIII, Jan ‘ 32, 88−89 American Composer' s Guild, VIII, Oct ’ 22, 628 American in Paris, An (George Gershwin), XVIII, Jan '32, 11; XVIII, Oct '32, 646; XXXIII, Jan '47, 107; XXXIII, Apr '47, 186 American Institute of Musicology, XLI, Jan '55, 115, 116 American Institute of Musicologyin Rome, XXXVIII, Oct '52, 630; XXXIX, Jan '53, 109−120 (See: Lowinsky, Edward E., Book Review of ARIBONIS DE MUSICA) American Journal of Music and Musical Visitor, The, XXXII, Apr ‘ 46, 269−270 “ American Literature in American Music” (Claire Mc Glinchee), XXXI, Jan ’ 45, 101−119 American Lyric Theatre (See: League of Composers), XXXIV, Jan ‘ 48, 8 “ American Music and American Orchestras” (Nathan Broder), XXVIII, Oct ’ 42, 488−493 American Musical Journal AMERICAN MUSICAL Apr '27, 225, 234−235, 238 (NYC), XIII, MISCELLANY (early American songster), XXX, Jan '44, 51, 55 American Musical Times American Musician, XVIII, Jan '32, 85 Apr '27, 247 (NYC), XIII, IV, Jul ‘ 18, 330−331 Schuman), XXXI, Jan ’ 45, 18; XXXIII, Jul ‘ 47, 312, 317 “ American School of Criticism: the Legacy American Folk-Dance Society, XVII, Oct Left by W. J. Henderson, Richard Al' 31, 464 drich and Their Colleaguesof the Old Guard” (Oscar Thompson), XXIII, American Guild of Organists, XXI, Apr Oct ’ 37, 428−439 ‘ 35, 185; XXIII, Jan ’ 37, 39 “ American Guild of Organists, The” (Sam- American Section of International Musical uel A. Baldwin), XXXII, Apr ‘ 46, 289Association (Internationale Musik-Ges295 ellschaft), XXVI, Apr ’ 40, 169 “ American-Hungarian Folk-Song, The” American Society of Composers, Authors and Publishers, XXXVII, Oct ‘ 51, 471 (Helen Ware), II, Jul ’ 16, 434−441 “ American Indian Cradle-Songs” (Natalie American Society of Musicians and Com Curtis [Burlin], VII, Oct ‘ 21, 549−558 posers (NYC), XVIII, Jan ’ 32, 103 7 (Antonin Dvorak), “ American Song, Interpretative Studies in” (Harry Colin Thorpe), XV, Jan ‘ 29, 88−116 AMERICAN SONGBAG (Carl Sandburg), XVIII, Jan ’ 32, 73 AMERICAN SONGS AND BALLADS (Louise Pound), XVIII, Jan ‘ 32, 106, 118 American “ Songsters” and Playbills, XXXV, Jan ’ 49, 66, 69, 71, 73, 76, 80 AMERICAN SUPPLEMENT, GROVE' S DICTIONARY (Waldo S. Pratt with Charles N. Boyd), XXVI, Apr ‘ 40, 170 “ American Theatrical Dancing from 1750 to 1800” (Marian Hannah Winter), XXIV, Jan ’ 38, 58−73 American Works performed by the Boston Symphony under Koussevitsky (19231943), XXX, Jul ‘ 44, 261−269 AMERICAN WRITERS AND COMPILERS OF SACRED MUSIC (Frank J. Metcalf), XIII, Apr ’ 27, 223; XXIV, Oct ‘ 38, 481; XXV, Oct ’ 39, 480 Americana (symphonic suite) (Viktor Kolar), XXIX, Jul ‘ 43, 321 Americana (Gustav Strube), XXVIII, Jul ’ 42, 290 Americana for mixed voices and piano or orchestra (commissioned by League of (Randall Composers) Thompson), XXXIV, Jan ‘ 48, 10; XXXV, Jan ’ 49, 12−15 Americanesque (Henry F. Gilbert), IV, Jan ‘ 18, 29 “ America' s First Grand Opera Season” (Francis Rogers), I, Jan ’ 15, 93−101 America' s Lamentations for Washington (See: EASY INSTRUCTOR) AMISCHE LIEDER (Joseph W. Yoder), XXXI, Jul ‘ 45, 277−288 Amish Music (See: “ Strange Music of the Old Order Amish, The”) Amish tunes and kindred German folk melodies (tables of), XXXI, Jul ’ 45, 282−284, 287−288 Amours de Hafiz, Les, Op. 38 (Blair Fairchild), XIV, Jan ‘ 28, 149−154 Anacreonic Society of Baltimore, XIII, Apr ’ 27, 245 Anacreontic Society (NYC), XVII, Jan ‘ 31, 32; XXXI, Apr ’ 35, 206 ANDREWS, Addison F., XVIII, Jan ‘ 32, 85, 87, 91 ANDREWS, Edward D., “ Shaker Songs,” XXIII, Oct ’ 37, 491−508 ANDREWS, George Whitfield, “ Music as an Expression of Religious Feeling,” II, Jul ‘ 16, 331−338 ANGELL, Richard S., book review (HARVARD DICTIONARY OF MUSIC, by Willi Apel), XXXI, Jan ’ 45, 123−127 8 Angels, for six muted trumpets (Carl Ruggles), XVIII, Oct ‘ 32, 578 Angels Done Changed My Name, The (Negro Spiritual), IV, Jul ’ 18, 326 Angels over Broadway (film) (George Antheil), XXVII, Apr ‘ 41, 163 Ann Arbor May Festival (University of Michigan), XXII, Apr ’ 36, 150 ANNETT, Thomas, XXXI, Apr ‘ 45, 154 Annie My Own Love (Stephen C. Foster), XXII, Apr ’ 36, 162 An Answer (Howard Brockway), XI, Jul ‘ 25, 415 ANTES, Heinrich, XLII, Oct ’ 56, 488 ANTES, John, XVIII, Apr ‘ 32, 320−321; XXI, Apr ’ 35, 182; (See also: “*John Antes, American Dilettante”) list of works, XLII, Oct ‘ 56, 497−499 illustrations concerning, XLII, Oct ’ 56, Opp. 498, 499 music by, Go, Congregation, Go! (aria), XLII, Oct ‘ 56, 496; Now May the God of All Grace, XLII, Oct ’ 56, 496−497 ANTHEIL, George, XII, Oct ‘ 26, 633−634; XIV, Jan ’ 28, 143; XV, Apr ‘ 29, 292; XLI, Jan ’ 55, 79 music by, Angels over Broadway (film), XXVII, Apr ‘ 41, 163; Ballet Mecanique, XV, Apr ’ 29, 286; XXVII, Apr ‘ 41, 149, 163; XXXIII, Jan ’ 47, 105; XXXVIII, Jan ‘ 52, 126−127; XL, Apr ’ 54, 242−243; The Plainsman (film), XXVII, Apr ‘ 41, 163; Sonata No. 2 for Violin and Piano, XXXIX, Jan ’ 53, 141−142 (Record Review by Vincent Persichetti); Transatlantic, XVIII, Jan ‘ 32, 11; Volpone (opera), XXXIX, Oct ’ 53, 600−604 ANTHEM DULCIMER, THE (I. B. Woodbury), XVI, Apr ‘ 30, 225, 227 Anthony Adverse (film) (Erich Korngold), XXVII, Apr ’ 41, 163 “ Antiphonal Songs of Eastern Woodland Indians” (Gertrude P. Kurath), XLII, Oct ‘ 56, 520−526 Antiphonario (1589), XV, Jan ’ 29, 53−54 Antiphone (Fran Sois Morel), XL, Jan ‘ 54, 59−60 Antiphony No. 1 (Henry D. Brant), XL, Jul ’ 54, 397−401 (Review by Henry Cowell) ANTRIM, Doron K., articles by, “ Music in Industry,” XXIX, Jul ‘ 43, 275−290; “ Music Therapy,” XXX, Oct ’ 44, 409420 APEL, Willi, XXXI, Apr ‘ 45, 228−231, 232234, 236; XXXVIII, Apr ’ 52, 202−203, 213; XXXVIII, Oct ‘ 52, 553; XXXIX, Jan ’ 53, 28, 29, 33; XXXIX, Oct ‘ 53, 534 articles by, “ Early German Keyboard Music,“ XXIII, Apr ‘ 37, 210−237; ” Neapolitan Links Between Cabezon and Frescobaldi,“ XXIV, Oct ’ 38, 419437 books by, FRENCH SECULAR MUSIC OF THE FOURTEENTH CENTURY (Apel ed.), XXXVI, Oct ‘ 50, 603−610 (Book Review by Otto Gombosi); HARVARD DICTIONARY OF MUSIC, XXXI, Jan ’ 45, 123−127 (Review by Richard S. Angell); HISTORICAL ANTHOLOGY OF MUSIC, XXXIII, Jan ‘ 47, 123−126 (Book Review by Erich Hertzmann), XXXVII, Jan ’ 51, 112−114 (Book Review by Glen Haydon); MASTERS OF THE KEYBOARD, XXXIV, Jul ‘ 48, 442−445 (Book Review by Carl Parrish) book review by, (SECRET CHROMATIC ART IN THE NETHERLANDS MOTET, by Edward E. Lowinsky), XXXII, Jul ’ 46, 471−476 Appalachia (Frederick Delius), XV, Jul ‘ 29, 441, 444 (See also: Sharp, Cecil) Appalachian Spring, suite from the ballet, XXXV, Apr ’ 49, 286; XXXVII, Apr ‘ 51, 161; XL, Oct ’ 54, 622 (See also: ‘ Tis the Gift to be Simple) APPEL, Richard G., XIII, Apr ’ 27, 223 article by, ” Beethoven D6buts in America,“ XIII, Apr ‘ 27, 217, 247 (See: Phonograph Monthly Review, I, Oct ’ 26, 2−5) book review by, (SCHUBERT, THEMATIC CATALOGUE OF ALL HIS IN CHRONOLOGICAL WORKS, ORDER, by Otto Erich Deutsch and Donald R. Wakeling), XXXVIII, Jan ‘ 52, 157−159 OF MUSIC SERIES, APPRECIATION THE (Daniel Gregory Mason, ed.), XI, Apr ’ 25, 307 Apprends-Moi Ton Langage (French Canadian folk song), XXIX, Jan ‘ 43, 132133 April Rain (Bainbridge Crist), XI, Jul ’ 25, 405 APTHORP, William Foster, XXI, Jan ‘ 35, 72, 75, 80−81; XXIII, Oct ’ 37, 428; XXX, Apr ‘ 44, 202−203 ARA, Ugo, XXIII, Oct ’ 37, 417 (See: Flonzaley Quartet) Arapaho Indians (See: ” Musical Culture of the Arapaho“), XLI, Jul ‘ 55, 325331 Arapaho Lullaby (Tribal Air), VII, Oct ’ 21, 553−554 ARCHER, Thomas, ” The Formal Construction of Die Schone Miillerin,“ XX, Oct ‘ 34, 401−407 9 Archers, or The Mountaineers of Switzerland (Benjamin Carr), XVIII, Jan ‘ 32, 159−161; XXIV, Jan ’ 38, 71 Archives of American Folk-Song (Library of Congress), XXI, Jan ‘ 35, 108; XXVI, Oct ’ 40, 485, 491 ARDAYNE, Paul, Agamede' s Song, XI, Jul ‘ 25, 417 ARDEVAL, Jos6, XXXIV, Jan ’ 48, 12; XLII, Jan ‘ 56, 119 ARENS, Franz X., XVIII, Jan ’ 32, 84, 90 Aria and Toccato in Swing (Robert Mc Bride), XXXVIII, Jul ‘ 52, 483 (Record Review by Irving Fine) Arion Club (Halifax, N. S.), XXIX, Jan ’ 43, 79 Armenian Suite (Richard Yardumian), XLI, Oct ‘ 55, 551, 554 (Record Review by Nathan Broder) ARMSTRONG, Louis, XXI, Jan ’ 35, 61; XXVII, Jan ‘ 41, 52 Army “ Hit Kits” XXXI, Apr ’ 45, 142 (See: “ Music for the Armed Services”) Army V-discs, XXXI, Apr ‘ 45, 142 (See: “ Music for the Armed Services”) ARNOLD, Samuel, The Children in the Wood (opera), XVIII, Jan ’ 32, 158−159 ARONSON, Rudolph, XVIII, Jan ‘ 32, 95, 97 ARREDONDO, Clodomiro, XXXI, Apr ’ 45, 216 ARREDONDO, Jose Maria, XXXI, Apr ‘ 45, 213, 214, 216 portrait, XXXI, Apr ’ 45, Opp. 218 ART OF SINGING, THE (Andrew Law) (facsimile of p. 60), XIX, Oct ‘ 33, Opp. 400 ARTES EN SANTIAGO DE CUBA, LAS (Laureano Fuentes Mat6ns), XXXIII, Jul ’ 47, 373 “*Arthur Bird, American” (William C. Loring, Jr.), XXIX, Jan ‘ 43, 78−91 “*Arthur Shepherd” (William S. Newman), XXXVI, Apr ’ 50, 159−179 “*Arthur Whiting” (Daniel Gregory Mason), XXIII, Jan ‘ 37, 26−36 ARTISTIC IDEALS (Daniel Gregory Mason), XXXIV, Jan ’ 48, 47 (See chapters first published in The Musical Quarterly) Artist' s Wife, The (John Hill Hewitt), XVII, Jan ‘ 31, 37 ART OF JUDGING MUSIC, THE (Virgil Thomson), XXXV, Apr ’ 49, 210 ART OF MUSIC, THE (Daniel Gregory Mason), XIX, Jan ‘ 33, 8 ART SONG IN AMERICA (W. T. Upton), XVIII, Jan ’ 32, 166; XXI, Jan ‘ 35, 81 Art-song in the U.S.A. (See: Bauer, M.; Beach, J.; Bowles, P. F.; Bricken, C; Cowell, H.; Crawford, R.; Elwell, H.; Engle, A. L.; Gruenberg, L.; Hanson, H.; Harmati, S.; Harris, R.; Jacobi, F.; La Violette, W.; Lockwood, N.; Moore, D.; Porter, Q.; Riegger, W.; Rudhyar, D.; Saminsky, L,; Sowerby, L.; Stearns, T.; Thompson, R.; Thomson, V.; Upton, W. T.; Wagenaar, B.; Weiss, A.) As I Came Down from Lebanon (Alice Barnett), XI, Jul ‘ 25, 400 As I Walked Out (folk ballad), IV, Apr ’ 18, 304−305 As It Fell Upon a Day (Aaron Copland), XXIV, Jan ‘ 38, 30 As Once in May (William Arms Fisher), XI, Jul ’ 25, 385 ASH, Gilfert (Colonial organ-builder), XXI, Apr ‘ 35, 190, 191 “ Asiatic Survivals in Indian Songs” (Marius Barbeau), XX, Jan ’ 34, 107−116 ASKELI, Henry, “ A Sketch of Sibelius the Man,” XXVI, Jan ‘ 40, 1−7 Assyrian Prayers (Frederick J a co b i), XXXIV, Jan ’ 48, 4 Astor Place Opera House (NYC), VI, Jan ‘ 20, 88, 89; XXIX, Jul ’ 43, 315 At Dawning (Charles Wakefield Cadman), XXXIII, Jul ‘ 47, 332 At the Well (Richard Hageman), XI, Jul ’ 25, 416 At Twilight (Alice Barnett), XI, Jul ‘ 25, 398 THE ATHENAEUM COLLECTION, (Waters & Co.), XX, Jan ’ 34, 93 August (Charles Ives), XIX, Jan ‘ 33, 55 AUGUST, Garry Joel, “ In Defense of Canned Music,” XVII, Jan ’ 31, 138149 Au pays des Peaux-Ronges (suite for piano) (Templeton Strong), XIV, Jan ‘ 28, 145−147 Au pays du Pan (suite for piano) (Templeton Strong), XIV, Jan ’ 28, 145−147 AUSTIN, William, articles by, “ The Idea of Evolution in the Music of the 20th Century,” XXXIX, Jan ‘ 53, 26−36; “*The Music of Robert Palmer,” XLII, Jan ’ 56, 35−50; “*Santayana As a Critic of Music,” XL, Oct ‘ 54, 497−508 Avant que tu ne T' en ailles (Charles Martin Loeffler), XI, Jul ’ 25, 323 Axacaxth (Aztec “ castanet” or rattle), VII, Apr ‘ 21, 293 AYALA, Daniel, U Kayil Chaac, XXII, Oct ’ 36, 440 AYARS, Christine M., XLII, Oct ‘ 56, 489 “*Ayres, Frederick” (William Treat Upton), XVIII, Jan ’ 32, 39−59 AYRES, Frederick, list of works, XVIII, Jan ‘ 32, 58−59 portrait, XVIII, Jan ’ 32, Opp. 42 music by, The Song of the Panthan Girl, XI, Jul ‘ 25, 414; Strong as Death, XI, Jul ’ 25, 414; Triumph, XI, Jul ‘ 25, 414 Azara (John Knowles Paine), XXV, Jul ’ 39, 265 B BABBITT, Milton, XXXIX, Oct ‘ 53, 613 article by, “ The String Quartets of Bart6k,” XXXV, Jul ’ 49, 377−385 BABITZ, Sol, articles by, “ A Problem of Rhythm in Baroque Music,” XXXVIII, Oct ‘ 52, 533−565; “ Stravinsky' s Symphony in C (1940),” XXVII, Jan ’ 41, 20−25 Babe in the Garden, The (Emerson Whithome), XI, Jul ‘ 25, 410−411 Babe of Bethlehem (folk-hymn), XXVI, Oct ’ 40, 487 Babe of Bethlehem from SOUTHERN HARMONY (facsimile), XXXVI, Oct ‘ 40, Opp. 488 BABIN, Victor, XXXVIII, Apr ’ 52, 306 Bach Choir (Bethlehem, Pa.), XXI, Apr ‘ 35, 179; XXIII, Jul ’ 37, 313; XXVIII, Apr ‘ 42, 174−185 Bach Choir (University of California), XXVIII, Apr ’ 42, 182 Bach Festivals at Bethlehem, Pa., XXVIII, Apr ‘ 42, 174−185 10 Bachianas Brasileiras No. 5 (Heitor Villa Lobos), XXXVIII, Jul ’ 52, 500 (Record Review by Irving Fine) BACKUS, Edythe N., CATALOGUE OF MUSIC IN THE HUNTINGTON LIBRARY, XXXV, Oct ‘ 49, 640−642 (Book Review by Harold Spivacke) Bacon & Co. (early Philadelphia music publishers), XIII, Apr ’ 27, 244 BACON, Ernst, music by, The Enchanted Island, XLI, Jan ‘ 55, 78; A Tree on the Plains (opera, commissioned by the League of Composers), XXXIV, Jan ’ 48, 9; XXXVII, Jul ‘ 51, 328 BACON, Katherine, XIV, Oct ’ 28, 598 BADGER, A. G. (American flute-maker), XX, Oct ‘ 34, 389−390, 392 BAERMANN, Carl, XXVI, Jul ’ 40, 299 Bagby Musical Mornings (NYC), XXIX, Jan ‘ 43, 84 Baghdad Lover, The, Op. 25 (song cycle) (Blair Fairchild), XIV, Jan ’ 28, 149154 BAHAMA SONGS AND STORIES (Charles BAILES Y EL TEATRO DE LOS NEGROS EN EL FOLKLORE DE CUBA, Ballet-Pantomime Edwards), IV, Jan '18, 31 44 (Blair Fairchild), XIV, Jan '28, 149154 Baltimore American, XVII, Jan '31, 34 “ Dance Libellule,” Op. Baltimore (Md.) Civic Opera Company, XXVIII, Jul ‘ 42, 290 Baltimore (Md.) Music Club, XXVIII, Jul ’ 42, 290 Baltimore (Md.) Little Symphony, XLII, Jan ‘ 56, 122 Baltimore (Md.) Symphony Orchestra, XXVIII, Jul ’ 42, 289, 290, 291 “ Baltimore & Ohio” Glee Club, XXXIV, Apr ‘ 48, 298 music by, Fourth Harvest Song of the BALTZELL, W. J., II, Oct ’ 16, 626 article by, “ The American College Man Iroquois, VII, Apr ‘ 21, 295 in Music,” I, Oct ’ 15, 623−636 BALDWIN, Samuel A., “ The American Guild of Organists,” XXXII, Apr ‘ 46, BAL Y GAY, Jesus, book review (MUSIC IN MEXICO, by Robert Stevenson), 289−295 “ Ballad Burlesques and Extravaganzas, XXXIX, Oct ’ 53, 638−640 The” (Walter H. Rubsamen), XXXVI, Bamboula (Negro folk air), IV, Jan ‘ 18, Oct ’ 50, 551−561 33 Ballad of Trees and the Master (George Bamboula (Louis Moreau Gottschalk), W. Chadwick), XI, Jul ‘ 25, 384 XXXI, Jul ’ 45, 357, 359, 361, 365 Ballad Opera, I, Oct ‘ 15, 580 (See: Beg- Bananier, Le (Louis Moreau Gottschalk), XXXI, Jul ’ 45, 357, 359 gar' s Opera); VI, Jan ‘ 20, 77−79; VIII, Jul ’ 22, 398−406; XV, Apr ‘ 29, 299; Band Music, XXXVI, Oct ’ 50, 592−595 XVIII, Jan ‘ 32, 158 Bands (See: Gilmore, P.; Goldman; Marine Ballad Opera in America (See Reinagle, Band; Naval Band; Sousa; U. S. Navy School of Music) Alexander) Ballad Opera in Colonial Life, XXXVI, Oct Bangum and the Boar (folk ballad), IV, ’ 50, 517−518 Apr ‘ 18, 302 Ballade (Frederick Jacobi), XI, Jul ’ 25, 410 Banjo, Le (Louis Moreau Gottschalk), Ballade for Flute with orchestral accomXXXI, Jul ‘ 45, 359, 361 paniment (Frank Martin), XXXIX, Banjo Tunes (See: “ Early Banjo Tunes and American Syncopation”) Oct ’ 53, 654−656 (Record Review by Lawrence Morton) Banjo-tuning (in folk song accompani Ballade of Baby Doe (opera) (Douglas ment), XXVI, Oct ‘ 40, 491 BARBEAU, Marius, XLII, Jan ’ 56, 113 Moore), XLII, Oct ‘ 56, 527−529 articles by, “ Asiatic Survivals in Indian Balladry (See: Child; Gummere; Mc Gill, Songs,” XX, Jan ’ 34, 107−116;“ French Smith, C. A.) J.; Canadian Folk-Songs,” XXIX, Jan ‘ 43, Ballads (list of), XXX, Apr ’ 44, 135−144 122−137; “ Songs of the Northwest,” BALLADS AND SONGS OF THE SHANXIX, Jan ‘ 33, 101−111 TY BOY (Franz Rickaby), XIV, Apr BARBER, Samuel, XXXIII, Jul ’ 47, 316 ‘ 28, 286, 288, 296 (See also: SAMUEL BARBER, book Ballads of the Four Seasons (Arthur Bliss), review by Alfred Frankenstein, XLI, XI, Apr ’ 25, 306 Jan ‘ 55, 105−106) list of compositions, XXXIV, Jul ’ 48, “ Ballads Surviving in the United States” 333−335 (C. Alphonso Smith), II, Jan ‘ 16, 109list of compositions written during mil129; XIV, Apr ’ 28, 284 itary service, XXXI, Apr ‘ 45, 148 BALLANTINE, Edward, VI, Jan ’ 20, 27 portrait, XXXIV, Jul ‘ 48, Opp. 326 music by, Palazzo Pagani, XI, Jul ’ 25, music by, Adagio for Strings, XXXIII, 417 Apr ‘ 47, 186; Concerto for Violoncello, Ballet in 18th-century America, XXIV, Jan XXXV, Apr ’ 49, 286 (first perform' 38, 62−73 ance); LOS (Fernando Ortiz), XXXVIII, Apr ‘ 52, 325−327 (Book Review by Harold Courlander) BAILLY, Louis, VII, Jan ’ 21, 33; XXVIII, Jul ‘ 42, 297 (See: Flonzaley Quartet) BAKALEINIKOFF, Vladimir, XXXVIII, Apr ’ 52, 306 BAKER, Benjamin, VI, Jan ‘ 20, 25 BAKER, Theodore, XI, Oct ’ 25, 525; XXVI, Apr ‘ 40, 167; XIII, Jul ’ 27, 451 Ballet Mdcanique (George Antheil), XV, Apr '29, 286; XXVII, Apr '41, 149, 163; Essay for Orchestra, XXXIII, Apr '47, 186; Hermit Songs (cycle), XXXIII, Jan '47, 105; XXXVIII, Jan '52, 126−127; XL, Apr '54, 242−243 11 XL, Oct '54, 589; XLI, Oct '55, 551, 553 (Record Review by Nathan Broder); Knoxville: Summer of 1915 (so- prano and orchestra); XXXIV, Jul ‘ 48, 328; XXXV, Apr ’ 49, 287; Melodies passageres, Op. 27, XXXVIII, Jul ‘ 52, 435−437; Piano Sonata, XXXVI, Apr ’ 50, 276−279; Prayers of Kierkegaard, Op. 30 (mixed chorus, soprano solo, orchestra), XLI, Apr ‘ 55, 227−228; A Stopwatch and an Ordnance Map (chorus), XXXIII, Jan ’ 47, 136; Suite from “ Medea,” XXXIV, Jul ‘ 48, 328; Symphony No. 2, XXXV, Apr ’ 49, 296 BARBOUR, J. Murray, articles by, “ Bach and The Art of Temperament,‘ XXXIII, Jan ’ 47, 64−89; ” Nierop' s Hackebort,“ XX, Jul ‘ 34, 312−319 book by, TUNING AND TEMPERAMENT, A HISTORICAL SURVEY, XXXVIII, Jul ’ 52, 451−457 (Book Review by David D. Boyden) book review by, (GENESIS OF A MUSIC, by Harry Partch), XXXVI, Jan ‘ 50, 131−135 Bardstown, Ky., XXI, Jan ’ 35, 20−21 BARLOW, Howard, XXVI, Jan ‘ 40, 110 BARNETT, Alice, XI, Jul ’ 25, 398−400 (Analytical review of songs: As I Came Down from Lebanon; At Twilight; A Caravan from China Comes; Chanson of the Bells of Oseney; The Cool of Night; Evening; In a Gondola; Mood; Nightingale Lane; On a Moonlit River; Serenade; Two Even-Songs.) BARNETT, John, XXXI, Apr ‘ 45, 148 BARNUM, P. T., XXIX, Apr ’ 43, 252 BARRERE, Georges, XV, Jul ‘ 29, 472; XVI, Oct ’ 30, 464; XXV, Apr ‘ 39, 132 article by, ” Expression Unconfined,“ XXX, Apr ’ 44, 192−197 Barrier, The (opera) (Jan Meyerowitz), XLI, Jul ‘ 55, 368−369 BARRY, Elizabeth Wendell, ” What Wagner Found in Schopenhauer' s Philosophy,“ XI, Jan ’ 25, 124−137 BARTHOLOMEW, Marshall and Susannah Wetmore, MOUNTAIN SONGS OF NORTH CAROLINA, XIV, Apr ‘ 28, 286 BARTIK, Otokar, XXIX, Jul ’ 43, 319 BARTLETT, Homer N., XVIII, Jan ‘ 32, 87 BARTOK, Bela, XXXII, Jan ’ 46, 131−136 (Editorial, by Paul Henry Ling), XXXVII, Apr ‘ 51, 241−243; XXXVIII, Apr ’ 52, 294−296; (See also: ”*Bela Bartok (1881−1945)“ and League of Composers) list of compositions, XXXII, Jan ‘ 46, 10−11 portrait, XXXII, Jan ’ 46, Opp. 1 music by, Concerto for Viola and Orchestra, XXXIX, Oct ‘ 53, 641−645 (Record Review by Henry Cowell); Dance Suite, XXXIX, Oct ‘ 53, 641−645 (Record Review by Henry Cowell); Deux Images, XXXIX, Oct ’ 53, 641645 (Record Review by Henry Cowell); Divertimento for Strings, XXXIX, Oct ‘ 53, 641−645 (Record Review by Henry Cowell); 44 Violin Duets, XXXIX, Oct ’ 53, 641−645 (Record Review by Henry Cowell); For Children; Improvisations, Op. 20, XLI, Apr ‘ 55, 262−263 (Record Review by Vincent Persichetti); Music for String Instruments, Percussion and Celesta, XXXV, Apr ’ 49, 291−292, 296301; Suite from the Miraculous Mandarin, XXXIX, Oct ‘ 53, 641−645 (Record Review by Henry Cowell); Two Portraits, XXXIX, Oct ’ 53, 641−645 (Record Review by Henry Cowell); Two Rhapsodies for Violin and Orchestra, XXXIX, Oct ‘ 53, 641−645 (Record Review by Henry Cowell); Village Scenes (League of Composers Commission), XXXIV, Jan ’ 48, 5 BARTOK, Peter, XXXIX, Oct ‘ 53, 641 BARZIN, Leon (as conductor, National Orchestra Association), XXXVII, Apr ’ 51, 250 BARZUN, Jacques, article by, “ The Mind of the Young Berlioz,” XXXV, Oct ‘ 49, 551−564 books by, BERLIOZ AND THE ROMANTIC CENTURY, XXXVI, Oct ’ 50, 610−613 (Book Review by Richard F. Goldman); NEW LETTERS OF BERLIOZ, 1830−1868, XL, Jul ‘ 54, 430434 (Book Review by Edward N. Waters); PLEASURES OF MUSIC (Barzun, ed.), XXXVIII, Apr ’ 52, 278284 (Book Review by Paul Henry Lang) book reviews by, (A BIBLIOGRAPHY OF THE MUSICAL AND LITERARY WORKS OF HECTOR BERLIOZ, Cecil 1803−1869, by Hopkinson), XXXVIII, Jan ‘ 52, 153−157; (THE LETTERS OF FRANZ LISZT TO MARIE ZU SAYNWITTGENSTEIN, trans. & ed. by Howard E. Hugo), XL, Jan ’ 54, 110−115 Battle Hymn of the Republic (origin of tune), XXXIII, Jan ‘ 47, 134 Battle of the Kegs (text) (Francis Hopkinson), XXXIV, Jan ’ 48, 86 Battle of the Wabash, XVIII, Jan ‘ 32, 153 Battle of Trenton (a “ military sonata’) (James Hewitt), XVII, Jan ‘ 31, 30−31 BAUER, Harold, VI, Jan ’ 20, 9; VI, Oct ‘ 20, 469−471; VII, Jan ’ 21, 33; VIII, Apr ‘ 22, 306; IX, Jan ’ 23, 154; XI, Apr ‘ 25, 308; XV, Jan ’ 29, 4; XXX, Apr 12 “* Introduction to Harold Bauer, An,” by Carl Engel, XXIX, Apr ‘ 43, 153−157) portraits, XXIX, Apr ’ 43, Opp. 153, Opp. 158, Opp. 159; XXXIII, Oct ‘ 47, Opp. '44, 203; XXXIV, Jan '48, 1; (See also: BECK, Sidney, XXXVIII, Oct '52, 533; XLII, Oct '56, 565 BECKER, John J., Concerto for Horn in schulte, Master of Counterpoint,“ XIV, Apr ‘ 28, 192−202 BECKWITH, John, XLII, Jan ’ 56, 114 BEEDE, Virginia Stears, ” Breton Folk Songs,“ XVI, Jan ‘ 30, 117−132 Beethoven Association (NYC), VIII, Apr ’ 22, 306; XI, Apr ‘ 25, 305; XIII, Apr ’ 27, 247, 294; XV, Jan ‘ 29, 4; XXX, Apr ’ 44, 203 Beethoven Society (Boston), XIII, Apr ‘ 27, 247 Beethoven Society (Portland, Me.), XIII, Apr ’ 27, 247 Beethoven Society (Providence, R. I.), XIII, Apr ‘ 27, 247 ” Beethoven D6buts in America“ (Richard G. Appel), XIII, Apr ’ 27, 217, 247 (See: Phonograph Monthly Review, I, Oct ‘ 26, 2−5) Before the Dawn, Op. 17 (Howard Hanson), XXII, Apr ’ 36, 141, 143 Beggar' s Opera, The (John Gay and John C. Pepusch), II, Jan ‘ 16, 68−69; III, Oct ’ 17, 559, 560; VI, Jan ‘ 20, 77, 78, 79; VII, Jan ’ 21, 114; VIII, Apr ‘ 22, 302−303; VIII, Jul ’ 22, 398, 400−401; XV, Jul ‘ 29, 425; XXIV, Jan ’ 38, 59; XXXI, Jan ‘ 45, 54, 59−62; (See also: Rubsamen, Walter, ” The Ballad Burlesques and Extravaganzas“) ” Beginnings of Beethoven in America“ (Otto Kinkeldey), XIII, Apr ’ 27, 217248 BEHYMER, Lynden Ellsworth, XXXIX, Oct ‘ 53, 632 BEISSEL, Conrad, XIV, Apr ’ 28, 301−305 BEKKER, Paul, XXIII, Apr ‘ 37, 245−247 articles by, ” Franz Liszt Reconsidered,“ XXVIII, Apr ’ 42, 186−189; ” Liszt and His Critics,“ XXII, Jul ‘ 36, 277−283; ” The Opera Walks New Paths,“ XXI, Jul ’ 35, 266−278 ” Bela Bart6k (1881−1945)“ (Otto Gombosi), XXXII, Jan ‘ 46, 1−11 BELLAMANN, Henry H., articles by, ”*Charles Ives: The Man and His Music,“ XIX, Jan ’ 33, 45−58; ”*Isidor Philipp,“ XXIX, Oct ‘ 43, 417−425; ” Notes on the New Aesthetic of Poetry and Music,“ IX, Apr ’ 23, 260−270; ” Of Notable Piano Concertos, Neglected and Otherwise,“ VII, Jul ‘ 21, 399−407; ” The Piano Works of C. V. Alkan,“ X, Apr ’ 24, 251−262 536 BECKER, John L., “*Wilhelm Middel- F, XXXIX, Jul '53, 426−429 articles by, “*Carl Engel,” XXX, Jul ‘ 44, 249−254; “ The Paris Conservatoire: Some Reminiscences,” XXXIII, Oct ’ 47, 533−542; “ Self-Portrait of the Artist as a Young Man,” XXIX, Apr ‘ 43, 153−168 BAUER, Marion, VII, Jul ’ 21, 307; XXI, Jan ‘ 35, 55; XXIV, Jan ’ 38, 18, 26, 29 (on modern art-song) music by, Four Poems, Op. 16, XI, Jul ‘ 25, 410; Roses Breathe in the Night, XI, Jul ’ 25, 410 articles by, “*Charles Griffes as I Remember Him,” XXIX, Jul ‘ 43, 355−380; “*Darius Milhaud,” XXVIII, Apr ’ 42, 139−159; “ The Literary Liszt,” XXIII, Jul ‘ 36, 295−313; “ Natural Law: Its Influence on Modern Music,” VI, Oct ’ 20, 469−477; “ The Primitive Art Instinct,” IX, Apr ‘ 23, 157−166 book by, TWENTIETH CENTURY MUSIC, XX, Jan ’ 34, 122 BAUER, Marion, and Reis, Claire R., “ Twenty-five Years with the League of Composers,” XXXIV, Jan ‘ 48, 1−14 BAY PSALM BOOK, XII, Apr ’ 26, 309; XV, Jan ‘ 29, 50; XVI, Apr ’ 30, 215 (See: “ Bay State Psalm-Book”) “ Bay State Psalm-Book” (BAY PSALM BOOK), XVI, Apr ‘ 30, 215 BAYOU BALLADS (Mina Monroe and Kurt Schindler), XIV, Apr ’ 28, 286 BEACH, Mrs. H. H. A., IX, Jan ‘ 23, 123; XVIII, Jan ’ 32, 100; XXXI, Jan ‘ 45, 104; (See also: “*Mrs. H. H. A. Beach”) list of compositions, XXVI, Jul ’ 40, 306310 portrait, XXVI, Jul ‘ 40, Opp. 298 music by, Ah, Love, but a Day, XI, Jul ’ 25, 386; Gaelic Symphony, XXIII, Jan ‘ 37, 41 BEACH, John, XXIV, Jan ’ 38, 19, 26−27 (on modern art-song) music by, Clark Street Bridge, XI, Jul ‘ 25, 412; Passers-By, XI, Jul ’ 25, 412 BEACH, Mrs. Susan G., XXI, Jan ‘ 35, 2122 Bear-Dance Song (Ute Indian song), XVII, Oct ’ 31, 474−475 BEAUDET, Jean-Marie, XLII, Jan ‘ 56, 113 Beauty of Earth (A. Walter Kramer), XI, Jul ’ 25, 403−404 BECHET, Sidney, XXVII, Jan ‘ 41, 53, 56 BECK, Johann H., XVIII, Jan ’ 32, 78 13 Belle dame sans merci, La (4 voices and chamber orchestra) (Wallingford Riegger), XXXVI, Jan ‘ 50, 43 Bend Low, 0 Dusky Night (Ernest R. Kroeger), XI, Jul ’ 25, 385 “ Benjamin Franklin and the Claveciniste Brillon de Jouy” (Lionel de la Laurencie), IX, Apr ‘ 23, 245−259 BENNETT, Robert Russell, music by, Concert Variations on a Crooner' s Theme for Violin and Orchestra, XLI, Jan ’ 55, 77; Hollywood (commissioned by League of Composers), XXXIV, Jan ‘ 48, 10; Sights and Sounds, XVIII, Jan ’ 32, 11 BENTEEN, F. D., XX, Jan ‘ 34, 80, 87, 88, 89, 91, 94, 95 Berea College (Ky.), III, Jul ’ 17, 364 BERGER, Arthur, XXXIV, Apr ‘ 48, 298 music by, Duo for Cello and Piano, XL, Jul ’ 54, 472, 475 (Record Review by Vincent Persichetti); Ideas of Order (orchestra), XXXIX, Jul ‘ 53, 429−432; Partita for Piano, XXXVIII, Jul ’ 52, 480−481 (Record Review by Irving Fine); Quartet in C Major for Woodwinds (1941), XL, Jul ‘ 54, 472, 475 (Record Review by Vincent Persichetti) article by, “*The Music of Aaron Copland,” XXXI, Oct ’ 45, 420−447. book by, AARON COPLAND, XL, Jan ‘ 54, 93−98 (Book Review by Lawrence Morton) current chronicle by, Waltham, Mass., XLI, Oct ’ 55, 517−520 record reviews by, (Britten: Serenade Op. 31, for Tenor, Horn, and String Orchestra. Boston Symphony Orchestra; David Lloyd, tenor; James Stagliano, horn. Folk Songs of the British Isles. Marsoprano; David guerite Willauer, Lloyd, tenor; Wolfgang Schanzer, piano), XL, Apr ‘ 54, 284−286; (Copland: Concerto for Clarinet and String Orchestra, with Harp and Piano. Benny Goodman, clarinet, Columbia String Orchestra, Aaron Copland, conductor. Quartet for Piano and Strings. New York Quartet, Old American Songs. William Warfield, baritone, Aaron Copland, Otto Herz, piano; Dougherty, arranger, Five Sea Chanties. William Warfield, baritone, Aaron Copland, Otto Herz, piano), XXXVIII, Oct ’ 52, 655−659; (Honnegger: Symphony No. 5; Roussel: Bacchus et Ariane; Ravel: Pavane for a Dead Princess. Boston Symphony Orchestra, Charles Munch, conductor), XL, Jul ‘ 54, 463−465; ((Stravinsky: The Rake' s 14 Progress. Metropolitan Opera Assoc.; Ralph Kirkpatrick, harpsichord; Stravinsky, conductor), XLI, Jul ‘ 55, 412414 BERGER, Jean, “ Notes on Some 17th Century Compositions for Trumpets and Strings in Bologna,” XXXVII, Jul ’ 51, 354−367 BERGH, Arthur, music by, The Congo (orchestra), XXXI, Jan ‘ 45, 115−116; The Raven, XXXI, Jan ’ 45, 114 BERGMANN, B., XVII, Jan ‘ 31, 25 BERGMANN, Carl, VI, Jan ’ 20, 85, 89; VI, Apr ‘ 20, 231, 246, 252; XVIII, Apr ’ 32, 329; XXIV, Apr ‘ 38, 216; XVII, Apr ’ 40, 148, 150; XXXVII, Apr ‘ 51, 186; XXXIX, Jan ’ 53, 87, 90 BERGSMA, William, music by, A Carol on Twelfth Night, XLI, Jan ‘ 55, 78; Symphony No. 1, XXXVI, Jul ’ 50, 447; The Wife of Martin Guerre (opera), XLII, Jul ‘ 56, 391−394 Berkshire (Mass.) Music Center, XXIX, Jul ’ 43, 345, 346 BERLIN, Irving, IX, Oct ‘ 23, 474; XV, Oct ’ 29, 565; XXXIV, Jan ‘ 48, 12 (See: League of Composers Commissions) “*Bernard Rogers” (David Diamond), XXXIII, Apr ’ 47, 207−227 “*Bernhard Ziehn, Precursor” (Winthrop Sargeant), XIX, Apr ‘ 33, 169−177 BERNSTEIN, Leonard, XXXIII, Jan ’ 47, 111; XXXV, Apr ‘ 49, 296; XXXVII, Jul ’ 51, 400; XXXIX, Apr ‘ 53, 307; XL, Oct ’ 54, 622 music by, Trouble in Tahiti, XXXIX, Jan ‘ 53, 94−98 BERNSTEIN, Martin, XXXVII, Oct ’ 51, 469 BESSARABOFF, Nicholas, HANDBOOK to the Galpin Collection of Musical Instruments, in the Museum of Fine Arts, Boston, Mass., XXVIII, Jul ‘ 42, 380 Best Years of Our Lives (film music), (Hugo Friedhofer), XXXIII, Oct ’ 47, 518−532 Bethlehem (Pa.), XVIII, Apr ‘ 32, 319−321, 327−328; (See also: “ Bach at Bethlehem, Pennsylvania”) BETHLEHEM [Pa.] BACH CHOIR, THE (Raymond Walters), XXVIII, Apr ’ 42, 177 Bethlehem (Pa.) Choral Union, XXI, Apr '35, 184 Bethlehem (Pa.), Music, XXVIII, Apr '42, 174−185 Bethlehem (Pa.) Music in the 18th Century, XXIII, Jul '37, 306−313 BIBLIOGRAPHY OF EARLY AMERICAN Bethlehem (Pa.) Philharmonic Society, XXI, Apr '35, 182 (See: Collegium Musicum) BETTI, Adolfo, XV, Jan '29, 9; XXIII, Oct '37, 417 (See: Flonzaley Quartet); XXIX, Jul '43, 372 '43, 84; Serenade for Strings, XXIX, Jan '43, 88; Serenade for Wind Instruments, XXIX, Jan '43, 85; Suite in E Major for Strings, XXIX, Jan '43, 88; Three Oriental Sketches for Organ, SONG, A, by Oscar George Sonneck. Revised and enlarged by William 34 (flute and orchestra), XXIX, Jan Treat Upton, XXXI, Oct ‘ 45, 536−538 ’ 43, 89 (Book Review by John Tasker How- BIRD, Joseph, GLEANINGS FROM A HISTORY OF MUSIC, XXIX, Jan ard) BIBLIOGRAPHY OF EARLY SECULAR ‘ 43, 78 AMERICAN MUSIC, A (Oscar George BIRDSEYE, George W., XXI, Jan ’ 35, 17 Birth of a Nation, The (See: “ Music and Sonneck), XXXI, Oct ‘ 45, 536−537 BIBLIOGRAPHY OF JEWISH MUSIC the Movies”) (Alfred Sendrey), XXXVII, Jul ’ 51, Birthday of the Infanta (John Alden Car432−435 (Book Review by Milton penter), IX, Jan ‘ 23, 125; XVI, Oct ’ 30, 446, 452, 462−463 Feist) Big Parade, The (See: “ Music and the BISPHAM, David, I, Oct ‘ 15, 623−624; III, Movies”) Jul ’ 17, 376; IV, Jan ‘ 18, 25; XI, Jul BILLINGS, William, XIII, Apr ’ 27, 236; ‘ 25, 324 XVI, Apr ’ 30, 217, 223, 228; XIX, Oct BLACHER, Boris, Opus 45, Studie im ‘ 33, 399; XXI, Apr ’ 35, 199, 203−204; Pianissimo, XLI, Jan ‘ 55, 78 XXX, Jan ’ 44, 50; XXXI, Jan ‘ 45, 25; Black Bess (Gustav Strube), XXVIII, Jul XLII, Jul ’ 56, 360 ‘ 42, 294 books by, CONTINENTAL HARMONY, BLAKE, G. E. (Philadelphia music pubXVI, Apr ’ 30, 221−222; XXV, Oct ‘ 39, lisher), XVIII, Jan ’ 32, 153, 332 482, 484, 495−497; MUSIC IN MINIABLISS, Arthur, XXXIV, Jan ‘ 48, 3 TURE, XXV, Oct ’ 39, 482, 484; NEW music by, Ballads of the Four Seasons, ENGLAND PSALM SINGER or XI, Apr ‘ 25, 306 AMERICAN CHORISTER, XVI, Apr BLISS, Philip P., XXVI, Jul ’ 40, 356, 357, ‘ 30, 221; XXIV, Apr ’ 38, 211; XXV, 359, 360, 363 Oct ‘ 39, 482; XXVI, Oct ’ 40, 492; BLITZSTEIN, Marc, XVIII, Jan ‘ 32, 13; PSALM SINGER' S AMUSEMENT, XXVII, Apr ’ 41, 162; XXXIX, Jan ‘ 53, THE, XVI, Apr ’ 30, 228; XXV, Oct 94, 155; XXXV, Jan ‘ 49, 116 (see: ’ 39, 482; SINGING MASTER' S ASSISVirgil Thomson, Spanish Earth) TANT, THE, XVI, Apr ‘ 30, 228; XXV, list of compositions written during mili Oct ’ 39, 482; SUFFOLK HARMONY, tary service, XXXI, Apr ‘ 45, 148 XVI, Apr ’ 30, 228; XXV, Oct ‘ 39, 482 music by, The Cradel Will Rock, and Holden Society (Boston), Billings XXXIX, Jan ’ 53, 94−95; The Guests XIII, Apr ‘ 27, 233 (ballet), XXXV, Apr ’ 49, 293−295; The Billy the Kid (Aaron Copland), XXV, Jul Harpies (one-act opera, commissioned ‘ 39, 372, 373−374; XXXIV, Jan ’ 48, 8; by League of Composers), XXXIV, XL, Oct ‘ 54, 622−623 (Record Review Jan ’ 48, 10; Regina (opera), XXXIX, by Irving Fine) Jan ‘ 53, 95 BINDER, A. W., record review (Bloch: articles by, “ The Phenomenon of Stra” Israel.“ Vienna State Opera Symphony vinsky,” XXI, Jul ’ 35, 330−347; Orchestraand soloists of the Akademie “ Towardsa New Form,” XX, Apr ‘ 34, Choir, Franz Litschauer, conductor), 213−218 XXXVIII, Oct ’ 52, 647−651 record reviews by, (Copland: Music for BINGHAM, Seth, XXXII, Apr ‘ 46, 292 the Theatre. MGM Orchestra, Izler BIOGRAPHY OF GOSPEL SONG AND Solomon, conductor), XL, Jul ’ 54, HYMN WRITERS (J. H. Hall), 454−456; (Weill: from The ThreeXXVI, Jul ‘ 40, 364 penny Opera. MGM Orchestra, Izler BIRD, Arthur, XVIII, Jan ’ 32, 84, 91; (See Solomon, conductor), XL, Jul ‘ 54, 454456 also: “’ Arthur Bird, American”) list of compositions, XXIX, Jan ‘ 43, 89, BLOCH, Ernest, VII, Jan ’ 21, 20−38 (See: 90 Gatti, Guido M., “ Ernest Bloch‘); portraits, XXIX, Jan ’ 43, Opp. 78 VIII, Oct ‘ 22, 551, 616; IX, Jan ’ 23, music by, Daphne (opera), XXIX, Jan 124; X, Jan ‘ 24, 154; XI, Jul ’ 25, 386; 15 for Orchestra, XXIX, Jan '43, 87; Variations on an American Folksong, Op. XIV, Jan '28, 143−144; Two Episodes XV, Oct ‘ 29, 569; XVI, Jul ’ 30, 402; XVII, Jan ‘ 31, 69; XX, Apr ’ 34, 214; XXXII, Apr ‘ 46, 209; XXXIII, Apr ’ 47, 209, 211; XXXIV, Jan ‘ 48, 13; XXXV, Jan ’ 49, 2; XL, Apr ‘ 54, 235242; (See also: “*The Later Works of Ernest Bloch”) portrait, VII, Jan ’ 21, Opp. 20 music by, America (symphony), XVIII, Jan ‘ 32, 12, 183; Concerto for Violin and Orchestra, XL, Jan ’ 54, 121−122 (Record Review by Vincent Persichetti); Concerto Grosso, XIV, Jan ‘ 28, 13; XXXIII, Jul ’ 47, 316; Concerto Grosso No. 2, XL, Apr ‘ 54, 240−242; Enfantines (for piano), XI, Apr ’ 25, 307; Five Sketches in Sepia (piano), XI, Apr ‘ 25, 308; Four Episodes (chamber orchestra), XXXIII, Jul ’ 47, 319; XLII, Oct ‘ 56, 556−557 (Record Review by Richard Franko Goldman); Helvetia, the Land of Mountains and its People (orchestra), XXXI, Oct ’ 45, 418 (See: King, A. Hyatt); In the Mountains (string quartet), XXXI, Oct ‘ 45, 417 (See: King, A. Hyatt); Israel (orchestra and solo voices), XI, Apr ’ 25, 308; Macbeth (opera), XII, Jan ‘ 26, 28−31; Melodie, XI, Apr ’ 25, 307; Poemes d' Augomne, XI, Jul ‘ 25, 408; Poems of the Sea, XL, Jul ’ 54, 435 (Record Review by Vincent Persichetti); Psalm 114, XI, Jul ‘ 25, 408; Psalm 137, XI, Jul ’ 25, 408; Psalm 22, XI, Jul ‘ 25, 408; Quintet (for piano and strings), XI, Apr ’ 25, 308; Piano Quintet, XXXIV, Jan ‘ 48, 1; Salut d' amour, XI, Apr ’ 25, 307; Scherzo Fantasque (piano and orchestra), XXXVII, Apr ‘ 51, 243−245; Sinfonia Breve, XL, Apr ’ 54, 237−240; Sonata for Violin, IX, Jan ‘ 23, 150; Suite for Viola and Piano, IX, Jan ’ 23, 125; XXX, Jan ‘ 44, 69; Symphony in Csharp Minor, XXXIII, Jul ’ 47, 313; Symphony “ Israel,” XXXVIII, Oct ‘ 52, 647−651 (Record Review by A. W. Binder); Voice in the Wilderness, XXXIII, Jan ’ 47, 136 article by, “ Man and Music,” XIX, Oct ‘ 33, 374−381 BLOOM, Julius, editor, THE YEAR IN AMERICAN MUSIC, 1946−1947, XXXIV, Apr ’ 48, 297−299 (Book Review by Francis D. Perkins) Blue Voyage (piano) (Wallingford Riegger), XXXVI, Jan ‘ 50, 44 Blues (William Grant Still) (Record Review by Irving Fine), XXXVIII, Jul ’ 52, 483 Boatman' s Dance, The (banjo tune), XLII, Oct ‘ 56, 457 BODANZKY, Artur, VII, Jan ’ 21, 33; XII, Apr ‘ 26, 160; XXX, Apr ’ 44, 203 BOEPPLE, Paul, XXXVIII, Jul ‘ 52, 438; XXXVIII, Oct ’ 52, 663 (as conductor) BOGGS, Winthrop S., “ Music and Stamps,” XXIV, Jan ‘ 38, 1−10 BOGUSLAWSKI, Moissaye, XXX, Oct ’ 44, 416 Bohemian Club (S. F., Calif.), I, Apr ‘ 15, 176−177 Bohemians (New York Musicians' Club), XV, Jan ’ 29, 4 BOISE, O. B., XVIII, Jan ‘ 32, 90 BOLM, Adolf, XVI, Oct ’ 30, 464 BOMHARD, Moritz, XLII, Jan ‘ 56, 85, 86 BOND, Carrie Jacobs, VII, Jul ’ 21, 305 Bonne Chanson, La (See: Avant que tu ne T' en ailles) BONVIN, Ludwig, articles by, “ The ‘ Measure’ in Gregorian Music,” XV, Jan ‘ 29, 16−28; “ On Syrian Liturgical Chant,” IV, Oct ’ 18, 593−603 BOOK OF AMERICAN NEGRO SPIRITUALS, THE (James Weldon Johnson, Ed.), XII, Apr ‘ 26, 308 Boosey & Hawkes, XXXIV, Jan ’ 48 (See: League of Composers commissions) BORNSCHEIN, Franz, Merrymount (opera), XXXI, Jan ‘ 45, 109−110 BOROWSKI, Felix, VII, Jul ’ 21, 311; XXVII, Apr ‘ 41, 123 music by, The Mirror, XLI, Jan ’ 55, 79 article by, “*John Alden Carpenter,” XVI, Oct ‘ 30, 449 Boston Academy of Music, XIII, Apr ’ 27, 232, 241, 242, 243; XXXII, Jan ‘ 46, 74, 75; XLII, Jul ’ 56, 361, 363 Boston Atlas, XXI, Jan ‘ 35, 74, 75 Boston Chamber Orchestra, XIX, Jan ’ 33, 51 Boston City Band, XXVIII, Jul ‘ 42, 294 Boston Evening Post, XXI, Apr ’ 35, 199 Boston Evening Transcript, X, Jul ‘ 24, 439 BOSTON HANDEL AND HAYDN SOCIETY COLLECTION OF SACRED MUSIC (1822), (Lowell Mason), XIII, Apr ’ 27, 235−237 Boston Herald, IV, Jan ‘ 18, 24 Boston Home Journal, XXXI, Apr ’ 45, 173 Boston Music Company, XXIX, Apr ‘ 43, 154 Boston Music Hall, XXXVI, Apr ’ 50, 161 Boston Musical Gazette, The, XXVI, Apr ‘ 40, 157, 160−161 Boston News Letter, XIX, Jan ’ 33, 9 Boston “ Pops” Orchestra, XXVIII, Jul ‘ 42, 293; XXXIX, Apr ’ 53, 307 16 Boston Public Library, III, Jul ‘ 17, 448 (Allen A. Brown Music Collection) Boston Symphony Orchestra, I, Jan ’ 15, 22−34; III, Jan ‘ 17, 74; IV, Jan ’ 18, 24, 59; VI, Apr ‘ 20, 232; X, Apr ’ 24, 297; X, Jul ‘ 24, 451; XI, Jul 25, 314, 318, 319, 320, 321, 323, 324, 327; XVI, Jan ’ 30, 26; XXI, Jan ‘ 35, 41, 43, 45, 73; XXIII, Jan ’ 37, 42; XXVI, Jul ‘ 40, 299; XXVIII, Jul ’ 42, 293; XXIX, Apr ‘ 43, 167; XXX, Apr ’ 44, 202, 255; XXXI, Apr ‘ 45, 163; XXXII, Jul ’ 46, 356; XXXVII, Apr ‘ 51, 241, 248; XXXVIII, Jan ’ 52, 119; XLII, Oct ‘ 56, 530 (75th season commission); (See also: “ Koussevitzky and the American Composer” a supplementary list of American repertory [See also: XXX, Jul ’ 44, 255], XXXV, Apr ‘ 49, 286−287) Boston Symphony Orchestra and Its Conductors, XXVIII, Oct ’ 42, 489 Boston Orchestra Program Symphony Books, X, Jan ‘ 24, 155 Boston Transcript, IV, Jan ’ 18, 24; VI, Jan ‘ 20, 25; XIII, Apr ’ 27, 220 Boston Weekly News Letter, VII, Oct ‘ 21, 540 “ Bostonian Remembers, A” (A r t h u r Foote), XXIII, Jan ’ 37, 37−44 BOTKIN, B. A., A TREASURY OF AMERICAN FOLKLORE, XXX, Oct ‘ 44, 496−498; A TREASURY OF SOUTHERN FOLKLORE, XLII, Oct ’ 56, 467 BOWEN, Ruth Halle, EARLY CHAMBER MUSIC, XXXV, Oct ‘ 49, 638−640 (Book Review by George S. Dickinson) BOWLES, Paul Frederic, XXIV, Jan ’ 38, 13 (on moder art-song); XXVII, Apr ‘ 41, 162−163; XXVI, Jan ’ 40, 106 music by, Music for a Farce, XXXVIII, Oct ‘ 52, 597; XL, Jul ’ 54, 472, 474475 (Record Review by Vincent Persichetti); Scenes d' Anabase (1932), XL, Jul ‘ 54, 472, 475 (Record Review by Vincent Persichetti) BOWMAN, Edward M., XVIII, Jan ’ 32, 79 BOWMAN, Euday L., XLII, Oct ‘ 56, 469 BOYD, Charles N., XXVI, Apr ’ 40, 168 BOYD, Charles N., with Waldo Selden SUPPLEMENT Pratt, AMERICAN TO GROVE' S DICTIONARY, XXVI, Apr ‘ 40, 170 BOYD, Morrison Comegys, XLI, Apr ’ 55, 208, 209 BOYDEN, David D., XXXVIII, Oct ‘ 52, 533 articles by, “ Ariosti' s Lessons for Viola D' Amore,” XXXII, Oct ’ 46, 545−563; 17 “*In Memoriam: Manfred F. Bukofzer (1910−1955),” XLII, Jul ‘ 56, 291−301; “ The Violin and Its Technique in the 18th Century,” XXXVI, Jan ’ 50, 9−38 book by, (editor and author of an Introduction to THE ART OF PLAYING ON THE VIOLIN, by Francesco Geminiani), XXXIX, Apr ‘ 53, 302−304 book reviews by, (A TREATISE ON THE PRINCIPLES OF FUNDAMENTAL VIOLIN PLAYING, by Leopold Mozart), XXXV, Jan ’ 49, 147−151; (TUNING AND TEMPERAMENT. A Historical Survey, by J. Murray Barbour), XXXVIII, Jul ‘ 52, 451−457 review of music (Scarlatti, D.: SIXTY SONATAS), XL, Apr ’ 54, 260−266 current chronicle, England, XLI, Apr ‘ 55, 238−241 record reviews by, (Boccherini: Quartet in A Major, Op. 33, No. 6; Vivaldi: Quartet in A Minor, Op. 3, No. 8. York String Quartet), XXXIX, Jul ’ 53, 479−481; (Corelli: The Twelve Concerti Grossi: Op. 6 Complete. The Corelli Tri-Centenary String Orchestra, Dean Eckertsen, conductor), XXXIX, Jul ‘ 53, 483−487; (Gibbons: Two Fantasies; Locke: Consort of Ffowre Parts (No. 6); Purcell: Pavan and Chacony. The New Music String Quartet), XXXIX, Jul ’ 53, 488−490; (Handel: Julius Caesar [Giulio Cesare]. Opera in three acts. Paul Sandoz baritone; Sylvia Gahwiller, soprano; Maria Helbling, contralto; Siegfried Tappolet, bass-baritone; Friedrich Briickner-Riiggeberg and Rolf Sander, tenors; Franz Kelch, bass; Margaret Witte Waldbauer, alto. Chorus and orchestra of the Handel Society, Walter Goehr, conductor), XXXIX, Oct ‘ 53, 648−653; (Marais: Suite No. 4 in A Minor; Prelude in D Minor; Suite No. 5 in A Major. Eva Heinetz, viola da gamba; Ernst Victor Wolff, harpsichord), XL, Jan ’ 54, 136−138; (Richter, F. X.: String Quartet in C Major, Op. 5, No. 1; Stamitz, K.: String Quartet in A Major, Op. 14, No. 6. New Music String Quartet), XL, Jan ‘ 54, 150−152; (Scarlatti, A.: Concerto No. 6 in F for Strings. Tartini: Concerto in E for Violin and Strings. Luigi Ferro, violinist. Vivaldi [?]: Concerto in G for ’ Cello, Strings, and Cembalo from a J. S. Bach transcription for organ. Massimo Amfiteatrof, ‘ cellist. [Tomaso] Albinoni: Sonata in G Minor, Op. 2, No. 6 [Op. 2, No. 11] for Strings. Virtuosi di Roma, Renato Fasano, conduc- Jan ‘ 53, 149−150; tor), XXXIX, (Tartini: Sonatas for Violin and Harpsichord in G Minor, A Minor, B Minor and D Major. Peter Rybar, violinist; Franz Holletschek, harpsichord), XXXIX, Jan ’ 53, 151−153; (Vivaldi: Concertos in A, G Minor, and G“ alla Rustica”–for Strings and Cembalo. Concerto in D Minor-No. 3-for Viola d' Amore, Strings, and Cembalo. Renzo Sabatini, viola d' amore. Virtuosi di Roma, Renato Fasano, conductor), XXXIX, Apr ‘ 53, 342−343 BOYLE, George F., A Spirit Haunts the Year' s Last Hours, XI, Jul ’ 25, 409 BOYLE, George W., VII, Jul ‘ 21, 401 Boylston Club (Boston), XLI, Jan ’ 55, 24 BRADBURY, William B., XVI, Apr ‘ 30, 224; XXVI, Jul ’ 40, 355, 359, 361 portrait, XXXII, Apr ‘ 46, Opp. 266 BRADBURY, William B. (with Thomas Hastings), MENDELSSOHN COLLECTION, XXXII, Apr ’ 46, 274 BRADLEE, C. (publisher), XIII, Apr ‘ 27, 246 BRAILOWSKY, Alexander, XXX, Apr ’ 44, 203 BRANT, Henry D., music by, Antiphony No. 1, XI, Jul ‘ 54, 397−401 (Review by Henry Cowell); Ceremony, XL, Jul ’ 54, 397−401 (Review by Henry Cowell); Millennium No. 2, XL, Jul ‘ 54, 397−401 (Review by Henry Cowell) Brattle Street Church (Boston), XXVIII, Apr ’ 42, 177 BRAUNSTEIN, Joseph, record reviews, (Bruckner: Symphony No. 9 in D Minor. Pro Music Symphony, Vienna; Jascha Horenstein, conductor), XL, Apr ‘ 54, 286−289; (Rossini: William Tell. Giuseppe Taddei, baritone; Mario Filippeschi, tenor; Giorgio Tossi, Fernando Corena, basses; Rosanna Carteri, soprano, and others; Orchestra and Chorus of Radio Italiana, Turin; Mario Rossi, conductor), XXXVIII, Oct ’ 52, 667−671 BREIL, William Carl, XXVII, Apr ‘ 41, 146 BREMNER, James, XXXVI, Oct ’ 50, 521522 BRENNECKE, Ernest, Jr., articles by, “ The Amenities of Duet-Playing,” XII, Oct ‘ 26, 534−554; “ The Country Cryes of Richard Deering,” XLII, Jul ’ 56, 366−376; “ The Two Reger-Legends,” VIII, Jul ‘ 22, 384−396 book reviews by (CUPID AND DEATH, by Matthew Locke and Christopher Gibbons, edited by Edward J. Dent; COMUS, by Milton, Dalton and Arne, edited by Julian Herbage. Musica Britanica, Vols. 2 and 3), XXXVIII, Oct ‘ 52, 621−625 BREWER, John Hyatt, XXXII, Apr ’ 46, 290 BRICKEN, Carl, XXIV, Jan ‘ 38, 26, 29 (on modern art-song) music by, Daniel Boone: Legend for Orchestra, XLI, Jan ’ 55, 77 Brigham Young University, Music Department (Provo, Utah), XXXIX, Oct ‘ 53, 631 BRINDLE, Reginald Smith, book review, (ESPRESSIONISMO E DODECAFONIA, by Luigi Rognoni), XLII, Jul ’ 56, 397−398 Bring from the Craggy Haunts of Birch and Pine (Henry F. Gilbert), XI, Jul ‘ 25, 386 Bring Her Again to Me (Wintter Watts), XI, Jul ’ 25, 391 BRISTOW, George F., XXXIX, Jan ‘ 53, 80 music by, Rip Van Winkle (opera), VI, Apr ’ 20, 249−250; XVIII, Jan ‘ 32, 7, 77; XXIV, Apr ’ 38, 215 Broadcast Music, Inc., (See: League of Composers Commissions), XXXIV, Jan ‘ 48, 12 Broadway Theatre (NYC), XIII, Apr ’ 27, 238 BROCKWAY, Howard, XI, Jul ‘ 25, 386 music by, An Answer, XI, Jul ’ 25, 415; Kentucky Mountain Songs (A collection), XI, Jul ‘ 25, 414; Lonesome Tunes (A collection), XI, Jul ’ 25, 414 BROCKWAY, Howard, and Wyman, Lorain, FOLKSONGS FROM THE KENTUCKY MOUNTAINS, XIV, Apr ‘ 28, 286; LONESOME TUNES, XIV, Apr ’ 28, 286 BROCKWAY, Wallace, and Weinstock, Herbert, THE OPERA: A HISTORY OF ITS CREATION AND PERFORMANCE, 1600−1941, XXVIII, Apr ‘ 42, 253−254 BRODER, Nathan (Associate Editor, The Musical Quarterly), XXXV, Apr ’ 49, 286; XXXIII, Apr ‘ 47, Opp. 184 (Letter from Arturo Toscanini) articles by, “ American Music and American Orchestras,” XXVIII, Oct ’ 42, 488493; “ The First Guide to Mozart,” XLII, Apr ‘ 56, 223−229; “ Mozart and the ’ Clavier‘,” XXVII, Oct ’ 41, 422−432; “ The Music of Samuel Barber,” XXXIV, Jul ‘ 48, 325−335; “ The Music of William Schuman,” XXXI, Jan ’ 45, 17−28; “ The Wind Instruments in Mozart' s Symphonies,” XIX, Jul ‘ 33, 238−259 18 books by, MOZART: SONATAS AND FANTASIES FOR THE PIANO (Bro- Bales, conductor), XXXVIII, Jul '52, 489−492; (Ruggles: Lilacs; Portals; Evocations. Cowell: Toccata. Thomson: String Quartet No. 2; Schuman: Voyage. Haieff: String Quartet No. 1. Barber: Hermit Songs. Persichetti: Concerto for Piano-Four Hands, Op. 56. Creston: Sonata for Saxophone and Piano, Op. 19. Glanville-Hicks: Sonata for Piano and Percussion [1952]; Concertino da Camera. Lopatnikoff: Variations and Epilogue for 'Cello and Piano. Yardumian: Armenian Suite; Desolate City; Concerto for Violin and Orchestra; Psalm No. 130. Schuman: Symphony No. 6. Piston: Symphony No. 4. Hill: Prelude for Orchestra. Lopatnikoff: Concertino for Orchestra, Op. 30. Dallapiccola: Tartiniana fortion and Dance, Op. 68; Ibert: A Louisville Concerto. Cowell: Symphony No. 11), XLI, Oct '55, 551−553 book der, ed.), XLII, Apr '56, 252−256 (Book Review by Siegmund Levarie); SAMUEL BARBER, XLI, Jan '55, 105−106 (Book Review by Alfred Frankenstein) reviews BUCH, 4 vols.), XLII, Apr '56, 256260; (MUSIC SINCE 1900, by Nicolas by, (MOZART-JAHR- Slonimsky), XXXVI, Jul '50, 463−464; Tasker Howard, revised edition), XXXIII, Jan '47, 135−136; (OUR MUSICAL HERITAGE, (OUR AMERICAN MUSIC, by John Sachs), XXXV, Apr (STRUCTURAL '49, 329−330; Tonal by Curt HEARING. Coherence in Music, by Felix Salzer. 2 Vols.), XXXIX, Jan '53, 126−129; (W. A. MOZART. GESAMTKATALOG SEINER WERKE. “ KOCHELVERZEICHNIS,” Neubearbeitet und Violin and Orchestra. Creston: Invoca- herausgegebenvon Karl Franz Muller), XXXIX, Apr ‘ 53, 304−306 BRODSKY, Adolph, XXVIII, Jul ’ 42, 294 current chronicles by, (New York), BROECKHOVEN, J. A., XVIII, Jan ‘ 32, 92 XXXVI, Apr ’ 50, 276−282; XLI, Apr ‘ 55, 227−228 BROEKMAN, David (conductor), XXXIX, record reviews by, (Mozart:Divertimento Jul ’ 53, 426; XL, Jul ‘ 54, 398 in B-flat Major, K. 287, and DivertiBRONSKY, Vita, XXXVIII, Apr ’ 52, 306 mento in D Major, K. 334; Le Nozze BRONSON, Lieut. Col. Howard C., XXXI, di Figaro. Litaniae Laurentanae in D, Apr ‘ 45, 141 (See: “ Music for the K. 195; Litaniae de Venerabili Altaris Armed Services”) Sacramento in E-flat, K. 243. Cosi fan BROOKE, Mrs. Robert E., XXI, Jan ’ 35, tutte. Motets: Offertory, Misericordias 18, 21 Domini, K. 222; Gradual, Sancta Brooklyn Academy of Music, II, Oct ‘ 16, 623 Maria, K. 273; Lacrymosa, K. Anh. 21; Jubilate, K. 117; Benedicite Angeli, K. BROOKS, Catherine V., XXXVII, Oct ’ 51, 517 342; Offertory, Alma Dei Creatoris, K. 277; Regina Coeli, K. 276. Don Gio- BROOKS, Henry M., OLDEN TIME XLII, vanni), ‘ 56, 266−270; MUSIC, XIII, Apr ’ 27, 236 Apr (Mozart: Four Horn Concertos, K. 412, BROTT, A., Violin Concertino, XL, Jan 417, 447, 495. Dennis Brain, horn; Phil' 54, 60−61 harmonia Orchestra, Herbert von Kar- BROWN, Allen A., III, Jul ‘ 17, 448 (See: Boston Public Library); XXX, Jan ’ 44, ajan, conductor. Mozart:Four Adagios and Fugues for String Trio, K. 404a. 64 (See: Allen A. Brown Collection) Pasquier Trio), XLI, Apr ‘ 55, 270−271; BROWN, Calvin S., Jr., articles by, “ The Musical Structure of De Quincey' s (Mozart: Violin Concertos, in B-flat, K. 207; in D, K. 211; Aida Stucki, Dream-Fugue,” XXIV, Jul ’ 38, 341350; “ The Poetic Use of Musical violinist, Jon-Studio Orchestra, Stutt Forms,” XXX, Jan ‘ 44, 87−101 gart, Gustav Lund, conductor. Mozart: Piano Concertos, in B-flat, K. 238, in BROWN, Lawrence, XII, Apr ’ 26, 308 C, K. 246; Artur Balsam, pianist, Win- BROWN, Maurice J. E., “ Schubert' s Winterthur Symphony Orchestra, Walter terreise, Part I,” XXXIX, Apr ‘ 53, 215Goehr, conductor. Mozart: Concertos 222 for Two Pianos, in F, K. 242, in E-flat, BROWN, Theron (with Hezekiah ButterK. 365; Paul Badura-Skoda, Reine THE STORY OF THE worth), HYMNS AND TUNES, XXVI, Jul ’ 40, Gianoli, pianists, Vienna State Opera 364 Orchestra, Hermann Scherchen, conductor. Mozart: Piano Concerto in D, BROWN, William (“ Mr. Braun”), XXX, K. 451. Jeannette Haien, pianist, Na Jan ‘ 44, 67−68, 70−73 tional Gallery Orchestra, Richard music by, Three Rondos for the Piano 19 Forte or Harpischord, XXX, Jan ‘ 44, 67 Brown University (Providence, R.I.), XXX, Jan 44’ 52 BRUNCKEN, Ernest, “ The Philosophy of Copyright,” II, Jul ‘ 16, 477−496 BRUNSWICK, Mark, articles by, “ Beethoven' s Tribute to Mozart in Fidelio,” XXXI, Jan ’ 45, 29−32; “ Tonality and Perspective,” XXIX, Oct 43, 426−437 Bruton Church Music (Williamsburg, Va.), XXXIV, Jul ‘ 48, 358, 363 BRYANT, Dan, XXIX, Apr ’ 43, 243−253; (See: Bryant' s Minstrels) Bryant' s Minstrels, VI, Apr 20, 256; XXIX, Apr ‘ 43, 243−253; XXXV, Jan ’ 49, 60−84 BUCHANAN, Mrs. Ann Eliza Foster, XXI, Jan ‘ 35, 18, 19, 21, 23 BUCHANAN, Charles L., “ Omstein and Modem Music,” IV, Apr ’ 18, 174−183 BUCK, Dudley, X, Jul ‘ 24, 443; XI, Jul ’ 25, 375; XVIII, Jan ‘ 32, 78, 80, 81, 89; XXXVII, Apr ’ 51, 186 music by, Centennial Meditation of Columbia, a cantata (with Sidney Lanier), XI, Jul ‘ 25, 382; XX, Oct ’ 34, 394; XXXVII, Apr ‘ 51, 195; Centennial Ode, XVIII, Jan ’ 32, 181; Voyage of Columbus, VI, Apr ‘ 20, 234; XXXI, Jan ’ 45, 110; Overture, XXI, Jan ‘ 35, 86 Buckeye Blacksmith (Thomas Carr), XVIII, Jan ’ 32, 155 BUEBENDORF, Francis, list of compositions written during military service, XXXI, Apr ‘ 45, 148 BUCKLEY, James, Buckley' s New Banjo Book (1860), XLII, Oct ’ 56, 455 Buckley' s New Banjo Book (1860) (James Buckley), XLII, Oct ‘ 56, 455 “ Buckwheat” notes, XVI, Apr 30, 175 “ Buckwheat Notes” (George Pullen Jackson), XIX, Oct ’ 33, 393−400 Bugle calls (U.S. Navy), XXXIII, Jul ‘ 47, 381−382 BURTON, Frederick R., XVIII, Jan ’ 32, 102 music by, Hiawatha (incidental music), XXXI, Jan ‘ 45, 105−106 BUKOFZER, Ilse, XLII, Jul ’ 56, 291, 292, 296, 297 BUKOFZER, Manfred F., XXXI, Jan ‘ 45, 33, 34, 41, 42; XXXI, Apr ’ 45, 240, 266; XXXV, Apr ‘ 49, 244; XXXV, Oct ’ 49, 522; XXXVII, Oct ‘ 51, 528; XXXVIII, Jan ’ 52, 86; XXXVIII, Apr ‘ 52, 203; XXXVIII, Oct ’ 52, 533; XXXIX, Oct ‘ 53, 549; XL, Apr ’ 54, 268; XLI, Oct ‘ 55, 546; XLII, Oct ’ 56, 547; XLII, Jul ‘ 56, 291−301 (“ In Memoriam”) 20 bibliography, XLII, Jul ‘ 56, 297−301 articles by, “ Fauxbourdon Revisited,” XXXVIII, Jan ’ 52, 22−47; “*John Dunstable: A Quincentenary Report,” XL, Jan ‘ 54, 29−49; “ The Music of the Old Hall Manuscript,” XXXIV, Oct ’ 48, 512−532 (Part I); XXXV, Jan ‘ 49, 36−59 (Part II); “ A Newly Discovered 15th-Century Manuscript of the English Chapel Royal (Part II),” XXXIII, Jan ’ 47, 38−51 (For an earlier discussion see XXXII, Oct ‘ 46, 509−527); “ Popular Polyphony in the Middle Ages,” XXVI, Jan ’ 40, 31−49; “ An Unknown Chansonnier of the 15th Century,” XXVIII, Jan ‘ 42, 14−49 books by, Introduction to GIOVANNI COPERARIO: RULES HOW TO COMPOSE, XXXIX, Jan ’ 53, 130−131 (Book Review by Paul Henry Lang); MUSIC IN THE BAROQUE ERA, XXXIV, Jul ‘ 48, 435−439 (Book Review by George S. Dickinson); STUDIES IN MEDIEVAL AND RENAISSANCE MUSIC, XXXVII, Jan ’ 51, 103−111 (Book Review by Charles Warren Fox) book reviews by, (LE BAROQUE ET LA MUSIQUE, by Suzanne Clerex), XXXV, Oct ‘ 49, 652−655; (MONUMENTA LITURGIAE POLYCHORALIS, Ed. by Lawrence Feininger), XLI, Oct ’ 55, 528−532; (MONUMENTA POLYPHONIAE LITURGICAE, Series I, Vol. I; Series II, Vol. 1; and DOCUMENTA POLYPHONIAE LITURGICAE, Series I, Nos. 1−2. Ed. by Lawrence Feininger), XXXV, Apr ‘ 49, 334340; (MONUMENTA POLYPHONIAE LITURGICAE, Series I, Vol. I, fasc. 4−10. Ed. by Laurence Feininger), XXXVI, Apr ’ 50, 307−309; (THE NOTATION OF POLYPHONIC MUSIC, by Willi Apel), XXX, Jan ‘ 44, 112−118 BURCHENAL, Elizabeth, XVII, Oct ’ 31, 464 BURDETT, John L., XVIII, Jan ‘ 32, 89, 104 Bureau of American Anthropology (Smithsonian Institution), XIII, Oct ’ 27, 556 BURK, John N., articles by, “ The Fetish of Virtuosity,” IV, Apr ‘ 18, 282−292; “*William Gericke: A Centennial Restrospect,” XXXI, Apr ’ 45, 163−187 BURKAT, Leonard, current chronicles by, (Boston), XXXIV, Apr ‘ 48, 249−252; XXXV, Apr ’ 49, 282−289; XXXVI, Apr ‘ 50, 259−268; XXXVI, Jul ’ 50, 441−443; XXXVII, Apr ‘ 51, 241−243; XXXVIII, Jan ’ 52, 118−123; (New York), XXXIX, Jan ‘ 53, 94−98 record reviews by, (Honegger: Symphony No. 2 for String Orchestra; Hunter Johnson: Concerto for Piano and Chamber Orchestra. John Kirkpatrick, piano; Rochester Chamber Orchestra, Robert Hill, conductor), XLI, Jan ‘ 55, 122−126; (Honegger: Symphony No. 2 for String Orchestra; Rivier: Symphony No. 2 for String Orchestra. MGM Orchestra, Izler Solomon, conductor), XLI, Jan ’ 55, 122−126 BURLEIGH, Cecil, XXXI, Jan ‘ 45, 102, 109 music by, Mountain Pictures (orchestra), XXXI, Oct ’ 45, 418 (See: King, A. Hyatt) BURLEIGH, Harry Thacker, XII, Apr ‘ 26, 307, 312; XVI, Jul ’ 30, 379, 414 BURLIN, Natalie Curtis, XV, Oct ‘ 29, 610; XVI, Jul ’ 30, 389, 392, 409 (See also: Curtis, Natalie) article by, “ Negro Music at Birth,” V, Jan ‘ 19, 86−89 BURR, Willard, Jr., XVIII, Jan ’ 32, 80 BURT, Nathaniel, “ Opera in Arcadia,” XLI, Apr ‘ 55, 145−170 BUSCH, Carl, XVIII, Jan ’ 32, 90 BUSH, Helen E., “ The Recognition of Chordal Formation by Early Music Theorists,” XXXII, Apr ‘ 46, 227−243 BUSZIN, Walter E., articles by, “ Dietrich Buxtehude (1637−1707): On the Tercentenary of His Birth,” XXIII, Oct ’ 37, 465−490; “ Luther on Music,” XXXII, Jan ‘ 46, 80−97 book reviews by, THE BACH FAMILYSEVEN GENERATIONS OF CREATIVE GENIUS, by Karl Geiringer, in collaboration with Irene Geiringer), XLII, Jan ’ 56, 99−103; (NICOLAI GOMBERTI OPERA OMNIA. I. Missae IV Vocum. Edited by Joseph Schmidt-Gorg), XXXVIII, Oct ‘ 52, 630−640 BUTT, Clara, VII, Jan ’ 21, 9 BUTTELMAN, Clifford V., XXXI, Apr ‘ 45, 144 Butterfly' s Ball (Thomas Carr), XVIII, Jan ’ 32, 155 Hezekiah BUTTERWORTH, (with Theron Brown), THE STORY OF THE HYMNS AND TUNES, XXVI, Jul ‘ 40, 364 BYLER, Arthur, XXXIX, Jul ’ 53, 387 BYRN, Harold, XXXVII, Oct ‘ 51, 484 BYRNE, Ellen Maria, XXX, Jan ’ 44, 54 C CABIN AND PLANTATION SONGS (Hampton Institute), XII, Apr ‘ 26, 307 CADMAN, Charles Wakefield, IX, Jan ’ 23, 132, 139; XXXI, Jan ‘ 45, 104 music by, At Dawning, XXXIII, Jul ’ 47, 332 article by, “ The ‘ Idealization’ of Indian Music,” I, Jul ‘ 15, 387−396 Cage, The (Charles Ives), XIX, Jan ’ 33, 53 CAGE, John, XXXIII, Jan ‘ 47, 105; XXXIV, Jan ’ 48, 12; XXXVII, Oct ‘ 51, 471, 580; XXXVIII, Jan ’ 52, 123−134; XXXVIII, Oct ‘ 52, 595, 596; XXXIX, Apr ’ 53, 254−255 music by, Imaginary Landscape (composition for 12 radios), XXXVIII, Jan ‘ 52, 125−126, 129; Music of Changes, XXXVIII, Jan ’ 52, 127; String Quartet (1950), XL, Jul ‘ 54, 472, 475−476 Cdhal N6r of the Wine-red Hand, (baritone and orchestra) (Horatio Parker), XVI, Apr ’ 30, 156 CALCARO, Jose Antonio, CONTRIBUTION AL ESTUDIO DE LA MUSICA tN VENEZUELA, XXIX, Apr ‘ 43, 198 Caledonian Club (NYC), XVI, Apr ’ 30, 176 21 Caledonian Frolic, The (ballet by Francis), XVIII, Jan ‘ 32, 159 Caminos (Silvestre Revueltas), XXVII, Apr ’ 41, 131−132 CAMPBELL, Olive, Dame, and SHARP, Cecil J., ENGLISH FOLK-SONGS FROM THE SOUTHERN APPALACHIANS, XIV, Apr ‘ 28, 285 CAMPBELL-TIPTON, Louis, music by, All the Words That I Gather (voice), XIV, Jan ’ 28, 147−148; Day' s End (voice), XIV, Jan ‘ 28, 147−148; Etude en Octaves (piano), XIV, Jan ’ 28, 147148; Four Sea Lyrics (voice), XIV, Jan ‘ 28, 147−148; Hymn to the Night (voice), XIV, Jan ’ 28, 147−148; Invocation (voice), XIV, Jan ‘ 28, 147−148; Legends (piano), XIV, Jan ’ 28, 147−148; A Memory (voice), XIV, Jan ‘ 28, 147−148; The Opium Smoker (voice), XIV, Jan ’ 28, 147−148; Rhapsodie (voice), XIV, Jan ‘ 28, 147−148; The Shadows (voice), XIV, Jan ’ 28, 147−148; Sonata Heroic (piano), XIV, Jan ‘ 28, 147−148; A Spirit Flower (voice), XIV, Jan ’ 28, 147−148; Two Jester Songs, XIV, Jan ‘ 28, 147−148; Two Short Love Lyrics, (voice), XIV, Jan ‘ 28, 147−148 Camptown Races (Stephen C. Foster), XXI, Jan ’ 35, 17; XXII, Apr ‘ 36, 157, 169 Canadian Broadcasting Corporation, XLII, Jan ’ 56, 114 Canadian folk music (See Barbeau, Marius) Canadian folk song, La Plainte du coureur de bois, XXIX, Jan ‘ 43, 135−136 Canadian Music Council, XLII, Jan ’ 56, 112 Canon and Fugue (Quincy Porter), XXXIII, Jul ‘ 47, 313, 315 Canons for Woodwinds (Wallingford Riegger), XXXVI, Jan ’ 50, 46 Cantata for soprano, tenor, female chorus and small instrumental ensemble (Igor Stravinsky), XXXIX, Apr ‘ 53, 251−254 Cantata of the Bitter Herbs (Ernst Toch), XXXVI, Oct ’ 50, 585 Cantaletas (political ballads of Dominican Republic), XXXI, Apr ‘ 45, 213 Canti Popolari Italiani, Op. 5, Op. 14, Op. 23, Op. 28, Op. 30 (Blair Fairchild), XIV, Jan ’ 28, 149−154 Canticle No. 3 (Lou Harrison), XXXVII, Oct ‘ 51, 579−580 Canticle of Freedom (Aaron Copland), XLII, Jan ’ 56, 90−92 Canzona (Peter Mennin), XLI, Jul ‘ 55, 407408 CAPEN, C. L., XVIII, Jan ’ 32, 79 Capital, Capitals, for four men and piano (Virgil Thomson), XL, Jul ‘ 54, 471, 475 CAPPIANI, Luisa, XVIII, Jan ’ 32, 78 Capriccio (Alexander Tansman), XLI, Jan ‘ 55, 79 CAPRON, Henry, XVII, Jan ’ 31, 26 Captain Stratton' s Fancy (Deems Taylor), XI, Jul ‘ 25, 417 Captive, The (Gustav Strube), XXVIII, Jul ’ 42, 290 Caravan from China Comes, A (Alice Barnett), XI, Jul ‘ 25, 400 Caravan from China Comes, A (Warren Storey-Smith), XI, Jul ’ 25, 417 Careless Love (American Folk Song), XVIII, Jan ‘ 32, 66 CAREW, Eunice, XXX, Jan ’ 44, 52 CAREY, Bruce, XXI, Apr ‘ 35, 188; XXVIII, Apr ’ 42, 183 CARFAGNO, Simon, XXXVII, Oct ‘ 51, 471, 473 CARILLO, Juli An, XXXIV, Jan ’ 48, 12 music by, Horizontes, XXXVIII, Apr ‘ 52, 301−303 “*Carl Engel” (Harold Bauer), XXX, Jul ’ 44, 249−254 Carl Fischer, Inc., XXXIV, Jan ‘ 48, 12 (See: League of Composers commissions) 22 “*Carl Orff” (Everett Helm), XLI, Jul ‘ 55, 285−304 “*Carl Ruggles” (Charles Seeger), XVIII, Oct ’ 32, 578−592 CARL, William C., XVIII, Jan ‘ 32, 86 “*Carlos Ch, vez” (Herbert Weinstock), XXII, Oct ’ 36, 435−445 Carnegie Chamber Music Hall (NYC), III, Jul ‘ 17, 363 Carnegie Foundation, XXI, Jan ’ 35, 108 Carnegie Hall (NYC), III, Jul ‘ 17, 361; IV, Oct ’ 18, 616; VI, Apr ‘ 20, 233, 235−237; VII, Jan ’ 21, 33; XVIII, Jan ‘ 32, 8, 85 Carnival Song (men' s voices and brass instruments) (Walter Piston), XXXII, Jul ’ 46, 363, 369 Carol on Twelfth Night (William Bergsma), XLI, Jan ‘ 55, 78 CARPENTER, John Alden, VII, Jul ’ 21, 305; IX, Jan ‘ 23, 123; XI, Jul ’ 25, 376, 392−397; XV, Apr ‘ 29, 292; XVIII, Jan ’ 32, 11, 100; XIX, Jan ‘ 33, 47; XIX, Apr ’ 33, 169, 356, 357; XXV, Jul ‘ 39, 266; XXXVII, Jul ’ 51, 441 (a letter concerning Bernhard Ziehn); (See also: Borowski, Felix; Downes, Olin) list of compositions, XVI, Oct ‘ 30, 446−468 portrait, XVI, Oct ’ 30, Opp. 443 music by, Adventures in a Perambulator (orchestral suite), XVI, Oct ‘ 30, 452, 458−461, 463, 465; XXIII, Jan ’ 37, 41; XXXVIII, Jul ‘ 52, 482−483 (Record Review by Irving Fine); Birthday of the Infanta, IX, Jan ’ 23, 125; XVI, Oct ‘ 30, 446, 452; Diversions, XVI, Oct 30, 458; Don' t Ceare, XVI, Oct ’ 30, 451, 456; Gitanjali (song cycle), XVI, Oct ‘ 30, 451, 456; Green River, XVI, Oct ’ 30, 451, 455; Impromptu, XVI, Oct ‘ 30, 458; Krazy Kat (ballet), IX, Jan ’ 23, 148−149; IX, Oct ‘ 23, 474; XVI, Oct ’ 30, 452, 453, 463−464; XXI, Jan ‘ 35, 53; Little Dancer, XVI, Oct ’ 30, 458; Little Indian, XVI, Oct ‘ 30, 458; Polonaise Americaine, XVI, Oct ’ 30, 458; Serenade (song), XV, Jan ‘ 29, 106111; Skyscrapers, XV, Oct 29, 621; XVI, Oct ’ 30, 444, 446, 447, 453, 454; XIX, Jul ‘ 33, 356−357; Songs, Analytical review of, XI, Jul ’ 25, 393−397 (Chanson d' automne; Le ceil; A Cradle Song; Dansons la gigue; The Day Is No More; Don' t Ceare; Fog Wraiths; Gitanjali; Go, Lovely Rose; Green River; Her Voice; II pteure dans mon coeur; Light, My Light; Little Fly; Looking Glass River; May, the Maiden; Player Queen; Serenade; Les Silhouettes; Slumber Song; To One Unknown; Water Colors); String Quartet (1927), XVI, Oct ‘ 30, 465−466; Tango Ameri- caine, XVI, Oct '30, 458; Where the Misty Shadows Glide, XI, Jul '25, 392, XLI, Oct '55, 521; Suite for Timpani, 395, 397 CARPENTER, Nan Cooke, “ The Study of Music at the University of Oxford in the Renaissance (1450−1600),” XLI, Apr ‘ 55, 191−214 CARPENTIER, Alejo, “ Music in Cuba XXXIII, Jul ’ 47, 365−380 (1523−1900),” CARR, Benjamin, XIII, Apr ‘ 27, 224; XVIII, Apr ’ 32, 313; XXIV, Jan ‘ 38, 67, 68; XXX, Jan ’ 44, 51, 55 list of compositions, XVIII, Jan ‘ 32, 167176 portrait, XVIII, Jan ’ 32, Opp. 154 music by, The Archers, or the Mountaineers of Switzerland, XVIII, Jan '32, the Virgin, XVIII, Jan '32, 166; Masses, Vespers and Litanies, XVIII, Jan '32, Cat and the Mouse, The (piano) (Aaron CATALOGUE OF MUSIC IN THE HUNTINGTON LIBRARY (Edythe man), XLI, Jan '55, 106 Castle Garden (NYC), VI, Jan '20, 81; XIII, Apr '27, 243; XXVIII, Jan '42, 104 CASTRO, Juan Jos6, XXXIV, Jan '48, 3 Copland), XXXIV, Jan '48, 2 Casey at the Bat (opera) (William Schu- XXXVIII, Oct ‘ 52, 59 article by, “*Walter Piston,” XXXII, Jul ’ 46, 354−375 CARUSO, Enrico, IV, Jul ‘ 18, 399; IV, Oct ’ 18, 615; VIII, Jan ‘ 22, 87−88; IX, Jan ’ 23, 69; XIII, Oct ‘ 27, 644−645; XXXIII, Apr ’ 47, 183 159−161; XXIV, Jan ' 38, 71; Dead March, XVIII, Jan '32, 166; Hymn to Patriot, or Liberty Obtained, XXIV, Jan '38, 71; Sad Are the Tidings, XXI, Apr '35, 206; Saviour, When in Dust to Thee, or Spanish Hymn, XVIII, Jan 164−165; XXI, Apr '35, 192, 204, 205, 206; Monody, XVIII, Jan '32, 166; The N. Backus), XXXV, Oct '49, 640−642 (Book Review by Harold Spivacke) CATURLA, Alejandro Garcia, XXXIV, Jan '48, 3 wind instruments and piano, XLII, Jan '56, 118−119 Cecilia Society (Boston), XXXVI, Apr '50, 162 Apr '49, 287 Celtic Suite for Band (Henry Cowell), XXXVI, Oct '50, 593 Centennial Hymn, Centennial Exposition, Centennial March, Centennial Exposition, Celebration, Variations on a Theme by Howard Hanson (Roy Harris), XXXV, music by, First Cuban Suite, for eight '32, 166 Jan ‘ 32, 165 CARR, Joseph (editor), XVIII, Jan ’ 32, 153, 154, 177 CARR, Mary Jordan (Mrs. Merryman), XVIII, Jan ‘ 32, 152, 153 CARR, Thomas (music publisher, Baltimore and Philadelphia), XVIII, Jan ’ 32, 152, 154, 155, 177 “ Carrs, American Music Publishers, The” (Virginia Larkin Redway), XVIII, Jan ‘ 32, 150−177 Carr' s Musical Miscellany in Occasional book by, LESSONS IN MUSIC, XVIII, Philadelphia, 1876 (John Knowles Paine), XXXVII, Apr '51, 186, 195 Centennial Meditation Philadelphia, 1876 (Richard Wagner), XXXVII, Apr '51, Opp. 187 (facsimile of first page) of Columbia, The Numbers, XVIII, Jan '32, 153 '32, 181 Carr' s Musical Repository, XVII, Jan '31, 27 Centennial Ode (John Knowles Paine), Cayetano, XXIX, Apr '43, 203, CARREiRO, XXV, Jul '39, 264 204 Central City (Colo.) Festival of Opera and CARREiO, Teresa, XXVI, Oct '40, 546Drama (See: Festival of Opera and 549; XXIX, Apr '43, 204 Drama (Central City, Colo.) CARTER, Mrs. Artie Mason, XXXVI, Oct Central Park Garden (NYC), XXVI, Apr '50, 585 '40, 143 CARTER, Elliott, XXVI, Jan '40, 107; Central Park in the Dark (Charles Ives) XXXVII, Jan '51, 83−98; XL, Oct '54, (See also: Ivesiana), XLI, Jan '55, 85 589; XLI, Jan '55, 93, 94; XLII, Apr Century Opera House (NYC), I, Apr '15, 291 '56, 245 Ceremony (Henry Brandt), XL, Jul '54, portrait, XXXVII, Jan '51, Opp. 84 399 (review by Henry Cowell) music by, Holiday Overture (orchestra), XXXVI, Jul '50, 446, 447; Piano CER6N, Jose Dolores (band conductor and composer, Dominican Republic), Sonata, XXXVII, Jan '51, 85−87; PocaXXXI, Apr '45, 220 hontas, XXXIV, Jan '48, 8; Sonata for Violoncello and Piano, XXXVII, Jan CHADWICK, George Whitefield, IV, Jul '51, 83, 87−89; Sonata for Violoncello, 18, 331; VI, Apr '20, 234; IX, Jan '23, 23 (cantata) (Dudley Buck), XX, Oct. '34, 394; XXXVII, Apr '51, 195 Centennial Ode (Dudley Buck), XVIII, Jan 123, 149; X, Jul ‘ 24, 453; XVI, Apr ’ 30, 154; XVII, Jan ‘ 31, 55; XVIII, Jan ’ 32, 79, 81, 88, 89; XIX, Jul ‘ 33, 357; XXI, Jan ’ 35, 73; XXVI, Jul ‘ 40, 297; XXXI, Apr ’ 45, 174; XXXII, Apr ‘ 46, 290; XXXVI, Apr ’ 50, 161, 162 articles about, “*George W. Chadwick” (Carl Engel), X, Jul ‘ 24, 438−457; “*Chadwick and the New England Conservatory of Music” (Allan Lincoln Langley), XXI, Jan ’ 35, 39−52 list of compositions, X, Jul ‘ 24, 454−457 (1878−1923) portrait, XXI, Jan ’ 35, Opp. 42 music by, “ Adonais” Overture, XXI, Jan ‘ 35, 45; Ecce jam Noctis, X, July ’ 24, 451; Noel, X, Jul ‘ 24, 451; Rip Van Winkle Overture, X, Jul ’ 24, 446−447; XXI, Jan ‘ 35, 87−88; XXIII, Jan ’ 37, 41; Songs, Analytical review of, XI, Jul ‘ 25, 384 (Du bist wie eine Blume; Allah; The Danza; Ballad of Trees and the Master; Three Nautical Songs); Symphonic Sketches, XXI, Jan ’ 35, 44; Symphony No. 2, X, Jul ‘ 24, 451; Tobasco (opera), X, Jul ’ 24, 448; Tam O' Shanter, X, Jul ‘ 24, 452; XXI, Jan ’ 35, 44; A Vagrom Ballad, X, Jul ‘ 24, 452, 453 book by, HARMONY, X, Jul ’ 24, 452 CHALLIS, Bennett, articles by, “ Opera Publics of Europe,” XII, Oct ‘ 26, 564579; “ The Technique of Operatic Acting,” XIII, Oct ’ 27, 630−645 Chamber Concerto for Solo Viola and String Nonet (Ellis Kohs), XXXVII, Oct ‘ 51, 580; XL, Jul ’ 54, 471, 474 CHAMBER MUSIC (Homer Ulrich), XXXV, Jan ‘ 49, 153−156 (Book Review by Quincy Porter) Chamber Music Festival (Library of Congress), XVI, Oct ’ 30, 465 Chamber Music in America, XXXVII, Jul ‘ 51, 319−326 (See also: Coolidge Foundation) Chamber music in USA (See: De Coppet, Edward; Flonzaley Quartet; Kneisel Quartet; Collegium Musicum Bethlehem, Pa.) Chanson d' automne, (John Alden Carpenter), XI Jul ’ 25, 394; XVI, Oct ‘ 30, 456 Chanson of the Bells of Oseney (Alice Barnett), XI, Jul ’ 25, 399 CHANSONS POPULAIRES DU VIEUX QUEBEC, XXIX, Jan ‘ 43, 137 Chanticleer: Festival Overture, Op. 27 (Daniel Gregory Mason), XVIII, Jan ’ 32, 13; XXXIV, Jan ‘ 48, 55 CHAPPLE, Stanley, XXVIII, Jul ’ 42, 294 24 Characters from Hans Christian Andersen (Bernard Rogers), XXXIII, Apr ‘ 47, 212, 217 (excerpt) “*Charles Griffes As I Remember Him” (Marion Bauer), XXIX, Jul ’ 43, 355380 “*Charles Ives: The Man and His Music” (Henry Bellamann), XIX, Jan ‘ 33, 45−58 CHARLES IVES AND HIS MUSIC (Henry and Sidney Cowell), XLI, Apr ’ 55, 253256 (book review by Alfred Frankenstein) “*Charles Martin Loeffler” (Carl Engel), XI, Jul ‘ 25, 311−330 CHASE, Gilbert, XXXI, Apr ’ 45, 266; XXXVII, Apr ‘ 51, 279 articles by, “ Juan Navarro Hispaleusis and Juan Navarro Gaditanus,” XXXI, Apr ’ 45, 188−192; “*Miguel Hilari6n Eslava,” XXIV, Jan ‘ 38, 74−83; “ Origins of the Lyric Theatre in Spain,” XXV, Jul ’ 39, 292−305 book by, A GUIDE TO LATIN AMERICAN MUSIC, XXXII, Apr ‘ 46, 303−305 (Book Review by Charles Seeger) book reviews by, ANUARIO MUSICAL. Vol. 1, 1946; CATALOGO MUSICAL DE LA BIBLIOTECA NACIONAL DE MADRID. Por Higinio Angles y Jose Subiri. I, manuscritos; LA MUSICA EN LA CORTE DE CARLOS V. Con la transcripci6n del “ Libro de Cifra Nueva para tecla, harpa y vihuela” de Luis Venegas de Henestrosa (Alcali de Henares, 1557). Por Higinio Angles, Pbro; LUIS DE NARVAEZ: LOS SEYS LIBROS DEL DELPHIN DE MUSICA EN CIFRA PARA TANER VIHUELA (Valladolid, 1538). Transcripci6n y estudio por Emilio Pujol, XXXIV, Jan ’ 48, 121−126; CANCIERO DE UPSALA, Rafael Mitjana, Jesus Bal y Gay, Isabel Pope, XXX1, Jul ‘ 45, 381−383; MUSIC OF LATIN AMERICA, by Nicolas Slonimsky, XXXII, Jan ’ 46, 140−143; LA MUSICA EN LA SOCIEDAD EUROPA, by Adolfo Salazar, XXX, Oct ‘ 44, 498−500; LA MUSICA EN LA SOCIEDAD EUROPA. EL SIGLO XIX, 2 Vols., by Adolfo Salazar, XXXIII, Jul ’ 47, 420−423 CHASINS, Abram, music by, Flirtations in a Chinese Garden (orchestra), XXXIII, Apr ‘ 47, 185; Parade, XXXIII, Apr ’ 47, 185 CHAVEZ, Carlos, XXVII, Apr ‘ 41, 124, 125, 146; XXXI, Oct ’ 45, 423; XXXIV, Jan ‘ 48, 3; XXXIV, Oct ’ 48, 535; XXXVI, Jan ‘ 50, 40; XXXVI, Oct ’ 50, 584; XXXIX, Oct ‘ 53; 640; (See also: “*Carlos Chavez”) list of compositions, XXII, Oct ’ 36, 444445 portrait, XXII, Oct ‘ 36, Opp. 440 music by, Los Cuatro Soles (ballet), XXII, Oct ’ 36, 438, 443; El Fuego Nuevo (ballet), XXII, Oct ‘ 36, 437, 443; H. P. (ballet-symphony), XXII, Oct ’ 36, 438, 443; Llamadas (small orchestra and chorus), XXII, Oct ‘ 36, 439, 441, 443; Sinfonia de Antigona, XXII, Oct ’ 36, 439, 443; Sinfonia India, XXII, Oct ‘ 36, 439, 443; Sinfonia No. 3, XLII, Apr ’ 56, 240−242; Sonata No. 3 for Piano, XXI, Oct ‘ 36, 439, 442; Sonatinas, XXII, Oct ’ 36, 442; String Quartet, XXII, Oct ‘ 36, 442; Symphony No. 4, XLI, Jan ’ 55, 77; Tierra Majada (choral), XXII, Oct ‘ 36, 439 article by, “ The Two Persons,” XV, Apr ’ 29, 153−159 book by, TOWARD A NEW MUSIC, XXVII, Apr ‘ 41, 152 CHENEY, Sheldon, “ The Book-Plates of Musicians and Music-Lovers,” III, Jul ’ 17, 446−452 Cherrie-Ripe (Albert Spalding), XI, Jul ‘ 25, 413−414 Cherry Lane Theatre (NYC), XXXIX, Oct ’ 53, 600 Chestnut Street Theatre (Philadelphia, Pa.), XXI, Apr ‘ 35, 203; XXXIII, Apr ’ 47, 205; XXX, Jan ‘ 44, 51 CHEUNEVIIERE, Rudhyar D., “ The Rise of the Musical Proletariat,” VI, Oct ’ 20, 500−509 Cheyenne Lullaby (Tribal air), VII, Oct ‘ 21, 554 CHIAPUSSO, Jan, “ Bach' s Attitude Towards History,” XXXIX, Jul ’ 53, 396414 Chicago Civic Opera Company, XVI, Oct ‘ 30, 452 Chicago Columbian Exposition Concerts, XXIX, Jan ’ 43, 88 Chicago Musical College, XIV, Jan ‘ 28, 147; XXVII, Apr ’ 41, 123; XXXIX, Jul ‘ 53, 426 Chicago North Shore Music Festival (Evanston, Ill.), XI, Jul ’ 25, 315 Chicago Opera Association, VIII, Jan ‘ 22, 86 Chicago Opera Company, IV, Oct 18, 615; VI, Jan ’ 20, 9 Chicago Symphony Orchestra, XII, Apr ‘ 26, 160; XIV, Apr ’ 28, 194; XVI, Oct ‘ 30, 457, 463; XXIV, Jul ’ 38, 251; XXXVI, Apr ‘ 50, 162; XXXVII, Apr ’ 51, 243, 245; (See also: Theodore Thomas Orchestra) Chicago World' s Fair, XXI, Apr '35, 185 (See: Theodore Thomas, National Federation of Music Clubs) Chickering Hall (NYC), VI, Apr '20, 233234; XVIII, Jan '32, 82, 87, 90, 91; XXVIII, Jul '42, 271 CHILD, Francis J., II, Jan '16, 109, 110, 111, 112, 122; IV, Apr '18, 293; XIV, Apr '28, 294−295; XVIII, Jan '32, 119 Children In the Wood, The (opera) (Samuel Arnold), XVIII, Jan '32, 158−159 Children' s Day at the Camp Meeting (Charles Ives), XXXIV, Jan '48, 11 Children' s Doll Suite, The (piano) (Heitor Villa-Lobos), XLI, Apr '55, 275−276 Children' s Hour, The (Charles Ives), XIX, Jan '33, 53 Chinese Mother Goose Rhymes (song cycle) (Bainbridge Crist), VIII, Oct '22, 552; XI, Jul '25, 406 Chinesische Lieder (Julius R6ntgen), VIII, Oct '22, 552 Chippewa Healing Song (Indian Tribal air), XIII, Oct '27, 562 Chippewa songs, Moccasin-game Songs, XVII, Oct '31, 476 Choral Art Society (Boston), XI, July '25, 324 Choral New Yorker, The (Irving Gifford Fine), XXXV, Apr '49, 283 Choral Union, (Bethlehem, Pa.), XXVIII, Apr '42, 180 Chorale and Alleluia (Howard Hanson), XLI, Jul '55, 407−408 Choreographic Suite (orchestra) (Arthur Shepherd), XXXVI, Apr '50, 173 Choric Dance No. 2 (Paul Creston), XXXIII, Apr '47, 186; XXXIV, Oct '48, 538 CHORUSES, SOLOS AND DUETS FROM THE WORKS OF HANDEL, HAYDN,., XIII, MOZART, BEETHOVEN. Apr '27, 228 CHOTZINOFF, Samuel, XXVI, Jan '40, 107 CHRISTIAN HARMONY (Singing-school manual), XVI, Apr '30, 226−227; XXII, Apr '36, 158 CHRISTIAN LYRE, THE (Rev. Joshua Leavitt), XXXII, Apr '46, 273 CHRISTIAN MINSTREL, THE (Jesse Aiken), XIX, Oct '33, 397−398 CHRISTY, E. P. (minstrel singer), VI, Apr '20, 243; XXI Jan '35, 17 Christy' s Minstrels, VI, Jan '20, 81; VI, Apr '20, 243 Chromatic Study on the Name of Bach (Walter Piston), XXXIII, Jul '47, 323 Chromatische Fantasie und Fuge (Wilhelm Middleschulte), XIV, Apr '28, 199−201 25 CHURCH MELODIES (Thomas Hastings), XVI, Apr ‘ 30, 225−226; XXXII, Apr ’ 46, 274 CHURCH MUSIC AND MUSICAL LIFE IN PENNSYLVANIA IN THE EIGHTEENTH CENTURY (4 Vols.) (Pennsylvania Society of Colonial Dames of America, Commitee on Historical Research, Mrs. Alvin Park, Ch.), XIV, Apr ‘ 28, 300; XXVIII, Apr ’ 42, 179 CHURCH MUSIC IN AMERICA (Nathaniel Duren Gould), XIII, Apr ‘ 27, 247 Church musicians in the Colonies, XXXVI, Oct ’ 50, 518−519 Le Ciel (John Alden Carpenter), XI, Jul ‘ 25, 394; XVI, Oct ’ 30, 455 Cincinnati (Ohio) Symphony Orchestra, XLII, Jan ‘ 56, 143 CITKOWITZ, Israel, XXXII, Jul ’ 46, 360 music by, Strings in the Earth and Air, XXIV, Jan ‘ 38, 12, 15−16, 19, 22, 23−24 current chronicle, XL, Jul ’ 54, 394−397 (review of The Tender Land, by Aaron Copland) City, The (documentary film music) (Aaron Copland), XXV, July ‘ 39, 372−373; XXVII, Apr ’ 41, 163; XXXI, Oct ‘ 45, 424; XXXV, Jan ’ 49, 116, XXXVII, Apr ‘ 51, 161 City in the Sea (cantata with orchestra) (Arthur Shepherd), XXXVI, Apr ’ 50, 162 City Tavern (NYC), XXI, Apr ‘ 35, 194 CLAFLIN, Avery, Design for an Atomic Age (choral), XLII, Jan ’ 56, 88, 89 CLAPP, Philip Greeley, “ Sebastian Bach, Modernist,” II, Apr ‘ 16, 295−313 Clari, or The Maid of Milan (opera) (Payne-Bishop), IV, Jan ’ 18, 94−97; VI, Apr ‘ 20, 254 Clarinet Sonata (Paul Hindemith), XXXVIII, Jul ’ 52, 489 (See: Record Review by Richard F. Goldman) Clarke Street Bridge (John Bridge), XI, Jul ‘ 25, 412 CLARKE, Eric, XXXI, Apr ’ 45, 144 CLARKE, Henry Leland, article by “ John Blow: A Tercentenary Survey,” XXXV, Jul ‘ 49, 412−420 record reviews by, (Blow: Venus and Adonis. Margaret Ritchie, Margaret Field-Hyde, Elizabeth Cooper, sopranos; Robert Ellis, Michael Cynfelin, tenors; Gordon Clinton, John Frost, basses; M. Frecheville, ’ cello; Robert Veyron-Lacroix, harpischord; Chorus (including three children' s voices) and Ensemble Orchestral de l' Oiseau-Lyre, Anthony Lewis, Conductor), XXXVIII, 26 Oct ‘ 52, 651−655; (Blow: An Ode on the Death of Mr. Henry Purcell: Selected Vocal and Instrumental Works. Purcell: The Masque in Dioclesian; Trio Sonatas (1697), posth.) XL, Apr ’ 54, 279−284; (Dowland: Lachrimae. Jose de Azpiazu, lute; Corrado Romano, Marcelle Rau, violins; Claude Viala, viola; Jacques Dupre, Franz Walter, ‘ cellos), XLII, Oct ’ 56, 559560; (The English Madrigal School, Vol. I), XLII, Oct ‘ 56, 557−559; (Music by Purcell, Jenkins and Locke. Alfred Deller, counter-tenor; Gustav Leonhardt, harpsichord; Leonhardt Baroque Ensemble; Consort of Viols), XLII, Oct ’ 56, 564−565; (Purcell: The Masque in Timon of Athens; The Fairy Queen), XLI, Jan ‘ 55, 129−131; (Purcell: Te Deum [and] Jubilate in D; The “ Bell” Anthem; 0 Sing unto the Lord. Old Stone Church Choir, Cleveland, and Orchestra of Strings, Trumpets, and Organ, John Reymes King, cond.), XLII, Oct ’ 56, 565−567 CLARKE, Hugh A., XVIII, Jan ‘ 32, 99 CLAUDIO, Pablo, music by, America (music-drama), XXXI, Apr ’ 45, 215; Maria de Cuellar (music-drama), XXXI, Apr ‘ 45, 215 CLAUSEN, Leslie, XXXVII, Oct ’ 51, 471 Clear Midnight, A (H. Reginald Spier), XV, Jan ‘ 29, 102−105 “ Clementi Manuscripts at the Library of Congress, The” (Heinrich Simon), XXVIII, Jan ’ 42, 105−114 Cleveland (Ohio) Conservatory of Music, VII, Jan ‘ 21, 38 Cleveland (Ohio) Orchestra, XXXVI, Apr ’ 50, 159, 162−163 CLIFTON, Chalmers, XXXVI, Apr ‘ 50, 162 CLIPPINGER, D. A., “ Scientific Voice Training,” IV, Oct ’ 18, 618−629 C-Man (film music) (Gail Kubik), XXXVI, Apr ‘ 50, 274−275, 276 Cock Shall Crow (John Alden Carpenter), XVI, Oct ’ 30, 455 El Cocoze (Louis Morceau Gottschalk), XXXI, Jul ‘ 45, 357 COERNE, L. A., On Mountain Crests, Op. 127 (See: King, A. Hyatt), XXXI, Oct ’ 45, 417 COFFEY, Charles, The Devil to Pay, VI, Jan ‘ 20, 79 COHEN, Frederic, Record Review (Stravinsky: Oedipus Rex. Jean Cocteau, speaker; Peter Pears, Helmut Krebs, tenors; Martha Modl, mezzo-soprano; Heinz Rehfuss, baritone; Otto von Rohr, bass; Cologne Radio Symphony Orchestra and Chorus, Igor Stravinsky, conductor), XXXIX, Oct '53, 659−661 COLE, John, XIII, Apr '27, 245; XVIII, Jan '32, 153 music by, Seraph, XIII, Apr '27, 236 COLE, Rossetter Gleason, VI, Jan '20, 27; XVIII, Jan '32, 100 music by Merrymount (opera) (Later retitled: The Maypole Lovers), XXVIII, Jan '42, 74 COLLECTION OF THE BEST PSALM TUNES IN TWO, THREE, AND FOUR PARTS (Josiah Flagg). VIII, Oct '22, 614; XXI, Apr '35, 197−199 COLLECTION OF THE PSALM AND HYMN TUNES, USED BY THE REDUTCH FORMED PROTESTANT CHURCH OF THE CITY OF NEWYORK, AGREEABLE TO THEIR IN PSALM BOOK, PUBLISHED ENGLISH. IN FOUR PARTS, VIZ. AND TREBLE, TENOR, BASS, COUNTER. New York: Printed by Hodge and Schober. M.DCC.LXXIV. XXXIV, Jan '48, 84 OF PSALM COLLECTION TUNES, WITH A FEW ANTHEMS AND HYMNS, SOME OF THEM ENTIRELY NEW, FOR THE USE OF THE UNITED CHURCHES OF CHRIST AND CHURCH ST. PETER' S CHURCH IN PHILADELPHIA. 1763 (Francis Hopkinson, ed. and composer), XXXIV, Jan '48, 87 COLLECTION OF REVIVAL HYMNS AND PLANTATION MELODIES (Marshall W. Taylor), II, Jan '16, 116117 The College Music Department and Musical Culture (See: Paul Henry Lang, Editorial), XXXV, Oct '49, 602−608 College of the Pacific (Stockton, Calif.), XXII, Apr '36, 141 Collegiate Reformed Church (See: Reformed Protestant Dutch Church of the City of New York) Collegium Musicum of Bethlehem, Pa. (See: Philharmonic Society), XVIII, Apr '32, 320; XXI, Apr '35, 181, 182, 184, 200−201; XXIII, Jul '37, 309; XXVIII, Apr '42, 180 COLLINS, Laura Sedgwick, XVIII, Jan '32, 86, 95 Colloque Sentimentale (Henry Hadley), XI, Jul '25, 415−416 Colonial concert halls (NYC), VI, Jan '20, 72−75 Colonial concert life in Massachusetts, XXV, Oct '39, 488−494 Colonial dancing schools, XXIV, Jan '38, 59−60 Colonial music publishers, XXI, Apr ‘ 35, 205 Colonial musical societies (NYC), VI, Jan ’ 20, 72 Colonial theatres (NYC), VI, Jan ‘ 20, 77−79 Colored Stars (song cycle) (Bainbridge Crist), XI, Jul ’ 25, 405 Coloured Toys (Bainbridge Crist), XI, Jul ‘ 25, 407 Columbia Broadcasting System, XXXII, Jul ’ 46, 372; XXXV, Jan ‘ 49, 21 Columbia College (Columbia University, NYC), XXVIII, Oct ’ 42, 395−405 Columbia University (NYC), I, Jan ‘ 15, 45, 49; VI, Apr ’ 20, 242; XXXVI, Jul ‘ 50, 444; (See also: Alice M. Ditson Fund) Columbia University Archive of Primitive Music, XXVIII, Apr ’ 42, 227 “ Columbia [University] Bicentennial Editions and Studies,” XL, Jul ‘ 54, 430 Columbia University (NYC), its Bicentennial Anniversary, XL, Jul ’ 54, 399 Columbia University Composers' Forum, XXXIX, Apr ‘ 53, 254−255 Columbia University Festival of Contemporary American Music: 1949, XXXIV, Oct ’ 48, 594; XXXV, Jul ‘ 49, 463−465. 1950, XXXVI, Jul ’ 50, 444−447. 1952, XXXVIII, Jul ‘ 52, 440 Columbia University Studies in Musicology, XXII, Jan ’ 36, 109 COLUMBIAN HARMONY (Singing-school text), XIX, Oct ‘ 33, 396 COLUMBIAN SONGSTER, XXIII, Apr ’ 37, 198 Columbia' s Moder American Music Series (Columbia University), XLI, Oct ‘ 55, 551−553 Comedy on the Bridge (Bohuslav Martinii), XXXVII, Jul ’ 51, 318 Comedy Overture on Negro Themes (Henry F. Gilbert), IV, Jan ‘ 18, 24, 30−31, 36; XXXI, Jan ’ 45, 111−112; XXXIII, Apr ‘ 47, 186 Comedy Overture, “ Puck” (Gustav Strube), XXVIII, Jul ’ 42, 294 Come to the Saviour (Hartsough-Root) (See: “ Gospel Hymns”), XXVI, Jul ‘ 40, 359 Come Where My Love Lies Dreaming (Stephen C. Foster), XXI, Jan ’ 35, 22, 23 Come Ye Disconsolate (hymn) (Thomas Hastings), XXXII, Apr ‘ 46, 274 Comes Autumn Time (Leo Sowerby) XXIV, Jul ’ 38, 252, 254, 258 Comfort to a Youth That Had Lost His Love (Vivian Fine), XXIV, Jan ‘ 38, 12, 16−18, 19−20, 22 Comic Opera in NYC, VI, Jan ’ 20, 89−90 27 Commission Plan (League of Composers), XXXIV, Jan '48, 10−11, 12 COMMONWEALTH OF ART, THE (Curt Sachs), XXXIII, Oct '47, 565−570 COMPLEAT INSTRUCTOR FOR THE VIOLIN (1778) (H. B. Victor), XXXVI, Oct '50, 520 AMERICAN COMPLETE BANJO SCHOOL, THE (1887) (S. S. Stewart), XLII, Oct '56, 456 COMPOSER AND CRITIC (Max Graf), XXXII, Jul '46, 476−479 (Book Review by Alfred Frankenstein) Composers' Council (UCLA), XXXVI, Oct '50, 584−585 Composers' Forum (NYC), XXXV, Oct '49, 617 XXVI, Composers' Forum-Laboratories, Jan '40, 101, 102−105 Composers' News Record, The, XXXIV, Jan '48, 7 Concert Aria after Solomon, Op. 29 (Benjamin Weber), XXXVI, Jul '50, 445 Concert Variations on a Crooner' s Theme for Violin and Orchestra (Robert Russell Bennett), XLI, Jan '55, 77 Concertato for Orchestra (Peter Mennin), XXXIX, Apr '53, 247−249 Concertino (commissioned by League of Composers) (Bernard Wagenaar), XXXIV, Jan '48, 10 Concertino da Camera (piano, flute, clarinet, bassoon), (Peggy Glanville-Hicks), XLI, Oct '55, 551, 554 Concertino d' Ete (Darius Milhaud), XL, Jul '54, 469, 470−471 Concertino for Orchestra, Op. 30 (Nikolai Lopatnikoff), XLI, Oct '55, 551, 554 Concertino for Piano and Chamber Orchestra (Walter Piston), XXXII, Jul '46, 365; XXXIII, Jul '47, 311−312 Concertino for Piano and Orchestra (John Alden Carpenter), XVI, Oct '30, 457458, 463 Concertino for Violin and Orchestra (A. Brott), XL, Jan '54, 60−61 Concerto a Tre (1947) (Ingolf Dahl), XL, Jul '54, 472, 474 Concerto in A Minor (piano and orchestra) (Edward Mac Dowell), XXIII, Jan '37, 42 Concerto in D Minor (piano and orchestra), (Edward Mac Dowell), VI, Apr '20, 234 Concerto de Chambre, Op. 26 (Blair Fairchild), XIV, Jan '28, 149−154 Concerto for Clarinet and String Orchestra, with Harp and Piano (Aaron Copland), XXXVII, Apr '51, 260−262; XXXVIII, Oct '52, 655−657, 658 (See: Record Review by Arthur Berger) 28 Concerto for Clarinet in A and Orchestra (Paul Hindemith), XXXVII, Apr '51, 260, 262−264 Concerto for Flute (Virgil Thomson), XLII, Jul '56, 389−390 Concerto for Harp and Orchestra (Heitor Villa-Lobos), XLI, Apr '55, 225 Concerto for Horn in F (John J. Becker), XXXIX, Jul '53, 426−429 Concerto for Orchestra (Morton Gould) XXXV, Apr '49, 286 Concerto for Orchestra, No. 7 (Alan Hovhaness), XLI, Jan '55, 78 Concerto for Orchestra (Walter Piston), XXXII, Jul '46, 367; XXXIII, Jul '47, 314, 317 Concerto for Piano and Chember Orchestra (Hunter Johnson), XLI, Jan '55, 122, 126 Concerto for Piano and Orchestra (Claude Almand), XLI, Jan '55, 77 Concerto for Piano and Orchestra (Alexei Haieff), XXXVIII, Jul '52, 440, 442−443 Concerto for Piano and Orchestra (Howard Hanson), XXXV, Apr '49, 287 (first performance) Concerto for Piano and Orchestra, No. 2 (Roy Harris), XLI, Jan '55, 77 Concerto for Piano and Orchestra, No. 3 (Gian Francesco Malipiero), XLI, Jan '55, 77 Concerto for Piano and Orchestra (Gian Carlo Menotti), XXXV, Apr '49, 286 (first performance) Concerto for Piano and Orchestra (Robert Muczynski), XLI, Jan '55, 79 Concerto for Piano and Orchestra (Roger Sessions), XLII, Jul '56, 390 Concerto for Piano and Small Orchestra (William Schuman), XXXIII, Jul '47, 319−320 Concerto for Piano, Clarinet and String Quartet (Roy Harris), XXXIII, Jan '47, 18, 19 Concerto for Piano-Four Hands, Op. 56 (Vincent Persichetti), XLI, Oct '55, 551, 553 Concerto for Two Pianos and Orchestra (Quincy Porter), XLI, Jan '55, 77 Concerto for Two Solo Pianos (David Diamond), XXXIV, Apr '48, 252−254 Concerto for Viola and Orchestra (Bla Bartok), XXXIX, Oct '53, 641, 643−645 Concerto for Violin and Orchestra (Ernest Bloch), XL, Jan '54, 121−122 Concerto for Violin and Orchestra (Walter Piston), XXXII, Jul '46, 369−370 Concerto for Violin and Orchestra (Gustav Strube), XXXII, Jul '42, 295−296 Concerto for Violoncello (Samuel Barber), XXXV, Apr '49, 286 (first performance) Concerto for Violoncello (Vladimir Dukelsky), XXXV, Apr ‘ 49, 286 (first performance) Concerto for Violoncello (Peter Mennin), XLII, Jul ’ 56, 390 Concerto for Violoncello and Orchestra, No. 2 (Heitor Villa-Lobos), XLI, Apr ‘ 55, 225−227 Concerto for Woodwinds, Harp, and Orchestra (Paul Hindemith), XXXV, Jul ’ 49, 463−465 Concerto Grosso (Ernest Bloch), XIV, Jan ‘ 28, 13; XXXIII, Jul ’ 47, 316 Concerto Grosso No. 2 (Ernest Bloch), XL, Apr ‘ 54, 240−242 Concerts in NYC, 1793 et. seq., XVIII, Apr ’ 32, 315−316, 323−325, 326−327 “ Concord, Massachusetts” (Charles Ives), XIX, Jan ‘ 33, 51−52 “ Concord” Sonata (piano) (Charles Ives), XXXI, Jan ’ 45, 109, 117; XXXIV, Jan ‘ 48, 3; XXXV, Jul ’ 49, 458−459, 462; (See also: The Alcotts, Ives) Concordia Society (NYC), XIII, Apr ‘ 27, 240 CONE, Edward T., Record Reviews (Berlioz: Romeo and Juliet. New York Philharmonic Symphony Orchestra, Dmitri Mitropoulos, conductor), XXXIX, Jul ’ 53, 475−478; Berlioz: The Trojans in Carthage. Ensemble Vocal de Paris, Andre Jouve, director; Orchestre de la Societe des Concerts du Convervatoire, Herman Scherchen, conductor), XXXIX, Jan ‘ 53, 138−141; (Stein, Leon: Hassidic Dances. Cincinnati Symphony Orchestra, Thor Johnson, cond.), XLII, Jul ’ 56, 423−425; (Ward, Robert: Symphony No. 3. Cincinnati Symphony Orchestra, Thor Johnson, cond.), XLII, Jul ‘ 56, 423−425 “ Conflict of Word and Tone, The” (Alfred Einstein), XL, Jul ’ 54, 329−349 CONFREY, Zez, Kitten on the Keys, X, Apr ‘ 24, 299 Congo, The (Arthur Bergh), XXXI, Jan ’ 45, 115−116 CONRIED, Heinrich, XXXIII, Apr ‘ 47, 181 Conservatoire d' Art Lyrique (NYC), XII, Oct ’ 26, 589 Conservatoire Nacional de Mdsica (Mexico City, D.F.), XXVII, Apr ‘ 41, 124 Conservatorio Nacional de Musica y Declamaci6n (Dominican Republic), XXXI, Apr ’ 45, 224 Consul, The (opera) (Gian-Carlo Menotti), XXXVI, Jul ‘ 50, 447−450 “ Contemporary Scene in American Music, The” (Randall Thompson), XVIII, Jan ’ 32, 9−17 29 CONTINENTAL HARMONY, THE (William Billings), XVI, Apr ‘ 30, 221−222; XXV, Oct ’ 39, 482, 484, 495−497 “ Contrapuntal Style in the Three-Voice Shape-Note Hymns” (Charles Seeger), XXVI, Oct ‘ 40, 483−493 CONTRIBUCION AL ESTUDIO DE LA MUSICA EN VENEZUELA (Jose Antonio Calcano), XXIX, Apr ’ 43, 198 CONVERSE, C. C., XVIII, Jan ‘ 32, 100 CONVERSE, Frank B., FRANK B. CONVERSE' S BANJO INSTRUCTOR (1865), XLII, Oct ’ 56, 457 CONVERSE, Frederick Shepherd, XXIII, Jan ‘ 37, 41; XXV, Jul ’ 39, 265; XXVI, Jul ‘ 40, 297 music by, The Mystic Trumpeter (orchestral fantasy), XXXI, Jan ’ 45, 107, Passions 110−111; Puritan (film), XXVII, Apr ‘ 41, 147; Song of the Sea (symphonic poem), XXXI, Jan ’ 45, 114 COOK, Will Marion, I, Jul ‘ 15, 427 COOKE, George Willis, *JOHN SULLIVAN DWIGHT, BROOKFARMER, EDITOR AND CRITIC OF MUSIC, XIII, Apr ’ 27, 230; XXI, Jan ‘ 35, 70 Coolidge Auditorium in Library of Congress, XXX, Jul ’ 44, 251; XXXIII, Apr ‘ 47, 201 Coolidge Award for Chamber Music, XXXV, Jan ’ 49, 7 Coolidge Foundation, XXX, Jul ‘ 44, 251; XXXII, Jul ’ 46, 372 Coolidge, Mrs. Elizabeth Sprague (See: Coolidge Foundation; Coolidge Prize), VIII, Oct ‘ 22, 671; XVIII, Apr ’ 32, 327; XXII, Apr ‘ 36, 142; XXIV, Jul ’ 38, 252; XXVIII, Jan ‘ 42, 70; XXX, Jul ’ 44, 251; XXXI, Apr ‘ 45, 138−140; XXXI, Oct ’ 45, 494; XXXII, Apr ‘ 46, 212; XXXV, Jan ’ 49, 7; XXXVI, Jan ‘ 50, 43; XXXVII, Oct ’ 51, 474, 475; XL, Jul ‘ 54, 441, 443 article by, “*A Tribute to Carl Engel,” XXXI, Apr ’ 45, 138−140 Coolidge prize (See: Coolidge, Mrs. Elizabeth Sprague), VII, Jan ‘ 21, 33; XXXVI, Jan ’ 50, 43 Coolidge Quartet, XVIII, Jan ‘ 42, 70 Cool of Night, The (Alice Barnett), XI, Jul ’ 25, 398 COOMBS, C. Whitney, XVIII, Jan ‘ 32, 97 COOPER, George, XXI, Jan ’ 35, 21, 22, 23 Cooper Union Auditorium (NYC), XXXIX Jul ‘ 53, 426, 429 COOPERSMITH, Jacob Maurice, XXXI, Apr ’ 45, 266; XXXII, Apr ‘ 46, 304; XXXIII, Jul ’ 47, 365, 371 articles by, “ Handelian Lacuenae: a Project,” XXI, Apr ‘ 35, 224−229; “ Music and Musicians of the Dominican Re- public: A Survey“ Part I: XXXI, Jan ‘ 45, 71−88; Part II: XXXI, Apr ’ 45, 212−226 COPLAND, Aaron, XV, Apr ‘ 29, 292; XV, Oct ’ 29, 607, 615; XVI, Jan ‘ 30, 24; XX, Apr ’ 34, 214; XXI, Jan ‘ 35, 54; XXVII, Jan ’ 41, 54, 55; XXVII, Apr ‘ 41, 163−164; XXVIII, Apr ’ 42, 140−141; XXXII, Jul ‘ 46, 362, 370; XXXVII, Jan ’ 51, 89 (50th birthday concert, League of Composers); XXXVII, Oct ‘ 51, 483; XL, Jul ’ 54, 420; XL, Oct ‘ 54, 591 (as judge, International Convention on Contemporary Music); XLI, Oct ’ 55, 521; XLII, Jan ‘ 56, 35; XLII, Apr ’ 56, 245; (See also: AARON COPLAND, by Arthur Berger) article about, ”*Copland as a Film Composer“ (Frederick W. Sternfeld), XXXVII, Apr ‘ 51, 161−175 lists of compositions, XXXI, Oct ’ 45, 443447; XXXVII, Apr ‘ 51, 175 portrait, XXXI, Oct ’ 45, Opp. 420 music by, Appalachian Spring, Suite from the Ballet, XXXV, Apr ‘ 49, 286; XXXVII, Apr ’ 51, 161; As it fell upon a day (soprano, flute, clarinet), XXIV, Jan ‘ 38, 30; Billy the Kid (ballet), XXV, Jul ’ 39, 372, 373−374; XXXIV, Jan ‘ 48, 8; XL, Oct ’ 54, 622−623; Canticle of Freedom, XLII, Jan ‘ 56, 90−92; The Cat and the Mouse (piano), XXXIV, Jan ’ 48, 2; The City (documentary film music), XXV, Jul ‘ 39, 372−373; XXVII, Apr ’ 41, 163; XXXI, Oct ‘ 45, 424; XXXV, Jan ’ 49, 116; XXXVII, Apr ‘ 51, 161; Concerto for Clarinet and String Orchestra, with Harp and Piano (commissioned by Benny Goodman), XXXVII, Apr ’ 51, 260−262; XXXVIII, Oct ‘ 52, 655−657, 658; (See: Record Review by Arthur Berger); The Cummington Story (documentary film music), XXXI, Oct ’ 45, 426; Danzon Cubano, XXXV, Apr ‘ 49, 286; The Heiress (film music), XXXVI, Apr ’ 50, 274; XXXVII, Apr ‘ 51, 161, 163−169, 172−174; Music for the Theatre (orchestra) (League of Composers commission), XVI, Jan ’ 30, 26−27; XXXI, Oct ‘ 45, 421−422, 430; XXXIV, Jan ’ 48, 4−5; XL, Jul ‘ 54, 454−455; Of Mice and Men (film music), XXVII, Apr ’ 41, 163−164; XXXV, Jan ‘ 49, 116; XXXVII, Apr ’ 51, 161, 162, 169170, 173−174; Old American Songs, XXXVIII, Oct ‘ 52, 655, 658−659 (See: Record Review by Arthur Berger); Our Town (film music), XXVII, Apr ’ 41, 164; XXXI, Oct ‘ 45, 435, 436; XXXV, Jan ’ 49, 116; XXXVII, Apr 30 ‘ 51, 161, 162; XXXIX, Apr ’ 53, 307−308 (See: Record Review by Frederick W. Sternfeld); An Outdoor Overture, XXV, Jul ‘ 39, 372, 373; Passacaglia (Piano), XXXIV, Jan ’ 48, 2; XL, Apr ‘ 54, 294, 296; Piano Concerto, XVIII, Jan ’ 32, 11; XXXI, Oct ‘ 45, 437; XLII, Oct ’ 56, 556; Piano Sonata (1941), XL, Apr ‘ 54, 294; Piano Variations, XXXI Oct ’ 45, 428−429; XL, Apr ‘ 54, 294, 295; Quartet for Piano and Strings, XXXVIII, Oct ’ 52, 655−657, 658; The Red Pony (film music), XXXV, Jan ‘ 49, 116; XXXIV, Apr ’ 50, 274; Rodeo (ballet), XXXI, Oct ‘ 45, 434; XXXVII, Apr ’ 51, 161; El Salon Mexico, XXXI, Oct ‘ 45, 423; XXXIII, Apr ’ 47, 186; Sextet, XXXIV, Jan ‘ 48, 3; XL, Jul ’ 54, 471, 473; Short Symphony, XXXI, Oct ‘ 45, 423, 429, 437; Song Cycle (setting of 12 poems by Emily Dickinson), XXXVI, Jul ’ 50, 453; Statements (commissioned by League of Composers), XXXIV, Jan ‘ 48, 10; Symphonic Ode, XXXI, Oct ’ 45, 422, 429−430; Symphony No. 1, XXXIII, Jul ‘ 47, 312; Symphony No. 3, XXXV, Apr ’ 49, 287 (first performance); XL, Apr ‘ 54, 294, 295−296; Ukulele Serenade; Hoe Down, XXXVIII, Jul ’ 52, 483; The Tender Land (opera), XL, Jul ‘ 54, 394−397; Violin Sonata, XXXI, Oct ’ 45, 436, 440; Vitebsk, A Study on a Jewish Theme (trio), XXXI, Oct ‘ 45, 432 articles by, “ Gabriel Faure, A Neglected Master,” X, Oct ’ 24, 573−586; “ Serge Koussevitzky and the American Composer,” XXX, Jul ‘ 44, 255−269 books by, MUSIC AND IMAGINATION, XXXIX, Jan ’ 53, 107−109 (Book Review by Richard F. Goldman); OUR NEW MUSIC, XXXI, Oct ‘ 45, 420, 424; WHAT TO LISTEN FOR IN MUSIC, XXXI, Oct ’ 45, 424 current chronicle by, New York, XXXVII, Jul ‘ 51, 394−396 Copland-Sessions Concerts of contemporary music, XXXII, Apr ’ 46, 210 Cornell University (Ithaca, N.Y.), XXIV, Oct ‘ 38, 409, 413, 415 Coronation Suite (Healey Willan), XL, Jan ’ 54, 59 CORRETTE, Michel, Echoes of Boston, VII, Apr 21, 296−297 Corrido (Mexican folk air), XXVII, Apr ‘ 41, 130 Couldn' t Hear Nobody Pray (Negro Spiritual), XVI, Jul ’ 30, 409 “ Country Cryes of Richard Deering, The” (Ernest Brennecke), XLII, Jul ‘ 56, 366376 Mason), XXXIV, Jan ‘ 48, 57 COURLANDER, Harold, articles by, “ Musical Instruments of Cuba,” XXVIII, Apr ’ 42, 227−240;“ Musical Instruments of Haiti,” XXVII, Jul ‘ 41, 371−383; “ Notes from an Abyssinian Diary,” XXX, Jul ’ 44, 345−355 book reviews, LA AFRICANIA DE LA MUSICA FOLKLORICA DE CUBA, Country Pictures (piano) (Daniel Gregory Country Gardens (Percy Grainger), XXIII, Apr '37, 129 Covered Wagon, The (See: “ Music and the nando Ortiz, XXXVIII, Apr '52, 325327 Coventry (song cycle) (John Edmunds), XXXVI, Jul '50, 452 EL TEATRO DE LOS NEGROS EN EL FOLKLORE DE CUBA, by Fer- by Fernando Ortiz. LOS BAILES Y Apr '49, 292−296; XXXV, Jul '49, 458465; XXXV, Oct '49, 619−622; XXXVI, Jan '50, 94−98; XXXVI, Apr '50, 268; XXXVI, Jul '50, 447−453; XXXVII, Jan '51, 76−83; XXXVII, Apr '51, 248253; XXXVII, Jul '51, 396−402; XXXVIII, Jan '52, 123−136; XXXVIII, Apr '52, 291−298; XXXVIII, Jul '52, 440−445; XXXVIII, Oct '52, 595−600; XXXIX, Jan '53, 98−103; XXXIX, Apr '53, 251−255; XXXIX, '53, 426−432; XXXIX, Oct '53, 600−604; XL, Jan '54, 58−62; XL, Apr '54, 235−243; XL, Jul '54, 397−401; XLI, Jan '55, 85−89; XLI, Apr '55, 225−227; XLI, Jul '55, 368−373; XLI, Oct '55, 514−517; XLII, Jan '56, 86−92; XLII, Apr '56, 240−244; XLII, Jul '56, 386−390 record reviews by, (Bart6k: Rhapsody Andor Foldes, piano; Lamoureaux Orchestra) XLI, Apr '55, 261−262; (Bar Aitay, Michael Kuttner; Concerto for Viola and Orchestra. William Serly, conductor; Dance Suite; Prim Two t6k: Forty-four Violin Duets. Victor for Piano and Orchestra, Op. 1. Concerto No. 2 for Piano and Orchestra. Movies“) COWDREY, Cecil, VIII, Jul ‘ 22, 361 COWELL, Henry, X, Oct ’ 24, 623; XVIII, Jan ‘ 32, 15; XIX, Jan ’ 33, 57 (as ed., New Music); XIX, Jul ‘ 33, 357; XIX, Oct ’ 33, 416; XX, Apr ‘ 34, 218; XXIV, Jan ’ 38, 13, 27, 30 (on moder artsong); XXXIII, Jan ‘ 47, 19, 105; XXXIII, Jul ’ 47, 321, 322; XXXIV, Jan ‘ 48, 12; XXXVI, Jan ’ 50, 39, 40, 55; XXXIX, Jan 53, 30 music by, Celtic Suite for Band, XXXVI, Oct '50, 593; Hymn and Fuguing rose, New Symphony Orchestra, Tibor Autori, conductor; Suite from The Miraculous Mandarin. New Symphony Portraits. New Symphony Orchestra, Orchestra, Serly, conductor; Two Tune, XXXV, Apr '49, 286; Short Symphony (No. 4), XXXV, Apr '49, 287 (first performance); XL, Apr '54, 312, 313; Sinfonietta, XXXVII, Oct '51, 579; Sonata No. 1 for Violin and Piano Emanuel Vardi, New Symphony Orchestra, Autori, conductor; Deux Images. New Symphony Orchestra, Serly, conductor), XXXIX, Oct '53, Henrietta Roget, piano; Ensemble de Solistes de L' Orchestre National de la Radiodiffusion Fran Saise, Georges Tzipine, cond.), XLII, Jan '56, 118−119; No. 3. National Symphony Orchestra, Mitchell, cond.) XL, Oct '54, 624−625; Eastman-Rochester Symphony Orchestra, Howard Hanson, cond.), XLII, Jul '56, 419−420;(Donovan:Suite for String Orchestra and Oboe. Baltimore Little (Donovan: New England Chronicle. (Creston: Symphony No. 2; Symphony 641−645; (Caturla: First Cuban Suite. Rhapsodies for Violin and Orchestra. (1945), XL, Jul ‘ 54, 472, 475; Symphony No. 5, XXXVI, Jul ’ 50, 446; Toccanta, XLI, Oct ‘ 55, 551, 552 article by, “*Paul Creston,” XXXIV, Oct ’ 48, 533−543 book by, AMERICAN COMPOSERS ON AMERICAN MUSIC, A SYMPOSIUM, book reviews by, BRUCKNER MAHLER SCHOENBERG, by Dika Newlin, Symphony No. 6, XLII, Jan '56, 142; Symphony No. 11, XLI, Oct '55, 551; XIX, Jul '33, 351−353 XXXIII, Jul '47, 409−412; MUSIC IN OUR TIME, by Adolf Salazar (Isabel Pope, translator), XXXIII, Jan '47, 126−130 current chronicles by, Baltimore: XXXVIII, Apr '52, 285−287; Hartford, Conn.: XXXV, Jul '49, 448−451; Los Angeles: XXXVI, Oct '50, 587−592; Louisville, Ky.: XLI, Apr '55, 223−225; New York City: XXXIV, Jul '48, 410415; XXXV, Jan '49, 106−111; XXXV, 31 Symphony, Reginald Stewart, cond.), XLII, Jan '56, 122, 123; (Hively, Wells: Tres Himnos. Eastman-Rochester Symphony Orchestra, Howard Hanson, cond.), XLII, Jul '56, 419, 420; (Ives: linist, Leopold Mittman, pianist), XXXIX, Apr '53, 323−325; (Ives: Symphony No. 3. Baltimore Little Symphony, Reginald Stewart, cond.), XLII, Jan '56, 122−123; (Porter, Quincy: Sonatas Nos. 1 and 3. Joan Field, vio- Poem and Dance. Eastman-Rochester Symphony Orchestra, Howard Hanson, cond.), XLII, Jul ‘ 56, 419; (Porter: Quincy: String Quartet No. 6. Quatuor Pascal de la Radiodiffusion Frannaise), XLII, Jan ’ 56, 118, 119; (Roldan, Amadeo: Ritmica No. 1, for wind quintet and piano. Henrietta Roget, piano; Ensemble de solistes de L' Orchestre National de la Radiodiffusion Francaise, Georges Tzipine, cond.), XLII, Jan ‘ 56, 118, 119; (Villa-Lobos: Mass of Saint Sebastian, for three voices a cappella. Chorus of the University of California at Berkeley. Werner Janssen, conductor), XXXIX, Apr ’ 53, 340342 COWELL, Henry and Sidney, CHARLES IVES AND HIS MUSIC, XLI, Apr ‘ 55, 253−256 (book review by Alfred Frankenstein) COWELL, Sidney (See: COWELL, Henry and Sidney, CHARLES IVES AND HIS MUSIC) COX, John Harrington, XVIII, Jan ’ 32, 109, 118 book by, FOLK-SONGS OF THE SOUTH, XIV, Apr ‘ 28, 285; XXII, Apr ’ 36, 166 Cradle Song, A (John Alden Carpenter), XI, Jul ‘ 25, 394 Cradle Song (Leo Orstein), XI, Jul ’ 25, 413 Cradle Will Rock, The (Marc Blitzstein), XXXIX, Jan ‘ 53, 94−95 CRAWFORD, Ruth, XXIV, Jan ’ 38, 26 (on moder art-song) Creation, The (voice and eight instruments) (Louis Gruenberg), XXXIV, Jan ‘ 48, 5 Credendum (William Schuman), XLII, Jan ’ 56, 143; XLII, Jul ‘ 56, 386−389 CRESTON, Paul, XXXIII, Jul ’ 47, 317 (See also: “*Paul Creston”) list of compositions, XXXIV, Oct ‘ 48, 542−543 portrait, XXXIV, Oct ’ 48, Opp. 534 music by, Choric Dance No. 2, XXXIII, Apr ‘ 47, 186; XXXIV, Oct ’ 48, 538; Frontiers (orchestra), XXXIII, Apr ‘ 47, 186; XXXIV, Oct ’ 48, 538; Invocation and Dance, Op. 68, XLI, Oct ‘ 55, 551; Preludes I and II, Op. 38 (piano), XXXIV, Oct ’ 48, 537; Seven Theses (piano), XXXIV, Oct ‘ 48, 533; Sonata for Saxophone and Piano, XLI, Oct ’ 55, 551, 553; Symphony No. 1, XXXIV, Oct ‘ 48, 533; Symphony No. 2, XXXIV, Oct ’ 48, 539−540; XXXV, Apr ‘ 49, 286; XL, Oct ’ 54, 624−625; Symphony No. 3, XXXVII, Jan ‘ 51, 78−81; XL, Oct ’ 54, 32 624−625; Three Chorales from Tagore (chorus), XXXIII, Jan '47, 136 CREW, Lucile, Nocturne, XI, Jul '25, 417 CRIST, Bainbridge, music by, Chinese Mother Goose, VIII, Oct '22, 552; Into a Ship Dreaming, XV, Jan '29, 94−98; No Limit, XI, Jul '25, 397−398; Songs, Analytical review of, XI, Jul '25, 404407, (April Rain; Chinese Mother Goose Rhymes (song cycle); Colored Toys; The Dark King' s Daughter; Drolleries from an Oriental Doll' s House (song cycle); Enchantment; Girl of the Red Mouth; If There Were Dreams to Sell; Into a Ship Dreaming; Languor; The Little Bird; Mistletoe; 0 Come Hither; The Old Soldier; To Arcady; To Columbine!; Would You Go So Soon; You Will Not Come Again) Criticism (See: Aldrich; Apthorp; Downes; Dwight; Elson (A.); Finck; Fry; Gilman; Goepp; Graf (Max); Hackett; Haggard; Hale; Henderson; Humiston; Huneker; Krehbiel; Parker; Peiper (H. T. P.) Thompson (O.); Upton; Watson; White (R. G.) Croon of the Dew, The (Henry F. Gilbert), XI, Jul '25, 386 CROSTEN, William L., book by, FRENCH GRAND OPERA, XXXIV, Oct '48, 627−629 (book review by Donald Jay Grout) current chronicle by, Central City, Colo., XLII, Oct '56, 527−529 Cruiser Harvard (Gustav Strube), XXVIII, Jul '42, 294 Cryin' Blues (See: Four Negro Songs) Crystal Gazer, The (A. Walter Kramer), XI Jul '25, 401, 403 Cuatro Soles, Los (Carlos Chavez), XXII, Oct '36, 438, 443 Cuatros Madrigales Amatorios (Joaquin Rodrigo), XLI, Jan '55, 77 Cuauhnahuac (Cuernavaca) (Silvestre Revueltas), XXVII, Apr '41, 127, 130−131 Cuban Drums and Bells, XXVIII, Apr '42, Opp. 238 (illustrations) Cuban Drums and Rattles, XXVIII, Apr '42, Opp. 228 (illustrations) Cuban Drums, Rattles and Bells, XXVIII, Apr '42, Opp. 229 (illustrations) Cuban Instrumental Ensembles, 1580 et. seq., XXXIII, Jul '47, 373 Cuban Marimbales and Percussion Instruments, XXVIII, Apr '42, Opp. 239 (illustrations) Cuban Musical Instruments, XXXIII, Jul '47, 371 Cuban Overture (George Gershwin), XXXIII, Jul '47, 312 Cuban Symphony Orchestra, XXXIII, Jul '47, 380 Cumbres (Jose Pablo Mancayo), XLI, Jan '55, 78 Cummington Story, The (documentary film music) (Aaron Copland), XXXI, Oct ‘ 45, 426 CUNNINGHAM, Eloise, “ The Japanese KO-UTA and HA-UTA, The ’ Little Songs' of the 17th Century,” XXXIV, Jan ‘ 48, 68−83 Current Chronicle, “ Bizet and Modern Music” (Paul Rosenfeld), XXV, Jan ’ 39, 97−103; “ Busoni In His Letters” (Paul Rosenfeld), XXV, Apr ‘ 39, 226−231; “ Copland-Harris-Schuman” (Paul Rosenfeld), XXV, Jul ’ 39, 372381; “ Szymanowski-Villa-Lobos” (Paul Rosenfeld), XXV, Oct ‘ 39, 513−518 Current Chronicle, Ann Arbor (Mich.): XLI, Jul ’ 55, 361−363; XLI, Oct ‘ 55, 511−514; Austria: XLI, Jan ’ 55, 89−93; XLI, Jul ‘ 55, 376−377; XLII, Apr ’ 56, 248−251; Baltimore: XXXVIII, Apr ‘ 52, 285−287; Boston: XXXIV, Apr ’ 48, 249252; XXXV, Apr ‘ 49, 282−289; XXXVI, Apr ’ 50, 259−268; XXXVI, Jul ‘ 50, 441−443; XXXVII, Apr ’ 51, 241−243; XXXVIII, Jan ‘ 52, 118−123; XLI, Apr ’ 55, 227−228; Central City, Colo.: XLII, Oct ‘ 56, 527−529; Chicago: XXXVI, Jan ’ 50, 92−94; XXXVII, Apr ‘ 51, 243247; XLI, Jul ’ 55, 363−367; Chile: XXXIV, Jul ‘ 48, 419−423; Cleveland: XXXIV, Jul ’ 48, 405−407; England: XLI, Apr ‘ 55, 238−241; XLII, Oct ’ 56, 536−538; Hartford, Conn.: XXXV, Jul ‘ 49, 448−451; Italy: XLI, Oct ’ 55, 524526; Lenox, Mass.: XLII, Oct ‘ 56, 530533; Los Angeles: XXXVI, Oct ’ 53, 595−600; XL, Jan ‘ 54, 56−58; XL Oct ’ 54, 572−575; Louisville, Ky.: XLI, Jan ‘ 55, 76−85; XLI, Apr ’ 55, 223−225; XLII, Jan ‘ 56, 85−86; New York City: XXXIV, Jul ’ 48, 407−409, 410−415; XXXIV, Oct ‘ 48, 594−599, 599−603; XXXV, Jan ’ 49, 106−111, 111, 115, 115121; XXXV, Apr ‘ 49, 289−292, 292−296; XXXV, Jul ’ 49, 451−458, 358−465; 466470; XXXV, Oct ‘ 49, 616−619, 619−622; XXXVI, Jan ’ 50, 94−98; XXXVI, Apr ‘ 50, 268, 274−276, 276−282; XXXVI, Jul ’ 50, 444−447, 447, 453; XXXVI, Oct ‘ 50, 592−595; XXXVII, Jan ’ 51, 76−83, 83−89; XXXVII, Apr ‘ 51, 248−253, 253260; XXXVII, Jul ’ 51, 394−396, 396402, 402−404, 405−410; XXXVII, Oct ‘ 51, 578−580; XXXVIII, Jan ’ 52, 123- 136; XXXVIII, Apr ‘ 52, 287−291, 291298; XXXVIII, Jul ’ 52, 435−440, 440Oct ‘ 52, 595−600; 445; XXXVIII, XXXIX, Jan ’ 53, 94−98, 98−103; XXXIX, Apr ‘ 53, 247−251, 251−255; XXXIX, Jul ’ 53, 426−432; XXXIX, Oct ‘ 53, 600−604; Philadelphia: XXXIV, Apr ’ 48, 252254; XXXV, Jan ‘ 49, 122−126; XXXV, Apr ’ 49, 296−301; XXXVI, Apr ‘ 50, 282−285; XXXVII, Apr ’ 51, 260−264; XXXVIII, Apr ‘ 52, 298−301; Pittsburgh: XXXIV, Apr ’ 48, 254, 256; XXXVIII, Apr ‘ 52, 301−309; XXXIX, Jul ’ 53, 432−435; XL, Jan ‘ 54, 58−62; XL, Apr ’ 54, 235−243; XL, Jul ‘ 54, 391394; 397−401; XLI, Jan ’ 55, 85−89; XLI, Apr ‘ 55, 225−227; XLI, Apr ’ 55, 227−228; XLI, Jul ‘ 55, 368−373; 373−376; XLI, Oct ’ 55, 514−517; XLII, Jan ‘ 56, 86−92; XLII, Apr ’ 56, 236−239; 240−244; XLII, Jul ‘ 56, 383−386; 386−390, 390−394; Pittsburgh: XLI, Jul ’ 55, 367−368; XLII, Jul ‘ 56, 394−396; Princeton: XXXV, Apr ’ 49, 301−305; Rochester, N.Y.: XXXIV, Jul ‘ 48, 415−419; XXXV, Jan ’ 49, 126−128; San Francisco: XXXVI, Jan ‘ 50, 99−105; XLI, Apr ’ 55, 229−233; XLII, Apr ‘ 56, 244−247; Waltham, Mass.; XLI, Oct ’ 55, 517−520 CURRIER, T. P., “*Edward Mac Dowell As I Knew Him,” I, Jan ‘ 15, 17−51 Curtis Institute of Music (Philadelphia, Pa.), XV, Jan ’ 29, 6; XXV, Jul ‘ 39, 258; XXVIII, Oct ’ 42, 471 CURTIS, Natalie (See also: Burlin, Natalie Curtis), articles by, “ American Indian Cradle-Songs,” VII, Oct ‘ 21, 549−558; “ The Classic Dance of Japan,” I, Jul ’ 15, 329−335; “ A Plea For Our Native Art,” VI, Apr ‘ 20, 175−178 book by, THE INDIAN' S BOOK, VII, Oct ’ 21, 549; XXII, Jan ‘ 36, 52 CURTISS, Mina, article by, “ Bizet, Offenbach, and Rossini,” XL, Jul ’ 54, 350359 CUYLER, Louise, HEINRICH ISAAC' S CHORALES CONSTANTINUS BOOK III. Transcribed from the Formschneider first edition, XXXVII, Oct ‘ 51, 613−621 (Book review by Walter H. Rubsamen) CYKLER, Edwin, XXXVII, Oct ’ 51, 471 Cyrano de Bergerac (Walter Damrosch), XVIII, Jan ‘ 32, 7 “ Czechoslovak Composers and Musicians in America” (Jan Lowenbach), XXIX, Jul ’ 43, 313−328 33 D DABNEY, J. P., “ The Relation Between Music and Poetry,” XIII, Jul ‘ 27, 377383 DAHL, Ingolf, music by, Concerto a Tre, XL, Jul ’ 54, 472, 474; Duo for ‘ Cello and Piano, XXXVI, Oct ’ 50, 589−590; The Tower of St. Barbara, XLI, Jan ‘ 55, 79 Daily Advertiser (Boston), XVIII, Apr ’ 32, 328 Daily Advertiser (NYC), XVII, Jan ‘ 31, 25 Daily Commercial Journal (Pittsburgh, Pa.), XXI, Jan ’ 35, 20 DALLAPICCOLA, Luigi, music by, Marsia (ballet), XLI, Oct ‘ 55, 524−526; Tartiniana (violin and orchestra), XLI, Oct ’ 55, 551, 555 (record review by Nathan Broder); Variazioni per Orchestra, XLI, Jan ‘ 55, 78, 79−85 Dallas Orchestra, (Texas) Symphony XXXVIII, Apr ’ 52, 298 DALY, John J. (music publisher, NYC), XX, Jan ‘ 34, 93, 94 Dame Lombarde (French Canadian Folk Song), XXIX, Jan ’ 43, 126−128 DAMON, S. Foster, Series of Old American Songs,“ XLII, Oct ‘ 56, 457, 466 DAMROSCH, Frank, XVIII, Jan ’ 32, 6, 104; XXXIII, Apr ‘ 47, 208; ” A Tribute to Frank Damrosch,“ (Edwin T. Rice), XXV, Apr ’ 39, 129−134; portrait, XXV, Apr ‘ 39, Opp. 129 DAMROSCH, Leopold, VI, Jan ’ 20, 85; VI, Apr ‘ 20, 232, 252; XI Jul ’ 25, 317, 318; XX, Oct ‘ 34, 392; XXV, Apr ’ 39, 129; XXIV, Apr ‘ 38, 215. (See also: ”*Personal Recollections of Leopold Damrosch,“ XXVIII, Jul ’ 42, 269−275; portrait, XXVIII, Jul ‘ 42, Opp. 269 DAMROSCH, Walter, VI, Apr ’ 20, 235; VII, Jul ‘ 21, 404; XII, Oct ’ 26, 634; XVIII, Jan ‘ 32, 85, 89, 92; XVIII, Oct ’ 32, 647; XXII, Apr ‘ 36, 142; XXIII, Oct ’ 37, 413; XXV, Apr ‘ 39, 131, 132; (as pianist), XXVIII, Jul ’ 42, 271, 273; XXX, Apr ‘ 44, 203; XXX, Jul ’ 44, 310, 311; XXXI, Apr ‘ 45, 180; XXXIII, Jan ’ 47, 107; XXXVI, Apr ‘ 50, 162; ”*Walter Damrosch,“ (W. J. Henderson), XVIII, Jan ’ 32, 1−8; portraits, XVIII, Jan ‘ 32, Opp. 1; XXVIII, Jul ’ 42, Opp. 269 music by, Cyrano de Bergerac, XVIII, Jan ‘ 32, 7; Manilla Te Deum, XVIII, Jan ’ 32, 7; The Scarlet Letter (opera), XXXI, Jan ‘ 45, 109 34 article by, ” Hans Von Billow and the Ninth Symphony,“ XIII, Apr ’ 27, 280293 book by, MY MUSICAL LIFE, X, Jan ‘ 24, 145−146 Dance in Place Congo, The (Henry F. Gilbert), IV, Jan ’ 18, 33−34; IX, Jan ‘ 23, 125; XVI, Jan ’ 30, 24, 25−26; XVI, Oct ‘ 30, 447; XXXI, Jan ’ 45, 112 ” Dance Libellule,“ Ballet-Pantomime, Op. 44, (Blair Fairchild), XIV, Jan ‘ 28, 149−154 Dance of Salome (Bernard Rogers), XXXIII, Apr ’ 47, 219 Dance of the Eagles (Pueblo Indian Tribal Dance), VI, Apr ‘ 20, 176−178 Dance Pantomimes, XXIV, Jan ’ 38, 58−73 Dance Scenes (Bernard Rogers), XLI, Jan ‘ 55, 77 Dance Suite (Bela Bart6k) (Record Review by Henry Cowell), XXXIX, Oct ’ 53, 641−645 Dances in Minstrel Shows (See: Daniel Emmett, Minstrelsy), XXIX, Apr ‘ 43, 248−249 Dancing Schools, NYC, (18th Century), XXII, Apr ’ 36, 176−177 Dandroo (folk ballad), IV, Apr ‘ 18, 300301 Daniel Boone: Legend for Orchestra (Carl Bricken), XLI, Jan ’ 55, 77 ”*Daniel Gregory Mason“ (Burnet C. Tuthill), XXXIV, Jan ‘ 48, 46−60 Daniel Jazz (Louis Gruenberg), XVIII, Jan ’ 32, 11; XXXIV, Jan ‘ 48, 4 Daniel Webster' s Funeral March by Beethoven, XIII, Apr ’ 27, 246 DANIELS, Mabel W., VI, Jan ‘ 20, 27 Danish Folkmusic Suite (Percy Grainger), XXIII, Apr ’ 37, 130 Danse Negre (Louis Moreau Gottschalk), XXXI, Jul ‘ 45, 365 Danse Ossianique (Louis Moreau Gottschalk), XXXI, Jul ’ 45, 357 Dansons la gigue (John Alden Carpenter), XI, Jul ‘ 25, 394 Danza (George W. Chadwick), XI, Jul ’ 25, 384 Danzas Cubanas (piano) (Ignacio Cervantes Kawanagh), XXXIII, Jul ‘ 47, 378−379 Danzdn Cubano (Aaron Copland), XXXV, Apr ’ 49, 286 Daphne (opera) (Arthur Bird), XXIX, Jan ‘ 43, 84 d' ARCHAMBEAU, Iwan (or Ivan) (See also: Flonzaley Quartet), VI, Oct ’ 20, 473; XXIII, Oct ‘ 37, 417; XXVIII, Jul ’ 42, 297 “*Darius Milhaud” (Marion Bauer), Dead March (Benjamin Carr), XVIII, Jan ‘ 32, 166 XXVIII, Apr ’ 42, 139−159 Dark Hills (Wintter Watts), XI, Jul ‘ 25, Dead March In Saul (Charles Ives), XIX, 392 Jan ’ 33, 53 Dark King' s Daughter, The (Bainbridge DEAGAN, J. C., “ A=440 Pitch Adopted, Pitch versus Temperature,” IV, Oct Crist), XI, Jul ‘ 25, 406 ’ 18, 587−592 Dar' s a Donkey in de Tent (Wide Awake) (Daniel Decatur Emmett), XXXV, Jan Dearest May (folk air), IV, Jan ‘ 18, 29 December (Charles Ives), XIX, Jan ’ 33, 55, ‘ 49, 60−61 56 Dartmouth (N. H.) Handel Society, XXI, DE COPPET, Edward J., XXIII, Jan ’ 37, Apr ‘ 35, 207 27; XXIII, Oct ’ 37, 413−420; (See also: DAVID, Hans Theodore, XVXII, Oct ‘ 41, 535; XXXI, Oct ’ 45, 538−540; XXXVI, Flonzaley Quartet, “ Edward J. de Coppet”) Apr ‘ 50, 180; XXXVI, Oct ’ 50, 485; XXXIX, Jul ‘ 53, 396; XLII, Oct ’ 56, “ De Coppet Music Room in New York and Switzerland” (Edwin T. Rice), XXIII, 495 Oct ‘ 37, 413−420 articles by, “ Bach' s Musical Offering,” XXIII, Jul ’ 37, 314−332; “ Mozartean Deep River (Negro Spiritual), IV, Jul ‘ 18, 330 Modulations,” XLII, Apr ’ 56, 193−212 book review by, (THE ART OF FUGUE, DeFOREST, Lee, IV, Apr ‘ 18, 262, 264265; XXIV, Apr ’ 38, 223 BACH' S LAST HARPISCHORD M. Leonhardt), XXXIX, Jul ‘ 53, 463466 David (Darius Milhaud), XL, Oct ’ 54, 575580 “*David Stanley Smith” (Buret C. Tuthill), XXVIII, Jan ‘ 42, 63−77 DAVIDSON, Leverette J., XXXIX, Oct ’ 53, 631 DAVIS, Arthur Kyle, Jr., “ Some Problems of Ballad Publication,” XIV, Apr ‘ 28, 283−296 DAVIS, Ellabelle, XXXVI, Jul ’ 50, 441 DAVISON, Archibald T., XXI, Jan ‘ 35, 47; Davison, and Apel, Willi, HISTORIWORK: AN ARGUMENT, by Gustav De' il DEIS, Carl, A Lover' s Lament, XI, Jul ’ 25, 416; La Fuite de la Lune, XI, Jul ‘ 25, XVI, Apr '30, 174 Amang the Tailors (fiddle tune), 416; The Waning, XI, Jul '25, 416 DeKOVEN, Reginald, XVIII, Jan '32, 101; music by, Highwayman (opera), XXIX, Jan '43, 84 DeLAMARTER, Eric, XXIV, Jul '38, 251; music by, Love-Free, XI, Jul '25, 414; Sonata for Violin, VII, Jul '21, 305; Summer Lullaby, XI, July 25, 414 de LEONE, FrancescoB., XI, Apr ‘ 25, 309 DELIUS, Frederick, Appalachia (See also: Sharp, Cecil), XV, Jul ’ 29, 441, 444 OF MUSIC: “ Delius and America” CAL ANTHOLOGY (Eric Blom), XV, BAROQUE, ROCOCO, AND PREJul ‘ 29, 439−447 CLASSICAL MUSIC (Book Review by Glen Haydon), XXXVII, Jan ’ 51, 112- DELLO JOIO, Norman, music by, A Psalm of David, for chorus and orchestra, 114; Davison and Apel, HISTORICAL XXXVIII, Jul ‘ 52, 483 (record review ANTHOLOGY OF MUSIC: ORIENby Vincent Persichetti); The Triumph TAL, MEDIEVAL AND RENAISSANCE MUSIC (Book Review by of St. Joan Symphony, XXXIX, Erich Hertzmann), XXXIII, Jan '47, 123−126 DAVISSON, Ananias (Singing-schoolteacher), XXVI, Oct '40, 492 DAVOLOS, Diego Lopez (printer), XV, Jan '29, 54 Dawn in a Tropical Forest (Heitor Villa- '53, 314−316 (recordreview by Rudolph Reti); XLI, Jan '55, 77; The Trial At Rouen (opera), XLII, Jul '56, 383−386; Variations and Apr and Piano, XL, Jul '54, 472, 474; Variations, Chaconne and Finale, Capriccio for Violin XXXV, Apr '49, 287 Demorest' s Magazine, XX, Jan '34, 94 Day Is No More, The DENSMORE, Frances, XXXVII, Jul ‘ 51, 370 articles by, “ Music of the American Inpenter), XI, Jul ’ 25, 396. dians at Public Gatherings,” XVII, Oct ‘ 31, 464−479;“ The Songs of Indian Day' s End (voice) (Louis Campbell-Tipton), XIV, Jan ’ 28, 147−148 Soldiers During the World War,” XX, Oct ‘ 34, 419−425;“ The Study of Indian De Profundis, Op. 50b (Arnold Schoenberg) Music,” I, Apr ’ 15, 187−197; Oct ‘ 15, (setting of Psalm 130 for six-part 392; “ The Use of Music in the Treatmixed chorus), XXXVII, Oct ’ 51, 486 (John Alden Car- Lobos), XLI, Jan '55, 79 DAY, H. W., XXVI, Apr '40, 159 35 ment of the Sick by American Indians,“ XIII, Oct ‘ 27, 555−565 DENT, Edward J., ”*Otto Kinkeldey,“ XXIV, Oct ’ 38, 405−411 Deserter, The (comic opera) (Pelissier and Carr), XVIII, Jan ‘ 32, 159 Deserts (Edgar Varese), XLI, Jul ’ 55, 370373 Design for an Atomic Age (Avery Claflin), XLII, Jan ‘ 56, 88, 89 Desolate City (Richard Yardumian), XLI, Oct ’ 55, 551−554 DESSOFF, Margarete, XXI, Jan ‘ 35, 33 Dessoff Choir, XXXVIII, Oct ’ 52, 663 Dessoff Choirs (NYC), XXI, Jan ‘ 35, 33 DESTINN, Emmy, XXXIII, Apr ’ 47, 183 DItTHIER, Gaston M., XXV, Apr ‘ 39, 132; XXXIV, Oct ’ 48, 534 Detroit Symphony Orchestra, XXXIV, Jan ‘ 48, 56 DETT, Nathaniel, XVI, Jul ’ 30, 401; book by, RELIGIOUS FOLK-SONGS OF THE NEGRO, XXII, Apr ‘ 36, 158 DEUTSCH, Babette, ” America in the Arts,“ VII, Jul ’ 21, 303−308 Deux chants populaires persans (Blair Fairchild), XIV, Jan ‘ 28, 149−154. Deux Images (Bela Bart6k) (Record Review by Henry Cowell), XXXIX, Oct ’ 53, 641−645 Devil and Daniel Webster, The (opera), (Douglas Moore), XXXI, Jan ‘ 45, 103; XXXIV, Jan ’ 48, 8 Devil To Pay (Charles Coffey), VI, Jan ‘ 20, 79 DEWEY, Ferdinand, XVIII, Jan ’ 32, 79 Dial (Boston music magazine), XIII, Apr ‘ 27, 230−231, 244 DIAMOND, David, XXXVI, Oct ’ 50, 579; music by, Concerto for Two Solo Pianos, XXXIV, Apr ‘ 48, 252−254; Rounds for String Orchestra, XXXV, Apr ’ 49, 286; Symphony No. 2 (first performance), XXXV, Apr ‘ 49, 286; Symphony No. 3, XXXVII, Jan ’ 51, 81−83; Symphony No. 4 (commissioned by Koussevitzky Music Foundation), XXXIV, Apr ‘ 48, 249, 250−251; Symphony No. 4 (first performance), XXXV, Apr ’ 49, 287; Timon of Athens-A Symphonic Portrait After Shakespeare (Louisville Orchestra commission), XXXVII, Apr ‘ 51, 255; XLI, Jan ’ 55, 77 article by, ” Bernard Rogers,“ XXXIII, Apr ‘ 47, 207−227 DfAZ, Ram6n, XXXI, Apr ’ 45, 221 Dichotomy (Wallingford Riegger), XXXIII, Jul ‘ 47, 318−319; XXXVI, Jan ’ 50, 4750 36 DICKINSON, Clarence, XVIII, Jan ‘ 32, 100; (as editor, THE PRESBYTERIAN HYMNAL), XXXVII, Apr ’ 51, 221 DICKINSON, Edward, I, Oct ‘ 15, 628, 640, 652 DICKINSON, George Sherman, “*Otto Kinkeldey,” XXIV, Oct ’ 38, 412−418 book reviews by, (EARLY CHAMBER MUSIC, Ruth Halle Bowen), XXXV, Oct ‘ 49, 638−640; (HUGO WOLF, by Frank Walker), XXXVIII, Jul ’ 52, 446451; (MASTERPIECES OF MUSIC BEFORE 1750. An Anthology with Historical and Analytical Notes by Carl Parrish and John F. Ohl), XXXVII, Oct ‘ 51, 598−603; (MUSIC IN THE BAROQUE ERA, Manfred F. Bukofber), XXXIV, Jul ’ 48, 435−439 Didn' t My Lord Deliver Daniel (Negro Spiritual), IV, Jul ‘ 18, 327−328 DIENVAL, Alexander, VI, Jan ’ 20, 71 F. Meredith, DIETZ, “ Make-Ready,” XXVIII, Jul ‘ 42, 393−394 DILLA, Geraldine P., “ Music-Drama: An Art-Form in Four Dimensions,” X, Oct ’ 24, 492−499 DILLER, Angela, XII, Oct ‘ 26, 541; XIX, Jul ’ 33, 324; XXVIII, Oct ‘ 42, 398, 403 “ D' Indy, Vincent: An Estimate,” I, Apr ’ 15, 246−259 DINNEEN, William, “ Early American Manuscript Music-Books,” XXX, Jan ‘ 44, 50−62 DIPPEL, Johann Andreas, XXIX, Jul ’ 43, 319 Dirge of Small-Raven (Indian tribal air), XX, Jan ‘ 34, 112−113 DISSERTATION ON MUSICAL TASTE (Thomas Hastings), XXXII, Apr ’ 46, 268, 270, 271 DITSON, Arthur (publisher), XIII, Apr ‘ 27, 246 DITSON, Oliver, XXI, Jan ’ 35, 75 Ditson and Co. (Boston) (See: Oliver Ditson & Co.), XX, Jan ‘ 34, 94, 95 Ditty, A (Arthur Foote), XI, Jul ’ 25, 383384 Diversions (John Alden Carptenter), XVI, Oct ‘ 30, 458 Divertimento (Alexei Haieff), XXXV, Apr ’ 49, 287 Divertimento (Andrew Imbrie), XXXVI, Jul ‘ 50, 445 Divertimento (Prologue, Song, Dance, Burlesque, Soliloquy, March) (concert band) (Vincent Persichetti), XXXVI, Oct ’ 50, 595 Divertimento for Nine Instruments (Walter Piston), XXXII, Jul ‘ 46, 372 Divertimento for Strings (Bela Bart6k) (Record Review by Henry Cowell), XXXIX, Oct ‘ 53, 641−645 Divertimento in A Minor for Violin and Orchestra (Charles Martin Loeffler), XI, Jul ’ 25, 320, 325 Divertissement Espagnole (Charles Martin Loeffler), XI, Jul ‘ 25, 326 Dixie (Daniel Emmett), VI, Apr ’ 20, 255256; XIV, Jan ‘ 28, 73; XVI, Oct ’ 30, 458; (Hans Nathan) XXXV, Jan ‘ 49, 60−84 Do Not Go, My Love (Richard Hageman), XI, Jul ’ 25, 416 DOANE, W. H. (See: “ Gospel Hymns”), XXVI, Jul ‘ 40, 358, 360 Docteur qui Vend Son Ame, Le (French Canadian folk song), XXIX, Jan ’ 43, 128−129 Dodsworth' s Hall (NYC), VI, Apr ‘ 20, 231, 247; XXIV, Apr ’ 38, 216 Does You Call Dat Religion? (Negro Spiritual), XVIII, Jan ‘ 32, 65 Dolly Day (Stephen C. Foster), XXI, Jan ’ 35, 17 DOMENICO SCARLATTI (Ralph Kirkpatrick) (book review by Albert T. Luper), XL, Jan ‘ 54, 84−89 Dominican Republic, The Music of (See: “ Music and Musicians of the Dominican Republican,” Parts 1 and II) DOMINICAN SONGS AND DANCES (Julio Alberto Hernandez), XXXI, Apr ’ 45, 221 DONOVAN, Richard, music by, New England Chronicle (orchestral overture), XLII, Jul ‘ 56, 419−420 (record review by Henry Cowell); Suite for String Orchestra and Oboe, XLII, Jan ’ 56, 122, 123 (record review by Henry Cowell) Don' t Ceare (John Alden Carpenter), XI, Jul ‘ 25, 394; XVI, Oct ’ 30, 451, 456 Don' t We All? (Burrill Phillips), XXXV, Jul ‘ 49, 466−470 DORIAN, Frederick, book by, THE MUSICAL WORKSHOP (book review by Ernst Levy), XXV, Jan ’ 49, 151−153; current chronicle by, (Pittsburgh), XXXIV, Apr ‘ 48, 254−256; XXXVIII, Apr ’ 52, 301−309; XXXIX, Jul ‘ 53, 432435; XLI, Jul ’ 55, 367−368; XLII, Jul ‘ 56, 394−396 DORING, Ernest N. (See: Lang, Paul Henry, book review, HOW MANY STRADS?) DOSSERT, Frank G., XVIII, Jan ’ 32, 53 Dost Thou? (Charles Ives), XIX, Jan ‘ 33, 53 Double Trouble (Richard Mohaupt), XLI, Jan ’ 55, 79 DOUGLASS, David, VI, Jan ‘ 20, 78 Down Among the Daisies (old singing game), III, Jul ’ 17, 383 Down In the Valley (Kurt Weill) (opera), XXXVII, Jul ‘ 51, 328 DOWNES, Olin, XXVI, Jan ’ 40, 107; XXVIII, Apr ‘ 42, 143−144, 157; XXXI, Jan ’ 45, 108; XXXI, Apr ‘ 45, 144; XXXIV, Jan ’ 48, 2 articles by, “ An American Composer,” IV, Jan 18, 23−36; “*J. A. Carpenter, American Craftsman,” XVI, Oct ‘ 30, 443−448 book by, THE LURE OF MUSIC, XIII, Jan ’ 27, 53 Dream King and His Love, Op. 31 (Horatio Parker), XVI, Apr ‘ 30, 156 Dream of Mary, A Morality, Op. 82 (Horatio Parker), XVI, Apr ’ 30, 160 Drei Gesange, Op. 32 (for voice) (Templeton Strong), XIV, Jan ‘ 28, 145−147 Dreimal Tausend Jahre, Op. 50a (Arnold Schoenberg) (for four-voiced chorus, a cappella), XXXVII, Oct ’ 51, 486 Dreigroschenoper, Die (Kurt Weill) (Record Review by H. W. Heinsheimer), XXXIX, Jan ‘ 53, 155−157 DRESEL, Otto, XXIII, Jan ’ 37, 42 DRESSLER, Louis R, XVIII, Jan ‘ 32, 85, 86, 97 DRINKER, Henry S., “ On Translating Vocal Texts,” XXXVI, Apr ’ 50, 225240 DRINKER, Sophie, MUSIC AND WOMEN (Book Review by Doris Silbert), XXXIV, Apr ‘ 48, 285−288 Drolleries from an Oriental Doll' s House (song cycle) (Bainbridge Crist), XI, Jul ’ 25, 406 Drum Taps (Howard Hanson), XXII, Apr ‘ 36, 146, 147, 150 Du bist wie eine Blume (George W. Chadwick), XI, Jul ’ 25, 384 DUCKLES, Vincent, XLII, Jul ‘ 56, 297 Duets for Violin and ’ Cello, Op. 32 (Blair Fairchild), XIV, Jan ‘ 28, 149−154 DUEY, Philip A., “ Vocal Art in Antiquity,” XXXII, Jul ’ 46, 390−410 DUKE, Vernon (pseudonym for Vladimer Dukelsky; article by “ Gershwin, Schillinger, and Dukelsky,” XXXIII, Jan ‘ 47, 102−115 DUKELSKY, Vladimer (See also: Duke, Vernon); portrait, XXXIII, Jan ’ 47, Opp. 104; music by, Concerto for Violoncello (first performance), XXXV, Apr ‘ 49, 286 Dulcimore (dulcimer), III, Jul ’ 17, 367 Duo for ‘ Cello and Piano (Arthur Berger), XL, Jul ’ 54, 472, 475 37 Duo for ‘ Cello and Piano (Ingolf Dahl), XXXVI, Oct ’ 50, 589−590 Duo for Violin and Piano (Leon Kirchner), XXXV, Oct ‘ 49, 617−619 Duo para Pato y Canario (voice and orchestra) (Silvestre Revueltas), XXVII, Apr ’ 41, 128, 135−136. DURANG, John (colonial dancer), XXIV, Jan ‘ 38, 60−61 DURHAM, Mellie, XVI, Apr ’ 30, 175 DVORAK, Antonin, VI, Apr ‘ 20, 250−251; IX, Apr ’ 23, 299; IX, Oct ‘ 23, 472; XVI, Oct ’ 30, 465; XVIII, Jan 32, 97; (as conductor), VI, Apr ‘ 20, 235−236; (in America), XXIX, Jul ’ 43, 313−315 music by, Humoresque, VI, Jan ‘ 20, 9; “ New World” Symphony, I, Jan ’ 15, 37; IV, Jan ‘ 18, 27; IV, Jul ’ 18, 330331; VII, Apr ‘ 21, 170; Quintet in EFlat, IV, Jul ’ 18, 330−331 DVORKIN, Judith, Maurice XLII, Jan ‘ 56, 90 DWIGHT, John Sullivan, I, Jan ’ 15, 21; XIII, Apr 27, 229−230, 232; XVIII, Jan ‘ 32, 127; XXI, Apr ’ 35, 207; XXIII, Jan ‘ 37, 42; XXV, Jul ’ 39, 261; XXVII, Apr ‘ 40, 149, 161; XXVI, Jul ’ 40, 301; XXXI, Jul ‘ 45, 357−358, 366; XXXIX, Jan ’ 53, 88, 91; XLII, Jul ‘ 56, 361, 362, 363, 364 (See also: COOKE, George Willis, and “#John Sullivan Dwight”) portrait, XXI, Jan ’ 35, Opp. 74 articles by “ Music As a Means of Culture,” XXI, Jan ‘ 35, 83; “ The Proper Character of Poetry and Music for Public Worship” (doctoral dissertation), XXI, Jan ’ 35, 70 Dwight' s Journal of Music (April 10, 1852September 3, 1881), XII, Apr ‘ 26, 307; XVIII, Jan ’ 32, 127; XX, Oct ‘ 34, 393; XXI, Jan ’ 35, 69, 72, 75; XXV, Jul ‘ 39, 259; XXVI, Apr ’ 40, 153, 161; XLII, Jul ‘ 56, 359, 360, 363 DYER, Mrs. Louise B. M., XXXVI, Jul ’ 50, 439 DYER, Samuel (compiler), XIII, Apr ‘ 27, 222−223 book by, CHORUSES, SOLOS AND DUETS FROM THE WORKS OF HANDEL, HAYDN, MOZART, BEETHOVEN… XIII, Apr ’ 27, 228 DYKEMA, Peter W., XI, Apr ‘ 25, 305; XVI, Apr ’ 30, 252; XIX, Jul ‘ 33, 326327, 329−330 E EARHART, Will, XI, Apr ‘ 25, 305; article by, “ Some Aspects of Musical Beauty and Its Appeal to Children,” XI, Apr 25, 248−260 “ Early American Composers and Critics” (Robert Sabin), XXIV, Apr ’ 38, 210218 “ Early American Manuscript Music-Books” (William Dinneen), XXX, Jan ‘ 44, 5062 “ Early Banjo Tunes and American Syncopation” (Hans Nathan), XLII, Oct ’ 56, 455−472 EARLY CHAMBER MUSIC (Ruth Halle Bowen), Book Review by George S. Dickinson, XXXV, Oct ‘ 49, 638−640 EARLY CONCERT LIFE IN AMERICA (Oscar G. Sonneck), XIX, Jan ’ 33, 16; XXI, Apr ‘ 35, 193; XXXI, Oct ’ 45, 536 “ Early Encouragements to American Composers” (Sumner Salter), XVIII, Jan ‘ 32, 76−105 “ Early New England Periodicals Devoted to Music” (H. Earle Johnson), XXVI, Apr ’ 40, 153−161 EARLY OPERA IN AMERICA (Oscar G. Sonneck), VI, Jan ‘ 20, 79; XVIII, Jan ’ 32, 158, 159; XXXI, Oct ‘ 45, 536 38 Eastman-Rochester Symphony Orchestra, XXXV, Jan ’ 49, 126 Eastman School of Music (Rochester, N.Y.), XV, Jan ‘ 29, 6; XXII, Apr ’ 36, 142, 150−151; XXXIII, Apr ‘ 47, 210 Eastman School of Music (Festival of American Music), XXII, Apr ’ 36, 150151; XXXIV, Jul ‘ 48, 415; XXXV, Jul 49, 466−470 Eastman School of Music (Sibley Music Library), XLII, Oct ’ 56, 486 Eastman Symphonic Wind Ensemble, XLI, Jul ‘ 55, 407, 408 “ Easy Instructor, A Bibliographical Study, The” (Frank J. Metcalf), XXIII, Jan ’ 37, 89−97 EASY INSTRUCTOR, OR A NEW METHOD OF TEACHING SACRED HARMONY, THE (William Little and William Smith), XIX, Oct ‘ 33, 394f; (facsimile of p. 18) Opp. 400. EATON, Ralph M., “ Music or Poetry,” IX, Oct ’ 23, 443−449 Ecce jam noctis (George W. Chadwick), X, Jul ‘ 24, 451 Echoes of Boston (Michel Corrette), VII, Apr ’ 21, 296−297 ECKERT, Karl, XVII, Apr '40, 150 EDDY, Clarence, XVIII, Jan '32, 100; XXXII, Apr '46, 290 EDISON, Thomas Alva, XXI, Jan '35, 56 Editorials (Paul Henry Lang), XXXIV, Jan '48, 109−116; XXXV, Oct '49, 602−608; XXXVI, Jul '50, 436−440; XXXVI, Oct '50, 574−578; XXXVII, Jan '51, 71−75; XXXVII, Apr ‘ 51, 234−240; XXXVIII, Apr ’ 52, 278−284 (Book Review of PLEASURES OF MUSIC by Jacques Barzun); XXXVIII, Jul ‘ 52, 426−434; XXXIX, Apr ’ 53, 232−240; XL, Jan ‘ 54, 50−55; XL, Jul ’ 54, 384−390; XLI, Apr ‘ 55, 215−222; XLII, Apr ’ 56, 230−235; XLII, Jul ‘ 56, 377−382 EDMUNDS, John, Coventry (song cycle), XXXVI, Jul ’ 50, 452 “*Education of A. W. Thayer, The” (Christopher Hatch), XLII, Jul ‘ 56, 355−365 MUSIC EDWARD, George Thornton, AND MUSICIANS OF MAINE, XXV, Jul ’ 39, 258 Edward B. Marks, Inc. (See: League of Composers commissions), XXXIV, Jan ‘ 48, 12 “*Edward J. de Coppet,” (Daniel Gregory Mason), II, Oct ’ 16, 516−522 EDWARDS, Charles, BAHAMA SONGS AND STORIES, IV, Jan ‘ 18, 31 Edwin and Angelina (Victor Pelissier), XVIII, Jan ’ 32, 161 EFFINGER, Cecil (List of Compositions written during military service), XXXI, Apr ‘ 45, 148 “*Eagon Wellesz, Musician and Scholar” (Rudolph Reti), XLII, Jan ’ 56, 1−13 EICHEIM, Henry, IX, Apr ‘ 23, 298; XXI, Jul ’ 35, 370 music by, Oriental Impressions, X, Jul ‘ 24, 402 EIGHT NEGRO SONGS (Francis H. Abbot and Alfred J. Swan), XIV, Apr ’ 28, 286 “ Eighteenth-Century Theories of Musical Period Structure” (Leonard G. Ratner), XLII, Oct ‘ 56, 439−454 Eighth String Quartet (David Stanley Smith), XXVIII, Jan ’ 42, 66, 70 Eighth String Quartet (in C) (Heitor Villa Lobos), XXXVI, Jan ‘ 50, 92−94 EINSTEIN, Alfred, XXIX, Jan ’ 43, 69, 70; XXX, Jan ‘ 44, 29; XXXI, Apr ’ 45, 258, 259; XXXII, Oct ‘ 46, 588, 589; XXXIV, Oct ’ 48, 592; XXXVII, Jan ‘ 51, 73−74; XXXIX, Jan ’ 53, 122, 125; XXXIX, Apr ‘ 53, 305; XL, Jan ’ 54, 98−99; XLII, Apr ‘ 56, 255, 257; (See also: “ Ripe Fruit At Sixty” and Editorial by Paul Henry Lang, XXXV, Jul ’ 49, 437−447) Selected List of Works, XXVII, Jul ‘ 41, 277−279 portrait, XXVII, Jul ’ 41, Opp. 265 articles by “ Andrea Antico' s Canzoni Nove of 1510,” XXXVII, Jul ‘ 51, 330339; “ The Conflict of Word and Tone,” XL, Jul ’ 54, 329−349; “ Dante, on the Way to the Madrigal,” XXV, Apr ‘ 39, 142−155; “ In Memoriam: Ludwig Landshoff,” XXVIII, Apr 42, 241247; “ Mozart' s Choice of Keys,” XXVII, Oct 41, 415−421; “ Mozart' s Kyrie, K. 90,” XXXVII, Jan ’ 51, 1−4; “ Narrative Rhythm in the Madrigal,” XXIX, Oct ‘ 43, 475−484; “ An Old Music Print at the J. P. Morgan Library in New York,” XXV, Oct ’ 39, 507−509 books by, MUSIC IN THE ROMANTIC ERA (Book Review by Frederick W. Sternfeld), XXXIII, Oct ‘ 47, 570−575; A MUSICAL PORSCHUBERT, TRAIT (Book Review by Paul Henry Ling), XXXVII, Jul ’ 51, 442−445 book reviews by, (THE BACH READER, Hans T. David and Arthur Mendel, editors), XXXII, Jan ‘ 46, 137−140; (ENGLISH CHAMBER MUSIC, Ernst H. Meyer), XXXIII, Jul ’ 47, 412−416; (MUSIC IN THE MIDDLE AGES, Gustave Reese), XXVII, Jan ‘ 41, 107110; (THE SCHUBERT READER, Otto Erich Deutsch. Translated by Eric Blom), XXXIV, Apr ’ 48, 283−285; (STRAVINSKY IN THE THEATRE, edited and with Introduction by Minna Lederman), XXXV, Oct ‘ 49, 642−644 EITEL, Luise, book review, (LA CAPPELLA MUSICALE DEL DUOMO DI TREVISO, 1300−1633 by Giovanni d' Alessi), XLII, Oct ’ 56, 544−546 Electronic sounds and tape recording, XXXVIII, Oct ‘ 52, 599−600 Eldgie (’ cello and orchestra) (Templeton Strong), XIV, Jan ‘ 28, 145−147 Elegy for Piano, Op. 2 (Daniel Gregory Mason), XXXIV, Jan ’ 48, 48, 56, 57 Elegy for String Orchestra, In Memoriam Anton von Webern (Ernst Krenek) (Record Review by Richard F. Goldman), XXXVIII, Oct ‘ 52, 671−673 “ Elegy” from Third Symphony (excerpt) (Bernard Rogers), XXXIII, Apr ’ 47, 214−215 Elegy in Memory of President Roosevelt (excerpt) (Bernard Rogers), XXXIII, Apr ‘ 47, 215 Elizabeth Sprague Coolidge Foundation, XIV, Apr ’ 28, 299 ELKUS, Albert, XLII, Jul ‘ 56, 292 39 ELLINGTON, Duke, XXI, Jan ‘ 35, 61; XXVII, Jan ’ 41, 53 ELLINWOOD, Leonard, XLII, Oct ‘ 56, 541 articles by, “ The Conductus,” XXVII, Apr ’ 41, 165−204; “ Francesco Landini and His Music,” XXII, Apr ‘ 36, 190216 book by, THE HISTORY OF AMERICAN CHURCH MUSIC (book review by F. Mark Siebert), XL, Jul ’ 54, 423424 book reviews by, (ENGLISH AND SCOTTISH PSALM AND HYMN TUNES, c. 1543−1677, by Maurice Frost), XL, Apr ‘ 54, 256−260; (THE RHYTHM OF TWELFTH CENTURY POLYPHONY, ITS THEORY AND PRACTICE, by William G. Waite), XLI, Apr ’ 55, 250−253 ELLIOTT, Gilbert, Jr., “ Our Musical Kinship with the Spaniards,” VIII, Jul ‘ 22, 413−418 ELLIS, C. A. (manager, Boston Symphony Orchestra), XXXI, Apr ’ 45, 175, 183 ELMAN, Misha, VI, Jan ‘ 20, 9 ELMER, S. Lewis, XXXII, Apr ’ 46, 294 ELSON, Arthur, I, Oct ‘ 15, 628 articles by, “ Architectural Acoustics,” VII, Oct ’ 21, 469−482; “ Literary Errors About Music,” III, Apr ‘ 17, 272−281; “ Sound and Its Uses,” IV, Apr ’ 18, 250267 ELSON, Louis C., V, Jan ‘ 19, 110−111; XXIX, Jan ’ 43, 80 articles by “ Acoustics: Suggestions in Behalf of An Unpopular Subject,” I, Jul ‘ 15, 410−415; “ Atrocities and Humors of Opera,” VI, Apr ’ 20, 206213 book by, THE HISTORY OF AMERICAN MUSIC, XXII, Apr ‘ 36, 163 ELSTON, Arnold, “ Some Rhythmic Practices in Contemporary Music,” XLII, Jul ’ 56, 318−329 ELWELL, Herbert, Pastoral for Voice and Orchestra, XXXIV, Jul ‘ 48, 405−407; (on moder art-song), XXIV, Jan ’ 38, 18 EMERY, Stephen Albert, X, Jul ‘ 24, 443; XVI, Apr ’ 30, 154; XVIII, Jan ‘ 32, 78; XXIII, Jan ’ 37, 37 EMMETT, Daniel Decatur, XXIX, Apr ‘ 43, 243; XLII, Oct ’ 56, 455, 458, 459, 460, 461, 463, 464, 466 (See also: Bryant' s Minstrels, VI, Apr ‘ 20, 256; and “ Dixie” by Hans Nathan, XXXV, Jan ’ 49, 60−84) music by, Fife Instructor, XLII, Oct ‘ 56, 462; How Are You, Greenbacks? XXIX, Apr ’ 43, 242, 243−253; Jonny Roach, 40 XXXV, Jan ‘ 49, 61, 68; The Land of Freedom (I Ain' t Got Time to Tarry), XXXV, Jan ’ 49, 60, 69−69; Wide Awake (Dar' s A Donkey in De Tent), XXXV, Jan ‘ 49, 60−61 Emperor Jones (Louis Gruenberg), XXXI, Jan ’ 45, 103 Enchanted Island, The (Ernst Bloch), XLI, Jan ‘ 55, 78 Enchantment (Bainbridge Crist), XI, Jul ’ 25, 406 ENCYCLOPAEDIA FOR MOVIE MUSICIANS (Erno Rap6e), XV, Apr ‘ 29, 289−290 Enfantines (Ernest Bloch), XI, Apr ’ 25, 307 ENGEL, A. Lehman (on modern art-song), XXIV, Jan ‘ 38, 25, 26 ENGEL, Carl (Editor of The Musical Quarterly, Jul 1929 to Apr 1944), XIV, Oct ’ 28, 655; XV, Jan ‘ 29, 4; XV, Jan ’ 29, 111; XV, Jul ‘ 29, 318; XX, Apr ’ 34, 181; XXI, Jan ‘ 35, 53, 55, 68; XXVII, Jan ’ 41, 47; XXXVII, Oct ‘ 51, 475; (See also “*Carl Engel, A Postscript,” by Gustave Reese, XXX, Jul ’ 44, 368−370; “ A Tribute to Carl Engel,” by Herbert Putnam; “ A Tribute to Carl Engel,” by Mrs. Elizabeth Sprague Coolidge) portraits, XXX, Jul ‘ 44, Opp. 249; XXXI, Apr ’ 45, Opp. 137 music by, A Decade, XI, Jul ‘ 25, 411; Opal, XI, Jul ’ 25, 411; A Sprig of Rosemary, XI, Jul ‘ 25, 411−412 articles by, “ Views and Reviews,” VIII, Apr ’ 22, 296−311; VIII, Oct ‘ 22, 611632; IX, Jan ’ 23, 145−156; IX, Apr ‘ 23, 287−302; IX, Oct ’ 23, 578−587; X, Jan ‘ 24, 143−158; X, Apr ’ 24, 289−303; X, Oct 24, 622−633; XI, Apr ‘ 25, 301−309; XI, Oct ’ 25, 617−629; XII, Apr ‘ 26, 299314; XII, Jul ’ 26, 472−479; XII, Oct ‘ 26, 631−641; XIII, Jan ’ 27, 147−160; XIII, Oct ‘ 27, 646−662; XIV, Apr ’ 28, 297306; XV, Apr ‘ 29, 297−305; XVII, Apr ’ 31, 272−283; XVII, Jul ‘ 31, 404−408; XVII, Oct ’ 31, 525−533; XVIII, Jan ‘ 32, 178; XVIII, Apr ’ 32, 338−348; XVIII, Jul ‘ 32, 483−497; XVIII, Oct ’ 32, 646652; XIX, Apr ‘ 33, 214−221; XIX, Jul ’ 33, 351−359; XIX, Oct ‘ 33, 466−472; XX, Jan ’ 34, 117−124; XX, Apr ‘ 34, 246−253; XX, Jul ’ 34, 354−360; XX, Oct ‘ 34, 467−478; XXI, Jan ’ 35, 107−112; XXL, Apr ‘ 35, 230−240; XXI, Jul ’ 35, 368−375; XXI, Oct ‘ 35, 484−491; XXII, Jan ’ 36, 107−115; XXII, Apr ‘ 36, 234239; XXII, Jul ’ 36, 354−361; XXII, Oct ‘ 36, 470−476; XXIII, Jan ’ 37, 98−106; XXIII, Apr ‘ 37, 238−247; XXIII, Jul ’ 37, 388−395; XXIV, Jan ‘ 38, 104−109; XXIV, Apr ‘ 38, 219−225; XXIV, Oct ’ 38, 534−539; XXVI, Jan ‘ 40, 113−121; XXVI, Apr ’ 40, 260−267; XXVI, Jul ‘ 40, 393−400; XXVI, Oct ’ 40, 546−549; XXVII, Apr ‘ 41, 243−248; XXVII, Oct ’ 41, 527−538; XXVIII, Apr ‘ 42, 248257; XXVIII, Oct ’ 42, 514−524; XXIX, Jan ‘ 43, 138−145; XXIX, Jul ’ 43, 405409; XXIX, Oct ‘ 43, 521−530; XXX, Apr ’ 44, 234−241 articles by, “ An Address,” XXIV, Jan ‘ 38, 97−103; “ Beethoven' s Opus 3, An ’ Envoi de Vienne‘?” XIII, Apr ’ 27, 261XI, 279; “ Charles Martin Loeffler,” Jul ‘ 25, 311−330;“ ConcertA.D. 2025 in the XV, Oct ’ 29, 639Library of Congress,” 642; “*George W. Chadwick,” X, Jul ‘ 24, 438−458; “ Guido Adler in Retrospect (1855−1941),” XXVII, Jul ’ 41, 391−400; “ De Gustibus,” III, Oct ‘ 17, 493−502; “ Harking Back and Looking Forward,” XIV, Jan ’ 28, 1−15; “ Introducing Mr. Braun,” XXX, Jan ‘ 44, 6383; “*An Introduction to Harold Bauer,” XXIX, Apr ’ 43, 153−157; “ Music, Melodious and Odious,” VII, Oct ‘ 21, 461−468; “ Music We Shall Never Hear,” IV, Oct ’ 18, 491−506; “ A II Note on Domenico Cimarosa' s Matrimonio Segreto,” XXXIII, Apr ‘ 47, 201- Erie (Pa.)Philharmonic Orchestra, XXXIX, Apr ‘ 53, 247 ERLANDSON, Ray, XXXI, Apr ’ 45, 144 “*Ernest Toch,” (Paul A. Pisk), XXIV, Oct ‘ 38, 438−450 “ Eroica” Sonata (Edward Mac Dowell), I, Jan ’ 15, 42−43 Erosion (Heitor Villa-Lobos) (Record Review by Rudolph Reti), XXXIX, Apr ‘ 53, 314−316; XLI, Jan ’ 55, 77 ERSKINE, John, XIX, Jan ‘ 33, 48 article by, “ Mac Dowell at Columbia: Some Recollections,” XXVIII, Oct ’ 42, 395−405 book reviews by (THE CONCERTO, by 496; (MOZART ON THE WAY TO Abraham Veinus), XXX, Oct '44, 493- PRAGUE, Eduard M6rike. Translation and introduction by Walter and Catherine Alison Phillips), XXXIV, Jan '48, 117−121 Erwartung (Arnold Schoenberg) (Record Review by Richard F. Goldman), XXXVIII, Oct '52, 671−673 Es gingen zwei Escenas Dominicanas Schoenberg) (in setting for mixed chorus of four voices, a cappella), XXXVII, Oct '51, 482−483 (Manuel de Jesds Gespielen gut (Arnold Lovelace), XXXI, Apr ‘ 45, 216−217 206; “*Oscar G. Sonneck,” XXV, Jan ESCHMAN, Karl H., “ The Rhetoric of Moder Music,” VII, Apr ’ 21, 157−166 ‘ 39, 2−5; “ A Postscript,” XV, Jan ’ 29, 149−151; “ Schubert' s Fame,” XIV, Oct “ Eskimo Music in Northern Alaska,” (D. ‘ 28, 457−472;“ Some Letters to a Name Jenness), VIII, Jul ’ 22, 377−383 sake,” XXVIII, Jul ‘ 42, 337−379; “ Die ESPADERO, Nicholas Ruiz (Cuban com Wagnerdammerung,” XIV, Jul ’ 28, poser), XXXIII, Jul ‘ 47, 377, 378 438−455; “ Why Do We Dance?” VI, ESPINOSA, Antonio de (printer), XV, Jan Oct ’ 20, 510−531 ‘ 29, 51 child), XIV, Jan ’ 28, 149−154 Earle Johnson), XXX, Apr ‘ 44, 237−238 Essay for Orchestra (Samuel Barber), ENGEL, S. Camillo, “ The Mission of the XXXIII, Apr ’ 47, 186 ESSAYS BEFORE A SONATA (Charles Singer,” VI, Jul ‘ 20, 451−454 Ives), (See: “ Concord” ENGLISH FOLK-SONGS FROM THE Sonata), XXXV, Jul ’ 49, 462 SOUTHERN APPALACHIANS (Cecil J. Sharp and Olive Dame Campbell), ESTEP, Don, XXXVII, Oct ‘ 51, 473 XIV, Apr ’ 28, 285; XXII, Apr ‘ 36, 160; Estrellita (Manuel M. Ponce), XXII, Oct ’ 36, 436 XLI, Apr ‘ 55, 244, 245, 246 Etd d Fontainbleau (Blair Fairchild), XIV, Ephrata (Pa.) and the Cloister Music, XIV, Jan ’ 28, 149−154 Apr ‘ 28, 301−315 Epitaph book review by (MUSICAL INTERLUDES IN BOSTON, 1795−1830 by H. Esquisses for Violin and Piano (Blair Fair- ington Loomis), XI, Jul ‘ 25, 386 ERB, J. Lawrence, articles by, “ Musical Appreciation,” XI, Jan ’ 25, 1−17; “ Musical Education in the United States-Some Observations,” Jan ‘ 24, X, 95−106; “ Music For A Better Community,” XII, Jul ’ 26, 441−448;“ Music in the American University,” III, Jan ‘ 17, 28−33 41 Upon A Virgin (Harvey Worth- Etude en Octaves (piano) ard), XXI, Oct '35, 490−491 ETIENNE, Denis G., XIII, Apr '27, 233 Etude, The, XXVI, Jul '40, 356 bell-Tipton), XIV, Jan '28, 147−148 ETHELBERT NEVIN (John Tasker How- (Louis Camp- tra, Op. 45 (Blair Fairchild), XIV, Jan ‘ 28, 153 “ Eunice Carew' s Song Book, Jan., 1790,” XXX, Jan ’ 44, 53 Etude Symphonique for Violin and Orches- EVANS, Charles, AMERICAN BIBLIOG- Euterpeiad, An Album of Music, Poetry EWEN, David, “ Also Sprach Richard and Prose. (New York, 1830 to 1831) Strauss,” XVI, Apr ‘ 30, 207−213;“ The Vienna Strausses,” XIII, Apr ’ 27, 224 XXI, Oct ‘ 35, 466474 Euterpeiad: or Musical Intelligencer and Ladies Gazette, XVIII, Jan '32, 142−143 Evening (Alice Barnett), XI, Jul '25, 398 XLI, Jan '55, 79 Evening Bells, (Charles Ives), XIX, Jan '33, 53 Euterpean Society (NYC), XVII, Jan '31, 38 Evening World (NYC), XIV, Oct '28, 653 Evocaciones (Enrique Mejia-Arredondo), Euterpeiad, or Musical Intelligencer. Devoted to the Diffusion of Musical InXXXI, Apr '45, 219 formation and Belles Lettres. (Boston, Evocation (piano 4-hands, or orchestra) 1820 to 1823), (John Rowe Parker, edi(Wallingford Riegger), XXXVI, Jan '50, 50, 51 tor) XIII, Apr '27, 227−229, 236, 247; XXVI, Apr '40, 154, 157; XXIX, Jan Evocations (Carl Ruggles), XLI, Oct '55, '43, 114; XXXII, Apr '46, 272 551, 552 Ev' ry Time I Feel De Spirit (Negro Spiritual), XVI, Jul '30, 409 Euphony for Orchestra (Robert Ward), RAPHY (See: Hopkinson, Francis), Exaltation, (Howard Hanson), XXII, Apr XXIV, Oct '38, 481 '36, 143 F FAELTEN, Carl, XXX, Apr '44, 201; XXX, Jul '44, 311; XXXVI, Apr '50, 160 Faery Isle of Janjira (Frederick Jacobi), XIV, Jan ‘ 28, 149−154; Two Bible XI, Jul ’ 25, 410 Lyrics, Op. 27 (chorus), XIV, Jan ‘ 28, 149−154 Blair, XIV, Jan ’ 28, 144, 147 FAIRCHILD, music by, A Bel-Ebat (piano pieces) Fairy Bridal, The (cantata) (John Hill XIV, Jan ‘ 28, 149−154; Les Amours de Hewitt) XVII, Jan ’ 31, 37 Hafiz, Op. 38, (song cycle), XIV, Jan Fairyland (opera) (Horatio Parker), XVI, ‘ 28, 149−154; The Baghdad Lover, Op. Apr ’ 30, 161 25 (song cycle), XIV, Jan ‘ 28, 149−154; Faltering Dusk, The (A. Walter Kramer), Ballet-Pantomime “ Dance Libellule,” XI, Jul ’ 25, 401 Op. 44, XIV, Jan ‘ 28, 149−154; Canti “ Family Singers,” The Vogue of, XXXII, Popolari Italiani, Op. 5, Op. 14, Op. Jan ’ 46, 63−79 (vln., pfte., and string quartet), XIV, Faneuil Hall (Boston), XXI, Apr ‘ 35, 199 En XIV, Jan ’ 28, 149−154; Voyage(piano Fanfare and Cantilena (Tom Scott) XLI, laires persans, XIV, Jan ‘ 28, 149−154; Jan ’ 55, 77 Duets for Violin and ‘ Cello, Op. 32, FANNING, Cecil, XI, Apr ’ 25, 308 Esquisses pieces), XIV, Jan ‘ 28, 149−154; pieces), XIV, Jan ’ 28, 149−154; Stude tra, Op. 45, XIV, Jan ‘ 28, 149−154; for Violin and Piano, XIV, Jan ‘ 28, 149−154; Atd a Fontainbleau) (piano XIV, Jan ’ 28, 149−154; En Voyage (piano Fanny Blair, Folk-Song Fantasy 23, Op. 28, Op. 30, XIV, Jan ‘ 28, 149154; Concerto de Chambre, Op. 26 Fanciulla del West, La (See: Girl of the Golden West“), XIV, Jan ’ 28, 32, 33 for Piano, Violin and 'Cello, Op. 24, XIV, Jan '28, 149−154; Tamineh (orchestra), XIV, Jan '28, 149−154; Trio Fantaisie Humoresque (Arthur Shepherd), Fantasia Gregory Mason), XXXIV, Jan '48, 51 Concertante on “ The and (Daniel XXI, Jan '35, 44 Garden Orchestra Symphonique for Violin and Orches Five Greek Prayers, Op. 35, XIV, Jan '28, 149−154; Quatrains d' Al-Ghazali, Fantasia for Hymn“ (originallyfor organ) (Arthur Shepherd), XXXVI, Apr 50, 165, 166 Violoncello 154; Six Psalms for Chorus (a cappella) and Soli, XIV, Jan '28, 149−154; Sonata for Violin and Piano, Op. 43, XIV, Jan '28, 149−154; Songs from the Chinese, Op. 40 (song cycle), XIV Jan '28, 149154; Quatuor, Op. 27 (string quartet), Fantasia on Down East Spirituals (orchesXIV, Jan '28, 149−154; Shah Feridoun, tra) (Arthur Shepherd), XXXVI, Apr XIV, Jan '28, 149' 50, 165, 172 Op. 39 (Orchestra), Malipiero), XLI, Jan '55, 79 Fantasy, A (Louis Gruenberg), XI, Jul '25, 411 42 Fantasie di Ogni Giorno (Gian Francesco (Heitor Villa-Lobos), XXXVIII, Apr '52, 303−306 Fantasy and Fugue (orchestra and organ) FEININGER, Laurence, MONUMENTA LITURGIAE (Wallingford Riegger), XXXVI, Jan '50, 46 Fantasy for Violin with Piano Accompani- ment (Arnold Schoenberg), XXXVII, Oct '51, 484 Oct '55, 528−532 (book review by Manfred F. Bukofzer) FEIST, Milton, book reviews by, (BIBLIAlfred Sendrey), XXXVII, Jul '51, 432435; (THE MUSIC OF ISRAEL; ITS RISE AND GROWTH THROUGH 5, 000 YEARS, Peter Gradenwitz), OGRAPHY OF JEWISH MUSIC, by POLYCHORALIS, XLI, Farewell My Lily Dear (Stephen C. Foster), XXII, Apr ‘ 36, 167 FARNSWORTH, Charles H., “’ The Judgment of Paris' or The Worth of Beauty,” I, Apr ‘ 15, 162−168. FARRAR, Geraldine, VIII, Jan ’ 22, 87; XXI, Jul ‘ 35, 370; XXIII, Oct ’ 37, 432 FARWELL, Arthur, I, Apr ‘ 15, 176; I, Oct ’ 15, 628; IV, Jan ‘ 18, 27; IV, Jan ’ 18, 30; IV, Jan ‘ 18, 99; XI, Jul ’ 25, 386; XIX, Jul ‘ 33, 352; XXVI, Jan ’ 40, 115; XXXIII, Jan ‘ 47, 17, 19; XXXIII, Apr ’ 47, 209; XXXVI, Apr ‘ 50, 162 music by, Love' s Cathedral, XI, Jul '25, 415; Mountain Song (orchestra and XXXVI, Jan '50, 135−138 FELDMAN, Morton, Intersection No. 3 chorus) (See: King, A. Hyatt), XXXI, Oct '45, 418; Mountain Vision (piano Oct '45, 418; The Wild Flower' s Song, concerto) (See: King, A Hyatt), XXXI, XI, Jul ‘ 25, 415 book review by, (THE TECHNIQUE OF articles by, ’ America' s Gain From a Bayreuth Romance,“ XXX, Oct ‘ 44, 448VARIATION. A STUDY OF THE 457; ”#Roy Harris,“ XVIII, Jan 32, INSTRUMENTAL VARIATION FROM ANTONIO 18−32;” Sonata Form and the Cabbala,“ CABEZON TO MAX REGER, by Robert U. Nelson), XXVII, Jan ’ 41, 26−37; ” The Zero Hour in Musical Evolution,“ XIII, XXV, Apr ‘ 49, 331−334 FERGUSON, Donald L., ” The ’ Secret‘ of Jan ’ 27, 85−99 “ Fasola Folk,” XIX, Oct ‘ 33, 397 the Pianist' s Beautiful Touch,“ X, Jul ” Fa-Sol-La“ ’ 24, 384−399 Singers, XIX, Oct ‘ 33, 221, 393394 FESSENDEN, Reginald, IV, Apr ’ 18, 263, Father and Daughter (Percy Grainger), 264, 266−267 Festival March (Gustav Strube), XXVIII, XXIII, Apr ‘ 37, 130, 134 Father Kemp' s ” Old Folks,“ (See: ” Singing Jul ’ 42, 294 Festival of American Music (1952), Colum Families“) bia University and Columbia BroadFATOUT, Paul, ” Threnodies of the Ladies' Book,“ XXXI, Oct ‘ 45, 464−478 casting Company, NYC, XXXVIII, Jul ’ 52, 440 FAY, Amy, XVI, Oct ‘ 30, 450; XXIII, Jan Festival of Opera and Drama (Central 40; XXV, Apr ’ 39, 181 ‘ 37, City, Colo.), XLII, Oct ’ 56, 527 Federal Gazette, XVIII, ‘ 32, 153, 315 Jan (strings, woodwind, and solo ‘ cello), XXXVIII, Jan ’ 52, 131 FELTON, William, XXXIV, Jul ‘ 48, 362 FENNELL, Frederick, XLI, Jul ’ 55, 407, 408 FERAND, Ernst T., articles by, “ The ‘ Howling in Seconds' of the Lombards,” XXV, Jul ’ 39, 313−324; “ In Memoriam:Fernando Liuzzi,” XXVIII, Oct ‘ 42, 494−504; “’ Sodaine and Unexpected‘ Music in the Renaissance,” XXXVII, Jan ’ 51, 10−27; “ Two Unknown Frottole,” XXVII, Jul ‘ 41, 319328 Federal Music Project (See: Hanson, Howard), XXII, Apr '36, 151 Federal Music Project (NYC), XXVI, Jan '40, 101−105 Federal Music Theatre (NYC), XXVI, Jan '40, 106 Federal Overture, The (medley of patriotic Festival of Youth airs by Benjamin Carr), XVIII, Jan '32, 156 Federal Street Theatre (Boston), XVII, Jan '31, 28; XVIII, Jan '32, 159 AND FORM (Arthur Shepherd), XXXVI, Apr ‘ 50, 162 Festmarsch for Philadelphia Independence Centennial, 1876, (Richard Wagner), XXXI, Oct ’ 45, 502 FICKENSCHER, Arthur, XXVIII, Apr ‘ 42, 171, 172; article by, “ The ’ Polytone‘ and the Potentialities of a Purer Intonation,” XXVII, Jul ’ 41, 356−370 FIEDLER, Max, IV, Jan ‘ 18, 24; X. Jul 24, 446 Fiesta Mexicana, La (H. Owen Reed), XLI, (orchestral overture) FEELING Langer), XL, Jan '54, 102−106 (book review by Edward Arthur Lippman) 43 (Susanne K. Jul '55, 407−408 FIFE, Alta S., XXXIX, Oct '53, 631 FIFE, Austin E., XXXIX, Oct '53, 631 Fife Instructor (Daniel Emmett), XLII, Oct '56, 462 Fifteen Men on a Dead Man' s Chest (Henry F. Gilbert), IV, Jan '18, 25 FILARMONICO MENSUAL, EL (early Cuban periodical), XXXIII, Jul '47, 370 Filling Station (ballet) (Virgil Thomson), XXXIV, Jan '48, 8 Film music: See: Antheil, G.; Blitzstein, M.; Bowles, P.; Breil, W. C.; Chavez, C.; Converse, F.; Copland, A.; Friedhofer, H.; Jannssen, W.; Korngold, E.; Kubik, G.; Potamkin, H. A.; Rapee, E.; Rathaus, K.; Revueltas, S.; Sternfeld, F. W.; Taylor, D.; Thomson, V.; Toch, E.; Weill, K.; Wilson, M.; Winter, M. H. Film music, XXXIX, Oct '53, 632−633 FINCK, Henry T., I, Jul '15, 417, 628; III, Jan '17, 3; IV, Oct '18, 615; XV, Jan '29, 91; XXIII, Oct '37, 428; XXV, Jul '39, 265; XXXVII, Apr '51, 187 FINE, Irving Gifford, XXXIX, Apr '53, 254 music by, Alice in Wonderland (incidental music to drama), XXXV, Apr '49, 282−285; The Choral New Yorker (chorus), XXXV, Apr '49, 283; String Quartet, XL, Jul '54, 472, 476; Toccata Concertante (first performance), XXXV, Apr '49, 283−287 record reviews, (American Music-Harold Shapero, Sonata No. 1; Roger Sessions, From My Diary; Arthur Berger, Partita; William Flanagan, Sonata. Bernhard Weiser as recording pianist), XXXVIII, Jul '52, 480−481; (John Alden Carpenter, Adventures in a Perambulator; Orchestra of Vienna State Opera, Henry Swoboda, conductor. Robert Mc Bride, Aria and Toccata in Swing, Louis Kaufman, violinist, and Anette Kaufman, pianist. William Grant Still, Blues; Here' s One, Louis and Anette Kaufman. Aaron Ukulele Serenade; Hoe Copland, Down, Louis and Anette Kaufman), XXXVIII, Jul '52, 482−483; (Heitor Villa-Lobos, Bachianas Brasileiras No. 5; Tschaikowsky, Eugene Onegin: Letter Scene. Lucia Albanese, soprano; Symphony Orchestra, Leopold Stokowsky, conductor), XXXVIII, Jul '52, 500; (Copland: Billy the Kid, ballet suite, Ballet Theatre Orchestra, Joseph Levine, cond.), XL, Oct '54, 622−623; (Lambert, Constant: Concerto for Pianoforte and Nine Instruments. Berners: Piano Music), XLI, Apr '55, 268−270; (Riegger: New Dance; Hov44 haness: “ Arekakal,” Concerto No. 1 for Orchestra; Cowell: Symphony No. 4 (Short Symphony). Eastman-Rochester Symphony Orchestra, Howard Hanson, cond.), XL, Apr ‘ 54, 312−313; (Saeverud: Rondo Amorose, Op. 14, No. 7; Galdreslaetten-Symphonic Dances with Passacaglia, Op. 20; Sinfonia Dolorosa (Symphony No. 6) Op. 19; Valen: The Cemetery By the Sea, Op. 20; Michelangelo Sonnet, Op. 17, No. 1; The Silent Island, Op. 21. Oslo Philharmonic Orchestra, Oivin Fjeldstad, cond.), XLI, Jul ’ 55, 410−412; (Schuman: Undertow, choreographic episodes for orchestra. Ballet Theatre Orchestra, Joseph Levine, cond.), XL, Oct ‘ 54, 622−624; (Thomson: Ten Etudes for Piano. Maxim Schapiro, piano), XL, Oct ’ 54 629−630; (Villa Lobos: Rude Poema; The Children' s Doll Suite; The Three Maries. Jacques Abram, piano), XLI, Apr ‘ 55, 275−276 FINE, Vivian, Comfort to a Youth That Had Lost His Love, XXIV, Jan ’ 38, 12, 16−18, 19−20, 22 Fine-Arts String Quartet (Chicago), XXXVII, Apr ‘ 51, 245 FINNEY, Ross Lee, music by, Quartet No. 6, XLI, Jul ’ 55, 361−363 book review by, (THE ART OF PLAYING ON THE VIOLIN, by Francesco Geminiani. Facsimile edition edited and with an Introduction by David D. Boyden), XXXIX, Apr ‘ 53, 302−304 FINNEY, Theodore M., A HISTORY OF MUSIC, XXI, Oct ’ 35, 490; XXXI, Apr ‘ 45, 149 Fireside Tales (Mac Dowell), I, Jan ’ 15, 47 Fireweed Song (Indian Tribal Air), XX, Jan ‘ 34, 114 FIROR, Ruth, “ Folkways in Thomas Hardy,” XXVI, Oct ’ 40, 435 First Cuban Suite (Alejandro Garcia Caturla), XLII, Jan ‘ 56, 118−119 “ First Guide to Mozart, The,” (Nathan Broder), XLII, Apr ’ 56, 223−229 First Modern Suite for Piano (Edward Mac Dowell), IX, Jan ‘ 23, 132 “ First Music Books Printed in America” (Lota M. Spell), XV, Jan ’ 29, 50−54 First Piano Sonata (Arthur Shepherd), XXXVI, Apr ‘ 50, 165 First Quartet (strings) (Wallingford Riegger), XXXVI, Jan ’ 50, 52 First Quintet (1951) (Darius Milhaud), XL, Jul ‘ 54, 469−471 First Sonata (Charles Ives), XXXV, Jul ’ 49, 458, 461−462 First Suite (piano) (Edward Mac Dowell), XXIII, Jan ‘ 37, 42 Firth, Pond & Co. (NYC publishers), VI, Apr '20, 243; See: William Pond & Co., successors, XX, Jan '34, 77 et seq., XXI, Jan '35, 20; XXV, Jan '49, 78 FISHER, William Arms, IX, Apr '23, 299; XX, Jan '34, 84; XXI, Jan '35, 77; XXI, Apr '35, 204−205; XXX, Jul '44, 317 music by, As Once in May, XI, Jul '25, 385; I Wait for Thee, XI, Jul '25, 385; The Singer' s Wish, XI, Jul '25, 385 Flirtations In A Chinese Garden (Abram FLETCHER, Alice C., I, Apr '15, 193−194; VII, Apr '21, 295; XX, Oct '34, 389 Five Greek Sea Prayers, Op. 35 (Blair Fair- article by, “ What Is Music?” XV, Jul ‘ 29, 360−370 Fisher & Bro. (publishers), XX, Jan ’ 34, 87, 88 Fisk University Jubilee Singers, XII, Apr ‘ 26, 307; XX, Apr ’ 34, 185−186 Fithian Journal (excerpts), XXXIV, Jul ‘ 48, 358 et seq Five Irish Fantasies for Voice and Full Or Five Odes of Horace (Randall Thompson), Chasins), XXXIII, Apr '47, 185 Flitting Bats (Albert Stoessel), XXIV, Jan '38, 96 Flonzaley Quartet, II, Jan '16, 76; II, Oct '16, 516−522; VI, Oct '20, 472, 473; IX, Apr '25, 309; XV, Jan '29, 9; XXIII, Jan '37, 27; See: De Coppet, Edward, XXIII, Oct '37, 413−420; XXIV, Apr '38, 223; XXV, Apr '39, 132; XXXIII, Apr '47, 209; XXXIV, Jan '48, 52 Flora, or Hob in the Well (Ballad Opera), VII, Oct '21, 540 Festival Flora' s child), XIV, Jan '28, 149−154 chestra (Charles Martin Loeffler), XI, Jul '25, 324 XXXV, Jan '49, 9−12 Hewitt), XVII, Jan '31, 37 Flute Collection of Dayton C. Miller in Library of Congress, XIX, Oct '33, 450 FOERSTER, Adolph M., XVIII, Jan '32, 84 Fog Wraiths (John Alden Carpenter), XI, Jul '25, 395 FOLDES, Andor, XLI, Apr '55, 261 Folklore Sinfonico (Augusto Vega), XXXI, (cantata) (John Hill Five Phrases from Song of Solomon (Vir Five Pieces for Orchestra, Op. 16 (Arnold Five Apr '45, 216, 217−218 gil Thomson), XXXVIII, Oct '52, 596 Quatrains from Omar Folko-Musica Dominicana XL, Jul '54, 462−463 Schoenberg), Five Sketches in Sepia (Ernest Bloch), XI, Five Songs After William Blake (JamesH. Rogers), XI, Jul '25, 384 Khayydm Morell), XXXI, Apr ‘ 45, 218 “ Folk-Songand American Music” (Daniel Gregory Mason), IV, Jul ’ 18, 323−332 Folk Song Society (Journal and Proceedings (Esteban Pefio- Apr '25, 308 of), XXII, Apr '36, 164 (Virgil Jan '47, 25 Thomson), XLI, Jan '55, 77 FOLK-SONGS FROM THE KENTUCKY FLAGG, Josiah, XXI, Apr '35, 201; XXV, MOUNTAINS (Howard Brockwayand Oct '39, 493; Book by, A COLLECLorain Wyman), XIV, Apr '28, 286TION OF THE BEST PSALM TUNES IN TWO, THREE AND FOUR FOLK-SONGS OF THE SOUTH (John H. Folk Song Symphony (Roy Harris), XXXIII, PARTS, VIII, Oct '22, 614; XXI, Apr '35, 197−199 FLAGLER, I. V., XVIII, Jan '32, 87 Flaming Light in the East (Papago Indian song), XVII, Oct ‘ 31, 466 FLAMMER, Harold, “ Advertising As a Fine Art,” III, Apr ’ 17, 198−205 William, Sonata for Piano FLANAGAN, (See: Record Review by Irving Fine), XXXVIII, Jul ‘ 52, 481 Flathead Indian dancers (illustration), XXXVII, Jul ’ 51, Opp. 375 Flathead Indian flutes and hand drums (7 illustrations), XXXVII, Jul ‘ 51, Opp. 374 “ Flathead Indian Instruments and Their Music” (Alan P. Merriam), XXXVII, Jul ’ 51, 368−375 Flathead Indian Love Songs (in score), XXXVII, Jul '51, 371 Cox), XIV, Apr '28, 285; XXII, Apr '36, 166 FOOTE, Arthur, IX, Jan '23, 123; X, Jul '24, 444, 453; XVI, Apr '30, 153; XVIII, Jan '32, 78, 81, 84, 87, 89, 97; XIX, Oct '33, 415; XXI, Jan '35, 73; XXV, Jul '39, 266; XXVI, Jul '40, 297; XXXI, Jan '45, 104, 105; XXXII, Apr '46, 290 (Analytical review of songs), XI, Jul '25, 383, 384; I' m Wearing Awa' To the Land 0' the Leal; In Picardie; A Ditty; A Twilight Fear; The Red Rose Whispers of Passion; In Flanders' Fields; The Soldier; Oh, Red Is the English Rose music by, In the Mountains (overture), VI, Apr ‘ 20, 234; (See King, A. Hyatt), XXXI, Oct ’ 45, 417 article by, “ A Bostonian Remembers,” XXXIII, Jan ‘ 37, 37−44 45 FOOTE, Henry Wilder, THREE CENTURIES OF AMERICAN HYMNODY, XXVIII, Apr ‘ 42, 177; XXXII, Apr ’ 46, 273 Footsteps in the Sand (Alexander Steinert, Jr.), XI, Jul ‘ 25, 413 FORBES, Elliot, “*The Music of Randall Thompson,” XXXV, Jan ’ 49, 1−25 Forest Play, Op. 16 (Howard Hanson), XXII, Apr ‘ 36, 141 FORM IN PRIMITIVE MUSIC (Helen H. Roberts), XX, Jan ’ 34, 123 FORSYTH, Carl, articles by, “ The Vanity of Human Knowledge,” X, Apr ‘ 24, 172−176; “ A Musical Examinationpaper on Spengler' s ’ The Decline of the West,‘” XIV, Apr ’ 28, 155−157 For the Dear Old Flag I Die (Stephen C. Foster), XXII, Apr ‘ 36, 165−166 44 Violin Duets (Bela Bart6k) (Record Review by Henry Cowell), XXXIX, Oct ’ 53, 641−645 FOSS, Lukas, XXV, Apr ‘ 49, 283; portrait, XXXIX, Oct ’ 53, Opp. 596 music by, Jumping Frog (opera), XXXVII, Jul ‘ 51, 328; A Parable of Death (oratorio), XXXIX, Oct ’ 53, 595−600; XLI, Jan ‘ 55, 77; Recordare (first performance), XXXV, Apr ’ 49, 278; Recordare, XXXV, Apr ‘ 49, 288289; Song of Anguish (solo cantata with orchestra), XXXVI, Jul ’ 50, 441−443; Song of Songs (solo cantata with orchestra) (commissioned by League of Composers), XXXIV, Jan ‘ 48, 10; (first performance), XXXV, Apr ’ 49, 287; (commissioned by Kulas Foundation), XXXVI, Jul ‘ 50, 441 FOSTER, Ann Eliza (Mrs. Buchanan), XXI, Jan ’ 35, 18, 19, 21, 23 FOSTER, Dunning, XXI Jan ‘ 35, 19, 20 FOSTER, Henrietta (Mrs. Wick), XXI, Jan ’ 35, 19 FOSTER, Henry, XXI, Jan ‘ 35, 19, 21, 2324 FOSTER, Morrison (music publisher, Baltimore), VI, Apr ’ 20, 243; XX, Jan ‘ 34, 79, 91; XXI, Jan ’ 35, 18, 19, 20, 21, 22 “ Foster, Stephen, and His Publishers,” (John Tasker Howard), XX, Jan ‘ 34, 77−95 FOSTER, Stephen Collins, VI, Apr ’ 20, 243−244; XVI, Oct ‘ 30, 444; XVII, Jan ’ 31, 59; XXIX, Apr ‘ 43, 247, 252; (See also: “ Newly Discovered Fosteriana” “ Stephen Foster' s Debt to American Folk-Song’) lists of compositions, XX, Jan ‘ 34, 78, 81, 85−86, 87, 90−91, 93 music by, Annie My Own Love, XXII, Apr ’ 36, 162; Camptown Races, XXI, 46 Jan ‘ 35, 17; XXII, Apr ’ 36, 157, 169; Come Where My Love Lies Dreaming, XXI, Jan ‘ 35, 22, 23; Dolly Day, XXI, Jan ’ 35, 17; Farewell My Lily Dear, XXII, Apr ‘ 36, 167; For the Dear Old Flag I Die, XXII, Apr ’ 36, 165−166; Gentle Annie, XXII, Apr ‘ 36, 159; Hard Times Come Again No More, XXII, Apr ’ 36, 162, 163, 169; Lou' siana Belle, XXI, Jan ‘ 35, 18; Massa' s in the Cold, Cold Ground, IX, Oct ’ 23, 479; XVI, Oct ‘ 30, 465; XXII, Apr ’ 36, 169; My Old Kentucky Home, XXI, Jan ‘ 35, 21; XXII, Apr ’ 36, 169; Nelly Was a Lady, IX, Oct ‘ 23, 479; XXI, Jan ’ 35, 20; Oh! Lemuel, XXI, Jan ‘ 35, 20; Oh! Susanna, XXI, Jan ’ 35, 18; XXII, Apr ‘ 36, 156; Old Black Joe, VII, Apr ’ 21, 170; XXII, Apr ‘ 36, 169; Old Dog Tray, IX, Oct ’ 23, 479; Old Folks at Home, XVI, Oct ‘ 30, 458; XVII, Jan ’ 31, 36; XXI, Jan ‘ 35, 17; XXII, Apr ’ 36, 158159, 168; Old Uncle Ned, XXI, Jan ‘ 35, 18; XXII, Apr ’ 36, 156−157; Sweetly She Sleeps, XXII, Apr ‘ 36, 161; Was My Brother in the Battle?; XXII, Apr ’ 36, 167; Willie We Have Missed You, XXII, Apr ‘ 36, 163, 167 FOSTER, Mrs. Stephen Collins (ane Mc Dowell), XXI, Jan ’ 35, 19, 20 FOSTER, Thomas (“ Little Tom”), XXI, Jan ‘ 35, 19 FOSTER, William, XXI, Jan ’ 35, 17 Foster Hall (Indianapolis), XX, Jan ‘ 34, 77; XXI, Jan ’ 35, 17, 18; XXII, Apr ‘ 36, 156 Four Episodes (Ernest Bloch), XXXIII, Jul ’ 47, 319; XLII, Oct ‘ 56, 561−557 Four Minutes and Twenty Seconds (Roy Harris), XXXIII, Jan ’ 47, 26 Four Negro Songs (John Alden Carpenter), XVI, Oct ‘ 30, 456 Four Poems, Op. 16 (Marion Bauer) XI, Jul ’ 25, 410 Four Saints in Three Acts (Virgil Thomson), XXXV, Apr ‘ 49, 210, 217−219 Four Sea Lyrics (voice) (Louis Campbell Tipton), XIV, Jan ’ 28, 147−148 Four Songs, Op. 56 (Edward Mac Dowell), XI, Jul ‘ 25, 385 4th of July-A Grand Military Sonata for the Pianoforte, The (James Hewitt), XVII, Jan ’ 31, 31 FOX, Charles Warren, XXXIX, Jan ‘ 53, 119−120 article by, “ Non-Quartel Harmony in the Renaissance,” XXXI, Jan ’ 45, 33−53 book reviews by, (EARLY MEDIEVAL MUSIC UP TO 1300: New Oxford History of Music, Vol. II. ed. by Dom Anselm Hughes), XLI, Oct ‘ 55, 534- drums, etc.) (Wallingford Riegger), XXXVII, Apr ‘ 51, 272−278; AN OUTXXXVI, Jan ’ 50, 50 LINE OF THE HISTORY OF MUSIC, FREUND, John C., IX, Jan ‘ 23, 142 Revised ed. by Hugh Milton Miller, FRIEDELL, Harold W., XXXII, Apr ’ 46, 292 XXXVII, Oct ‘ 51, 603−611; STUDIES IN M7EDIEVAL AND RENAISSANCE FRIEDHOFER, Hugo, XXXIII, Oct ’ 47, 518−532; XXXVII, Apr ‘ 51, 163 MUSIC, by Manfred F. Bukofzer, music by, The Best Years of Our Lives XXXVII, Jan ’ 51, 103−111 current chronicles by, Rochester, N.Y.: (film), XXXIII, Oct ‘ 47, 518−532 XXXIV, Jul ’ 48, 415−419; XXXV Jan Friends of American Music (Kansas City, ‘ 49, 126−128; XXXV, Jul ’ 49, 466−470 Mo.), XXVIII, Jul ‘ 42, 296 Friends of Music (Princeton), XXXV, Apr FOX, Harry, XXXI, Apr ’ 45, 144 FRAMPTON, John Ross, “ Some Evidence ‘ 49, 301 for the Naturalness of the Less Usual Friends of Music in the Library of Con Rhythms,” XII, Jul ’ 26, 400−405 gress, XXX, Jul ‘ 44, 251 FRANCIS HOPKINSON AND JAMES FRIEZE, Henry, XIII, Apr ’ 27, 247 LYON (Oscar George Sonneck), XXXI, FRIML, Rudolf (in America), XXIX, Jul Oct ‘ 45, 536 ’ 43, 319−320 Frank B. Converse' s Banjo Instructor FRISKIN, James, XXII Apr ‘ 36, 141; XXX, (1865), XLII, Oct ’ 56, 457 Apr ‘ 44, 203 FRANKENSTEIN, Alfred, XXXVII, Oct FROM GRIEG TO BRAHMS (Daniel ’ 51, 484 Gregory Mason), XXXIV, Jan ‘ 48, 46 article by “ Victor Hartmann and Modeste From My Diary (Roger Sessions), XXXVIII, XXV, Jul ’ 39, 268−291 Musorgsky,” Jul ‘ 52, 480−481 (Record Review by book reviews by, (CHARLES IVES AND Irving Fine) HIS MUSIC by Henry and Sidney FROM SONG TO SYMPHONY (Daniel Cowell), XLI, Apr ’ 55, 253−256;(COMGregory Mason), XI, Apr ‘ 25, 306−307 POSER AND CRITIC by Max Graf), 547; (MONTEVERDI: CREATOR OF MODERN MUSIC, by Leo Schrade, Frenetic Rhythms (piano, flute, clarinet, MAN by Flora Rheta Schreiber and ner), XXXI, Oct ‘ 45, 417 (See: King, Vincent Persichetti), XLI, Jan ’ 55, 105A. Hyatt) 106 From the Southern Mountains (Lamar FRANKLIN, Benjamin, XVIII, Apr ‘ 32, Stringfield), XXXI, Oct ’ 45, 418 (See: 323; XXI, Apr ‘ 35, 200; XXXIV, Jan King, A Hyatt) ’ 48, 86, 88; (as printer): XIV, Apr ‘ 28, From the Swimmers (Charles Ives), XXIV, 305; XXIV, Oct ’ 38, 483−485 Jan ‘ 38, 30 Fromm Foundation, XLI, Apr ’ 55, 231 FRAUNCES, Samuel, XXI, Apr ‘ 35, 194 Free Song, A (William Schuman), XXXI, Frontiers (orchestra) (Paul Creston), XXXIII, Apr ’ 47, 186; XXXIV, Oct Jan ‘ 45, 108 ’ 48, 538 FREEMAN, Jay C., “ American Epilogue to ‘ On Old Violins' by Lucien Greil- FROST, Dr., III, Jul ’ 17, 364 samer,” XIII, Jul ‘ 27, 431−433 Fruit of Gold, The (Roy Harris), XXXV, FREER, Eleanor Everest, XIX, Apr ’ 33, Oct ‘ 49, 611 169 FRY, William Henry, XXIII, Oct ’ 37, 434; FREMSTAD, Olive, II, Jul ‘ 16, 400 XXXIX, Jan ’ 53, 84; XLII, Jul ‘ 56, 365; (See also: WILLIAM HENRY French Canadian Folk Songs, Alouette, XXIX, Jan '43, 131; Apprends-Moi Ton Jan '55, 105−106; WILLIAM SCHU- XXXII, Jul '46, 476−479; (SAMUEL BARBER, by Nathan Broder), XLI, From the Revelation of St. John the Divine From the Rockies, Op. 23 (Samuel Gard- (Commissionby League of Composers) (Colin Mc Phee), XXXIV, Jan '48, 10 (opera), XVIII, Jan ‘ 32, 77; XXIV, Apr ’ 38, 215 erine, XXIX, Jan ‘ 43, 129−131; La PerdFUCHS, Lillian, XLI, Jul ’ 55, 373, 376 riole, XXIX, Jan ‘ 43, 131−132 “ French Canadian Folk-Songs” (Marius Fuego Nuevo, El (Carlos Chivez), XXII, Oct ’ 36, 437, 443 Barbeau), XXIX, Jan ‘ 43, 122−137 French Influence Upon Colonial Music, Fugitive (Constance Mills Herreshoff), XI, XVIII, Jan ’ 32, 152 Jul ‘ 25, 417 47 Le Docteur Vend Son Ame, XXIX, Jan '43, 128−129; Le Martyre de Saint Cath- Langage, XXIX, Jan '43, 132−133; Dame Lombarde, XXIX, Jan '43, 126−128; music by, Leonora (opera), VI, Jan '20, 88, 249; XVIII, Jan '32, 7, 77; XXIV, Apr '38, 214−215; Notre Dame de Paris, FRY) “ Fugue and Fugato in Beethoven' s Variation Form” (Ludwig Misch), XLII, Jan ‘ 56, 14−27 Fugue On A Victory Tune (Walter Piston), XXXIII, Jul ’ 47, 321 Fugue On the American Folk-Song, Dixie (Werner Janssen), XXXIII, Jul ‘ 47, 316 Fuguing Tune, XXX, Jan ’ 44, 50, 52 “ Fuguing” Tunes, XIX, Oct ‘ 33, 398−399; XXV, Oct ’ 39, 495−497; (See also: Billings, Wm.; Colonial Singing-School; Pierce, E. H.) Fuite de la Lune, La (Carl Deis), XI, Jul ‘ 25, 416 Fuji In the Sunset Glow (Bernard Rogers), XXXIII, Apr ‘ 47, 210 “ Function of Musical Criticism, The” (W. J. Henderson), I, Jan ’ 15, 69−82 FUNDAMENTALS OF MUSIC, THE (Karl Gehrkens), XI, Apr ‘ 25, 306 FUNK, Joseph, XIX, Oct ’ 33, 398 FURNESS, Clifton Joseph, “ Communal Music Among Arabians and Negroes,” XVI, Jan ‘ 30, 38−51 FUTTERMAN, Harry, XXXI, Apr ’ 45, 144 “ Future of Musicology in America, The” (Oscar George Sonneck), XV, Jul ‘ 29, 317−321 Fynette Kulas American Composers Fund, XXXIV, Jul ’ 48, 405 G GABRILOWITCH, Ossip, IV, Apr ‘ 18, 178179; XI, Apr ’ 25, 307; XII, Apr ‘ 26, 160; XXXIV, Jan ’ 48, 56 GABURO, Kenneth, current chronicle (Lenox, Mass.), XLII Oct ‘ 56, 530−533 Gaelic Symphony (Mrs. H. H. A. Beach), XXIII, Jan ’ 37, 41 GAISBERG, Frederick W., XXIX, Jan ‘ 43, 138−145 GALE, Harlow, “ Musical Education,” VIII, Jan ’ 22, 96 GALLI-CURCI, Adelina, VIII, Jan ‘ 22, 86 GALLOP, Rodney, articles by, “ Basque Songs from Soule,” XXII, Oct ’ 36, 458469; “ Folk-Music of the Southern Slavs,” XXIII, Oct ‘ 37, 516−531; “ The Music of Indian Mexico,” XXV, Apr ’ 39, 210−225; “ Otomi Indian Music from Mexico,” XXVI, Jan ‘ 40, 87−100 Gallows Tree, The (See: The Hangman' s Tree) (Folk Ballad), IV, Apr ’ 18, 295297 GAMES AND SONGS OF AMERICAN CHILDREN (W. W. Newell), II, Jan ‘ 16, 123; XXII Apr ’ 36, 160 GANZ, Rudolf, XXX, Apr ‘ 44, 204 GARCIA, Juan Francisco, XXXI, Apr ’ 45, 218−219 portrait, XXXI, Apr ‘ 45, Opp. 218 music by, Advenimiento (concert overture), XXXI, Apr ’ 45, 218−219; Quisqueyana (symphony), XXXI, Apr ‘ 45, 218−219; Scherzo Clasico (orchestra), XXXI, Apr ’ 45, 218−219 GARCIA, Jose Ovidio and PERALTA, Ram6n Emilio, LA PATRIA EN CANCION (School Song-book), XXXI, Apr ‘ 45, 214−215 GARDINER, Balfour, XI, Apr ’ 25, 309 GARDNER, Mrs John L., XI, Jul ‘ 25, 323 48 GARDNER, Samuel, From the Rockies, Op. 23 (violin and piano), XXXI, Oct ’ 45, 417 (See: King, A. Hyatt) GARRISON, Fielding H., “ Medical Men Who Have Loved Music,” VII, Oct ‘ 21, 527−548 GARSIDE, Charles, Jr., “ Calvin' s Preface to the Psalter: A Re-Appraisal,” XXXVII, Oct ’ 51, 566−577 GATTI, Guido M., “ Ernest Bloch,” VII, Jan ‘ 21, 20−38 GATTI-CASAZZA, Guilio, XVI, Oct ’ 30, 453; XXVIII, Apr ‘ 42, 252−253; XXXIII, Apr ’ 47, 181 GAUL, Harvey B. articles by “ Bonnet Bossi-Karg-Elert,” IV, Jul ‘ 18, 353−364; Music and Devil-Worship,“ XI, Apr ’ 25, 192−195 GAY, John and PEPUSCH, John C., The Beggar' s Opera, XV, Jul ‘ 29, 425; XXIV, Jan ’ 38, 59 GAYNOR, Jessie L., XVIII, Jan ‘ 32, 100 GEBHARD, Heinrich, XI, Jul ’ 25, 324 GEHOT, Jean, XVII, Jan ‘ 31, 25 music by, Overture in 12 Movements, Expressive of a Voyage from England to America, XVII, Jan ’ 31, 26 GEHRKENS, Karl W., XI, Apr ‘ 25, 305; XXVI, Apr ’ 40, 168 article by, ” The Psychological Basis of Conducting,“ XXI, Oct ‘ 35, 437−441 book by, THE FUNDAMENTALS OF MUSIC, XI, Apr ’ 25, 306 GEIRINGER, Irene (See: GEIRINGER, Karl, with Irene Geiringer…) GEIRINGER, Karl, XLII, Oct ‘ 56, 491 articles by, ” Artistic Interrelations of the Bachs,“ XXXVI, Jul ’ 50, 363−374; ” Haydn and the Folksong of the British Isles,“ XXXV, Apr ‘ 49, 179−208 record review by, (Haydn: Trumpet certo in D. George Eskdale, trumpet; Erna Heiller, harpischord; Vienna State opera orchestra, Franz Litschauer, conductor), XLI, Jul '55, 402−404 GEIRINGER, Karl with Irene Geiringer, THE BACH FAMILY-SEVEN GENERATIONS OF CREATIVE GENIUS, Concerto in E-flat; Harpischord Con- music by, An American in Paris (orches- (See also: “ Gershwin, Schillinger, and Dukelsky”) article about: See: XVIII, Oct ‘ 32, 646651 portrait, XXXIII, Jan ’ 47, Opp. 109 tra), XVII, Jan ‘ 32, 11; XVIII, Oct ’ 32, 646; XXXIII, Jan ‘ 47, 107; XXXIII, Apr ’ 47, 186; Cuban Overture, XXXIII, Jul ‘ 47, 312; George Gershwin' s Song-Book, XVIII, Oct ’ 32, 646, 650; Goldwyn Follies (See: DukelI Got Rhythm, XXXIII, Jan ‘ 47, 109; Piano Concerto in F, XVIII, Oct ’ 32, General Advertiser XLII, Jan '56, 99−103 (book review by Walter E. Buszin) (Philadelphia), XVIII, General Booth Enters Heaven (Charles Ives), XIX, Jan '33 50 General Died at Dawn, The (film), WerGENESIS OF A MUSIC Jan '32, 164 sky, Vladimir), XXXIII, Jan '47, 106; ner Janssen), XXVII, Apr '41, 163 XXXVI, Jan '50, 131−135 (Book Review by J. Murray Barbour) Gentle Annie (Stephen C. Foster), XXII, Apr '36, 159 GENTLEMAN' S AMUSEMENT Gentleman' s Amusement and Companion to the Flute, The (musical monthly), GENUINE (Harry Partch), 647; XXXIII, Jan '47, 107, 108; XXXIII, Apr '47, 186; Porgy and Bess (opera), XXXIII, Jan '47, 108, 109110; XXXIII, Jul '47, 316; XXXIV, Apr '48, 296; XXXIX, Apr '53, 307; Rhapsody in Blue, XVIII, Oct '32, 646; Americansongster), XXX, Jan '44, 55 XVIII, Jan '32, 156, 333 CHURCH (early XXXIII, Jan ‘ 47, 106, 107, 108; XXXIII, Apr ’ 47, 186 “ Gershwin, Schillinger, and Dukelsky” (Vernon Duke), XXXIII, Jan ‘ 47, 102115 MUSIC school text), XIX, Oct '33, 396 GEORGE, Albert J., book review (LES ROMANTIQUES ET LA MUSIQUE: LE CAS GEORGE SAND, by Th Mrese Marix-Spire), XLII, Jan '56, 115−117 Gershwin' s (Singing- GERSTER, Etelka, XXV, Apr ‘ 39, 132 GERSTL1, Henry S., article by, “ The Piano Music of Nicolai Medtner,” X, Oct ’ 24, 500−510 417 Gertrude Clarke Whittall Foundation Collection, Library of Congress, XL, Jul ‘ 54, 440 GIANNEO, Luis, XXXIV, Jan ’ 48, 3 music by, Spring Sadness, XI, Jul '25, GEORGE, Arthur, “ Notes Versus Tones,” VIII, Apr ‘ 22, 256−264 George Song-Book (George Giants In the Earth (Douglas Moore), Gershwin), XVIII, Oct ‘ 32, 646, 650 “ GeorgeK. Jackson, Doctor of Music (1745XXXVII, Jul ’ 51, 402−404 1822),” (H. Earle Johnson), XXIX, GIBLING, Sophie P., articles by, “ Problems of Musical Criticism,” II, Apr ‘ 16, Jan ’ 43, 113−121 Georgia Camp-Meeting (Kerry Mills), IX, 244−248;“ Types of Musical Listening,” Oct ‘ 23, 471 III, Jul ’ 17,. 385−389 GERICKE, Wilhelm (William), VI, Apr GILBERT, Doris, “ Francesca Caccini, ‘ 20, 232; X, Apr ’ 24, 297; XI, Jul ‘ 25, Called La Cecchina,” XXXII, Jan ’ 46, 319, 323; XXIII, Jan ‘ 37, 42−43; XXIX, 50−62 Apr ’ 43, 167−168; XXX, Apr ‘ 44, 202; GILBERT, Henry F., IV, Jan ’ 18, 24, 25, (See also: “^William Gericke”) 26, 27, 34, 35, 36; VI, Jan ‘ 20, 27; VII, portrait, XXXI, Apr ’ 45, Opp. 164 Jul ‘ 21, 305, 307; IX, Jan ’ 23, 123, 149; German Opera Company (NYC), XXV, XVI, Jul ‘ 30, 379; XVI, Oct ’ 30, 445; Apr ‘ 39, 129−130 XVIII, Jan ’ 32, 97; XIX, Jul ‘ 33, 352; “ Germania Musical Society, The” (H. XIX, Oct ’ 33, 415; XXIII, Jan ‘ 37, 41; Earle Johnson), XXXIX, Jan ’ 53, 75XXVI, Jan ‘ 40, 117; XXVIII, Oct ’ 42, 93; picture, the Society in 1853, Bos490; XXXI, Jan ‘ 45, 104−105, 107−108; ton, Opp. 76 XXXII, Jul ’ 46, 356; XXXVI, Apr ‘ 50, Germania Musical Society (in 1853, in Bos162 ton), XXXIX, Jan ’ 53, Opp. 76 (picportraits, IV, Jan ‘ 18, Opp. 23; XVI,); XLI, Jan ’ 55, 3 Jan ‘ 30, Opp. 26 Germania Orchestra, XXIV, Apr ’ 38, 215 music by, Americanesque, IV, Jan ‘ 18, GERSHWIN, George, XII, Apr ’ 26, 30329; Bring From the Craggy Haunts of 305; XV, Oct ‘ 29, 607, 615; XXXII, Jul ’ 46, 466; XXXVII, Oct ‘ 51, 474; Birch and Pine, XI, Jul ’ 25, 386; Comedy Overture On Negro Themes, IV, 49 Jan '18, 24, 30−31, 36; XXXI, Jan '45, 111−112; XXXIII, Apr '47, 186; The poem), IX, Jan '23, 125; XVI, Jan '30, 24, 25−26; XVI, Oct '30, 447; XXXI, Jan '45, 112; Negro Rhapsody, IV, Jan Jan '45, 114−115; Riders To the Sea, IV, Jan '18, 34−35; Salammbo' s Invo' cation To Tanith, IV, Jan '18, 25; Symphonic Piece, XXXI, Jan '45, 108 Croon Of the Dew, XI, Jul '25, 386; Dance In Place Congo (symphonic '18, 33; Nocturne (orchestra), XXXI, articles by, “ The American Composer,” I, Apr ‘ 15, 169−180; “ Folk-Music In Art-Music, a Discussionand a Theory,” III, Oct ’ 17, 577−601; “ Humor In Music,” XII, Jan ‘ 26, 40−55; “ The North American Indian,” IV, Jan ’ 18, 28; “ Notes on a Trip to Frankfurtin the Summer of 1927-With Some Thoughts on Modern Music,” XVI, Jan ‘ 30, 21−37; “ Originality,” V, Jan ’ 19, 1−9; “ Progressin Art,” VI, Apr ‘ 20, 159−174;“ The Survival of Music,” II, Jul ’ 16, 365−374 GILCHRIST, William W., VI, Apr ‘ 20, 234; XVIII, Jan ’ 32, 79, 99 portrait, XVIII, Jan ‘ 32, Opp. 91 GILFERT, George (NYC music publisher), XXI, Apr ’ 35, 204 GILLINGHAM, George (violinist), XVII, Jan ‘ 31, 29; XVIII, Jan 32, 157; XXI, Apr ’ 35, 192; XXIX, Jan ‘ 43, 113 GILLES, P., XIII, Apr ’ 27, 224 GILMAN, Lawrence, I, Jan ‘ 15, 19, 29, 33, 51; III, Oct ’ 17, 494, 499, 500, 501; XII, Apr ‘ 26, 154; XII, Oct ’ 26, 641,; XIX, Jan ‘ 33, 51; XIX, Jul ’ 33, 352; XXI, Jul ‘ 35, 369; XXIII, Oct ’ 37, 431; XXIV, Jan ‘ 38, 105; XXIV, Oct ’ 38, XXXI, 534−539; XXVI, Jan 40, 113−121; Jan ‘ 45, 113; XLI, Oct ’ 55, 489 article by, “ Taste in Music,” III, Jan ‘ 17, 1−8 VII, Jul ’ 21, 460 GILMORE, Patrick Sarsfield, VI, Apr ‘ 20, 239; XXIV, Apr ’ 38, 217 GINASTERA, Alberto, XXXIV, Jan ‘ 48, 3 music by, Pampeana No. 3, XLI, Jan '55, 79; Sonata for Piano (commissioned XXXIX, Oct '53, 613, 616 Girl Of the Golden West (Giacomo Pucbooks by, EDWARD MACDOWELL, VI, Apr '20, 242; NATURE IN MUSIC, by Carnegie Institute, Pittsburgh, Pa.), cini), XIII, Oct '27, 644; XIV, Jan '28, 32, 33 Girl Of the Red Mouth (Bainbridge Crist), XI, Jul '25, 405, 406 Gitanjali (song cycle) John Alden Carpenter), XI, Jul ‘ 25, 396; XVI, Oct ’ 30, 451, 456 GLADDING, Bessie A., “ Music As a Social Force During the English Commonwealth and Restoration (1649−1700),” XV, Oct ‘ 29, 506−521 GLANVILLE-HICKS, Peggy, music by, Concertino da Camera XLI, Oct ’ 55, 551, 554 (record review by Nathan Broder); Sonata for Piano and Percussion (1952), XLI, Oct ‘ 55, 551, 554 (record review by Nathan Broder); The Transposed Heads, XLI, Jan ’ 55, 79 GLEANINGS FROM A HISTORY OE MUSIC (Joseph Bird), XXIX, Jan ‘ 43. 78 GLEASON, Frederick Grant, XVIII, Jan ’ 32, 79, 95, 97, 100, 101 portrait, XVIII, Jan ‘ 32, Opp. 91 GLEASON, Harold, Book Review (J. S. BACH' S MUSICAL OFFERING, by Hans Theodore David), XXXI, Oct ’ 45, 538−540 Gloria al Bravo Pueblo Juan Jose Landaeta) (Venezuelan National Anthem), XXIX, Apr ‘ 43, 204 Glory Around His Head, The (Jan Meyerowitz), XLI, Jul ’ 55, 368−370 Go Choruses (commissionedby League of Composers) (Robert Mc Bride), XXXIV, Jan ‘ 48, 10 Go! (aria) (John Antes), Go, Congregation, XLII, Oct ’ 56, 496 Go Down, Moses (Negro Spiritual), XVI, Jul ‘ 30, 409 Go, Lovely Rose (John Alden Carpenter), XI, Jul ’ 25, 394; XVI, Oct ‘ 30, 455 Go ’ way From My Window (American Folk Song), XVIII, Jan ‘ 32, 73 Godey' s Lady' s Book, song supplements, XXXI, Oct ’ 45, 465, 473, 474, 475, 477 GODOWSKY, Leopold, IX, Jan ‘ 23, 124; IX, Apr ’ 23, 299; XI, Apr ‘ 25, 307; XVIII, Jan ’ 32, 100 article by, “ Piano Music for the Left Hand,” XXI, Jul ‘ 35, 298−300 music by, The Cuckoo (See: Triakontameron), VII, Apr ’ 21, 270 God' s A-Gwine to Move All de Troubles Away (Negro Spiritual), XVI, Jul ‘ 30, 409 GOEB, Roger, Symphony No. 3, XXXVIII, Jul ’ 52, 440−442; Symphony No. 4, XLII, Jul ‘ 56, 394−395 GOEPP, Philip H., I, Oct ’ 15, 628; XVIII, Jan ‘ 32, 99; XXI, Apr ’ 35, 181 GOETHE AND MUSIC (Frederick W. Sternfeld), XLII, Jan ‘ 56, 105−107 50 GOETSCHIUS, Percy, XXII, Apr ‘ 36, 141; XXV, Apr ’ 39, 132; XXXIII, Apr ‘ 47, 209; XXXVI, Jan ’ 50, 42, 43; XXXVI, Apr ‘ 50, 161; (See also: “’ Papa‘ Goetschius in Restrospect”) portrait, XXX, Jul ’ 44, Opp. 308 (Folk Hymn), II, Jan ‘ 16, 118 Going Up (Negro Spiritual), IV, Jul ’ 18, 328 GOLD, Julius, XIX, Apr ‘ 33, 169; XXXVII, Jul ’ 51, 441 GOLDBECK, Robert, XVIII, Jan ‘ 32, 80 GOLDBERG, Albert, XXXVII, Oct ’ 51, 484, 485 GOLDBERG, Isaac, XXVII, Jan ‘ 41, 50, 52 GOLDE, Walter, Sudden Light, XI, Jul ’ 25, 417 GOLDEN HARP, Golden Rose, The THE Going To Shout All Over God' s Heaven the Schola Cantorum, Hugh Ross, director; New York Philharmonic-Symphony Orchestra, Dimitri Mitropoulos, conductor), XXXVIII, Oct '52, 645−647; phony, Op. 15. For large brass orchestra, string orchestra, and chorus. The Great Symphonic Brass Orchestra and String Orchestraof Cologne, Kolnischer Chor, Fritz Straub, conductor. Helmut Schmitt, solo trombone), XXXIX, Jul '53, 478−479; (Bloch: Four Episodes. Radio Zurich Symphony, Thomas Schernnan, cond.), XLII, Oct '56, 556Radio Rome Symphony, Copland, conductor), XLII, Oct '56, 556−557; (De 557; (Copland: Piano Concerto, 1926“ Jazz Concerto.” Leo Smit, piano; (Berlioz: Funeral and Triumphal Sym- XX, Jan '34, 93 (Waters & Co.), Jul ‘ 25, 388, 390 Goldman Band (See also: Edwin Franko Goldman), XXXIV, Jan ’ 48, 13; XXXV, Oct ‘ 49, 619; XXXVII, Oct ’ 51, 479 GOLDMAN, Edwin Franko, XXXIV, Jan ‘ 48, 13 GOLDMAN, Richard Franko, XXXIV, Jan ’ 48, 10; XXXV, Jul ‘ 49, 462 (as conductor); XXXIX, Jan ’ 53, 134−135; XL, Apr ‘ 54, 248 article by, “*The Music of Wallingford Riegger,” XXXVI, Jan ’ 50, 39−61 book reviews by, (BERLIOZ AND THE ROMANTIC CENTURY, by Jacques (THE GRAMMAR OF CONDUCT- (Wintter Watts), XI, Menasce, Jacques: Concerto No. 2 for Piano and Orchestra; Divertimento On A Children' s Song, for Piano and Strings; Petite Suite pour le Piano. Jacques de Menasce, piano; Vienna State Opera Orchestra, Edmund Appia, conductor), XL, Apr '54, 296−298; (Hindemith: Symphonic phoses on Themes of Carl Weber. Schoenberg: Five Orchestra, Op. 16. Chicago Dances, RIAS Metamor Maria von Pieces for Symphony Radio in Orchestra, Rafael Kubelik, conductor), XL, Jul '54, 462−463; (Hindemith: American Sector-Symphony Orchestra, Berlin, Ferenc Friesay, conductor. Hindemith: Sonata for Clarinet and Piano; Debussy: Premiere Rapsodie for Clarinet and Piano; Stravinsky: Three Pieces for Clarinet Solo. Reginald ger: Jeanne d' Arc au Bicher, Symphonic Barzun), XXXVI, Oct '50, 610−613; land), XXXIX, Jan '53, 107−109 current chronicles by, New York: XXXIV, Jul '48, 407−409; XXXV, Jan '49, 111−115; XXXV, Apr '49, 289−292; XXXV, Jul '49, 451−458; XXXV, Oct '49, 616−619; XXXVI, Jul '50, 444−447; XXXVI, Oct '50, 592−595; XXXVII, Jan '51, 83−89; XXXVII, Apr '51, 253−260; XXXVII, Jul '51, 405−410; XXXVII, Oct '51, 578−580; XXXVIII, Apr '52, 287−291; XXXVIII, Jul '52, 435−440; XXXIX, Apr '53, 247−251; XL, Jul '54, 391−394; XLI, Jul '55, 373376; XLII, Apr '56, 236−239; XLII, Jul '56, 390−394 record reviews by, (Berg: Wozzeck: Mack Harrell, Eileen Farrell, Frederick Jagel, and others. Chorus of the High School of Music and Art; Chorus of 51 AND IMAGINATION, by Aaron Cop- ING: A Practical Study of Modern Baton Technique. By Max Rudolf, with a foreword by George Szell), XXXVI, Apr '50, 310−311; (MUSIC Kell, clarinetist, Joel Rosen, pianist), XXXVIII, Jul '52, 487−489; (Honeg Vera Zorina, Raymond Gerome, Frances Yeend, Carolyn Long, Martha Lipton, David Lloyd, Kenneth Smith, John H. Brown, and others; Temple University Choirs, Elaine Brown, director; St. Peter' s Boys' Choir, Harold Gilbert, director; Philadelphia Orchestra, Eugene Ormandy, conductor), XXXIX, Oct '53, 656−657; (Jolivet: Concerto for Piano and Orchestra. Lucette Des- caves, piano; Orchestra du Theatre des Champs-Elysees, Ernest Bour, con Motte, trumpet; Serge Baudo, piano; Orchestra du Theatre des Champs Elys6es, Ernest Bour, conductor), XL, Jul '54, 465−466; (Mennin: Symphony No. 3. N. Y. Philharmonic-Symphony, Dimitri Mitropoulos, conductor), ductor. Concerto for Trumpet, Piano and String Orchestra. Roger Del XLI, Oct '55, 558; (Milhaud: First Quintet; Second Quintet; Les Amours de Ronsard; Concertino d' Etd), XL, Jul '54, 469−471; (Pezel: Tower and Festive Music of the 17th Century. Brass Ensemble under the direction of Gunther Schuller), XL, Oct '54, 628629; (Reed, H. Owen: La Fiesta Mexicana. Mennin: Canzona. Persichetti: Psalm. Thomson: A Solemn Music. Hanson: Chorale and Alleluia. Eastman Symphonic Wind Ensemble, Frederick Fennell, cond.), XLI, Jul '55, 407408; (Reigger: Symphony No. 3, Op. 42. Eastman-Rochester Symphony Orchestra, Howard Hanson, conductor), XLI, Oct '55, 558; (Roussel: String Quartet In D Major, Op. 45, The Loewenguth Quartet), XXXIX, Apr '53, 338−339; Schoenberg: Erwartung Monodrama, Op. 17; Krenek: Symphonic Elegy for String Orchestra, In Memoriam, Anton von Webern. Dorothy Dow, soprano; New York Philharmonic-Symphony Orchestra, Dimitri Mitropoulos, conductor), XXXVIII, Oct '52, 671−673; Schoenberg: Songs, Op. 2, Nos. 1, 2, 3, 4; Op. 3, Nos. 4, 6; Op. 6, Nos. 1−8; Op. 14, Nos. 1, 2, Ilona Steingruber, soprano; Herbert Haefner, pianist), XXXIX, Apr '53, 339−340; (Villa-Lobos: Nonetto, for flute, oboe, clarinet, saxophone, bassoon, harp, celesta, battery, and mixed chorus; Quatuor, for flute, harp, celesta, alto saxophone, and women' s voices. The Roger Wagner Chorale and the Concert Arts Players, Roger Wagner, conductor), XL, Jan '54, 157158; (Webern: Symphony, Op. 21. Paris Chamber Orchestra, Leibowitz, conductor. Five Movements for String Quartet, Op. 5; Six Bagatelles for String Quartet, Op. 9. The Pro Arte Quartet. Concerto for Nine Instruments, Op. 24. Chamber Orchestra, Leibowitz, conductor. Variations for Piano, Op. 27, Jacques Monod, pianist. Four Songs, Op. 12. Bethany Beardslee, soprano, Jacques Monod, piano. Quartet for Tenor Saxophone, Violin, Clarinet and Piano, Op. 22. Williams, Thomas, Chaplin, Monod, Leibowitz, cond.), XL, Oct '54, 632−633 GOLDMARK, Rubin, IX, Jan '23, 123; XXXI, Oct '45, 420; XXXIII, Jan '47, 106 Remarks at Funeral Services of Oscar G. Sonneck, XV, Jan '29, 4−5 music by, Negro Rhapsody, XVIII, Jan '32, 11; Requiem, IX, Jan '23, 125 52 Goldwyn Follies (George Gershwin), XXXIII, Jan ‘ 47, 106 GOLSCHMANN, Vladimir, XXXIII, Jan ’ 47, 108 GOMBOSI, Otto Johannes, XXVI, Jul ‘ 40, 370; XXXI, Jan ’ 45, 35, 40; XXXI1I, Jan ‘ 47, 125; XXXIX, Jul ’ 53, 386, 389 articles by, “ About Dance and Dance Music in the Late Middle Ages,” XXVII, Jul ‘ 41, 289−305; “ Bela Bart6k (1881−1945),” XXXII, Jan ’ 46, 1−11; “ Jacob Obrecht: Eine Stilkritische Studie,” XX, Jan ‘ 34, 53, 59, 66; “ Johannes Wolf (1869−1947),” XXXIV, Apr ’ 48, 149−154; “ Machaut' s Messe Notre Dame,” XXXV, Apr ‘ 50, 204−224; “ The Melody of Pindar' s ’ Golden ‘ 40, 381−392; Lyre’,” XXVI, Jul “ Stephen Foster and ‘ Gregory Walker’.” XXX, Apr ‘ 44, 133−146 book reviews, (FRENCH SECULAR MUSIC OF THE FOURTEENTH CENTURY, edited by Willi Apel), XXXVI, Oct ’ 50, 603−610; (DER GRIECHISCHE RHYTHMUS, by Thrasybulos Georgiades), XXXIX, Oct ‘ 53, 634−638; (JACOBUS VALET AND HIS MOTETS, by Milton Steinhardt), XXXVIII, Jan ’ 52, 159−167; (THE STORY OF DANCE MUSIC, by Paul Nettl), XXXIV, Oct ‘ 48, 622−627 record reviews, (Anthology of Middle Age and Renaissance Music, Vol. 6: Guillaume Dufay, Secular Works; Vol. 13: Josquin des Prez, Secular Works. Pro Musica Antiqua, Safford Cape, conductor), XXXIX, Jan ’ 53, 132−134; Dufay: Magnificat in the Eighth Mode; Plainsong sequence: Veni Sancte Spiritus. Lassus: Auditui meo; Non avertas faciem; Ipsa te cogat; Non nobis, Domine; Lassus: Spiritus tuus; Josquin: Veni Creator Spiritus; Palestrina: Magnificat in the Fourth Mode. Harvard University Choir, Radcliffe Choral Society, William F. Russell, conductor), XXXVIII, Oct ‘ 52, 659−664; (Lassus: Lamentations of Jeremiah, I and II; Josquin: De Profundis; Ave Maria. Dessoff Choirs, Paul Boepple, conductor. French Songs of the 16th and 17th Centuries; English Songs of the 17th Century. Hugues Cuenod, tenor; Hermann Leeb, lute), XXXVIII, Oct ’ 52, 659−664 G6MEZ, Antonio Carlos, XXXI, Apr ‘ 45, 215 Good News, Chariot' s Coming (Negro Spiritual), XVI, Jul ’ 30, 409 GOOD OLD SONGS (Singing-School textbook), XXVI, Oct ‘ 40, 485 GOODMAN, Benny, XXXVII, Apr '51, 260−262; XXXVIII, Oct '52, 655−656, 658 GOODMAN, Bernard, XXXVIII, Jul '52, Milton Feist) current chronicle 521−532 Graduale Dominicale Graduale Dominicale (Israel), XL, Oct '54, (printed by Ocharte, (printed by Spinosa, 438 1576), XV, Jan '29, 52 GOODRICH, Wallace, XXI, Jan ‘ 35, 41 GOOSSENS, Eugene, XIX, Jan ’ 33, 51 GORDON, Philip, “ Franz Grillparzer: Critic of Music,” II, Oct ‘ 16, 552−561 GORDON, R. W., XIV, Apr ’ 28, 300; XVI, Jan ‘ 30, 39, 51 “’ Gospel Hymns' and Their Tunes,” (Edwin H. Pierce), XXVI, Jul ‘ 40, 355−364 GOTTSCHALK, Clara, XXXI, Jul ’ 45, 361 GOTTSCHALK, Louis Moreau, VI, Jan ‘ 20, 70; VI, Apr ’ 20, 244−246; XXI, Jan ‘ 35, 67; XXIII, Jan ’ 37, 40; XXVIII, Oct ‘ 42, 518; XXXIII, Jul ’ 47, 377 (in Cuba); XXXIX, Oct ‘ 53, 632 articles about, “ American Quality in the Music of Louis Moreau Gottschalk, The” (Carl E. Lindstrom), XXXI, Jul GRAF, Herbert, THE OPERA, AND ITS FUTURE IN AMERICA, XXVIII, Apr 1576), XV, Jan '29, 52 '42, 255−256 ‘ 45, 356−370; “*Louis Moreau Gotts- chalk As Portrayed by Himself“ (John Tasker Howard), XVIII, Jan ‘ 32, 120- GRAF, Max, article by, “ The Death of a Music City,” XXVI, Jan ‘ 40, 8−18 book by, COMPOSER AND CRITIC, XXXII, Jul ’ 46, 476−479 (Book Review by Alfred Frankenstein) book review by, (THEME AND VARIATIONS, by Bruno Walter), XXXII, Oct ‘ 46, 619−622 GRAHAM, Martha, XXXIX, Jan ’ 53, 154 (See: Letter to the World); Judith (Louisville Orchestra commission, with William Schuman), XXXVII, Apr ‘ 51, 255−260; XXXVII, Jul ’ 51, 317 GRAINGER, Percy, IX, Jan ‘ 23, 124; IX, Oct ’ 23, 471; XII, Jul ‘ 26, 403; XVI, Oct ’ 30, 457; XXXIV, Jan ‘ 48, 13 133 Danse Ossianique, XXXI, Jul ‘ 45, 357; La nuit des tropiques (orchestra), XXXIII, Jul ’ 47, 377; Ojos Criollas, XXXI, Jul ‘ 45, 357; Souvenir de Porto Rico, XXXI, Jul ’ 45, 357, 360 book by, NOTES OF A PIANIST, XVIII, Jan ‘ 32, 120 GOULD, Morton, XXXIII, Jan ’ 47, 111; XXXIII, Jul ‘ 47, 325 music by, Concertofor Orchestra, XXXV, Apr ’ 49, 286; Harvest (harp, vibraphone and strings), XXXV, Apr ‘ 49, 286; Lincoln Legend, XXXIII, Apr ’ 47, 186; Spirituals (string, choir and orchestra), XXXV, Apr ‘ 49, 286 GOULD, Nathaniel Duren, books by, CHURCH MUSIC IN AMERICA, XIII, Apr ’ 27, 247; THE HISTORY XIX, Oct ‘ 33, 395 GOW, George Coleman, “ Rhythm: The Life of Music,” I, Oct ’ 15, 637−652 GRADENWITZ, Peter, THE MUSIC OF ISRAEL; ITS RISE AND GROWTH THROUGH 5, 000 YEARS, XXXVI, Jan ‘ 50, 135−138 (Book Review by 53 OF SACRED MUSIC IN AMERICA, portraits, XVIII, Jan '32, Opp. 122; XXXI, Jul '45, Opp. 356. music by, Bamboula, XXXI, Jul '45, 357, 359, 361, 365; Le Bananier, XXXI, Jul '45, 357, 359; Le Banjo, XXXI, Jul '45, 359, 361; El Cocoze, XXXI, Jul '45, 357; Danse Negre, XXXI, Jul '45, 365; W. politan Composer“ (Charles Hughes), XXIII, Apr ‘ 37, 127−136; ”*Percy Grainger, The Music and the Man“ (Cyril Scott), II, Jul ’ 16, 425−433 portrait, XXIII, Apr ‘ 37, Opp. 130 music by, Air from County Derry, XXIII, Apr ’ 37, 129; Country Gardens, XXIII, Apr ‘ 37, 129; Danish Folkmusic Suite, XXIII, Apr ’ 37, 130; Father and Green Bushes, XXIII, Apr ‘ 37, 132, 133, 135, 136; Gumsucker' s March, Apr ’ 37, 131, 133; Handel in the Strand, XXIII, Apr ‘ 37, 132; Hill Song No. 1, XXIII, Apr ’ 37, 131, 135; Hill Songs Nos. 1 and 2 (See: King, A. articles about, “*Percy Grainer, Cosmo- Daughter, XXIII, Apr '37, 130, 134; Hyatt), XXXI, Oct '45, 417; Jutish Medley, XXIII, Apr ‘ 37, 130; Lord Peter' s Stable Boy, XXIII, Apr ’ 37, 130, 134, 135; Marching Song for Democracy, XXIII, Apr ‘ 37, 132, 133; Molly on the Shore, XXIII, Apr ’ 37, 129; My Robin Is to the Greenwood Gone, XXIII, Apr ‘ 37, 129; The Nightingale and the Two Sisters, XXIII, Apr ’ 37, 130; The Power of Love, XXIII, Apr ‘ 37, 130; Shepherd' s Hey, XXIII, Apr ’ 37, 129, 134; Spoon River, XXIII, Apr ‘ 37, 131; To A Nordic Princess, XXIII, Apr ’ 37, 132; Tribute to Foster, XXIII, Apr ‘ 37 131; The Warriors, XXIII, Apr ’ 37, 131, 132; The Willow Song, XXIII, Apr ‘ 37, 129 articles by, “ Arnold Dolmetsch: Musical Confucius,“ XIX, Apr ‘ 33, 187−198; ” The Culturizing Possibilities of the Instrumentally Supplemented a cap. pella Choir,“ XXVIII, Apr ’ 42, 160173; ” The Impress of Personality in Unwritten Music,“ I, Jul ‘ 15, 416−435 GRAITZER, Murray (conductor), XLII, Apr ’ 56, 244 GRAMMAR OF CONDUCTING, THE: A Practical Study of Modern Baton Technique. By Max Rudolf, with a Foreword by George Szell, XXXVI, Apr ‘ 50, 310−311 (Book Review by Richard F. Goldman) Grand Canyon Suite (Ferde Grofe), XXXI, Oct ’ 45, 418 (See: King, A. Hyatt); XXXIII, Apr ‘ 47, 186 GRANT, Charles N. (arranger), IX, Oct ’ 23, 476 GRANVILLE-HICKS, ”*Virgil Thomson,“ XXXV, Apr ‘ 49, 209−225 Grape Vine Twist (Banjo Tune), XLII, Oct ’ 56, 457, 470 GRATTAN, C. Hartley, ” The Australian Bush Songs,“ XV, Jul ‘ 29, 426−437 GRATTAN, Mrs., XVIII, Jan ’ 32, 162−163 GRAUPNER, Gottlieb (See: GRAUPNER, Johann Christian Gottlieb) GRAUPNER, Johann Christian Gottlieb, XIII, Apr ‘ 27, 223, 225; XVII, Jan ’ 31, 38; XVIII, Jan ‘ 32, 150; XVIII, Apr ’ 32, 316, 328−329; XXVI, Apr ‘ 40, 156; XXIX, Jan ’ 43, 113, 118, 120 book by, RUDIMENTS OF THE ART OF PLAYING THE PIANOFORTE, XVIII, Apr ‘ 32, 329, 332 GRAUPNER, Mrs. Johann Christian Gottlieb, XVIII, Apr ’ 32, 316, 328 Great Awakening, The (A. Walter Kramer), XI, Jul ‘ 25, 398 Green Bushes (Percy Grainger), XXIII, Apr ’ 37, 132, 133, 135, 136 Green River (John Alden Carpenter), XI, Jul ‘ 25, 393; XVI, Oct ’ 30, 451, 455 GREENE, Richard L. (See: Bukofzer, STUDIES IN MEDIEVAL AND RENAISSANCE MUSIC), XXXVII, Jan ‘ 51, 106 article by, ”*John Dunstable: A Quincentenary Report,“ XL, Jul ’ 54, 360363 GREENE, Theodore Meyer, book by, THE ARTS AND THE ART OF CRITICISM, XXVI, Apr ‘ 40, 262 book review by, (THE COMMONWEALTH OF ART, by Curt Sachs), XXXIII, Oct ’ 47, 565−570 GREISSLE, Felix, current chronicle (New York), XXXVII, Jul ‘ 51, 402−404 record review, (Schoenberg: Suite, Op. 29. Instrumental ensemble, Gunther Schuller, conductor), XLI, Oct ‘ 55, 558560 GRIDER, Rufus, XLII, Oct ’ 56, 489, 490, 495 book by, HISTORICAL NOTES ON MUSIC IN BETHLEHEM, PA., XVIII, Apr ‘ 32, 319−321, 328 GRIFFES, Charles Tomlinson, VII, Jul ’ 21, 307; VIII, Oct ‘ 22, 552; IX, Jan ’ 23, 123; XI, Jul ‘ 25, 407; XIX, Oct ’ 33, 415 articles about, “*Charles Griffes As I Remember Him” (Marion Bauer), XXIX, Jul ‘ 43, 355−380; “*The Songs of Charles T. Griffes” (William Treat Upton), IX, Jul ’ 23, 314−328 list of songs, IX, Jul ‘ 23, 314−315 portrait, XXIX, Jul ’ 43, Opp. 358 music by, Pleasure Dome of Khubla Khan, VIII, Oct ‘ 22, 616; Poem for Flute and Orchestra, IX, Jan ’ 23, 125; The White Peacock, XXXIII, Apr ‘ 47, 186 GRIGGS, John C., “ The Influence of Comedy Upon Operatic Form,” III, Oct ’ 17, 552−561 GRIMM, C. Hugo, May-dew, XI, Jul ‘ 25, 417 GROFI, Ferde, XXXIII, Jan ’ 47, 107 music by, Grand Canyon Suite (orchestra), XXXI, Oct ‘ 45, 418; (See: King, A. Hyatt), XXXIII, Apr ’ 47, 186 GROSTEN, W. Loran, “ Auguste and His Claque,” XXXII, Apr ‘ 46, 215−226 Grosvenor Library (Buffalo, N. Y.), XVIII, Apr ’ 32, 334 GROUND AND RULES OF MUSIC (Rev. Thomas Walter), XVI, Apr ‘ 30, 216, 220−221 GROUT, Donald Jay, articles by “ German Baroque Opera,” XXXII, Oct ’ 46, 574587; “ Seventeenth-Century Parodies of French Opera” Part I: XXVII, Apr ‘ 41, 211−219; Part II: XXVII, Oct ’ 41, 514526 book by, A SHORT HISTORY OF OPERA, XXXIV, Apr ‘ 48, 294−296 (Book Review by Julius Mattfield) book reviews by, (EL COMPOSITOR IRIARTE (1750−1791), y el cultivo espaiol de mel6logo), Vol 1. Jos6 Subiri), XXXVI, Jul ’ 50, 464−466; AS ENCYCLOPEDISTS (THE CRITICS OF MUSIC, by Alfred Richard Oliver), XXXIV, Jan ‘ 48, 127129; FRENCH GRAND OPERA: An Art and a Business, by William L. Crosten), XXXIV, Oct ’ 48, 627−629; (JOSEPH MARTIN KRAUS UND DIE GUSTAVIANISCHE OPER, by Richard Englander), XXXII, Apr ‘ 46, 54 305−308; MOZART' S OPERAS: A GUALDO, Giovanni, XXXVI, Oct ‘ 50, CRITICAL STUDY, by Edward J. 519−520, 521 Dent), XXXIV, Jul ’ 48, 440−442 record review by, (Haydn: Philemon and GUENTNER, Francis J. (S. J.), record reviews (Gregorian Chants; 3 Vols.), XL, Baucis. Opera in 1 act. Fritz Stein Apr ‘ 54, 302−305; (Chant Grdgorien. bock, Walter Davy (spoken roles); Choeur des Moines de L' Abbaye Saint Erich Majkut, tenor; Susana Naidic, Pierre de Solesmes, Dom Joseph Gasoprano; Waldemar Kmentt, tenor; jard, O.S.B., cond.), XL, ’ 54, 444−450 Elizabeth Room, soprano; Chorus of Guests, The (Marc Blitzstein), XXXV, Apr the Vienna State Opera; Vienna Sym' 49, 293−295 phony Orchestra, Meinhard von Zellinger, conductor), XXXIX, Apr ‘ 53, Guggenheim Memorial Foundation, 320−322 XXXIII, Apr ’ 47, 210 GRUENBERG, Louis, XXIV, Jan ‘ 38, 27, Guide Me 0 Thou Great Jehovah (hymn) 30, (on moder art-song); XXXIII, (Thomas Hastings), XXXII, Apr ’ 46, ‘ 47, 324 Jul 274 article by, “ Stage Fright,” V, Apr ’ 19, GUMMERE, Francis B., II, Jan ‘ 16, 115; 221−230 IV, Apr ’ 18, 293, 298; XIII, Jul ‘ 27 music by, The Creation (voice and eight 378; XVI, Jan ’ 30, 39 instruments), XXXIV, Jan ‘ 48, 5; Daniel Jazz, XVIII, Jan ’ 32, 11; Gumsucker' s March (Percy Grainger), XXXIV, Jan ‘ 48, 4; Emperor Jones XXIII, Apr ’ 37, 131, 133 (opera), XXXI, Jan ‘ 45, 103; A Fan- GUNN, Glenn Dillard, XIX, Apr ’ 33, 169, tasy, XI, Jul ‘ 25, 411; Never Love Un171; XXIV, Jul ’ 38, 251 less…, XI, Jul ‘ 25, 411; Serenade To A Beauteous Lady (commissioned by “*Gustav Strube: The Man and the Musician” (Gustav Klemm), XXVIII, Jul the League of Composers), XXXIV, ’ 42, 288 Jan ‘ 48, 10 Die Griindung von Pennsylvanien (Johann Gustavus Adolphus College (A Cappella Baptist Rupprecht, librettist), XIII, Choir), Saint Peter, Minn., XXVIII, Apr ’ 27, 219 Apr ‘ 422, 163 H H. P. (ballet-symphony) (Carlos Chavez), XXII, Oct ‘ 36, 438, 443 HACH, H. Theodore (editor and publisher), XIII, Apr ’ 27, 231−232, 242; XXVI, Apr ‘ 40, 158 HACKETT, Karleton, I, Oct ’ 15, 628; XIII, Oct ‘ 27, 641 HADLEY, Henry, IX, Jan ’ 23, 123, 139; XI, Apr ‘ 25, 305; XI, Jul ’ 25, 375, 386; XVIII, Jan ‘ 32, 97 music by, Colloque Sentimentale, XI, Jul ’ 25, 415−416; 1 Plucked a Quill from Cupid' s Wing, XI, Jul ‘ 25, 415; The Lute-Player of Casa Blanca, XI, Jul ’ 25, 415; 11 pleut des pdtales de fleurs, XI, Jul ‘ 25, 415; Salome, XXIII, Jan ’ 37, 41; Stille, Traumende Friihlingsnacht, XI, Jul ‘ 25, 415; The Time of Parting, XI, Jul ’ 25, 415−416 HAGEMAN, Richard, music by, At the Well, XI, Jul ‘ 25, 416; Do Not Go, My Love, XI, Jul ’ 25, 416; Happiness, XI, Jul ‘ 25, 416; May Night, XI, Jul ’ 25, 416; Thy Heart Is Like A Tomb, XI, Jul ‘ 25, 416 55 HAIEFF, Alexei, Concerto for Pianoforte and Orchestra, XXXVIII, Jul ’ 52, 440, 442−443; Divertimento, XXXV, Apr ‘ 49, 287; String Quartet No. 1, XLI, Oct ’ 55, 551, 553 (recordreview by Nathan Broder) Hail, Columbia (Philip Phile-Joseph Hopkinson), VI, Jan ‘ 20, 79; XVIII, Jan ’ 32, 156 “ Haiti, Musical Instruments of,” (Harold Courlander), XXVII, Jul ‘ 41, 371 HALE, Frank Gardner, “ The Role of Jewels in Opera,” XXIX, Oct ’ 43, 485497 HALE, Philip, I, Apr ‘ 15, 246, 628; III, Jan ’ 17, 4; III, Oct ‘ 17, 501; IV, Jan ’ 18, 24; V, Jan ‘ 19, 110−111; VII, Oct ’ 21, 559; X, Jan 24, 154−155; X, Jul ‘ 24, 439; X, Jul ’ 24, 448; XI, Jul ‘ 25, 320, 321, 323; XII, Oct ’ 26, 641; XXI, Jul ‘ 35, 370; XXII, Jan ’ 36, 114−115; XXIII, Oct ‘ 37, 428; XXIX, Jan ’ 43, 88; XXIX, Apr ‘ 43, 168; XXXI, Jan ’ 45, 108, 112 HALL, J. H., BIOGRAPHY OF GOSPEL SONG AND HYMN WRITERS, XXVI, Jul ‘ 40, 364 HALLAM, Lewis, VI, Jan ’ 20, 78 HALLAM, Lewis, Sr., XXIV, Jan ‘ 38, 59 HALLAM, Lewis, Jr., XVIII, Jan ’ 32, 158 HALLER, Mabel, XLII, Oct ‘ 56, 488 Hallowe' en (Charles Ives), XLI, Jan ’ 55, 85, 86 (See also: Ivesiana) HAMBITZER, Charles, XXXIII, Jan ‘ 47, 106 HAMERIK, Asger (See also: Peabody Conservatory and Symphony Orchestra), XI, Jul ’ 25, 374; XX, Oct ‘ 34, 389; XXX, Apr ’ 44, 200−201 HAMILTON, William, XXI, Jan ‘ 35, 18 Hamlet (Edward Mac Dowell), VI, Apr ’ 20, 234 Hamline College (Minneapolis, Minn.), XXXIX, Jul ‘ 53, 426 HAMMERSTEIN, Oscar, VI, Jan ’ 20, 86; XXVIII, Apr ‘ 42, 253 HAMMOND, Richard, The Moonbird' s Song, VIII, Oct ’ 22, 552−553 Hampton Institute (Hampton, Va.), XII, Apr ‘ 26, 307 HANCHETT, Dr. Henry G., XXXII, Apr ’ 46, 290 HANDBOOK OF AMERICAN MUSIC AND MUSICIANS (F. O. Jones), XIII, Apr ‘ 27, 247 Handbook to the Galpin Collection of Musical Instruments, in the Museum of Fine Arts, Boston, Mass. (Nicholas Bessaraboff), XXVIII, Jul ’ 42, 380 HANDEL AND HAYDN COLLECTION OF SACRED MUSIC (Lowell Mason), XLII, Jul ‘ 56, 362 Handel and Haydn Society (Boston, Mass.), X, Jul ’ 24, 449; XIII, Apr ‘ 27, 220, 233, 234, 235, 237; XVI, Apr ’ 30, 156; XVII, Jan ‘ 31, 38; XVIII, Apr ’ 32, 328, 329330; XXI, Jan ‘ 35, 73, 75, 196; XXI, Apr ’ 35, 207; XXVI, Apr ‘ 40, 156, 157; XXVI, Jul ’ 40, 305; XXVIII, Apr ‘ 42, 181; XXVIII, Jul ’ 42, 270; XXIX, Jan ‘ 43, 119; XXXII, Jan ’ 46, 74; XXXIX, Jan ‘ 53, 84; XLII, Jul ’ 56, 361−362 “ Handel in Colonial and Post-Colonial America (to 1820)” (Virginia Larkin Redway), XXI, Apr ‘ 35, 190−207 Handel In the Strand (Percy Grainger), XXIII, Apr ’ 37, 132 HANDY, W. C., XIV, Apr ‘ 28, 294; XVI, Oct ’ 30, 522; XLII, Oct ‘ 56, 468, 469 Hangman' s Tree, The (old ballad), II, Jan ’ 16, 114−115, 118−119 HANLEY, Edwin, Current Chronicle (New Haven), XXXIX, Apr ‘ 53, 241−247 record reviews by, (Bach, J. C.: Sarabande duodecies variata; Aria Eberliniana pro dormente Camillo, variata. Buxtehude: La Capricciosa, partite diverse sopra una aria d' inventione. Finn Videro, harpischord) XLI, Jan ‘ 55, 118119; (Charpentier, Marc-Antoine: Te Deum, Marche de Triomphe and Second Air de Trompettes, Troisieme Lecon de Tenebres du Vendredy Saint, Oculi Omnium in Te Sperant. Claudine Collart, Jean Archimbaud, sopranos; Yvonne Melchoir, alto; Pierre Gianotti, tenor; Louis Noguera, bass; Chamber Orchestra of the Concerts Pasdeloup; and Chorale of the Jeunesses Musicales de France, Louis-Martini, conductor), XL, Jan ’ 54, 122−127; (Scarlatti, Alessandro: Stabat Mater. Rosanna Giancola, soprano; Miti Truccato-Pace, contralto; Orchestra of the Scuola Veneziana, Angelo Ephrikian, cond.), XXXIX, Jul ‘ 53, 493−496; Vivaldi: La Pastorella, Concerto for five instruments in D Major; Sonata for flute, bassoon, and harpischord in A Minor; Concerto for flute, oboe, and bassoon in G Minor; Sonata for oboe and harpischord in C Minor; Concerto for four instruments in F Major), XL, Jul ’ 54, 482−484; (Walther, J. G.: Chorale Variations. Bohm, Georg: Chorale Variations. Finn Videro, organ), XL, Apr ‘ 54, 289−294 HANNAS, Ruth, “ Cerone, Philosopher and Teacher,” XXI, Oct ’ 35, 408−422 HANSON, Howard, XVIII, Jan ‘ 32, 13; XXVI, Jan ’ 40, 102; XXVI, Jul ‘ 40, 298; XXX, Jul ’ 44, 315; XXXI, Jan ‘ 45, 102−103, 105; XXXI, Apr ’ 45, 144; XXXIII, Jan ‘ 47, 18; XXXIII, Apr ’ 47, 210; XXXV, Jan ‘ 49, 126; XXXVIII, Jul ’ 52, 438; (See also: “#Howard Hanson”) list of compositions, XXII, Apr ‘ 36, 152153 portrait, XXII, Apr ’ 36, Opp. 140 music by, Before the Dawn, Op. 17, XXII, Apr ‘ 36, 141, 143; Chorale and Alleluia, XLI, Jul ’ 55, 407−408; (record review by Richard Franko Goldman); Concerto for Piano (first performance), XXXV, Apr ‘ 49, 287; Drum Taps, XXII, Apr ’ 36, 146, 147, 150; Exaltation, XXII, Apr ‘ 36, 143; Forest Play, Op. 16, incidental music to Bohemian' s Forest Play, 1920), XXII, Apr ’ 36, 141; Heroic Elegy, XXII, Apr ‘ 36, 150; Lament for Beowulf, Op. 24 (mixed chorus and orchestra), XXII, Apr ’ 36, 142, 144, 147, 148, 150; Lux Aeterna (symphonic poem with viola obbligato), XXII, Apr ‘ 36, 142, 147; Merrymount, 56 HARE, Maud Cuney, “ Portuguese Folk Songs,” (from Provincetown, Cape Cod, Mass.), XIV, Jan ‘ 28, 35−53 Hargail Music Press (See: League of Composers commissions), XXXIV, Jan ’ 48, 12 HARICH-SCHNEIDER, Eta, “ The Present Condition of Japanese Court Music,” XXXIX, Jan ‘ 53, 49−74 HARLEY, John, “ Music and Musicians In Restoration London,” XL, Oct ’ 54, 509−520 XLII, Jan ‘ 56, 89 HARMATI, Sandor (on modern art-song), XXIV, Jan ’ 38, 27−28, 29 (Samuel HolHARMAN, Carter, A Hymn To the Virgin, Harding' s Collection of 200 Jigs, Reels and Country Dances, XLII, Oct '56, 470−471 Op. 31 (opera), XXII, Apr ‘ 36, 143, HARP OF THE SOUTH (I. B. Wood144, 147, 148, 149−150; XXVIII, Jan bury), XVI, Apr ’ 30, 224 ‘ 42, 74; XXXI, Jan ’ 45, 109−110; Harpalus (Charles Ives), XIX, Jan ‘ 33, 53 “ Nordic” Symphony (E Minor), XXII, HARPER, Edward E, “ Apercus Of An Apr ’ 36, 142, 144−145; North and West Adjudicator,” VIII, Jan ‘ 22, 7−22; “ A (symphonic poems with choral obbli Study in Musical Ability,” IX, Jan ’ 23, 19−25 gato), XXII, Apr ‘ 36, 142, 143, 147; Pan and the Priest (symphonic poem Harpies, The (one-act opera, commissioned with piano obbligato), XXII, Apr ’ 36, by League of Composers) (Marc Blitz144, 146, 148; Prelude, Op. 6, XXII, stein), XXXIV, Jan ‘ 48, 10 Apr ’ 36, 141; “ Romantic” Symphony Harpischord (See: Franklin, Benjamin and (See: Symphony No. 2, Op. 30); Sere Hopkinson, Francis), XXIV, Oct ‘ 38, nade for Flute, Harp and Strings, 495 XXXV, Apr ’ 49, 287; String Quartet, HARRIS, Henry J., “ The Occupation of Musiciansin the United States,” I, Apr Op. 23, XXII, Apr ‘ 36, 142, 143; Symphony No. 2 (’ Romantic“), XXII, ‘ 15, 299−311 Apr ’ 36, 144−145, 148; XXXII, Apr ‘ 47, HARRIS, Roy, XXV, Jul ’ 39, 376−379; 185; Symphony No. 3, XXXIII, Apr XXVI, Jan ‘ 40, 102, 103, 106; XXXI, ’ 47, 186; (on moder art-song), XXIV, Jan ‘ 45, 25; XXXIII, Jul ’ 47, 321; Jan ‘ 38, 25 XLII, Jan ’ 56, 47, 48 Happiness (Richard Hageman), XI, Tul list of compositions, XXXIII, Jan ‘ 47, ’ 25, 416 35−37 HARAP, Louis, articles by, ” The Case for portraits, XVIII, Jan ‘ 32, Opp. 26; Hot Jazz,“ XXVII, Jan ’ 41, 47−61; ” On XXXIII, Jan ‘ 47, Opp. 17 the Nature of Musicology,“ XXIII, music by, American Creed, XXXI, Jan Jan ’ 37, 18−25; ” Some Hellenic Ideas ‘ 45, 108, 109; Celebration (variations on Music and Character,“ XXIV, Apr on a theme by Howard Hanson), ’ 38, 153−168 XXXV, Apr ‘ 49, 287; Concerto for Harbringer, The (magazine), XLII, Jul ’ 56, Piano, Clarinet and String Quartet, 363 XXXIII, Jan ‘ 47, 18, 19; Folk Song Hard Times Come Again No More (Stephen Symphony, XXXIII, Jan ’ 47, 25; Four C. Foster), XXII, Apr ‘ 36, 162, 163, Minutes and Twenty Seconds (flute 169 and string quartet), XXXIII, Jan ’ 47, 26; The Fruit of Gold (wind band), XXXV, Oct '49, 611; Kentucky Spring, XLI, Jan '55, 77; Piano Quintet, XXV, Jul '39, 378; A Redbird In A Green Second Piano Concerto, XLI, Jan '55, 77; Sonata for Violin and Piano, XL, Tree (choral), XXXIII, Jan '47, 27−28; Jul '54, 472, 473; Soliloquy (viola and piano), XXV, Jul '39, 379; A Song for Occupations(mixed chorus, a cappella), XXXI, Jan '45, 108, 109; Song of Occupations (commissionedby League of Composers), XXXIV, Jan '48, 10; String Quartet No. 3, XXXIII, Jan '47, 27; Symphony for Voices, XXXI, Jan '45, 108; Symphony No. 3, XXV, Jul '39, 378−379; Symphony No. 5, XXXIII, Comes Marching Home (concert over- HARMONIA AMERICANA yoke), XVI, Apr ‘ 30, 223 Harmonica, XVIII, Apr ’ 32, 323 HARMONY (George W. Chadwick), X, Jul ‘ 24, 452 “*Harold Randolph: The Man and Musician” (Denoe Leedy), XXX, Apr ’ 44, 198−204 HARP OF COLUMBIA Jan ‘ 47, 21−22, 23−24; Time Suite, XXXIII, Jan ’ 47, 26; When Johnny ture), XXXIII, Jan ‘ 47, 25 article by, “ The Growth of a Composer,” XX, Apr ’ 34, 188−191 on counterpoint, XXXIII, Jan ‘ 47, 3031; on modern art-song, XXIV, Jan ’ 38, 24; on modes, XXXIII, Jan ‘ 47, 26−27; on modulations, XXXIII, Jan ’ 47, 28−30; on rhythm (See: excerpt textbook), XXVI, Oct '40, 483, 485 (Singing-School 57 from AMERICAN COMPOSERS ON AMERICAN MUSIC by Henry Cowell), XXXIII, Jan ‘ 47, 22 HARRIS, Roy, and Norton, M. D. Herter, “ The Art of Fugue,” XXI, Apr ’ 35, 166−178 HARRIS, Johana (Mrs. Roy Harris), XXXIII, Jan ‘ 47, 33, 34; XXXIX, Oct ’ 53, 616 HARRIS, Victor, XVIII, Jan ‘ 32, 86 HARRISON, Lou, XXXIV, Jan ’ 48, 12; XXXVIII, Oct ‘ 52, 595, 596; XL, Oct ’ 54, 591−592 music by, Canticle No. 3, XXXVII, Oct ‘ 51, 579−580; The Perilous Chapel (ballet), XXXV, Apr ’ 49, 296; Solstice (dance drama), XXXVI, Jul ‘ 50, 452; Suite for ’ Cello and Harp, XL, Jul ‘ 54, 471, 475; Suite No. 2 (piano), XXXVI, Jul ’ 50, 451−452; Suite No. 2 for String Quartet, XL, Jul ‘ 54, 471, 475; Two Pastorals, XXXVI, Jul ’ 50, 452 HART, Ernest, “ British Regimental Marches,” IV, Oct 18, 579−586 HARTMANN, Arnold, Jr., “ Battista Guarnini and II Pastor Fido,” XXXIX, Jul ‘ 53, 415−425 HARTMANN, Arthur, “ The Czimbalom, Hungary' s National Instrument,” II, Oct ’ 16, 590−600 Harvard College (Cambridge, Mass.), XXI, Jan ‘ 35, 69; first music courses, XXV, Jul ’ 39, 260 Harvard College, Division of Music, XVI, Apr ‘ 30, 153 HARVARD DICTIONARY OF MUSIC (Willi Apel) (review of), XXXI, Jan ’ 45, 123−127 Harvard Glee Club, VII, Oct ‘ 21, 541 Harvard Musical Association (Boston, Mass.), I, Jan ’ 15, 21; XIII, Apr ‘ 27, 230; XXI, Jan ’ 35, 69, 72, 84, 87; XXIII, Jan ‘ 37, 42; XLII, Jul ’ 56, 362; (See also: Pierian Sodality) Harvard Musical Association Orchestra (See: Boston Symphony), X, Jul ‘ 24, 451 Harvard Theatre Collection (Harvard Library), XXXII, Jan ’ 46, 63 Harvard University Choir, XXXVIII, Oct ‘ 52, 660 Harvest (harp, vibraphone and strings) (Morton Gould), XXXV, Apr ’ 49, 286 Harz Mountains (Gustav Strube), XXVIII, Jul ‘ 42, 289 HASSARD, John R. G., XXIV, Apr ’ 38, 217 Hassidic Dances (Leon Stein), XLII, Jul ‘ 56, 423−425 58 HASTINGS, Thomas, XXIV, Apr ‘ 38, 210212; XXVI, Jul ’ 40, 355; (See also: “*Thomas Hastings‘) portrait, XXXII, Apr ’ 46, Opp. 266 music by, Come Ye Disconsolate (hymn), XXXII, Apr ‘ 46, 274; Guide Me 0 Thou Great Jehovah (hymn), XXXII, Apr ’ 46, 274; Majestic Sweetness Sits Enthroned (hymn), XXXII, Apr ‘ 46, 274; Rock of Ages (hymn), XXXII, Apr ’ 46, 273 books by, CHURCH MELODIES, XVI, Apr ‘ 30, 225−226; XXXII, Apr ’ 46, 274; DISSERTATION ON MUSICAL TASTE, XXXII, Apr ‘ 46, 268, 270, 271; HISTORY OF FORTY CHOIRS, XXXII, Apr ’ 46, 270, 272; THE JUVENILE PSALMODY, XXXII, Apr ‘ 46, 273; MANHA TTAN COLLECTION, XXXII, Apr ’ 46, 274; MENDELSSOHN COLLECTION (with ‘:’ illiam B. Bradbury), XXXII, Apr 16, 274; MOTHERS HYMN BOOK, XXXII, Apr ‘ 46, 274; MOTHERS NURSERY SONGS, XXXII, Apr ’ 46, 274, 275; MUSICA SACRA (and Solomon Warriner), XXXII, Apr ‘ 46, 268, 273; THE MUSICAL READER OR PRACTICAL LESSONS FOR THE VOICE (singing school text), XXXII, Apr ’ 46, 272; SACRED LYRE, XXXII, Apr ‘ 46, 274; SHAWN, XXXII, Apr ’ 46, 274; SONGS OF THE CHURCH, XXXII, Apr ‘ 46, 274; SPIRITUAL SONGS FOR SOCIAL WORSHIP (and Lowell Mason), XXXII, Apr ’ 46, 273; UTICA COLLECTION, XXXII, Apr ‘ 46, 268, 273 HATCH, Christopher, artitcle by, ”*The Education of A. W. Thayer,“ XLII, Jul ’ 56, 355−365 book review by, (WILLIAM HENRY FRY: AMERICAN JOURNALIST AND COMPOSER-CRITIC by William Treat Upton), XL, Oct ‘ 54, 606608 HATCH, H. Theodore, XLII, Jul ’ 56, 364 HATTON, Mrs. Ann Kemble (librettist), XVIII, Jan ‘ 32, 160−161 HAUBIEL, Charles, XXXI, Jan ’ 45, 24 HAUSER, William (Singing-School teacher), XXVI, Oct ‘ 40, 492 Havana (Cuba) Philharmonic Orchestra, XLII, Jan ’ 56, 118 ” Haydn in America (before 1820)“ (M. D. Herter Norton), XVIII, Apr ‘ 32, 309337 HAYDON, Glen, XXXIX, Jan ’ 53, 35 book by, THE EVOLUTION OF THE SIX-FOUR CHORD, XX, Jan ‘ 34, 69 HENRIED, Robert, “ Discoveries in Vienna,” (unpublished letters by Weber and Liszt), XXXII, Oct ‘ 46, 537−544 MUSIC by Archibald T. Davison and “ Henrietta Sontag in New York” (Francis Willi Apel), XXXVII, Jan ’ 51, 112−114 Rogers), XXVIII, Jan ‘ 42, 100−104 record review by (The Theory of Classi- HENRY, H. T., articles by, “ Choir-Boys in Catholic Churches,” III, Jul ’ 17, cal Greek Music, as illustrated on the 410−415; “ Music in Lowell' s Prose and harpischord by Robert Conant), XLII, Verse,” X, Oct ‘ 24, 546−572; “ Wanted: Jul ’ 56, 421−423 A Historico-Musical Clearing-House,” HAYES, Roland, XII, Apr ‘ 26, 312 HAYLEY, Charles B., XVIII, Jan ’ 32, 86, IV, Jan ‘ 18, 128−134 89, 91, 96 HENRY, Leigh, “ The Celt in Music,” XIX, Oct ’ 33, 401−416 HAYWARD, T. B. (editor and publisher), XIII, Apr ‘ 27, 231−232; XXVI, Apr ’ 40, HENSCHEL, George (or Georg), X, Jul 158 ‘ 24, 451; XI, Jul ’ 25, 318; XXV, Apr HAZZARD, John R. G., XXIII, Oct ‘ 37, ’ 39, 132; XXXI, Apr ‘ 45, 170 THOLOGY OF MUSIC: BAROQUE, AND PRE-CLASSICAL ROCOCO, 434 book review by (HISTORICAL AN- VI, Apr ‘ 20, 245; XVIII, Jan ’ 32, 120 Her Lullaby (Alexander Rihm), XI, Jul ‘ 25, 415 Jan ’ 16, 117 HEFFLEY, Eugene, XIX, Jul ‘ 33, 352; Her Voice (John Alden Carpenter), XI, XXVI, Jan ’ 40, 114 Jul ‘ 25, 395 HEINRICH, Anthony Philip (“ Father HERBERT, Victor, IX, Jan ’ 23, 124−139; XV, Apr ‘ 29, 288; XVIII, Jan ’ 32, 89; Heinrich”), XXI, Jan ‘ 35, 78, 85 HEINSHEIMER, H. W., article by, “ Opera XXVIII, Jul ’ 42, 293; XXIX, Oct ‘ 43, in America Today,” XXXVII, Jul ’ 51, 525; as ‘ cellist, XXX, Apr ’ 44, 201 Here' s One (William Grant Still) (See rec315−329 record review by, (Kurt Weill: Die ord review by Irving Fine), XXXVIII, Dreigroschenoper, a “ play with music,” Jul ‘ 52, 483 Recorded by members of the original Hermit Songs (Samuel Barber), XLI, Oct ’ 55, 551, 553 cast), XXXIX, Jan ‘ 53, 155−157 Heiress, The (film music) (Aaron Cop- HERNANDEZ, Julio Alberto, DOMINICAN SONGS AND DANCES (a collecland), XXXVI, Apr ’ 50, 274; XXXVII, Apr ‘ 51, 161, 163−169, 172−174 tion), XXXI, Apr ’ 45, 221 HELM, Everett B., artitcles by “*Carl HERNRIED, Robert, articles by, ” Four Unfinished Compositions by Robert Orff,“ XLI, Jul ‘ 55, 285−304; ” Heralds of the Italian Madrigal,“ XXVII, Jul Schumann,” XXVIII, Jan ’ 42, 50−62; ‘ 41, 306−318 “ Hugo Wolf' s Corregidor at Mannbook review by, (NEUE MUSIK IN DER heim,” XXVI, Jan ’ 40, 19−30 ENTSCHEIDUNG by Karl H. Wor Heroic Elegy (Howard Hanson), XXII, Apr ner), XLI, Oct ‘ 55, 532−534 ’ 36, 150 current chronicles by, XLI, Jan ‘ 55, 89- HERRESHOFF, Constance Mills, Fugitive, 93 (Austria); XLII, Jan ’ 56, 85−86 XI, Jul ‘ 25, 417 (Louisville, Ky.) HERRIMAN, George, XVI, Oct ’ 30, 463Helvetia, The Land of Mountains and Its 464 People (Ernest Bloch) (See: King, A. HERRMANN, Bernard, Moby Dick (can Oct ‘ 45, 418 Hyatt), XXXI, tata), XXXI, Jan ’ 45, 112−113 HENDERSON, William J., I, Oct ‘ 15, 628; III, Jan ’ 17, 4, 5; XII, Apr ‘ 26, 154; HERMANN, William A., Record Review (Antonio Vivaldi, Concertos for Strings, XVIII, Jan ’ 32, 88, 92, 94; XXIII, Oct in E Minor and F Major; Concertos ‘ 37, 428−439; XXX, Apr ’ 44, 212 for Solo Violin and Strings, in C Major portrait, XXIII, Oct ‘ 37, Opp. 431 and B-flat Major. Elliot Magaziner, articles by, “ Beethoven After A Hunviolinist, Orchestre Symphonique de dred Years,” XIII, Apr ’ 27, 161−168; Paris, Charles Bruck, conductor), “ The Function of Musical Criticism,” XXXVIII, Oct ‘ 52, 681−682 I, Jan ’ 15, 69−82; “ A Note On Floridity,” II, Jul ‘ 16, 339−348; “#Walter HERSKOVITZ, Melville J., ” Drums and Drummers in Afro-Brazilian Cult Damrosch,“ XVIII, Jan ’ 32, 1−8 Life,” XXX, Oct ‘ 44, 477−492 HENDL, Walter, XXXI, Apr ’ 45, 148; XLI, HERTZ, Alfred, XXXVIII, Oct ‘ 52, 640 Apr ’ 55, 225 He Set My Soul Free (old folk hymn), II, He Leadeth Me (Gilmore-Bradbury)(See: “ Gospel Hymns), XXVI, Jul ‘ 40, 359 HENSEL, Octavia, LIFE AND LETTERS OF LOUIS MOREAU GOTTSCHALK, 59 music by, Battle of Trenton (a “ Military HERTZMANN, Erich, articles by ”*Alfred Einstein and Curt Sachs,“ XXVII, Apr Sonata”), XVII, Jan ‘ 31, 30−31; The 4th of July-A Grand Military Sonata ’ 41, 263−279; “ The Newly Discovered Autograph of Beethoven' s Rondo A for the Pianoforte, XVII, Jan ‘ 31, 31; How Happy Was Her Humble Lot, Capriccio, Op. 129,” XXXII, Apr ’ 46, 171−195; Review of “ Papers Read At XVII, Jan ‘ 31, 30; Music of the Harp the International Congress of Musiof Love, XVII, Jan ’ 31, 30; Mysterious cology, Held at New York, September Marriage, XVII, Jan ‘ 31, 32; Ode (text 11−16, 1939,” XXXI, Apr ’ 45, 263−267 by Collin), XVII, Jan ‘ 31, 32; Overbook reviews by, (Beethoven: Facsimile ture in 9 Movements, Expressive of a Ed. of Waldstein Sonata; and Bee Battle, XVII, Jan ’ 31, 26; The Patriot, thoven Memorandum of Petition to or Liberty Asserted, XVII, Jan ‘ 31, 32; Court of Appeals, Vienna, 1820). XLII, XXIV, Jan ’ 38, 71; Pizarro, or the Jul ‘ 56, 399−401; (HISTORICAL ANSpaniards in Peru, XVII, Jan ’ 31, 32; THOLOGY OF MUSIC, Archibald T. Robin Hood, XVII, Jan ‘ 31, 32; Span Davison and Willi Apel), XXXIII, Jan ish Castle, or Knight of the Guadal' 47, 123−126; (SOURCE READINGS quiver, XVII, Jan ’ 31, 32; Star Spangled IN MUSIC HISTORY. From Classical Banner [in Boston Public Library], XVII, Jan ‘ 31, 28; Tammany (ballad Antiquity through the Romantic Era. Selected and annotated by Oliver opera), XVII, Jan ’ 31, 31−32; XVIII, Strunk), XXXVII, Jul ‘ 51, 430−432 Jan ’ 32, 160−161; Three Sonatas for the record review by, (Giuseppe Verdi, Un Pianoforte, XVII, Jan ‘ 31, 31; When Giorno di Regno. Soloists, Orchestra the Shades of Night Pursuing, XVII, and Chorus of Radio Italiana, Alfredo Jan ’ 31, 30; Wild Goose Chase, XVII, Simonetto, conductor), XXXVIII, Jul Jan ‘ 31, 32; Wounded Hussar, XVII, ’ 52, 498−500 Jan ‘ 31, 30 HERZ, Gerhard, articles by, “ Certain AsHEWITT, James Lang (1807−1853) (colopects of the Bach Movement,” XXIV, nial music publisher), XVII, Jan ’ 31, Oct ‘ 38, 501−511; “ A ’ New‘ Bach Por27, 38; XVIII, Apr ’ 32, 336 trait,” XXIX, Apr ‘ 43, 225−241 current chronicle by, XLI, Jan ’ 55, 76−85 HEWITT, John Hill, XVII, Jan ‘ 31, 3237 (Louisville, Ky.) music by, All Quiet Along the Potomac, HERZOG, George, XXIII, Jul ’ 37, 388, XVII, Jan ‘ 31, 37; The Artist' s Wife, 391; XXVII, Jul ’ 41, 374; XXXI, Apr XVII, Jan ‘ 31, 37; The Fairy Bridal ’ 45, 266; XLI, Jul ‘ 55, 325, 327 article by, “ Speech-Melody and Primitive (cantata), XVII, Jan ’ 31, 37; Flora' s Festival (cantata), XVII, Jan ‘ 31, 37; Music,” XX, Oct ’ 34, 452−466 HESPERIAN HARP (Singing-School text Jeptha (oratorio), XVII, Jan ‘ 31, 37; book), XIX, Oct ’ 33, 396; XXVI, Oct Knight of the Raven Black Plume, ‘ 40, 485 The, XVII, Jan ’ 31, 37; Minstrel' s Return from the War, XVII, Jan ‘ 31, HEVNER, Kate, XIX, Jul ’ 33, 326 34, 37; Mountain Bugle, XVII, Jan ‘ 31, HEWITT, Carrie, W., XVII, Jan ’ 31, 38 37; The Musical Enthusiasts (cantata), HEWITT, George Washington, XVII, Jan ‘ 31, 38 XVII, Jan ’ 31, 37; Our Native Land, HEWITT, Helen, XXIX, Jan ‘ 43, 45, 53; XVII, Jan ’ 31, 37; The Prisoner of XXXI, Jan ‘ 45, 33, 35, 37, 49; (See: Monterey (opera), XVII, Jan ’ 31, 37; “ The Hewitt Edition of the Odheca The Revelers (cantata), XVII, Jan ‘ 31, ton,” XXIX, Apr ’ 43, 257−265) 37; Rip Van Winkle (opera), XVII, HEWITT, Hobart Doane, XVII, Jan ‘ 31, Jan ’ 31, 37; Take Me Home to the 38 Sunny South, XVII, Jan ‘ 31, 37; The Vivandiere (opera), XVII, Jan ’ 31, 37 HEWITT, Horatio Dowes, XVII, Jan ‘ 31, 37−38 book by, SHADOWS ON THE WALL, HEWITT, Horatio Nelson, XVII, Jan ’ 31, XIII, Apr ‘ 27, 223; XVII, Jan ’ 31, 35, 38 36, 37 HEWITT, James (New York music publisher and manager), XVIII, Jan ‘ 32, HEWITT, Sophia Henriette, XVII, Jan ’ 31, 38 150; XVIII, Jan ‘ 32, 156, 162, 329; “ Hewitt Edition of the Odhecaton, The” XXIX, Jan ’ 43, 113; (See: “ The Hewitt (review by Margaret Schlauch and Family in American Music” by John Tasker Howard) Gustave Reese), XXIX, Apr ‘ 43, 257portrait, XVII, Jan ’ 31, Opp. 26 265 60 “*Hewitt Family in American Music, The” Schoenberg Quartet No. 2), XL, Jul ‘ 54, 435−444 (John Tasker Howard), XVII, Jan ’ 31, HILL, Ureli Corelli, VI, Jan ‘ 20, 83; VI, 25−39 Hiawatha (Fred Burton), XXXI, Jan ’ 45, Apr ‘ 20, 254; XIII, Apr ’ 27, 241 105−106 HILL, William G., “ Noise in Piano Tone, a Qualitative Element,” XXVI, Apr HIBBERD, Lloyd, articles by, “ Musica Ficta and Instrumental Music c. 1250-c. ‘ 40, 244−259 1350,” XXVIII, Apr ’ 42, 216−226; “ On Hill Song No. 1 (Percy Grainger), XXIII, ‘ Instrumental Style’ in Early Melody,” Apr ‘ 37, 131, 135 Hill Songs, Nos. 1 and 2 (Percy Grainger), XXXII, Jan ’ 46, 107−130 XXXI, Oct ‘ 45, 417 (See: King, A. HIGGINSON, Major Henry Lee, IV, Jan 18, ’ 59; XI, Jul ‘ 25, 318; XXIII, Jan Hyatt) ’ 37, 42; XXXI, Apr ‘ 45, 170, 173, 175, “ Hillcrest” (See: Mac Dowell), VI, Jan ’ 20, 26 176, 179 High School of Music and Art (NYC) Hilsberg, Alexander, XXXV, Apr ‘ 49, 296 Himno Filial (Augusto Vega), XXXI, Apr XXXVIII, Oct ’ 52, 645 ‘ 45, 216, 217−218 Highwayman (opera) (Reginald De Koven), Himno Hispano-Americano (Augusto Vega) XXIX, Jan ’ 43, 84 H ILDEB URN, Charles Swift Richie, XXXI, Apr ‘ 45, 216, 217−218 AND SKETCHES OF PRINTERS HINDEMITH, Paul, XXXIX, Jan ’ 53, 33PRINTING IN COLONIAL NEW 34; See: “ Recent Work of Paul Hindemith” YORK, XXIV, Oct ‘ 38, 481 list of chamber-music compositions, HILDRETH, R. E. (arranger), IX, Oct ’ 23, 476 XXX, Jan ‘ 44, 32 music by, Concerto for Clarinet in A and HILL, Edward Burlingame, VII, Jul ’ 21, Orchestra (commissioned by Benny 308; XVIII, Jan ‘ 32, 13; XXI, Jan ’ 35, 47; XXIII, Jan ‘ 37, 41; XXV, Jul ’ 39, Goodman), XXXVII, Apr ‘ 51, 260, 262264; Concerto for Woodwinds, Harp 260, 266; XXVII, Jan ’ 41, 48; XXXI, and Orchestra, XXXV, Jul ‘ 49, 463−465; Jan ’ 45, 102; XXXII, Jul ‘ 46, 357 Piano Sonata No. 2, XL, Jul ’ 54, 435 music by, Lilacs (symphonic poem), XXXI, Jan ‘ 45, 116−117; Music for Eng(record review by Vincent Persichetti); lish Horn and Orchestra formance), XXXV, Apr '49, 286; Pan and the Star, I, Apr '15, 176; Poem for (first per- Sinfonietta in E, XLI, Jan '55, 77; and Piano, Sonata for Clarinet for Four Hands, XXXIX, Oct '53, 654ton; Symphonic Dances, XXXVIII, Jul F. Goldman); Symphonic Metamorphoses on Themes of Carl Maria von Orchestra, Op. 27, XXXI, Jan '45, 113' 55, 551, 555 (recordreview by Nathan 114; Prelude for Orchestra, XLI, Oct XXXVIII, Jul '52, 487−489 (record review by Richard F. Goldman); Sonata 656 (record review by Lawrence Mor' 52, 487−488 (record review by Richard Broder); Sextet for Winds and Piano, XXXVI, Jul ‘ 50, 445; XL, Jul ’ 54, 472, 473 article by, “ Maurice Ravel,” XIII, Jan ‘ 27, 130−146 HILL, Junius, XXVI, Jul ’ 40, 299 HILL, Richard S., XXXIX, Oct ‘ 53, 519 article by, “ Schoenberg' s Tone-Rows and the Tonal Systemof the Future,” XXII, Jan ’ 36, 14−37 record review by, (Alban Berg: Lulu, opera in 3 acts. Ilona Steingruberand Otto Wiener with other soloists of the Vienna State Opera; Vienna Symphony Orchestra, Herbert Hafner, conductor), XXXIX, Jan ‘ 53, 134−138;(Berg: String Quartet Op. 3. Casella: Five Pieces for String Quartet. New Music String String Quartets, 37. Webern: String Quartet, Quartet, Op. 3. 628 (record review by Caldwell Titcomb) article by, “ Methods of Music Theory,” XXX, Jan ‘ 44, 20−28 HINRICHS, Gustav, XXVIII, Oct ’ 42, 401 HINSHAW, William Wade, VII, Jan 21, 124 Hippodrome (NYC), IV, Oct ‘ 18, 615 HIPSHER, Edward Ellsworth,“ Do Animals Like Music?” XII, Apr ’ 26, 166−174 HISTORICAL ANTHOLOGY OF MUSIC, Sonatas for Organ, XL, Oct '54, 626- Weber, XL, Jul '54, 462−463 (record review by Richard F. Goldman); Three Quartet. Schoenberg: The Complete Nos. 1−4, Op. 7, 10, 30, Five Movements for Op. 5. Berg: String Juilliard String Quar- tet; Uta Graf, soprano, assisting in 61 HISTORICAL NOTES ON MUSIC IN BETHLEHEM, PA., (Rufus Grider), Archibald Davisson and Willi Apel (book review by Erich Hertzmann), XXXIII, Jan '47, 123−126 XVIII, Apr '32, 319−321 HISTORY OF AMERICAN CHURCH HISTORY OF AMERICAN MUSIC (Louis HISTORY OF FORTY CHOIRS, (Thomas MUSIC, THE (Leonard Ellinwood), XL, Jul '54, 423−424 (book review by F. Mark Siebert) C. Elson), XXII, Apr '36, 163 94 Hollywood (commissioned by League of Composers) (Robert Russell Bennett), XXXIV, Jan ‘ 48, 10 HISTORY OF MUSIC (Waldo Selden Hollywood Bowl (Calif.), XV, Jan ’ 29, 6 Pratt), XXVI, Apr ‘ 40, 170 “ Hollywood” Music, XXXV, Jan ’ 49, 107HISTORY OF THE AMERICAN STAGE 108 (William Dunlap), XVIII, Jan ‘ 32, 158 HOLMES, Malcolm, XXXVIII, Oct ’ 52, 652 HITCHCOCK, H. Wiley, article by, “ The HOLMES, William C., ” Pamela Trans Latin Oratoriosof Marc-Antoine Charformed,“ XXXVIII, Oct ‘ 52, 581−594 HOLYOKE, Samuel, HARMONIA AMERIpentier,” XLI, Jan ’ 55, 41−65 book review by, (GIOVANNI LEGRENZI CANA, XVI, Apr ‘ 30, 223 by Piero Fogaccia), XLII, Jan ’ 56, 109- Homenaje a Garcia Lorca (Silvestre Revu112 eltas), XXVII, Apr ‘ 41, 129, 141−143 record reviews by, (Charpentier, Marc- HOMER, Louise (Mrs. Sidney Homer), Antoine: Excerpts from Medde. Vocal XVII, Jan ’ 31, 56; XXXIII, Apr ‘ 47, and instrumentalensembledirected by 183; XXXIV, Apr ’ 48, 298 Nadia Boulanger), XL, Jul ‘ 54, 450- HOMER, Sidney, VII, Jul ’ 21, 311; X, 454; (Charpentier: Mass and Symphony Jul ‘ 24, 449; “ The Songs of Sidney Assumpta es Marie. Midnight Mass Homer,” (Harry Colin Thorpe), XVII, [Messe de Minuit a 4 voix, flutes, et Jan ’ 31, 47−73 list of compositions, violins, pour Noel], XLI, Apr ‘ 55, XVII, Jan ’ 31, 71−73 263−267; (Vivaldi: Gloria), XLI, Apr portrait, XVII, Jan ‘ 31, Opp. 58 music by, Sing Me a Song of a Lad ’ 55, 263, 267 That Is Gone,“ XI, Jul ‘ 25, 386 HIVELY, Wells, Tres Himnos, XLII, Jul ’ 56, 419, 420 (record review by Henry Home-Road (John Alden Carpenter), XVI, Oct ‘ 30, 456−457 Cowell) chapters of Vol. I by Charles G. Perkins; later chaptersof Vol. I et seq. by John S. Dwight), XIII, Apr ’ 27, 220 Hobble and Bobble HISTORY OF HANDEL AND HAYDN SOCIETY OF BOSTON, MASS. (Early Hastings), XXXII, Apr '46, 270, 272 Holloway' s Musical Monthly, XX, Jan '34, Letter with Comment,“ XXVIII, Oct ‘ 42, 463−466; ” Unpublished Letters by Beethoven, Liszt and Brahms,“ XXXII, Apr ’ 46, 278−288 HOLDEN, Oliver, XIII, Apr ‘ 27, 236; XXX, Jan ’ 44, 50 Holiday Overture (orchestra) (Elliott Carter), XXXVI, Jul ‘ 50, 446−447 ‘ 16, 125 HODGKINSON, Mrs. John (Arabella Brett), XVIII, Jan ’ 32, 162; portrait, XVIII, Jan ‘ 32, Opp. 155 Hoe Down (Aaron Copland) (See: record review by Irvin Fine), XXXVIII, Jul ’ 52, 483 HOFFMANN, Richard, XXXVII, Oct ‘ 51, 473 HOFMANN, Josef, XXIII, Jan ’ 37, 27 HOGEN, George, XXXI, Apr ‘ 45, 148 Hold the Fort (See: “ Gospel Hymns”), XXVI, Jul ’ 40, 355 HOLDE, Artur, articles by, “ Four Unknown Letters of Richard Wagner,” XXVII, Apr ‘ 41, 220−234;“ Is There A Future for Quarter-Tone Music?” XXIV, Oct ’ 38, 528−533; “ A Little Known Letter by Berlioz and Unpublished Letters by Cherubini, Leoncavallo, and Hugo Wolf,” XXXVII, Jul ‘ 51, 340−353;“ An Unknown Beethoven 62 (folk tune), II, Jan HONEGGER, Arthur, Suite XLI, Jan ‘ 55, 77 HOOVER, Kathleen O' Donnell, articlesby, *“ Gustave Charpentier,” XXV, Jul ’ 39, 334−350; “ Verdi' s Rocester,” XXVIII, Oct ‘ 42, 505−513 HOPEKIRK, Helen, X, Jul ’ 24, 446 Hopi Lullaby (tribalair), VII, Oct ‘ 21, 555 Hopi Owl Song (tribal air), VII, Oct ’ 21, 556−557 HOPKINS, Jerome, XVIII, Jan ‘ 32, 178179 HOPKINSON, Francis, VI, Jan ’ 20, 70; VIII, Apr ‘ 22, 308; XVII, Jan ’ 31, 25; XVIII, Jan ‘ 32, 156, 157, 334; XVIII, Jan ’ 32, 161; XXI, Apr ‘ 35, 190, 196, 202; XXIV, Oct ’ 38, 481; XXIV, Oct ‘ 38, 492−496; XXX, Jan ’ 44, 67, 70, 77, 81; XXXI, Oct ‘ 45, 498; XXXIV, Jan ’ 48, 86−89, 90, 91, 92, 94, 95; XXXVI, Oct ‘ 50, 520, 521 music by, Seven Songs For the Harpsichord or Fortepiano, IX, Apr '23, 257; books by, A COLLECTION OF PSALM Archaique, XXXIV, Jan '48, 86 (Armed Services Manual), XXXI, Apr ‘ 45, 149 HOWARD, George Henry, IV, Jan ’ 18, 25 HOWARD, John Tasker, IX, Jan ‘ 23, 127; XXIII, Apr ’ 37, 198; XXX, Apr ‘ 44, PHIA. 1763. (editor and composer), 134; XXXI, Jul ’ 45, 365−366 articles by, “ The American Composer: XXXIV, Jan ‘ 48, 87; THE PSALMSOF DAVID WITH THE TEN COMThe Victim of His Friends,” VIII, Jul LORD' S ’ 22, 313−318; “ The Hewitt Family in MANDMENTS, CREED, American Music,” XVII, Jan ‘ 31, 25PRAYER, ETC. IN METRE ALSO THE CATECHISM, CONFESSION OF 39; “ Inevitability as a Criterion of Art,” IX, Jul ’ 23, 303−313; *“ Louis FAITH, LITURGY ETC. TRANSLATED FROM THE DUTCH-FOR Moreau Gottschalk, As Portrayed by THE USE OF THE REFORMED Himself,” XVIII, Jan ‘ 32, 120−133; PROTESTANT DUTCH CHURCH “ Newly Discovered Fosteriana,” XXI, OF THE CITY OF NEW YORK, Jan ’ 35, 17−24; “ Our Folk-Music and NEW YORK, printed by James Parker, Its Probable Impress on American Music of the Future,” VII, Apr ‘ 21, at the New Printing Office in Beaver Street MDCCLXVII, XXXIV, Jan ’ 48, 167−171;“ Stephen Foster and His Pub84 lishers,” XX, ‘ 34, 77−95 books by, ETHELBERT NEVIN, XXI, HOPKINSON, Joseph, XVIII, Jan ’ 32, 156 Hora Mystica (Charles Martin Loeffler), Oct ‘ 35, 490−491; OUR AMERICAN XI, Jul ’ 25, 325 MUSIC, XIX, Jan ‘ 33, 2; XXI, Jan Hora Novissima (choral) (Horatio Parker), ’ 35, 78, 81; (book reviews of revised edition by Wm. Treat Upton, George XVI, Apr ‘ 30, 154, 156, 157, 158, 160, 161; XXIII, Jan ’ 37, 41 Pullen Jackson, and Nathan Broder), XXXIII, Jan ‘ 47, 130−136; STEPHEN Horizons, Symphony No. 1 (Four Western Pieces for Orchestra), (Juilliard FounAMERICA' S TROUBAFOSTER, dation Award) (Arthur Shepherd), DOUR, XX, Apr ’ 34, 253; XXII, Apr XVIII, Jan ‘ 32, 12; XXXVI, Apr ’ 50, ‘ 36, 161 book review by (A BIBLIOGRAPHY OF 163, 164−165, 173−174; (in four-hand EARLY AMERICAN SONG, by Oscar piano arrangement by composer), XXXVI, Apr ’ 50, 163, 164−165, 173−174 George Theodore Sonneck. Revised Horizontes (Julian Carillo), XXXVIII, Apr and enlarged by William Treat Up' 52, 301−303 ton), XXXI, Oct ‘ 45, 536−538 *“ Howard Hanson” (Burnet C. Tuthill), HORN, CharlesE., XIII, Apr ’ 27, 237 HORSEMAN, Edward I., In the Yellow XXII, Apr ‘ 36, 140−153 Dusk, XV, Jan ’ 29, 98−102 HOWE, Glanville L., XXI, Jan ‘ 35, 79 HOSMER, Helen M., XXXVIII, Jul ’ 52, HOWE, M. A. De Wolfe, XXXI, Apr ‘ 45, 483 163 House Carpenter, The (old ballad), II, Jan articles by, ’“ John Knowles Paine,” XXV, Jul ‘ 39, 257−267; “’ VENITE IN ‘ 16, 112, 126, 127; III, Jul ’ 17, 370−371 BETHLEHEM‘-The Houston (Texas) Symphony, XLII, Jan Major Chord,” XXVIII, Apr ’ 42, 174−185 ‘ 56, 142 HOVHANESS, Alan, music by, “ Arevakal” HOWERTON, George, XXXVIII, Jul ’ 52, 438 Concerto No. I for Orchestra, XL, Apr HUBBARD, Lester A., XXXIX, Oct ‘ 53, ’ 54, 313−314 (record review by Irving 631 Fine); Concerto No. 7 for Orchestra, Saint Vartan (sym- HUBERMAN, Bronislaw, XI, Apr ‘ 25, 307 XLI, Jan ’ 55, 78; Huehuetle (primitive Aztec drum), VII, phony in 24 movements, for alto saxo Apr ‘ 21, 293 phone, horn, four trumpets, trom- HUFSTADER, Robert, XXXI, Apr ’ 45, bone, piano, percussion and strings), 148 396−399 XXXVII, Jul ‘ 51, HUGHES, CharlesW., *“ John Christopher How Are You, Greenbacks? (Daniel Em Pepusch,” XXXI, Jan ’ 45, 54−70; ‘ 43, 242, 243−253 mett), XXIX, Apr *“ Percy Grainger, Cosmopolitan Com How Happy Was Her Humble Lot (James poser,” XXIII, Apr ’ 37, 127−136;“ Por Hewitt), XVII, Jan ‘ 31, 30 ter, Pupil of Monteverdi,” XX, Jul ’ 34, How Stands the Glass Around (Ulysses 278−288; “ Richard Deering' s Fancies for Viols,” XXVII, Jan ‘ 41, 38−46 Kay), XLII, Jan ’ 56, 89 63 TUNES, WITH A FEW ANTHEMS AND HYMNS, SOME OF THEM ENTIRELY NEW, FOR THE USE OF THE UNITED CHURCHES OF AND CHRIST CHURCH ST. PETER' S CHURCH IN PHILDEL- HOW TO SING AND READ MUSIC HUGHES, The Very Rev. Don Anselm, HUPFIELD, Charles, XIII, Apr ‘ 27, 224, 225; XXI, Apr ’ 35, 192 “ Background to the Roy Henry Music,” XXVII, Apr ‘ 41, 205−210 Hurry (Negro Spiritual), XVIII, Jan ’ 32, 72 HUGHES, Edwin, XI, Apr ‘ 25, 308 articles by, “ The ’ Forty-Eight' from the HUSS, Henry Holden, IX, Jan ‘ 23, 123; XVIII, Jan ’ 32, 81; It Was a Lover Player' s Standpoint,” XI, Jul ‘ 25, 444and His Lass, XI, Jul ’ 25, 386; Rhap453; “ Liszt as Lieder Composer,” III, Jul ‘ 17, 390−409;“ Musical Memory in sody for Piano and Orchestra, VI, Apr Piano Playing and Piano Study,” I, ’ 20, 230 Oct ‘ 15, 592−603;“ Rafael Joseffy' s Con- HUTCHESON, Ernest, XXX, Apr ’ 44, 203, tribution to Piano Technic,” II, Jul 204 ‘ 16, 349−364 HUTCHINSON, John (See also: “ Family HUGHES, Robert and Sturgis, Edith B., XXXII, Jan ’ 46, 65 Singers”), SONGS FROM THE HILLS OF VER- Hutchinson Family Singers, XXIX, Apr ‘ 43, 246; XXXII, Jan ’ 46, 63, 64 MONT, XIV, Apr ‘ 28, 286 HUGHES, Rupert, Remember Not, XI, HYLLESTED, August, XVIII, Jan ’ 32, 84 Jul ‘ 25, 412 Hymn and Fuguing Tune (Henry Cowell), HULETT, William (colonial ballet masXXXV, Apr ’ 49, 286 ter), VI, Jan ‘ 20, 71; XXIV, Jan ’ 38, 59 Hymn of the West (John Knowles Paine), HUMISTON, William Henry, I, Oct ‘ 15, XXV, Jul ’ 39, 264 628; VI, Jan ‘ 20, 27; XXVIII, Oct ’ 42, Hymn Society of New York, XXI, Jan ‘ 35, 398 25 “ Hundred Years of Grand Opera in New Hymn to the Night (voice) (Louis Camp York, A” (Julius Mattfeld) (See: New bell-Tipton), XIV, Jan ’ 28, 147−148 York Public Library Bulletin, 1925), Hymn to the Virgin (Benjamin Carr), XIII, Apr ‘ 27, 238 XVIII, Jan ’ 32, 166 HUNEKER, James Gibbons, III, Jan ‘ 17, Hymn to the Virgin, A (Carter Harman), 4, 5; VII, Oct ’ 21, 559; XVIII, Jan ‘ 32, XLII, Jan ’ 56, 89 92; XXIII, Oct ‘ 37, 428, 431, 432, 433; XXVIII, Jul ’ 42, 288; XXVIII, Apr ‘ 42, Hymn Tune Symphony (Virgil Thomson), XXXV, Apr ’ 49, 214−215 256 article by, “ The Classic Chopin,” I, Oct Hymnody in America (See: THREE CEN' 15, 519−525 TURIES OF AMERICAN HYMNODY) HUNTER, George, record review by, (Tal- Hymnology (See: “ Gospel Hymns' and lis, Thomas: The Lamentations of Their Tunes’) Jeremiah the Prophet and Hymns for Hymnology in America, XXXII, Apr ‘ 46, Alternating Plainsong and Polyphony. 265 The Deller Consort, and soloists), Hymns (See: ” Gospel Hymns’) XLII, Oct ‘ 56, 569−571 Huntington Library (San Marino, Calif.), Hyperprism (Edgar Verese), XXXV, Apr XXI, Jan ’ 35, 17 ‘ 49, 292−293 I XI, Jul ‘ 25, 385 Freedom) (Daniel Decatur Emmett), XXXV, Jan ’ 49, 60, 68−69 IBERT, Jacques, Louisville Concerto, XLI, I Got a Home in-a Dat Rock (Negro Jan ‘ 55, 77 Spiritual), XVIII, Jan ’ 32, 72 I Got Rhythm (George Gershwin), XXXIII, “ Idea of Evolution in the Music of the 20th Century, The” (William Austin), Jan ‘ 47, 109 I Have Seen the Dawn (A. Walter Kramer), XXXIX, Jan ’ 53, 26−36 XI, Jul 25, 403 “ Idealization of Indian Music, The” I Need Thee Every Hour (Hawks-Lowry), (CharlesW. Cadman) I Jul ‘ 15 387 a 396 (See: “ Gospel Hymns’), XXVI, Jul ‘ 40, 357 I Plucked a Quill from Cupid' s Wing I Ain' t Got Time to Tarry (The Land of I Wait For Thee (William Arms Fisher), (Henry Hadley), XI, Jul 25, 415 Ideas of Order (orchestra) (Arthur Berger), XXXIX, Jul '53, 429−432 64 IDELSOHN, A. Z., “ Musical Characteristics In the Mountains (overture) (Arthur of East-European Jewish Folk-Sing,” Foote), VI, Apr ‘ 20, 234; XXXI, Oct XVIII, Oct ’ 32, 634−643 45, 417 (See: King, A. Hyatt) In the Night (Charles Ives), XLI, Jan ‘ 55, If There Were Dreams to Sell (Bainbridge 85, 88−89 (See also: Ivesiana) Crist), XI, Jul ’ 25, 405 IGNACIO, Rafael (band conductor and In the Night (Frederick Jacobi), XI, Jul ‘ 25, 410 composer, Dominican Republic), XXXI, In the Yellow Dusk (Edward Horseman), Apr ’ 45, 220 XV, Jan ‘ 29, 98−102 II pleure dans mon coeur (John Alden Carpenter), XI, Jul ’ 25, 394; XVI, Oct INCH, Herbert, XXXIII, Jul ‘ 47, 313 Incredible Flutist, The (ballet, and concert ’ 30, 455 II pleut des petales de fleurs (Henry Hadsuite) (Walter Piston), XXXII, Jul ‘ 46, 363, 368 ley), XI, Jul ’ 25, 415 Indian Chief' s Reply (Templeton Strong) I' ll Hear the Trumpet Sound (Negro XIV, Jan ‘ 28, 145−147 Spiritual), IV, Jan ’ 18, 33 Illinois Symphony Orchestra, XXXII, Apr Indian Dances (Frederick Jacobi), XVIII, ‘ 46, 212 Jan ’ 32, 12 Indian Music (See: Cadman, Curtis [BurI' m Wearing Awa‘ tol the Land 0’ the Leal lin], Densmore, Nettl, Nevin) (Arthur Foote), XI, Jul ‘ 25, 383−384 Imaginary Landscape (composition for 12 Indian Musical Instruments (See: “ Flathead Indian Instruments and Their radios) (John Cage), XXXVIII, Jan Music,” XXXVII, Jul ’ 51, 368−375) ‘ 52, 125−126, 129 IMBRIE, Andrew, music by, Divertimento, “ Indian Soldiers During the World War, The Songs of,” (Francis Densmore), XXXVI, Jul ’ 50, 445; Quartet in BXX, Oct ‘ 34, 419−425 flat, XL, Jul ’ 54, 472, 475; Three Songs ‘ 56, 244−245 Imperial Orchestra (St. Petersburg), XI, Jul ’ 25, 314 “ Importance of the Early French Psalter, The” (Waldo Selden Pratt), XXI, Jan ‘ 35, 25−32 Impressions from an Artist' s Life (Ernest for Soprano and Orchestra, XLII, Apr “ Indian Suite” (Suite No. 2) (Mac Dowell), Indian I, Jan '15, 37; XXIII, Jan '37, 41 Summer Idyl (Carl XXI, Jan ‘ 35, 41−42 Indian Tribal Air (See: Baker, Theodore, VII, Apr ’ 21, 295 Indian Tribal Song (See: Kurath, Gertrude P., “ Antiphonal Songs of Eastern Woodland Indians”) (Natalie Curtis), Fourth Harvest Song of the Iroquois), Mc Kinley), Schelling), XXXIII, Apr '47, 185 Impromptu (John Alden Carpenter), XVI, Oct '30, 458 Apr '55, 262−263 In a Gondola, (Alice Barett), XI, Jul '25, 398−399 Jul '25, 409 INDIAN' S BOOK, THE Improvisations, Op. 20 (Bela Bartok), XLI, In a Myrtle Shade (Charles Griffes), XI, In Flanders' Fields (Arthur Foote), XI, Jul VII, Oct '21, 549; XXII, Jan '36, 52 Indianapolis Symphony Orchestra, XXXVI, Apr '50, 172 Indigena (Augusto Vega), XXXI, '45, 216, 217−218 MONY, XVI, Apr '30, 226−227 INNES, Frederick, XII, Oct '26, 614 Institute of Musical Art (NYC), XXII, Apr '36, 141; XXV, Apr '39, 131; XXVI, Apr '40, 167; XXX, Jul '44, 311; XXXIII, Apr '47, 209; XXXVI, Jan '50, 41, 43 Instituto Inter-Americano de Musicologia (Montevideo), XXIX, Apr '43, 200 Intermezzo (Bohuslav Martinu), XLI, Jan '55, 77 Intermezzo (concertband) (Walter Piston), XXXVI, Oct '50, 594 International Society for Contemporary Music, XXXII, Jul '46, 372 Intersection No. 3 INGALLS, Jeremiah, CHRISTIAN HAR- '25, 383−384 In Memoriam (James H. Rogers), XI, Jul '25, 384 vinsky), XLII, Apr '56, 236−239 (Igor Stra Memoriam: Manfred F. Bukofzer In Memoriam Dylan Thomas “ l In (1910−1955),“ (David D. XLII, Jul ‘ 56, 291−301 Boyden), Still), XXXV, Apr '49, 286 In Picardie (Arthur Foote), XI, Jul '25, 383−384 In the Inn (Charles Ives), XLI, Jan '55, 85, 87 (See also: Ivesiana) In the Mountains In Memoriam: The Colored Soldiers Who Died for Democracy (William Grant King, A. Hyatt), XXXI, Oct '45, 417 (Ernest Bloch) (See: and solo 'cello) (Morton Feldman), XXXVIII, Jan '52, 131 65 (strings, woodwind, Into a Ship Dreaming (Bainbridge Crist), XI, Jul ‘ 25, 404, 406; XV, Jan ’ 29, 9498 Interest Me Not to Leave Thee (Wintter Watts), XI, Jul ‘ 25, 391 “*Introduction to Harold Bauer” (Carl Engel), XXIX, Apr ’ 43, 153−157 INTRODUCTION TO THE SINGING OF PSALM-TUNES (John Tufts), XVI, Apr ‘ 30, 216−219; XXI, Apr ’ 35, 198 Introduzione e Gioco Delle Ore (Vittorio Rieti), XLI, Jan ‘ 55, 79 Invasion (Bernard Rogers), XXXIII, Apr ’ 47, 215 Invocation (voice) (Louis Campbell-Tipton), XIV, Jan ‘ 28, 147−148 Invocation (A. Walter Kramer), XI, Jul ’ 25, 401 Invocation (Emerson Whithorne), XI, Jul ‘ 25, 410−411 Invocation and Dance, Op. 58 (Paul Creston), XLI, Jan ’ 55, 78; XLI, Oct ‘ 55, 551Ionization (Edgar Varese), XXXIII, Jan ’ 47, 105; XXXVIII, Oct ‘ 52, 595, 596 ISAACSON, Charles D., “ A New Outlookand the War,” VI, Jan ’ 20, 1−11; “ Musical Shirt-Sleeve Diplomacy,” VIII, Jan ‘ 22, 84−95; “ Something ’ Bigger‘ Than the Bethlehem Bach Festivals,” VII, Jan ’ 21, 118−126 Isham Memorial Library (Harvard University), XXXIII, Oct ‘ 47, 544 Island God, The (two interludes from) (Gian Carlo Menotti), XXXV, Apr ’ 49, 286 Israel (Ernest Bloch), XI, Apr ‘ 25, 308 It Was A Lover and His Lass (Henry Holden Huss), XI, Jul ’ 25, 386 Italian Opera House (NYC), VI, Jan ‘ 20, 86, 87; XXXIII, Apr ’ 47, 204 IVES, Charles, X, Oct 24, 623; XIX, Jul ‘ 33, 351; (See: *“ Charles Ives, the Man and His Music”); birthday celebration in Los Angeles, XXXVI, Oct ’ 50, 584; XL, Jul ‘ 54, 401 (See also: CHARLES IVES AND HIS MUSIC by Henry and Sidney Cowell) portrait, XIX, Jan ’ 33, Opp. 45 music by, August, XIX, Jan ‘ 33, 55; The Cage, XIX, Jan ’ 33, 53; Children' s Day at the Camp-Meeting, XXXIV, Jan ‘ 48, 11; The Children' s Hour, XIX, Jan ’ 33, 53; “ Concord, Massachusetts,” XIX, Jan ‘ 33, 51−52; “ Concord” Sonata (piano), XXXI, Jan ’ 45, 109; XXXI, Jan ‘ 45, 117; XXXIV, Jan ’ 48, 3; (See: The Alcotts, Ives), XXXV, Jul ‘ 49, 458459, 462; The Dead March in Saul, XIX, Jan ’ 33, 53; December, XIX, Jan ‘ 33, 55, 56; Dost Thou, XIX, Jan ’ 33, 53; Evening Bells, XIX, Jan ‘ 33, 53; From the Swimmers, XXIV, Jan ’ 38, 30; General Booth Enters Heaven, XIX, Jan ‘ 33, 50; Harpalus, XIX, Jan ’ 33, 53; Ivesiana (ballet), XLI, Jan ‘ 55, 8589 (review by Henry Cowell); A March Song, XIX, Jan ’ 33, 52; The Old Mother, XIX, Jan ‘ 33, 53; Piano Sonata No 1, XL, Jul ’ 54, 471, 473; Rough Wind, XIX, Jan ‘ 33, 53; September, XIX, Jan ’ 33, 55−56; Set of Pieces for Theatre or Chamber Orchestra (piano and orchestra), XXXV, Jul ‘ 49, 458; Sonata No. 1 (piano), XXXV, Jul ’ 49, 458, 461−462; Sonatas Nos. 1 and 3 (record review by Henry Cowell), XXXIX, Apr ‘ 53, 323−325; A Song to German Words, XIX, Jan ’ 33, 53; A Song to Rossetti, XIX, Jan ‘ 33, 53; Songs My Mother Taught Me, XIX, Jan ’ 33, 52; Symphony No. 2, XXXVII, Jul ‘ 51, 399−402; Symphony No. 3, XLII, Jan ’ 56, 122−123; Symphony No. 4, XIX, Jan ‘ 33, 51, 57−58; Tarrant Moss, XIX, Jan ’ 33, 53; Three-Page Sonata (piano), XXXV, Jul ‘ 49, 459461; Three Places in New England (“ orchestral set”), XXXIV, Apr ’ 48, 251−252; XXXV, Apr ‘ 49, 287; Universe Symphony, XLI, Apr ’ 55, 254; Walking Song, XIX, Jan ‘ 33, 53; The White Gulls, XIX, Jan ’ 33, 54−55 book by, ESSAYS BEFORE A SONATA (See: “ Concord” Sonata), XXXV, Jul ‘ 49, 462 IVES, George, XLI, Apr ’ 55, 255 Ivesiana (Charles Ives), XLI, Jan ‘ 55, 85−89 “*J. A. Carpenter, American Craftsman” (Olin Downes), XVI, Oct ‘ 30, 443−448 JACKSON, George Pullen, XXVI, Oct ’ 40, 483; XXVI, Oct ‘ 40, 485, 488; XXVII, Jan ’ 41, 97; XXX, Apr ‘ 44, 134; XXXI, Apr ’ 45, 266; XXXV, Jan ‘ 49, 74; XXXVI, Apr ’ 50, 172, 173 66 articles by, “ Buckwheat Notes,” XIX, Oct ‘ 33, 393−400; “ Pennsylvania Dutch Spirituals,” XXXVIII, Jan ’ 52, 80−84; “ Stephen Foster' s Debt to American Folk-Song,” XXII, Apr ‘ 36, 154−169; “ The Strange Music of the Old Order Amish,” XXXI, Jul ’ 45, 275−288 books by, SPIRITUAL FOLK-SONGS OF EARLY AMERICA, XXVI, Oct ‘ 40, 483; WHITE SPIRITUALS IN THE SOUTHERN UPLANDS, XIX, Apr ’ 33, 220−221; XXII, Apr ‘ 36, 156, 167; XXIII, Jan ’ 37, 89, 96; XXVI, Oct ‘ 40, 483 book reviews by, (OUR AMERICAN MUSIC, John Tasker Howard, revised edition), XXXIII, Jan ’ 47, 132−135;(A TREASURY OF AMERICAN FOLKLORE by B. A. Botkin), XXX, Oct ‘ 44, 496−498 JACOBI, Frederick, XXXIII, Jul ’ 47, 324; (on modern art-song), XXIV, Jan ‘ 38, 12−13, 25, 29 music by, Assyrian Prayers, XXXIV, Jan ’ 48, 4; Ballade, XI, Jul ‘ 25, 410; The Faery Isle of Janjira, XI, Jul ’ 25, 410; In the Night, XI, Jul ‘ 25, 410; Indian Dances, XVIII, Jan ’ 32, 12; Love and Death, XI, Jul ‘ 25, 410; Rondel, XI, Jul ’ 25, 410; String Quartet, XVIII, Jan ‘ 32, 12 JAMES, Philip, XXXII, Apr ’ 46, 292 music by, Moonlight, XI, Jul ‘ 25, 414; The Victory Riders, XI, Jul ’ 25, 414; When Thou Commandest Me to Sing, XI, Jul ‘ 25, 414 James Allen Brown Collection (Boston Public Library), XXXI, Oct ’ 45, 494 “*James Parker and the ‘ Dutch Church’,” XXIV, Oct ‘ 38, 481−500 Janice Meredith (film) (Deems Taylor), XXVII, Apr ’ 41, 147 Janitzio (Silvestre Revueltas), XXVII, Apr ‘ 41, 127, 129−130, 133−135 JANSSEN, Werner, XXVII, Apr ’ 41, 163; XXXIX, Apr ‘ 53, 340−342 music by, Fugue on the American, Folk Song, Dixie, XXXIII, Jul ’ 47, 316; The General Died at Dawn (film), XXVII, Apr ‘ 41, 163; Lights Out in Europe (film), XXVII, Apr ’ 41, 163; New Year' s Eve in New York, XVIII, Jan ‘ 32, 11; (Page from score of), XV, Oct ’ 29, Opp. 620 Janssen Symphony of Los Angeles (See: Werner Janssen), XXXVII, Oct ‘ 51, 481 Jaques & Brother of New York (publishers), XIII, Apr ’ 27, 246 Jazz, XVIII, Oct ‘ 32, 651−652; (See: Osgood, Henry O., and Sargeant, Winthrop, book review of ESQUIRE' S JAZZ BOOK, Paul Edward Miller, editor) “’ Jazz‘-An Educational Problem” (Edwin J. Stringham), XII, Apr ’ 26, 190−195 “ Jazz-Debit and Credit” (Paul Fritz Laubenstein), XV, Oct ‘ 29, 606−624 “ Jazz Influence on French Music” (M. Robert Rogers), XXI, Jan ’ 35, 53−68 67 Jass-Boys (See: Four Negro Songs) JEFFERSON, Thomas (as violinist), XXXIV, Jul ‘ 48, 358−359, 363−364 JENNESS, D., “ Eskimo Music in Northern Alaska,” VIII, Jul ’ 22, 377−383 JENNI, Donald, Ten Laconic Variations, XLI, Jul ‘ 55, 363−367 Jenny Get Your Hoe Cake Done (Minstrel song), XLII, Oct ’ 56, 456, Opp. 466 Jephtha' s Daughter (opera) (Fuentes Laureano Mat6ns), XXXIII, Jul ‘ 47, 379 Jephtha (oratorio) John Hill Hewitt), XVII, Jan ’ 31, 37 JERRAHN, Carl, XI, Jul ‘ 25, 318 Jewels (Cushing-Root) (See: “ Gospel Hymns’), XXVI, Jul ‘ 40, 363 Jimenez, Jose Manuel, XXXIII, Jul ’ 47, 379 ”*John Antes, American Dillettante“ (Don. old M. Mc Corkle), XLII, Oct ‘ 56, 486499 John Brown' s Body (Civil War song), IX, Jul ’ 23, 395; XVI, Jan ‘ 30, 6 John Carter Brown Library (Providence, R. I.), XV, Jan ’ 29, 53 ”*John Christopher Pepusch“ (CharlesW. Hughes), XXXI, Jan ‘ 45, 54−70 ”*John Dunstable: A Quincentenary Report“ (Richard L. Greene), XL, Jul ’ 54, 360−363 ”*John Frederick Peter“ (Albert G. Rau), XXIII, Jul ‘ 37, 306−313 John Gilbert: A Steamboat Overture (Claude Almand), XXXVII, Apr ’ 51, 255; XLI, Jan ‘ 55, 77 ”*John Knowles Paine“ (M. A. De Wolfe Howe), XXV, Jul ’ 39, 257−267 John Street Theatre (NYC), VI, Jan ‘ 20, 78−79; XVIII, Jan ’ 32, 158, 159 *JOHN SULLIVAN DWIGHT, BROOKFARMER, EDITOR AND CRITIC OF MUSIC (George Willis Cooke), XXI, Jan ‘ 35, 70 ”*John Sullivan Dwight, First American Critic of Music“ (Edward N. Waters), XXI, Jan ’ 35, 69−88 Johnny Randolph (old ballad), II, Jan ‘ 16, 112 JOHNS, Clayton, XXI, Jan ’ 35, 52; XXV, Jul ‘ 39, 266 JOHNS, Donald C., current chronicle (Austria), XLII, Apr ’ 56, 248−251 JOHNSON, Andrew, XIX, Oct ‘ 33, 398 JOHNSON, Eldridge R., XXIX, Jan ’ 43, 139 JOHNSON, Guy B., and Odum, Howard W., THE NEGRO AND HIS SONGS, XII, Apr ‘ 26, 313; XIV, Apr ’ 28, 284, 287−288 JOHNSON, H. Earle, XXX, Apr ‘ 44, 237238; XLII, Jul ’ 56, 360 articles by, ” Early New England Periodi- cals Devoted to Music,“ XXVI, Apr ‘ 40, 153−161; ” George K. Jackson, Doctor of Music (1745−1822),“ XXIX, Jan ’ 43, 113−121; ” The Germania Music Society,“ XXXIX, Jan ‘ 53, 75−93 JOHNSON, Hunter, music by, Concerto for Piano and Chamber Orchestra, XLI, Jan ’ 55, 122, 126 (record review by Leonard Burkat); Letter to the World, XXXIX, Jan ‘ 53, 153−154 (review by Vincent Persichetti) JOHNSON, J. Rosamond, XII, Apr ’ 26, 308 JOHNSON, James Weldon, XVI, Jul ‘ 30, 398 book by, THE BOOK OF AMERICAN NEGRO SPIRITUALS, XII, Apr ’ 26, 308 JOHNSON, Orme, ” Musical Instruments of Ancient Hawaii,“ XXV, Oct ‘ 39, 498−506 JOHNSON, Thor, XXXI, Apr ’ 45, 148; XL, Jul ‘ 54, 398; XLII, Jan ’ 56, 143 Joice Heth, 161 Year Old Negress (In Pageant of P. T. Barnum) (Douglas Moore), XXXIII, Jul ‘ 47, 318. JONAS, Oswald, XXXIX, Jan ’ 53, 126 articles by, ” An Unknown Sketch by Beethoven,“ XVII, Apr ‘ 40, 186−191; ” A Lesson with Beethoven by Correspondence,“ XXXVIII, Apr ’ 52, 215221 JONES, F. O., HANDBOOK OF AMERICAN MUSIC AND MUSICIANS, XIII, Apr ‘ 27, 247 JONES, Ifor, XXVIII, Apr ’ 42, 183 Jonny Roach (Daniel Emmett), XXXV, Jan ‘ 49, 61, 68 JORDA, Enrique (conductor), XLII, Apr ’ 56, 245 JORDAN, Philip D., XXXII, Jan ‘ 46, 63, 64 JOSEFFY, Rafael, I, Jan ’ 15, 39; VI, Apr ‘ 20, 240; (See: ” Rafael Joseffy' s Contri- bution to Piano Technic,“ Edwin Hughes, II, Jul ‘ 16, 349−364) JOURJIE, Dr. Eben, X, Jul ’ 24, 443 JOURNAL OF MUSIC (John S. Dwight, Ed.), XIII, Apr ‘ 27, 220, 230, 243, 246 JOURNAL OF RESEARCH IN MUSIC EDUCATION, XLI, Apr ’ 55, 191 Joy (Alexander Rihm), XI, Jul ‘ 25, 415 Joy (Wintter Watts), XI, Jul ’ 25, 390 Juan Pablo Duarte (Augusto Vega), XXXI Apr ‘ 45, 216- 217−218 Juarez (film) (Erich Korngold), XXVII, Apr ’ 41, 163 Judith (commissioned jointly of William Schuman and Martha Graham by the Louisville Orchestra), XXXVII, Apr ‘ 51, 255−260; XXXVII, Jul ’ 51, 317; XLI, Jan ‘ 55, 77 JUDSON, Arthur, XII, Apr ’ 26, 154 JUHAN, Alexander, XVIII, Apr ‘ 32, 313 Juilliard Foundation (NYC), XV, Jan ’ 29, 6 Juilliard Opera Theatre, XXXVII, Jul ‘ 51, 405, 407; XL, Jul ’ 54, 391 Juilliard Orchestra, XXXIX, Apr ‘ 53, 247 JUILLIARD REPORT ON TEACHING THE LITERATURE AND MATERIALS OF MUSIC (book review by John H. Lowell), XL, Apr ’ 54, 248−250 Juilliard School of Music (NYC), XXV, Apr ‘ 39, 133; XXXIV, Jan ’ 48, 13; XXXV, Apr ‘ 49, 291; XXXVII, Jul ’ 51, 317; XXXIX, Oct ‘ 53, 660; XLI, Jan ’ 55, 105 Juilliard School' s Festival of American Music (1956), XLII, Jul ‘ 56, 390−394 Jumping Frog (opera) (Lucas Foss), XXXVII, Jul ’ 51, 328 Just As I Am (Elliott-Bradbury) (See: ” Gospel Hymns“), XXVI, Jul ‘ 40, 359 Jutish Medley (Percy Grainger), XXIII, Apr ’ 37, 130 Juvenile Psalmody, The (Thomas Hastings), XXXII, Apr ‘ 46, 273 K KAHN, Erich Itor, Actus Tragicus (chamber orchestra), XLI, Oct ‘ 55, 521 Kaintuck (commissioned by League of Composers) (William Grant Still), XXXIV, Jan ’ 48, 10 KALL, Alexis, “ Stravinsky in the Chair of Poetry,” XXVI, Jul ‘ 40, 283−296 KALLMAN, Helmut, XLII, Jan ’ 56, 112 KALTENBORN, Franz, IV, Jan ‘ 18, 30 Kanonische Fantasie uber ’ Bach‘ und Fuge uber 4 Themen von Johann Seb. Bach (Wilhelm Middleschulte), XIV, Apr ’ 28, 198−199 68 Kansas City (Mo.) Philharmonic, XXVIII, Oct ‘ 42, 489 Kansas State Teachers' College of Emporia, XI, Oct ’ 25, 628 “*Karol Rathaus” (Boris Schwartz), XLI, Oct ‘ 55, 481−495 KATZ, Adele T., XXXII, Apr ’ 46, 296−302 (See: Editorial by Paul Henry Lang) article by, “ Heinrich Schenker' s Method of Analysis,” XXI, Jul ‘ 35, 311−329 KAUFMANN, Helen L., XXXI, Jul ’ 45, 357 KAUN, Hugo, XIX, Apr '33, 169 KAWANAGH, Ignacio Cervantes (Cuban composer), XXXIII, Jul '47, 378 portrait, XXXIII, Jul '47, Opp. 378 music by, Danzas Cubanas XXXIII, Jul '47, 378−379 KAY, Ulysses, music by, How Stands the KELLER, Homer, list of composititons written during military service, XXXI, Apr '45, 148 KELLEY, Edgar Stillman, VI, Jan '20, 27; IX, Jan '23, 123; XVIII, Jan '32, 86, 92; XIX, Oct '33, 415; XXVI, Jul '40, 297 music by, Aladdin Suite for Orchestra, Mulberries, VIII, Oct '22, 552; Macbeth, VI, Apr '20, 234; Pilgrim' s Prog Glass Around, XLII, Jan '56, 89; Serenade for Orchestra, XLI, Jan '55, 78 (piano), KEPPLER, Phillip, Jr., “ Some Comments on Musical Notation,” XLII, Oct ‘ 56, 473−485 KERMAN, Joseph, article by, “ Master Alfonso and the English Madrigal,” XXXVIII, Apr ’ 52, 222−244 VERDI, by H. F. Redlich. Translated by Kathleen Dale), XXXIX, Jan ‘ 53, 120−126 current chroniclesby (Princeton), XXXV, Apr ’ 49, 301−305 record reviews by, (Monteverdi: L' Inhalle Orchestraand Chorus, with soloists; Walter Goehr, cond.), XL, Apr ‘ 54, 307−311; (Morley, Thomas: Elizabethan Madrigals, Canzonets, Balletts, coronazione di Poppea. Zurich Tonbook review by, (CLAUDIO MONTE- “ Keltic” Sonata The Primavera Singers of New York Pro Musica Antiqua, Noah Greenberg, conductor. Wilbye, John: English ress, IX, Jan '23, 125; XXIII, Jan '37, 41 Madrigals. The Randolph Singers, David Randolph, cond.), XL, Oct '54, KELLOGG, Clara Louise, MEMOIRS OF AN AMERICAN PRIMA DONNA, 634−635 XX, Oct '34, 393 KERNOCHAN, Marshall, music by, Out (Edward Mac Dowell), I, VIII, Oct '22, 550−551; Lady Picking Jan ‘ 32, 152 KEYSER, William (See: Boston Academy), XIII, Apr ’ 27, 243 KILENYI, Edward, “ The Theory of Hungarian Music,” V, Jan ‘ 19, 20−39 KIM, Earl, XXXVII, Oct ’ 51, 473 Kendall' s Clarinet Instruction Book (1845), KIMMEL, William, “ Vaughn Williams' s Melodic Style,” XXVII, Oct ‘ 41, 491XLII, Oct ’ 56, 455, 460, 462, 463, 464 499 KENNAN, Kent, list of compositions written during military service, XXXI, Apr KINCAID, Otis, VII, Jan ‘ 21, 155 (as trans' 45, 148 lator) music by, Night Soliloquy, XXXIII, Apr KING, A. Hyatt, “ Mountains, Music and ’ 47, 186 Musicians,” XXXI, Oct ‘ 45, 395−419 KENNEDY, R. Emmet, MELLOWS, XII, King Lear, incidental music to Orson Welles' s version (Otto Luening and Apr ’ 26, 310 Vladimir Ussachevsky), XLII, Apr ‘ 56, KENTON, Egon, “ A Note on the Classification of 16th Century Music,” XXXVIII, 242−243 Apr ’ 52, 202−214 King Trojan (Horatio Parker), VI, Apr ‘ 20, record reviews by, (Gabriel, G.: Motets. 234; XVI, Apr ’ 30, 155 Cappella di Treviso, Giovanni d' Alessi, King' s Arms Gardens in the Broadway, The (NYC), XXI, Apr ‘ 35, 194 cond.), XLI, Jul ’ 55, 399−402; (Gabriel, G.: Motets from Symphoniae Sacrae, KINKAID, William, XV, Jul ‘ 29, 472 Liber I, Liber II), XL, Jul ’ 54, 456−459 KINKELDEY, Dr. Otto, XVIII, Apr ‘ 32, Kentuckiana (Darius Milhaud), XLI, Jan 327; XX, Jan ’ 34, 45; XXI, Jan ‘ 35, 71; ’ 55, 77 XXI, Oct ‘ 35, 484; XXII, Jan ’ 36, 109; KENTUCKY HARMONY (Singing-school XXIII, Jan ‘ 37, 22, 23; XXIII, Apr ’ 37, 176; XXIV, Jan ‘ 38, 99; XXX, Apr ’ 44, text), XIX, Oct ‘ 33, 396; XXII, Apr ’ 36, 156; XXVI, Oct ‘ 40, 483 133, 237; XXXIV, Oct ’ 48, 593; XXXVII, Jan ‘ 51, 71−73; XXXIX, Jul Kentucky Mountain Songs (Howard Brock' 53, 391; XL, Apr ’ 54, 270; (See also: way), XI, Jul ‘ 25, 414 “*Otto Kinkeldey’) Kentucky Spring (Roy Harris), XLI, Jan ‘ 55, 77 Portrait, XXIV, Oct ’ 38, Opp. 405 69 Jan ‘ 15, 47; VI, Jan ’ 20, 26 KELLY, F. Joseph, “ Plain Chant, the Handmaid of the Liturgy: A Challenge and a Prophecy,” VII, Jul ‘ 21, 345 KENDALL, Raymond, articles by, “ The Life and Works of Samuel Mareschall (1554−1640), XXX, Jan ’ 44, 37−49; ” Musicfor the Armed Services,“ XXXI, Apr ‘ 45, 141−156 311; Wanderchild, XI, Jul '25, 417 KEY, Francis Scott, XXIII, Apr '37, 198200; Star Spangled Banner, XVIII, of the Rolling Ocean, VII, Jul '21, 310, book by, ORGEL UND KLAVIER IN DER MUSIC DES 16. JAHRHUN- KIRCHNER, Leon, XXXVII, Oct '51, 473 '45, 175, 176 Kneisel Quartet (Boston), I, Jan '15, 21, DERTS (Doctoral Dissertation, Leip26; II, Oct '16, 520; VI, Apr '20, 232; zig, 1910), XXIV, Oct '38, 407−408, 414 XXIII, Oct '37, 419; XXV, Apr '39, book reviews by, (CANCIONERO MUSI132; XXIX, Jul '43, 320 CAL DE LA CASA DE MEDINA CELI KNIGHT, Joseph P., Rocked in the Cradle SIGLO XVI) I, Polifonia profana, Vol. of the Deep, XIII, Apr '27, 231−232 I. Transcripciony Estudio par Miguel Knight of the Raven Black Plume, The, Querol Gavalda), XXXVII, Apr '51, (John Hill Hewitt), XVII, Jan '31, 37 279−285; (A PLAIN AND EASY INKNOWLTON, Don, XV, Oct '29, 611, 613, TRODUCTION TO PRACTICAL 615 MUSIC, by Thomas Morley. Edited KNOXVILLE HARMONY (Singing-school by R. Alec Harman, with a Foreword text), XXII, Apr '36, 164; XXVI, Oct '40, 487 by Thurston Dart), XXXIX, Jul '53, 442−455 Knoxville: Summer of 1915 (soprano and music by, Duo for Violin and Piano, articlesby “ The Beginningsof Beethoven KLEMM, Gustav, ”*Gustav Strube: The in America,“ XIII, Apr ‘ 27, 217−248; Man and the Musician,” XXVIII, Jul “ Music and Music Printing in Incu' 42, 288 nabula” (See: Papers of the Biblio- KLEMPERER, Otto, XXXVII, Oct ’ 51, 470 Vol.xxvi), KNEISEL, Franz, I, Jan ‘ 15, 26; XI, Jul graphical Societyof America, XX, Jan ’ 34, 43; XXIV, Oct ‘ 38, 414; ’ 25, 319, 323; XVI, Apr ‘ 30, 160; XXIII, “ Schubert: Dance Composer,” XIV, Oct Jan ’ 37, 42−43; XXV, Apr ‘ 39, 132; ’ 28, 610−619; “*Waldo Selden Pratt,” XXVIII, Jan ‘ 42, 67; XXVIII, Jul ’ 42, XXVI, Apr ‘ 40, 162−174 296; XXX, Apr ’ 44, 202; XXXI, Apr Jul '54, 454−456 Kleine Suite (Gustav Strube), XXVIII, Jul '42, 294 114−115, 116; XVI, Jan '30, 39 KLEIN, Bruno Oscar, XVIII, Jan '32, 89, 92, 104 Kleine Dreigroschenmusik (Suite from The Threepenny Opera) (Kurt Weill), XL, '24, 299 KOLODIN, Irving, XXXIII, Apr '47, 183 KITTREDGE, G. L., II, Jan '16, 110−111, Konzert fiber ein Thema von Joh. Sebastian Bach (Wilhelm Middleschulte), XIV, Apr '28, 198 KORNGOLD, Erich, XXVII, Apr '41, 163 music by, Anthony Adverse (film music), XXVII, Apr '41, 163; Juarez (film music), XXVII, Apr '41, 163 KOTZSCHMAR, Hermann, XXV, Jul '39, 145−160 book by, DOMENICO SCARLATTI, XL, Jan '54, 84−89 (book review by Albert T. Luper) Kitten On the Keys (Zez Confrey), X, Apr ‘ 51, 580; VL, Jul ’ 54, 471, 474 Kol Nidre (a free versionfor reciter, chorus XLII, Apr ‘ 56, 245−247; Trio (1954), and orchestra) (Arnold Schoenberg), XLII, Apr ’ 56, 245 XXXVII, Oct ‘ 51, 476, 486 KIRKJATRICK, John, XXXIV, Jul ’ 45, 357- KOLAR, Viktor, Americana (symphonic 360; XXXVIII, Jul ‘ 52, 438; XLII, Jan suite), XXIX, Jul ’ 43, 321 ‘ 56, 47 KOLISCH, Rudolph, XXXVII, Oct ’ 51, 475 KIRKPATRICK, Ralph, XXIV, Jan ‘ 48, article by, “ Tempo and Character in 3; XL, Apr ’ 54, 260−266 Beethoven' s Music,” Part I: XXIX, article by, “ Domenico Scarlatti' s Early Apr ‘ 43, 169; Part II: XXIX, Jul ’ 43, Keyboard Works,” XXXVII, Apr ‘ 51, 291−312 Strings, Solo Winds and Persussion, 476; XLI, Jan '55, 94; Toccata for Apr '52, 287−291; Sonata Concertante (violin and piano), XLII, Apr '56, 245; String Quartet No. 1, XL, Jul '54, 472, orchestra) (Samuel Barber), XXXIV, Jul '48, 328; XXXV, Apr '49, 287 (first XXXV, Oct '49, 617−619; Piano Sonata, performance) XXXV, Oct '49, 617−619; Sinfonia in KOCHANSKY, Vaslov, XXVII, Apr '41, 123 Two Parts (commissioned from Rodgers KOELLING, Adolph, XVIII, Jan '32, 84 and Hammerstein, awarded through KOHS, Ellis, list of compositions written the League of Composers), XXXVIII, during military service, XXXI, Apr '45, 148 music by, Chamber Concerto for Solo Viola and String Nonet, XXXVII, Oct 443 Kolish Quartet (See: Schoenberg, String 475 Quartet No. 4), XXXVII, Oct '51, 474, KOLISCH, Victor, XL, Jul '54, 436, 437, 258 70 77, 80, 81, 82, 88; XXI, Apr ‘ 35, 186, KOUSSEVITZKY, Serge, XV, Oct ’ 29, 623; 196; XXIII, Oct ‘ 37 428; XXV, Apr XVI, Jan ’ 30, 26; XXIV, Jul ‘ 38, 252; ’ 39, 132; XXVII, Jan ‘ 41, 54; XXXIII, XXVI, Jan ’ 40, 108, 110; XXIX, Jul Apr ‘ 47, 183; XXXIV, Oct ’ 48, 573; ‘ 43, 346; XXXI, Apr ’ 45, 151; XXXIII, XLII, Jul ‘ 56, 360 Apr ’ 47, 185; XXXIV, Jan ‘ 48, 4, 14; article by, “ Alexander Thayer and His XXXV, Jan ’ 49, 20; XXXV, Apr ‘ 49, ’ Life of Beethoven‘,” III, Oct ’ 17, 629285−287; XL, Oct ‘ 54, 575 640 portraits, XXX, Jul ’ 44, Opp. 272, Opp. books by, AFRO-AMERICAN FOLK 273 SONGS, XII, Apr ‘ 26, 310; CHAPKoussevitzkyand the the American ComTERS OF OPERA, VI, Jan ’ 20, 84 poser: a supplementary list of American repertory, XXXV, Apr ‘ 49, 286−287 KREHM, Ida, Current Chronicle (Chicago), (See also: XXX, Jul ’ 44) XXXVII, Apr ‘ 51, 243−245 Koussevitzky Music Foundation, XXIX, Jul KREISLER, Fritz, XI, Apr ’ 25, 307 ‘ 43, 346; XXXIV, Apr ’ 48, 249; XXXVI, KRENEK, Ernst, XXXVII, Jul ‘ 51, 327Apr ’ 50, 259; XXXVII, Jul ‘ 51, 328; 328; XXXIX, Jul ’ 53, 426−427, XXXIX, XXXVII, Oct ‘ 51, 482; XXXVIII, Jan Oct ’ 53, 660 119 (commissionto Arthur Honeg' 52, music by, Elegy for String Orchestra, ger); XLI, Oct ‘ 55, 555; XLII, Jan ’ 56, In Memoriam Anton von Webern, 143; XLII, Oct ‘ 56, 529 XXXVIII, Oct ’ 52, 671−673 (Record KOUTZEN, Boris, String Quartet No. 2, Review by Richard F. Goldman); XXXIX, Jul ‘ 53, 496−497, 498 (Record Sonata No. 4 for piano, XXXIX, Jan Review by William S. Newman) ’ 53, 141−142 (Record Review by VinKOUWENHOVEN, John Atlee and PATcent Persichetti) TEN, Lawton M., “ New Light on The article by, ” Is the Twelve-Tone Tech Star Spangled Banner,“ XXIII, Apr ‘ 37, nique on the Decline?” XXXIX, Oct 198−200 ’ 53, 513−527 KOVARIK, Josepf Jan, XXIX, Jul ‘ 43, 314book review by, (ANLEITUNG ZUR 315 ZWOELFTON KOMPOSITION by KOZLENKO, William, “ Soviet Music and Hanns Jelinek), XL, Apr ’ 54, 250−256. Musicians,” XXIII, Jul ‘ 37, 295−305 KRAMER, A. Walter, VIII, Jul ’ 22, 315- KROEGER, Ernest R., Bend Low, 0 Dusky Night, XI, Jul ‘ 25, 385 316 music by, The Great Awakening, XI, Jul KROHN, Ernest C., XVIII, Apr ’ 32, 313 articles by, “*Alexander Reinagle As ‘ 25, 398; Songs (Analytical Review of), XI, Jul ’ 25, 400−404 (Beauty of Earth; Sonatist,” XVIII, Jan ‘ 32, 140−149; The Crystal Gazer; The Faltering “ The Bibliography of Music,” V, Apr Dusk; I Have Seen the Dawn; Invoca' 19, 231−254tion; The Last Hour; Nocturne; Now KREUGER, Karl, XXVIII, Oct ’ 42, 489 Like A Lantern; Pleading; Sappho; KRYL, Bohumir, XXIX, Jul ‘ 43, 320 Fragments; Swans; Tears; There Is KUBELIK, Rafael, XXXVII, Apr ’ 51, 245 A Garden In Her Face; This Is the (as conductor, Chicagosymphony) Day the Christ Was Born; Unto All KUBIK, Gail, XXXVII, Apr ‘ 51, 163 Things Voice Is Given; The Singing list of composititonswritten during mili Girl of Shan; Three Love Songs; The Time of Saffron Moons; Tryst; Two tary service, XXXI, Apr ’ 45, 148 music by, C-Man (film music), XXXVI, Even-Songs) article by, “ The Things We Set to Apr ‘ 50, 274−275, 276; Memphis Belle Music,” VII, Jul ’ 21, 309−313 (film music), XXXVI, Apr ‘ 50, 275 Thunderbolt (film music), XXXVI, Krazy Kat (John Alden Carpenter), IX, Jan ’ 23, 148−149; IX, Oct ‘ 23, 474; Apr ’ 50, 275 XVI, Oct ‘ 30, 452, 453, 463−464; XXI, KURATH, GertrudeP., “ Antiphonal Songs Jan ’ 35, 53 of Eastern Woodland Indians,” XLII, KREHBIEL, Henry Edward, I, Jul ‘ 15, Oct ’ 56, 520−526 426; I, Oct ‘ 15, 628; III, Jan ’ 17, 3; Kwakiutl Lullaby (Tribal air), VII, Oct IV, Apr ‘ 18, 304; VI, Jan ’ 20, 80; VII, ‘ 21, 552−553 Oct ’ 21, 483; VIII, Apr ‘ 22, 305−307; VIII, Jul ’ 22, 361, 365, 368; X, Jul ‘ 24, KWALWASSER, Jacob, XVI, Apr ’ 30, 252; XIX, Jul ‘ 33, 320, 326, 330 439, 440; XI, Apr ’ 25, 305; XII, Jul article by, “ Jewish Folk-Songs,” XI, Jan ‘ 26, 348; XIII, Apr ’ 27, 269, 314; XVI, ‘ 25, 55−62 Apr ’ 30, 160; XVIII, Jan ‘ 32, 61, 75, 71 L LA FORGE, Frank, music by, Retreat, XI, Jul ‘ 25, 416; Song Of the Open, XI, Jul ’ 25, 416 LA LAURENCIE, Lionel de, “ America in the French Music of the Seventeenth and Eighteenth Centuries,” VII, Apr ‘ 21, 284−302 La Morte de Tintagiles (Charles Martin Loeffler), XI, Jul ’ 25, 320, 323, 327 LACIAR, Samuel L., “ The Chamber Music of Franz Schubert,” XVI, Oct ‘ 28, 515−538 “ Ladies Concerts” of Philadelphia, XVIII, Jan ’ 32, 162 LADIES GARLAND, THE (song collection), XXXI, Oct ‘ 45, 466 Lady Picking Mulberries (Edgar Stillman Kelley), VIII, Oct ’ 22, 552 LAHIRI, Sarat (See: “ Study in East Indian Rhythm, A”) LAMAS, Jose Angel, XXIX, Apr ‘ 43, 203 LAMBERT, Alexander, XVIII, Jan ’ 32, 91 LAMBERT, Constant, XXVII, Jan ‘ 41, 47 Lament for Beowulf, Op. 24 (Howard Hanson), XXII, Apr ’ 36, 142, 144, 147, 148, 150 Lament of Ian the Proud (Charles T. Griffes), XI, Jul ‘ 25, 409 Lament of the Alpine Shepherd Boy (a song of the Barker Family Singers), XXXII, Jan ’ 46, 64 LAMPE, Bodewalt (arranger), IX, Oct ‘ 23, 476 Land of Freedom, The (I Ain' t Got Time to Tarry) (Daniel Decatur Emmett), XXXV, Jan ’ 49, 60, 68−69 Land of Our Hearts (George W. Chadwick), X, Jul ‘ 24, 440 LANDAETA, Juan Jose, Gloria at Bravo Pueblo (Venezuelan national anthem), XXIX, Apr ’ 43, 204 LANDOWSKA, Wanda, XXXIV, Jan ‘ 48, 5 LANG, Benj. J., I, Jan ’ 15, 19, 22; XXIII, Jan ‘ 37, 37, 39; XXV Jul ’ 39, 261 LANG, Margaret Ruthven, XVIII, Jan ‘ 32, 97; XXIII, Jan ’ 37, 41 LANG, Paul Henry (Editor of The Musical Quarterly, Jul 1945-) XXII, Jan ‘ 36, 109; XXIII, Jan ’ 37, 2, 22, 23; XXVIII, Apr ‘ 42, 255; XXX, Oct ’ 44, 500; XLII, Jul ‘ 56, 292 articles by, “ Haydn and the Opera,” XVIII, Apr ’ 32, 274−281; “ Liszt and the Romantic Movement,” XXII, Jul ‘ 36, 314−325; “ Musical Scholarship at the Crossroads,” XXXI, Jul ’ 45, 371380; “ The So-Called Netherlands School,” XXV, Jan ‘ 39, 48−59 72 book by, MUSIC IN WESTERN CIVILIZATION, XXVIII, Jan ’ 42, 122−124 (Book Review by Curt Sachs) book reviews by, (ANNALES DE LA MUSIQUE ET DES MUSICIENS EN RUSSIE AU XVIIIe SIECLE, by Aloys Mosser), XXXV, Apr ‘ 49, 340−342; (ANNALES MUSICOLOGIQUES, Publications de la Soci& te de Musique d' Autrefois, Vol. I), XL, Apr ’ 54, 266274; (ANTHOLOGIE DE LA CHANSON PARISIENNE AU XVIe SIECLE. R6unie par Francois Lesure avec la collaboration de N. Bridgman, I. Cazeaux, M. Levin, K. J. Levy, et D. P. Walker. Editions de L' Oiseau-Lyre, Monaco, 1953), XXXIX, Jul ‘ 53, 467470; (ANTONIO VIVALDI ET LA INSTRUMENTAL MUSIQUE E), XXXV, Jan ’ 49, 156−159; (ARCHIV FUR MUSIK-WISSENSCHAFT. Jahr IX, Heft I, 1952), XXXIX, Jan ‘ 53, 129; (FONTES ARTIS MUSICAE. Review of the International Association of Librarians), XLI, Jul ’ 55, 396−397; (FRANCOIS COUPERIN AND THE FRENCH CLASSICAL TRADITION, by Wilfrid Mellers), XXXVIII, Jan ‘ 52, 167−171; (GEORG REUTTER D. J.: KIRCHENWERKE. Ed. by P. Norbert Hofer), XL, Jan ’ 54, 116−120; (GIOVANNI COPERARIO: RULES HOW TO COMPOSE. Facsimile edition of a manuscript from the library of the Earl of Bridgewater, circa 1610, now in the Huntington Library, San Marino, California, with an introduction by Manfred F. Bukofzer), XXXIX, Jan ‘ 53, 130−131; (HOW MANY STRADS?, by Ernest N. Doring), XXXII, Jan ’ 46, 144−148; (JOHANN MATTHESON, SPECTATOR IN MUSIC, by Beekman C. Cannon), XXXIII, Apr ‘ 47, 274−278; (MOZART-HIS CHARACTER, HIS WORK, by Alfred Einstein), XXXI, Apr ’ 45, 261263; (MOZART IN RETROSPECT, by A. Hyatt King), XLII, Apr ‘ 56, 260262; (DIE MUSIK IN GESCHICHTE UND GEGENWART. Allgemeine Enzyklopadie der Musik, herausgegeben von Friedrich Blume), XXXVI, Jan ’ 50, 141−143; XXXVIII, Jul ‘ 52, 477479 (Vol. 1); NEUE MOZART-AUSGABE. Herausgegeben von der Internationalen Stiftung Mozarteum, Salzburg), XLII, Apr ’ 56, 262−264; SCHUBERT, A MUSICAL PORTRAIT, by Alfred Einstein), XXXVII, Jul '51, 442445; (20 CENTURIES OF CATHOLIC CHURCH MUSIC, by Erwin Esser Nemmens), XXXV, Jul '49, 491−493; Walter, Johann: Samtliche Werke. Vol. 1, Geistliches Gesangbiichlein (Wittenberg, 1551); Part I, Deutsche Gesange, ed. Otto Schroeder. Vol. II, Cantiones latinae, ed. Otto Schroeder and Max Schneider), XLI, Jul '55, 395−396 editorials by, XXXI, Oct '45, 517−535; XXXII, Jan '46, 131−136; XXXII, Apr '46, 296−302; XXXII, Jul '46, 449; XXXII, Oct '46, 602−611; XXXII, Jan '47, 116−122; XXXIII, Apr '47, 258−266; XXXIII, Oct '47, 557−564; XXXIV, Jan '48, 109−116; XXXV, Jul '49, 437447; XXXV, Oct '49, 602−608; XXXVI, Jan '50, 83−91; XXXVI, Jul '50, 436Oct 440; XXXVI, '50, 574−578; XXXVII, Jan '51, 71−75; XXXVII, Apr '51, 234−240; XXXVIII, Apr '52, 278284 (Book Review of PLEASURES OF MUSIC, by Jacques Barzun); XXXVIII, Jul '52, 426−434; XXXIX, Apr '53, 232240; XL, Jan '54, 50−55; XL, Jul '54, 394−390; XLII, Apr '56, 230−235; XLII, Jul '56, 377−382 current chronicle by (Ann Arbor) XLI, Jul '55, 361−363 record reviews by, (Archive Production Records: Historic recordings by the History of Music Division of the Deutsche Gramophon Gesellschaft), XLII, Jul '56, 414−415; (Bartok: The Wooden Prince. The New Symphony Orchestra of London, Walter Susskind, conductor. Bluebeard' s Castle. Judith Hellwigh, soprano; Endre Korch, bass; The New Symphony Orchestra of London, Walter Susskind, conductor), XLI, Oct '55, 548−550; (Beethoven: Quintet for piano and winds in E-flat, Op. 16. Walter Gieseking, piano; Philharmonic Wind Quartet), XLII, Apr '56, 275; (Gluck: L' Ivragne Corrige, or The Reformed Drunkard; Janine Lindenfelder, Violette Journeaux, Freda Betti, Claudine Collart, sopranos; Bernard Demigny, Christophe Benoit, tenors; Jean Hoffman, bass; Paris Philharmonic Orchestra, Rene Leibowitz, conductor), XXXVIII, Jan '52, 484−486; (Handel: Ode for St. Cecelia' s Day; Lore Hoffmann, soprano; Walter Ludwig, tenor; Hermann Werdermann, organ; Walter Drwenski, harpsichord; Rudolph Larny Choir; Symphony Orchetra of Radio Berlin, Arthur Rother, conductor. Handel: Dettingen Te Deum, Katherine Hansel, soprano; 73 Rachel Koerner, alto; George Barritt, tenor; Harold Ronk, baritone; Lloyd Geisler, trumpet; Chancel Choir of the National Presbyterian Church), XXXVIII, Jul '52, 486−487; (Mendelssohn: St. Paul. Akademie Kammerchor; Pro Musica Symphony (Vienna), and soloists, Ferdinand Grossman, conductor), XL, Jul '54, 467−469; (Mozart: Requiem Mass. Master Werner Pech, soprano, Master Hans Breitschopf, alto, Walter Ludwig, tenor, Harold Proglhof, bass; Vienna Hofmusikkapelle, Josef Krips, conductor. Requiem Mass, Hilde Gueden, soprano, Rosette Anday, alto, Julius Patzak, tenor, Josef Greindl, bass; Salzburg Mozarteum Orchestra, Josef Messner, conductor), XXXIX, Jan '53, 143−147; (Mozart: Die Zauberfiote, soloists, RIAS Chamber Choir, Berlin Motet Choir; RIAS Symphony Orchestra, Ferenc Fricsay, conductor; Die Entfiihrung aus dem Serail. Same performers. Sinfonia Concertante in E-flat Major, K. 364. Walter Barylli, violin; Paul Doktor, viola; Vienna State Opera Orchestra, Felix Prohaska, conductor; Sinfonia Concertante in E-flat Major, K. Anh. 9. Vienna Philharmonic Wind Group, Chamber Orchestra of the Vienna State Opera, Henry Swoboda, conductor; Serenade in D, K. 203. The New Symphony Orchestra of London, Peter Maag, conductor; Symphonies: Nos. 3, K.18; 7, K.45; 8, K.48; 9, K.73; 13, K.112; 15, K.124; 16, K.128; 18, K130; 19, K.132; 20, K.133; and 21, K.134. Netherlands Philharmonic Orchestra, Otto Ackermann, conductor; Quintet for Piano and Winds in E-flat, K.452), XLII, Apr '56, 271−280; (Rameau: Operatic Excerpts. Vocal and instrumental ensemble conducted by Nadia Boulanger), XL, Apr '54, 311; (Rossini: La Cambiale de Matrimonio. Soloists, Chorus, and orchestra of the Societi del Quartetto, Rome, Giuseppe Morelli, conductor), XL, Apr '54, 313−314; (Spontini: La Vestale. Maria Vitale, soprano; Elena Nicolai, mezzo-soprano; Renato Gavarini, tenor; Alfredo Fineschi, baritone; Giuliano Ferreiu, Albino Gaggi, basses; Orchestra and Chorus of Radio Fernando Previtali, Italiano, conductor) XXXVIII, Jul '52, 495−498; (Vivaldi: Dixit (Psalm 109). Rosanna Giancola, Luciana Piovesan, sopranos; Maria Amradini, alto; Emilio Cristinelli, tenor; Giuliano Gerrein, bass; Chorus and Chamber Orchestra of the Scuola Beneziana, Walter H. Rubsamen, conductor), XXXVIII, Jul ‘ 52, 501 LANGDON, Chauncey (compiler), THE SELECT SONGSTER (Early American Songster), XXX, Jan ’ 44, 51, 53 LANGE, Francisco Curt, XXIX, Apr ‘ 43, 200 LANGER, Susanne K., book by, FEELING AND FORM, XL, Jan ’ 54, 102−106 book review by Edward Arthur Lippman) LANGLEY, Allan Lincoln, articles by, “ Chadwick and the New England Conservatory of Music,” XXI, Jan ‘ 35, 3952; “ Justice for Gustav Mahler,” XII, Apr ’ 26, 153−164 LANGLIE, Warren, XXXVII, Oct ‘ 51, 471 Languor (Bainbridge Crist), XI, Jul ’ 25, 407 LANIER, Sidney, XII, Oct ‘ 26, 616; XV, Jul ’ 29, 469; XXVIII, Jul ‘ 42, 295; XXXVII, Apr ’ 51, 186 article about, “ Sidney Lanier as a Musician” (Aubrey H. Starke), XX, Oct ‘ 34, 384−400 portrait, XX, Oct ’ 34, Opp. 387 music by, The Centennial Meditation of Columbia (cantata) (with Dudley Buck), XX, Oct ‘ 34, 394; Danse des Moucherons (flute and piano), XX, Oct ’ 34, 390−391, 397; Little Ella. A Beautiful Ballad, XX, Oct ‘ 34, 387−396 LARUE, Jan, XXXIX, Jan ’ 53, 169 article by, “ Native Music on Okinawa,” XXXII, Apr ‘ 46, 157−170 current chronicle by (Austria), XLI, Jul ’ 55, 376−377 Last Hour, The (A. Walter Kramer), XI, Jul ‘ 25, 402 Last Invocation, The (Randall Thompson), XXXV, Jan ’ 49, 9 Last Song, The (ames H. Rogers), XI, Jul ‘ 25, 384 “*Later Works of Ernest Bloch, The” (Dika Newlin), XXXIII, Oct ’ 47, 443459 “ Latin Oratorios of Marc-Antoine Charpentier, The” (H. Wiley Hitchcock), XLI, Jan ‘ 55, 41−65 LATOUCHE, John (librettist), The Ballad of Baby Doe, XLII, Oct ’ 56, 527, 529 LAUBENSTEIN, Paul Fritz, XVIII, Jan ‘ 32, 75; XXVII, Jan ’ 41, 47 articles by, “ Jazz-Debit and Credit,” XV, Oct ‘ 29, 606−624; “ On the Nature of Musical Understanding,” XIV, Jan ’ 28, 63−76; “ Race Values in Aframerican Music,” XVI, Jul ‘ 30, 378−403 LAUREL SONG BOOKS (C. C. Birchard and Co., publisher), XI, Apr ’ 25, 305 LAURENT, G., XV, Jul ‘ 29, 472 LAUS DEO, THE WORCESTER COLLECTION OF SACRED HARMONY (Isaiah Thomas), XXI, Apr ’ 35, 203 LAVALLtE, Calixa, XVIII, Jan ‘ 32, 78, 79, 84 portrait, XVIII, Jan ’ 32, Opp. 90 LAW, Andrew, XXVI, Apr ‘ 40, 154; XXX, Jan ’ 44, 50 books by, THE EASY INSTRUCTOR, XIX, Oct ‘ 33, Opp. 400 (facsimile of first page); MUSICAL PRIMER, XIX, Oct ’ 33, 394−395; XXIII, Jan ‘ 37, 89, 96; RUDIMENTS OF MUSIC, XXI, Apr ’ 35, 198, Opp. 200 (facsimile of front page from) Lawd Is Smilin‘ Through the Do’ (John Alden Carpenter), XVI, Oct ‘ 30, 456 LAWRENCE, W. J., articles by, “ A Forgotten Thackerayan Episode,” IV, Jul ’ 18, 347−352; “ An Old English Music Handkerchief,” III, Oct ‘ 17, 503−508 League of Composers (NYC), XXXI, Oct ’ 45, 421, 422; XXXII, Apr ‘ 46, 211; XXXII, Jul ’ 46, 372; XXXIII, Jan ‘ 47, 18; XXXIV, Jan ’ 48, 1−14; XXXV, Jan ‘ 49, 7, 12, 15, 21, 115; XXXV, Apr ’ 49, 292−293; XXXV, Oct ‘ 49, 617, 619; XXXVII, Jan ’ 21, 85−87 (Copland Birthday Concert); XXXVII, Apr ‘ 51, 253−254; XXXVII, Oct ’ 51, 469; XXXVIII, Apr ‘ 52, 287 League of Composers and film music, XXXIV, Jan ’ 48, 11 League of Composers and new instruments, XXXIV, Jan ‘ 48, 12 League of Composers and radio broadcasting, XXXIV, Jan ’ 48, 11 League of Composers and recordings, XXXIV, Jan ‘ 48, 11 League of Composers first program, November 11, 1923, XXXIV, Jan ’ 48, 1 League of Composers Review (See: Modern Music) XXXIV, Jan ‘ 48, 6 LEAVITT, Rev. Joshua, THE CHRISTIAN LYRE, XXXII, Apr ’ 46, 273 “ Lectures on Musical Poetics” (Igor Stravinsky), XXVI, Jul ‘ 40, 284−296 LEDERMAN, Minna (editor, Modern Music), XXXIV, Jan ’ 48, 6; XXXV, Oct ‘ 49, 642 LEE, Dai-Keong, No. 1, Symphony XXXVII, Apr ’ 51, 250−252 LEEDY, Denoe, “*Harold Randolph: The Man and Musician,” XXX, Apr ‘ 44, 198−204 LEES, Benjamin, Quartet No. 2, XLII, Apr ’ 56, 243−244 Legend of St. Christopher, The (choral), (Horatio Parker), XVI, Apr ‘ 30, 154, 157 74 Legends (piano) (Louis Campbell-Tipton), Liber in quo quattuor passiones Christi Domini continetur (1604) (uan NaXIV, Jan ‘ 28, 147−148 varro, compiler), XV, Jan ’ 29, 54; Lehigh Boatride (Die Wasserfahrt) (David Moritz Michael), XXVIII, Apr ‘ 42, XXXI, Apr ’ 45, 191 179 Liberty Song (“ Come Join Hand in Hand” Lehigh University (Bethlehem, Pa.), XXI, etc.), XXI, Apr ‘ 35, 199−200 Apr ’ 35, 185; XXVIII, Apr ‘ 42, 176−177 Library of Congress (Washington, D.C.), III, Jan ’ 17, 98; XII, Apr ‘ 26, 305; LEICH, Roland, Prelude and Fugue for Orchestra (Pulitzer Prize Award), XXVIII, Jan ’ 42, 105−114 (See: “ The Clementi Manuscripts at the Library XLII, Jul ‘ 56, 396 of Congress”) LEICHTENTRITT, Hugo, articles by, “ Ferruccio Busoni as a Composer,” III, Library of Congress, Auditorium, XXXI, Jan ’ 17, 69−97; “ Handel' s Harmonic Apr ‘ 45, 138−140 (See also: Coolidge, Mrs. Elizabeth Sprague) Art,” XXI, Apr ’ 35, 208−223; “ Mechanical Music in Olden Times,” XX, Library of Congress, Coolidge Foundation, XXXI, Apr ‘ 45, 138, 139 Jan ’ 34, 15−26; “ The Reform of Trent and Its Effect on Music,” XXX, Jul Library of Congress, Maia Bang Hohn Collection of Panganiniana, XXXIX, Jan ‘ 44, 319−328 LENSCHOW, Carl, Musical Panorama of ’ 53, 2, 3, 7, 13 Library of Congress, Music Division, XXX, Broadway, XXXIX, Jan ‘ 53, 81 “*Leo Sowerby” (Burnet C. Tuthill), Jul ’ 44, 251; XXXI, Apr ‘ 45, 137−140 Librarian of Congress (Dr. Herbert PutXXIV, Jul ’ 38, 249−264 Leonora (William Henry Fry), VI, Jan ‘ 20, nam, with Oscar G. Sonneck and 88, 249; XVIII, Jan ’ 32, 7, 77; XXIV, others) (illustration), XIX, Oct ‘ 33, Opp. 457 Apr ’ 38, 214−215 LESSONS IN MUSIC (Benjamin Carr), LIEBERMANN, Rolf, XLI, Jan ‘ 55, 79 music by, The School for Wives (opera), XVIII, Jan ’ 32, 165 LESTER, Frank, “ Kluckhuhn' s Chord,” II, XLII, Jan ‘ 56, 85−86 Jul ’ 16, 418−424 (See: Oscar G. Son- LIEBLING, Emil, XVIII, Jan ‘ 32, 79 “ Likge' s Buried Treasure” (Robert Erich neck) Let Earth with Every Isle and Sea Rejoice Wolf), XLI, Jul ’ 55, 355−360 Let It Be Forgotten Oct '33, Opp. 401 (from THE ART OF SINGING), XIX, Life and Voyages of Columbus, The (Dud- ley Buck), XXXI, Jan '45, 110 Jul '25, 391 (Wintter Watts), XI, (Hunter Johnson), Light, My Light Letter to the World XI, Jul '25, 395, 396 (John Alden Carpenter), XXXIX, Jan '53, 153−154 (Record Review by Vincent Persichetti) LEVANT, Oscar, XXXVII, Oct '51, 471, 472, 474 LEVARIE, Siegmund, book reviews by (Mozart: SONATAS AND FANTASIES FOR THE PIANO, as edited by Na- Lights Out in Europe (film music) (Wer- ner Janssen), XXVII, Apr '41, 163 Like as the Culver on the Bared Bough (Halsey Stevens), XLII, Jan '56, 87, 88 W. Sternfeld), XLII, Jan '56, 105−107; (GOETHE AND MUSIC by Frederick than Broder), XLII, Apr ‘ 56, 252−256 record review by (Mozart: Divertimento Orchestra, Felix Prohaska, conductor; Jan Tomasow, violin), XLII, Apr ’ 56, 265−266 LEVITAN, Joseph S., “ Ockeghem' s Clefless Compositions,” XXIII, Oct ‘ 37, 440−464 LEVY, Ernst, book review (THE MUSIian), XXXV, Jan ’ 49, 151−153 LEWIS, Janet, librettist, The Wife of Martin Guerre, XLII, Jul ‘ 56, 392 LHEVINNE, Josef, XXX, Apr ’ 44, 204 75 CAL WORKSHOP by Frederick Dorin B-flat Major, K.287; Divertimento in D Major, K.334. Vienna State Opera XI, Jul ‘ 25, 388 Lilacs (Edward Burlingame Hill), XXXI, Jan ’ 45, 116−117 Lilacs (Carl Ruggles), XLI, Oct ‘ 55, 551, 552 Lily Nymph (George W. Chadwick), X, Jul ’ 24, 446 Lincoln Legend (Morton Gould), XXXIII, Apr ‘ 47, 186 LIND, Jenny, VI, Jan ’ 20, 82−83; VI, Apr ‘ 20, 252−253; XXXII, Jul ’ 46, 440, 442, 448 LINDSTROM, Carl E., articles by, “ The American Quality in the Music of Louis Moreau Gottschalk,” XXXI, Jul ‘ 45, 356−370; “*William Billings and His Times,” XXV, Oct ’ 39, 479−497 LIPPMAN, Edward Arthur, “ Symbolismin Music,” XXXIX, Oct ‘ 53, 554−575 Like Music On the Waters (Wintter Watts), book review by (FEELING AND FORM NEW METHOD OF TEACHING SACRED HARMONY, XIX, Oct ‘ 33, by Susanne K. Langer), XL, Jan ’ 54, 102−106 394; XXIII, Jan ‘ 37, 89, 90 et seq. record reviews by (Berlioz: L' Enfance du Little Angels of Heaven, The (Donald Christ, Op. 25. Mary Davenport, con Tweedy), XI, Jul ’ 25, 417 tralto; Martial Singher, baritone; Leo- Little Bird, The (Bainbridge Crist), XI, Jul pold Simoneua, tenor; Donald Gramm, ‘ 25, 406 Little Dancer (John Alden Carpenter), bass; The Choral Art Society, Thomas Scherman, conductor), XLI, Jan ’ 55, XVI, Oct ‘ 30, 458 Little Dutch Garden (Harvey Worthington 120−121; (Berlioz: Lelio or The Return to Life, Lyric Monodrama, Op. 14B. Loomis), XI, Jul ’ 25, 386 Andr6 Charpak, narrator; Joachim Little Fly (John Alden Carpenter) XI, Jul Kerol, tenor; Gabriel Baquier, bari' 25, 394; XVI, Oct ‘ 30, 455 tone; Orchestra and Chorus of the Little Indian (John Alden Carpenter), XVI, New Paris Symphony Association, Rene Oct ’ 30, 458 Leibowitz, conductor), XL, Apr ‘ 54, Little Orchestra Society (NYC), XLII, Apr 276−279; (Berlioz: Te Deum, Op. 22. ’ 56, 265 Alexander Young, tenor; London Phil Little Page' s Song, A (Wintter Watts), XI, harmonic Choir; Dulwich College Boys Jul ‘ 25, 390 Choir; Royal Philharmonic Orchestra, Little Shepherd' s Song, The (Wintter Sir Thomas Beecham, conductor), Watts), XI, Jul ’ 25, 390 XLII, Jul ‘ 56, 416−417; (Monteverdi: Little Symphony (No. 2) in B-flat (Robert L. Sanders (, XLI, Jan ’ 55, 79 Vespers of 1610. (Ed. Leo Schrade). Margaret Ritchie, Elsie Morrison, so- LIVINGSTON, Herbert, current chronicle, Ann Arbor, XLI, Oct ‘ 55, 511−514 pranos; William Herbert, Richard Lewis, tenors; Bruce Boyce, baritone; Llamadas (Carlos Chivez), XXII, Oct ’ 36, Geraint Jones, organ; Ruggero Gerlin, 439, 441, 443 harpsichord; The London Singers; En- LLOYD, Llewelyn S., “ The Musical Scale,” semble Orchestral de L' Oiseau-Lyre, XXVIII, Apr ‘ 42, 205−215 Anthony Lewis, conductor), XLI, Jul Locations (Winter Watts), XI, Jul ’ 25, 398 ‘ 55, 404−407; (Schoenberg: Concerto for LOCKE, Arthur Ware, articles by, “ Bee Violin and Orchestra, Op. 36. Louis thoven” s Instrumental Music,“ III, Jan Krasner, violin; N. Y. Philharmonic' 17, 123−133; ” The Background of the Romantic Movement in French Music,“ Symphony Orchestra, Dimitri Mitropoulos, conductor. Berg: Concerto for VI, Apr ’ 20, 257−271; ” Descartes and Violin and Orchestra. Krasner; Cleve Seventeenth Century Music,“ XXI, Oct land Orchestra, Artur Rodzinski, con' 35, 423−431 ductor), XLI, Apr ‘ 55, 272−274 LOCKWOOD, Norman, XXIV, Jan ’ 38, 28 Liptiton, La (French Canadian Folk-Song), (On modern art-song) XXIX, Jan ‘ 43, 134−135 LODER, George (See: Philharmonic So Lira Catolica, La (Antonio Raff6Iin, ed.), ciety of New York), VI, Jan ’ 20, 83; XXXIII, Jul ‘ 47, 376 XIII, Apr ’ 27, 243 LIST, Kurt, Remember, XLII, Jan ‘ 56, 89 LOEB, James, XXV, Apr ’ 39, 131 List of contributors to The Musical Quar- Loeb Composition Prize, XXXIII, Apr ‘ 47, 209 terly (1915−1939), XXV, Jan ’ 39, 104106 LOEFFLER, Charles Martin, VII, Oct ‘ 21, List of early American musical materials 560; IX, Jan ’ 23, 124, 149; XI, Jul ‘ 25, in manuscript music books (See: Din386; XVIII, Jan ’ 32, 7; XXI, Jul ‘ 35, neen, William), XXX, Jan ’ 44, 59−62 368−275; XXIII, Jan ‘ 37, 35, 41; LISTEMANN, Bernhard, XI, Jul ’ 25, 318XXVII, Oct ‘ 42, 400; (See also: 319 ”*Charles Martin Loeffler“) Listen to the Lambs (Negro Spiritual), list of compositions, XI, Jul ’ 25, 328−330 XVI, Jul ‘ 30, 409 portrait, XI, Jul ’ 25, Opp. 311 Listen to the Mocking Bird (See: Mocking music by, Adieu pour jamais, XI, Jul ‘ 25, 320, 326; Avant que tu ne T' en ailles, Bird) ”*Liszt and Longfellow“ (Edward N. XI, Jul ’ 25, 323; Divertimento in A Minor for Violin and Orchestra, XI, Waters), XLI, Jan ‘ 55, 1−25 Litchfield (Conn.) County Choral Union, Jul ’ 25, 320, 325; Divertissement EsIV, Jan ‘ 18, 32 pagnol (orchestra and saxophone), XI, LITTLE, William and SMITH, William, Jul ’ 25, 326; Five Irish Fantasies for THE EASY INSTRUCTOR, OR A Voice and Full Orchestra, XI, Jul ‘ 25, 76 324; Hora Mystica (symphony), XI, Jul '25, 325; Memories of My Childhood (Life in a Russian Village), XI, Jul '25, 314−315; XXXIII, Apr '47, 186; poem, with two solo viols d' amour), XI, Jul '25, 320, 323, 327; Music for Four A Pagan Poem, IX, Jan '23, 125; XI, Jul '25, 320, 322, 323, 324, 326; Les Paons, XI, Jul '25, 326; Partita (violin and piano), XXXIII, Jan '47, 136; Poem for Orchestra, X, Apr '24, 297Stringed Instruments, XI, Jul '25, 320; La Morte de Tingagiles (symphonic LOOMIS, Harvey Worthington, III, Jul '17, 448; VI, Apr '20, 250−251; XI, Apr '25, 306; XIX, Jul '33, 352; XXVI, Jan '40, 113, 115 music by, Epitaph upon a Virgin, XI, Jul '25, 386; Little Dutch Garden, XI, Jul '25, 386 LOPATNIKOFF, Nikolai, music by, Concertino for Orchestra, Op. 30, XLI, Oct Broder); Concerto for Two Pianos, Op. '55, 551, 554 (recordreview by Nathan 324, 409 LOESSER, Arthur, XXX, Jul ‘ 44, 313; XXXVI, Apr ’ 50, 159, 173 Loew' s Broadway Theatre (NYC), XV, Apr ‘ 29, 282 LOFT, Abram, articles by, “ The Comic Servant in Mozart' s Operas,” XXXII, Jul ’ 46, 376−389; “ Richard Wagner, Theodore Thomas, and the American Centennial,” XXXVII, Apr ‘ 51, 184202 record reviews by, (Handel: Four Sonatas for Two Violins and Figured Bass), Quartets, 653−654; Op. 20, Nos. 1−6. The 409; Two Rhapsodies (L' etang, La Cornemuse), XI, Jul '25, 323; La Villanelle du Diable, XI, Jul '25, 323; The Wind Among the Reeds, XI, Jul '25, 298; XI, Apr '25, 308; Proud Maisie, XI, Jul '25, 409; To Helen, XI, Jul '25, 33 (commissioned by Vronsky and Babin), XXXVIII, Apr '52, 306; Symphony No. 3, XLI, Jul '55, 367−368; piano), XLI, Oct '55, 551, 554 (record review by Nathan Broder) (Cook-Phillips) (See: Variations and Epilogue ('cello and Lord Peter' s Stable Boy (Percy Grainger), Lord Will Provide XXIII, Apr '37, 130, 134, 135 XXXVIII, Oct '52, 664−666; (Haydn: Schneider Quartet), XXXIX, Oct '53, (Haydn: Quartets, Op. 50, Louisville “ Gospel Hymns”), XXVI, Jul ‘ 40, 359 LORING, William C., Fr., “*Arthur Bird, American,” XXIX, Jan ’ 43, 78−91 Los Angeles Chamber Society, XXXVII, Oct ‘ 51, 484 Los Angeles Philharmonic Orchestra, XXXVII, Oct ’ 51, 470 Lost Summer (Paul Nordoff), XLI, Jan ‘ 55, 77 Louisiana Story (documentaryfilm music) (Virgil Thomson), XXXV, Jan ’ 49, 116121; XXXV, Apr ‘ 49, 220−221, 222−223 Concerto Jan ‘ 55, 77 Nos. 1−6. The Schneider Quartet), Louisville (Ky.) Orchestra, XXXVII, Apr ’ 51, 254−260; XXXIX, Apr ‘ 53, 314−316; XXXIX, Apr ’ 53, 322−323; (Telemann: Don Quichotte Suite. Giuseppe TarXLI, Oct 55, 485, 555 Louisville (Ky.) Orchestra. List of comtini: Symphony Pastorale. Chamber missioned works, XLI, Jan ‘ 55, 76−85 Orchestraof the German Opera House, Berlin, Ernst Schrader, conductor), Louisville (Ky.) Philharmonic Orchestra, XLI, Apr ’ 55, 223; XLII, Jan ‘ 56, 85−86 XXXVIII, Oct ’ 52, 680 LOMAX, Alan and John A., XXXI, Jul ‘ 45, LOURIt, Arthur, “ A Tribute to Kousse277 vitzky,” XXX, Jul ’ 44, 270−276 FOLK SONGS, XXI, Jan ‘ 35, 108−112 LOMAX, John A., XXIII, Jul ’ 37, 388−395 article by, “ Sinful Songs' of the Southern Negro,” XX, Apr ’ 34, 177, 187 book by, AMERICAN BALLADS AND book by, AMERICAN BALLADS AND Louisville Concerto (Otto Luening), XLI, Jan '55, 77; XLI, Oct '55, 555 (Jacques Ibert) XLI, FOLK SONGS, XXI, Jan '35, 108−112 Jan '35, 18 Love and Death (Frederick Jacobi), XI, Jul '25, 410 Love-Free (Eric de Lamarter), XI, Jul '25, 414 Love Me (Wintter Watts), XI, Jul '25, 389 Love Sings a Lou' siana Belle (Stephen C. Foster), XXI, LONESOME TUNES XI, Jul ‘ 25, 414; XIV, Apr ’ 28, 286 LONGFELLOW, Henry Wadsworth, XLII, Jul ‘ 56, 358; (See also: “*Liszt and Longfellow”) Looking-Glass River (John Alden Carpen- (Howard Brockway), Morse), XI, Jul '25, 417 LOVELACE, Manuel de Jesds, Esceuas Dominicanas Lover' s Lament, A (Carl Deis), XI, Jul '25, Song (Arthur Cleveland Apr '45, 216−217 (orchestral suite), XXXI, 416 ter), XI, Jul '25, 394; XVI, Oct '30, 456 77 Love' s Cathedral (Arthur Farwell), XI, Jul '25, 415 LOWELL, John H., book review by, (THE JUILLIARD REPORT ON TEACHING THE LITERATURE AND MATERIALS OF MUSIC), XL, Apr ‘ 54, 248−250 Lowell House Musical Society (Harvard College), XXXVIII, Oct ’ 52, 652 LOWENBACH, Jan, “ Czechoslovak Composers and Musicians in America,” XXIX, Jul ‘ 43, 313−328 LOWINSKY, Edward E., articles by, “ English Organ Music of the Renaissance” Part I: XXXIX, Jul ’ 53, 373−395; Part II: XXXIX, Oct ‘ 53, 528−553; “ The Function of Conflicting Signatures in Early Polyphonic Music,” XXXI, Apr ’ 45, 227−260; “ The Goddess Fortuna in Music: With a special study of Josquin' s Fortuna dun gran tempo,” XXIX, Jan ‘ 43, 45−77; “ Matthaeus Greiter' s Fortuna: An experiment in Chromaticism and in Musical Iconography-I,” XLII, Oct ’ 56, 500−519; “ On Mozart' s Rhythm,” XLII, Apr ‘ 56, 162−186 book by, SECRET CHROMATIC ART IN THE NETHERLANDS MOTET, XXXII, Jul ’ 46, 471−476 (Book review by Willi Apel) book reviews by, (ARIBONIS DE MUSICA, Jos. Smits van Waesberghe, ed. Corpus Scriptorum De Musica, 2), XXXIX, Jan ‘ 53, 109−129; (GESCHIEDENS VAN DE MUSIEK IN DE NEDERLANDEN. Deel I. By Charles van den Borren), XXXVII, Jan ’ 51, 114−122; (MONUMENTA MUSICAE BELGICAE, 7 Vols.), XL, Oct ‘ 54, 595606; DER MUSIAKALISCHE HUMANISMUS IM 16. UND IM FRUEHEN 17. JAHRHUNDERT, by D. P. Walker), XXXVII, Apr ’ 51, 285−289; (NICOLAI GOMBERTI OPERA OMNIA. I. Missae IV Vocum. Edited by Joseph Schmidt-Gfrg), XXXVIII, Oct ‘ 52, 630−640 LOWRY, Rev. Robert (See: “ Gospel Hymns”), XXVI, Jul ‘ 40, 356, 361, 363 LUBIN, Sigmund, XV, Apr ’ 29, 282 Luboschutz and Nemenoff (two-piano “ team”), XXIX, Jul ‘ 43, 348 LUENING, Otto, XXXVIII, Jan ’ 52, 131; XXXIX, Apr ‘ 53, 254−255; XLI, Jul ’ 55, 373 music by, Evangeline (opera), XXXIV, Oct ‘ 48, 599−603; with Vladimir Ussachevsky, King Lear, incidental music to Orson Welles' s version, XLII, Apr ’ 56, 242−243; Louisville Concerto, XLI, Jan ‘ 55, 77; Rhapsodic Variations for Tape Recorder and Orchestra, XLI, Jan ’ 55, 78 LUNSFORD, Bascom Lamar, XXVI, Oct ‘ 40, 491 LUPER, Albert T., book review by (DOMINICO SCARLATTI, by Ralph Kirkpatrick), XL, Jan ’ 54, 84−89 record review by (Victoria, Tomis Luis de: O magnum mysterium; 0 quam gloriosum. The Welch Chorale, James B. Welch, conductor), XL, Oct ‘ 54, 630−632 Lute-Player of Casa Blanca, The (Henry Hadley), XI, Jul ’ 25, 415 LUTKIN, Peter Christian, XIII, Jul ‘ 27, 456, 464; XVIII, Jan ’ 32, 100; XXII, Apr ‘ 36, 141 Lux Aeterna (Howard Hanson), XXII, Apr ’ 36, 142, 147 LUZ, Ernest, XV, Apr ‘ 29, 282 LYON, James, XVII, Jan ’ 31, 25; XXXI, Oct ‘ 45, 536 Lyre (NYC music magazine, 1824−1825; James H. Swindell, Ed.), XIII, Apr ’ 27, 229 Lyre Bird Press (Mrs. Louise M. B. Dyer, Director), XXXVI, Jul ‘ 50, 439 LYRIC RELIGION: THE ROMANCE OF IMMORTAL HYMNS (H. Augustine Smith), XXVI, Jul ’ 40, 364 M MAAS, Louis, XVIII, Jan ‘ 32, 78, 79, 80 MACARDLE, Donald W., articles by, “ Beethoven, Artaria, and the C Major Quintet,” XXXIV, Oct ’ 48, 567−574; “ The Family Beethoven” (Bibliography appended), XXXV, Oct ‘ 49, 528550 MACARDLE, Donald W. and MISCH, Ludwig, “ Minor Beethoveniana,” XLI, Oct ’ 55, 446−465 78 MACARDLE, Donald W. and SCHULTZE, Katherine, “ Five Unfamiliar Beethoven Letters,” XXXVII, Oct ‘ 51, 490−500 Macbeth (Ernest Bloch), XII, Jan ’ 26, 2831 Macbeth (Edgar Stillman Kelley), VI, Apr ‘ 20, 234 MACBETH, Florence, VI, Jan ’ 20, 9 MACDOUGALL, Hamilton C., V, Jan ‘ 19, 95, 96 MACDOWELL, Edward, I, Apr ‘ 15, 176; II, Jul ’ 16, 351; III, Jul ‘ 17, 451; IV, Jan ’ 18, 25−26; V, Jan ‘ 19, 131; VI, Jan ’ 20, 70; VI, Apr ‘ 20, 234, 237, 240−243, 251; VII, Jul ’ 21, 401; VIII, Jan ‘ 22, 102−107; VIII, Jul ’ 22, 315; IX, Jan ‘ 23, 123 125; X, Jul ’ 24, 439, 453; XI, Jul ‘ 25, 407; XIV, Jan ’ 28, 146; XV, Jul ‘ 29, 445−446; XVIII, Jan ’ 32, 80, 81, 84, 89, 102−103, 104; XXIV, Oct ‘ 38, 413; XXVI, Jul ’ 40, 297; XXVI, Oct ‘ 40, 549; XXXI, Jan ’ 45, 101, 109; XXXI, Apr ‘ 45, 174; XXXIII, Oct ’ 47, 557 articles about, “ Edward Mac Dowell As I Knew Him” “ Mac Dowell At Columbia: Some Recollections”“ Mac Dowell' s Peterborough Idea” (See also: ED- “ Mac Dowell Colony at Peterborough, The,” (Edwin Carty Ranck), VI, Jan ‘ 20, 2428 Mac Dowell Memorial Association (See: Peterborough, N. H.), IV, Jan ’ 18, 35 “ Mac Dowell' s‘ Peterborough Idea’,” (Marian Mac Dowell) (Mrs. Edward), XVIII, Jan ‘ 32, 33−38 MACKENZIE, W. R., THE QUEST OF THE BALLAD, XIV, Apr ’ 28, 284, 295 MACMILLAN, Dr. Ernest, XIX, Jan ‘ 33, 106−107; as editor, MUSIC IN CANADA, XLII, Jan ’ 56, 112−115 MACWHOOD, Leonard Beecher, XXVIII, Oct ‘ 42, 401, 403 MADIERA, Louis G., XIII, Apr ’ 27, 224, 234 Madison Square Garden (NYC), III, Jul WARD MACDOWELL, by Lawrence ‘ 17, 362; VI, Apr ’ 20, 239 Madrigal (Daniel Pinkham), XLII, Jan ‘ 56, Gilman) music by, Concerto in A Minor (piano 87, 88 and orchestra), XXIII, Jan ’ 37, 42; Con- MAGANINI, Quinto, XIX, Oct ‘ 33, 415 certo in D Minor (piano and orchesMAHLER, Fritz, XXXIX, Apr ’ 53, 247 tra), VI, Apr ‘ 20, 234; “ Eroica” Sonata, MAHLER, Gustav, XXXIII, Apr ’ 47, 181 I, Jan ‘ 15, 42−43 (See also: Sonata (as conductor, NYC) chorus, a cappella) (Arnold Schoen' 23, 132; XXIII, Jan ’ 37, 42; Four berg), XXXVII, Oct ‘ 51, 482−483 Songs, Op. 56, XI, Jul ’ 25, 385; Hamlet Maia Bang Hohn Collection of Paganiniand Ophelia (symphonic poem), VI, ana, Library of Congress (Music Divi Apr ‘ 20, 234; Indian Suite (orchestra),), XXXIX, Jan ’ 53, 2, 3, 7, 13 XXIII, Jan ‘ 37, 41 (See also: Suite No. Maid and the Gallows, The (See: Hangman' s Tree, The) Majestic Sweetness Sits Enthroned (Thomas Eroica); Fireside Tales, I, Jan ’ 15, 47; First Modern Suite for Piano, IX, Jan Mai tritt ein mit Freuden, Der (for mixed 2); “ Keltic” Sonata, I, Jan ‘ 15, 47; VI, Jan ’ 20, 26; Midsummer Lullaby, XI, Jul ‘ 25, 385, 415; New England Ilylls, IX, Oct ‘ 23, 472; “ Norse” Sonata, I, Jan ’ 15, 47; The Sea (song), XV, Jan ‘ 29, 9094; Sea Pieces, I, Jan ’ 15, 47; VI, Jan ‘ 20, 26; Sonata Eroica, XI, Apr ’ 25, 308 (See also: “ Eroica” Sonata); Suite No. Makah Healing Song (Indian Tribal Air), Hastings), XXXII, Apr '46, 274 Indian Suite); “ Tragica” Sonata, I, Jan ‘ 15, 37; Virtuoso Etudes, I, Jan ’ 15, 3738; Woodland Sketches, I, Jan ‘ 15, 46 2, I, Jan '15, 37; I, Apr '15, 179; I, Jul '15, 391; IV, Jan '18, 27 (See also: XIII, Oct ‘ 27, 564 “ Make-Ready” (F. Meredith Dietz), XXVIII, Oct ’ 42, 393−394 Male Glee Club (Yonkers, N. Y.), XXXIV, Apr ‘ 48, 298 MALIPIERO, Gian Francesco, music by, Fantasie di Ogni Giorno, XLI, Jan '55, 79; Piano Concerto No. 3, XLI, Jan Mrs. Edward (Nee Marian MACDOWELL, Nevins), I, Jan ‘ 15, 20, 29, 49, 50; Apr ’ 15, 176; VI, Jan ‘ 20, 24−28 article by, “ Mac Dowell' s ’ Peterborough Idea‘,” XVIII, Jan ’ 32, 33−38 “ Mac Dowell at Columbia: Some Recollections,” (John Erskine), XXVIII, Oct ‘ 42, 395−405 Mac Dowell Club (Boston), I, Jan ’ 15, 44 Mac Dowell Colony (Peterborough, N. H.), XVIII, Jan ‘ 32, 33−38; XXVI, Jul ’ 40, 300; XXIX, Jul ‘ 43, 380; (See also: “ Mac Dowell Colony at Peterborough, The”) 79 ‘ 55, 77 Malkin Conservatory (Boston), XXXVII, Oct ’ 51, 469 MALLET, Francis (bassoonist), XXIX, Jan ‘ 43, 113 MANCHESTER, Arthur L., articles by, “ Practical Music and the College Curriculum,” VII, Apr ’ 21, 252−260; “ The Small College as a Factor in the Development of a Musical Nation,” VIII, Oct ‘ 22, 595−604; “ Music Education, a Musical America, the American Composer, a Sequence,” X, Oct ’ 24, 587595 MANHATTAN COLLECTION Hastings), XXXII, Apr '46, 274 (Thomas Manhattan Opera House (NYC), IV, Oct MAPLESON, Col. James Henry, IV, Oct ‘ 18, 616; VI, Jan ’ 20, 86; XXIV, Apr ‘ 18, 612; VI, Jan ’ 20, 85 March Song, A (Charles Ives), XIX, Jan ‘ 38, 222; XXVIII, Apr ’ 42, 253 Manilla Te Deum (Walter Damrosch), ‘ 33, 52 March Suite (William Russell), XXXVIII, XVIII, Jan ’ 32, 7 Oct ‘ 52, 596 MANN, Alfred, Introduction to “ The Artistic Testament of Richard Strauss,” de MARCHEUA, Enrique (composer and XXXVI, Jan ’ 50, 1−2; translator and critic, Dominican Republic), XXXI, editor of THE STUDY OF THE Apr ‘ 45, 221−222 FUGUE: A DIALOGUE, by Johann Marching Song for Democracy (Percy Josef Fux. Part I: XXXVI, Oct ’ 50, 525Grainger), XXIII, Apr ‘ 37, 132, 133 539; Part II: XXXVII, Jan ’ 51, 28−44; MARCUSE, Sibyl, “ Transposing Keyboards Part III: XXXVII, Apr ‘ 51, 203−219; on Extant Flemish Harpsichords,” Part IV: XXXVII, Jul ’ 51, 376−393 XXXVIII, Jul ‘ 52, 414−425 record review, (Fux, J. J.: Keyboard MARECEK, Max, XXVIII, Oct ’ 42, 518; XXIX, Jul ‘ 43, 315 Compositions: Suites Nos. 3, 4; Ciaccona; Aria Passeggiata; Sonata No. 6; Maria de Cuellar (Pablo Claudio), XXXI, Arpeggio e Fuga. Kurt Rapf, piano, Apr ’ 45, 215 harpsichord, organ), XL, Apr ‘ 54, 300- Le Mariage Anglais (French-Canadian Folk Song), XXIX, Jan ’ 43, 123, 124302 Mannes Music School (NYC), XXXVII, Jul 126 Marine Band of U.S.A., XXXIII, Jul ‘ 47, ’ 51, 318 387 MANNEY, Charles Fonteyn, XXX, Jul ‘ 44, 311 MARK, Jeffrey, “ Recollections of FolkMANSFIELD, Orlando A., XIII, Apr ’ 27, Musicians,” XVI, Apr ‘ 30, 170−185 273; XXXII, Oct ’ 46, 588 MARKEL, Howard, “ An ‘ Instrumental’ articles by, ” About Basses,“ VI, Jul ‘ 20, Aesthetics of Music,” VIII, Apr ’ 22, 354−365; “ The Cuckoo and Nightingale 199−212 in Music,” VII, Apr ‘ 21, 261−277; “ The MARKS, Robert W., ” The Music and Musical Instruments of Ancient China,“ Major and Minor Modes: Their Application and Mental Impression,” XI, XVIII, Oct ’ 32, 593−607 Oct ‘ 25, 515−527; “ The Minuet in Marriage of Aude, The (Bernard Rogers), Handel' s Messiah,” V, Jan ’ 19, 90−99; XXXIII, Apr ‘ 47, 220 “ Mozart' s Organ Sonatas,” VIII, Oct MARROCCO, W. Thomas, book review, ’ 22, 556−594; “ Some Anomalies in Or(THE MUSIC OF FOURTEENTH chestral Accompaniments to Church CENTURY ITALY, by Nino Pirrota), Music,” II, Apr ‘ 16, 199−209; “ Some XLI, Jan ’ 55, 115−117 Characteristics and Peculiarities of MARSH, Charles H., Three Hills, XI, Jul Mendelssohn' s Organ Sonatas,” III, ‘ 25, 417 Oct ’ 17, 562−576; “ W. T. Best: His Life, Character, and Works,” IV, Apr ‘ 18, Marsia (Luigi Dallapiccola), XLI, Oct ’ 55, 524−526 209−249; “ The Word Music: Its DerivaMARTEL, The Rev., XLII, Jan ‘ 56, 114tion, Interpretation and Misapplication,” IX, Oct ’ 23, 538−544 MARTENS, Frederick H., VI, Oct ‘ 20, 509; Manuale sacramentorum (printed VIII, Jul ’ 22, 366 by Ocharte, 1568), XV, Jan ‘ 29, 52 articles by, “ The Attitude of the Dancer Manuale sacramentorum (printed by Juan Toward Music,” IV, Jul ’ 18, 440−449; Pablos, 1560), XV, Jan ‘ 29, 51 “ The Influence of Music in World His Manuals (See: Early singing-school texts), tory,” XI, Apr ’ 25, 196−218; “ Mahomet XXII, Apr ‘ 36, 155 et seq. and Music,” XII, Jul ’ 26, 376−399; “ Music in Chinese Fairytale and Manuscript Society (Chicago, Ill.), XVIII, Legend,” VIII, Oct ‘ 22, 528−554; “ Music Jan ’ 32, 100−101 in the Life of the Aztecs,” XIV, Jul Manuscript Society (NYC), XVIII, Jan ‘ 32, ’ 28, 413−437; “ Music Mirrors of the 84−88, 101−105 Second Empire” Part I: XVI, Jul ‘ 30, Manuscript Musical Society (Philadelphia), 415−434; Part II: XVI, Oct ’ 30, 563XVIII, Jan ‘ 32, 99 587; “ Music, Monarchs, and the Savage MANZETTI, Leo P., ” Palestrina,“ X1V, Beast,” VII, Apr ’ 21, 198−217; “ The Jul ‘ 28, 320−338 Music Observations of a Moroccan Ambassador (1690−1691),” XV, Oct ’ 29, Maple Leaf Rag (Scott Joplin), XLII, Oct ‘ 56, 468, 470 574−582; “ Pierre Loti: A Prose Poet of 80 Music,“ X, Jan ‘ 24, 51−94; ” Schubert and the Eternal Feminine,“ XIV, Oct ’ 28, 539−552 MARTIN, orchestral accompaniment, XXXIX, Oct '53, 654−656 (Record Review by Lawrence Morton) MARTIN, Riccardo (Hugh), XXVIII, Oct '42, 403−404 MARTINIt, Bohuslav (in America), XXIX, Jul '43, 344−351 music by, Comedy on the Bridge (opera), XXVII, Jul '51, 318; Intermezzo, XLI, Jan '55, 77; Memorial to Lidice, XXXIV, Jan '48, 9; Piano Quintet, Frank, Ballad for Flute with Canadian folk song), XXIX, Jan ‘ 43, 129−131 MASON, Daniel Gregory, I, Oct ’ 15, 628; VII, Jul ‘ 21, 304, 305, 307; IX, Jan ’ 23, XV, Oct ‘ 29, 622; XVI, Jul ’ 30, 401; XXIV, Apr ‘ 38, 216; XXX, Jul ’ 44, 311, 312−313; XXXII, Apr ‘ 46, 265; See also: “*Daniel Gregory Mason”) list of compositions, XXXIV, Jan ’ 48, 5860 portraits, XXIII, Jan ‘ 37, Opp. 29; XXXIV, Jan ’ 48, Opp. 46 123; X, Oct '24, 575; XI, Apr '25, 307; 6, XXXIX, Oct '53, 657, 658−659 Le Martyre de Saint Catherine (French- XXXV, Apr '49, 301−305; Quartet No. books by, THE ART OF MUSIC, XIX, Jan '33, 8; ARTISTIC IDEALS (See “ Artistic Ideals-Spontaneity,” XII, Jul ‘ 26, 315−326; Artistic Ideals-Universality,“ XIII, Jul 27, 345−358;” Artistic Ideals-Workmanship,“ XII, Oct ’ 26, 481−496; ” Brahm' s Third Symphony,“ XVII, Jul ‘ 31, 374−379; ” Democracy and Music,“ III, Oct ’ 17, 641−657;” The Depreciation of Music,“ XV, Jan ‘ 29, 6−15; ” EdwardJ. de Coppet,“ II, Oct ’ 16, 516−522; ” Folk-Songand American Music,“ IV, Jul ‘ 18, 323−332;” A Study of Elgar,“ III, Apr ’ 17, 288−303; ” A Study of Strauss,“ II, Apr ‘ 16, 171−190 chapters first published in The Musi- cal Quarterly), XXXIV, Jan '48, 47; FROM GREIG TO BRAHMS, XXXIV, Jan '48, 46; FROM SONG TO SYMPHONY, XI, Apr '25, 306−307; MUSIC AS A HUMANITY AND OTHER ESSAYS, VIII, Oct '22, 627; MUSIC IN MY TIME, XXXIV, Jan '48, 46; TUNE IN AMERICA, XVIII, Jan '32, 180- 181 books reviews by, (CHOPIN: THE MAN AND HIS MUSIC, by Herbert Wein- stock), XXXV, Jul '49, 482−485; (THE ald Abraham), XXXIII, Apr '47, 270273 music by, Chanticleer, XVIII, Jan '32, MASON, Henry Lowell, XXXII, Apr '46, 13; Country Pictures (piano), XXXIV, 265 Jan '48, 57; Elegy for Piano, Op 2, MASON, Lowell, III, Oct '17, 633; VI, Apr XXXIV, Jan '48, 48, 56, 57; Fanny '20, 244−246; XIII, Apr '27, 242−243 Blair, Folk-Song Fantasy, XXXIV, Jan (as co-founder of Boston Academy of 48, 51; Pastorale for violin, clarinet Music); XVI, Apr '30, 224; XXIII, Jan and piano, Op. 8, XXXIV, Jan '48, 52; '37, 38; XXIV, Apr '38, 211; XXVI, Quartet on Negro Themes, Op. 19, Apr '40, 156, 157, 158; XXVI, July '40, 355; XXIX, Jan '43, 119; XXXII, Jan XVIII, Jan '32, 13; XXIII, Jan '37, 27; XXXIV, Jan '48, 50; Russians '46, 74; XXXII, Apr '46, 265, 269, 270; XXXIV, Jan '48, 46; XXXIX, Jan '53, (baritone with orchestral accompani85; XLII, Jul '56, 359, 361, 363 ment); IX, Jan '23, 125; XXXIV, Jan '48, 56; Serenade for Quartet, XXXIV, portrait, XXXII, Apr '46, Opp. 266 Jan '48, 51; Sonata for Clarinet (or vln.) and Piano, Op. 14, XXXIV, Jan '48, 52−53; Songs of the Countryside book by, BOSTON HANDEL AND HAYDN SOCIETY COLLECTION OF SACRED MUSIC (1822), XIII, Apr SPIR rTUAL SONGS FOR SOCIAL WORSHIP, XXXII, Apr '46, 273 MUSIC OF TCHAIKOWSKY, by Ger- MASON, Luther Whiting, XXVIII, Jul ‘ 42, 341 article by, “ National Music Course,” XXVIII, Jul ’ 42, 241 string quartet, Op. 24, XXXIV, Jan MASON, Timothy B., THE OHIO SACRED HARP, XIX, Oct ‘ 33, 395 ’ 48, 51−52 articles by, “ Arthur Whiting,” XXIII, MASON, William, VI, Apr ‘ 20, 231, 244245; XVIII, Jan ’ 32, 78, 80, 96, 121; Jan ‘ 37, 26−36; “ Artistic Ideals-IndeXXIV, Apr ’ 38, 216; XVII, Apr ‘ 40, pendence,” XII, Jan ’ 26, 1−12; “ Artistic 144, 151−152; XXXIV, Jan ‘ 48, 46 Ideals-Originality,” XIII, Jan ’ 27, 1−13; 81 prano and baritone soli), XXXIV, Jan '48, 56; Suite After English Folk Songs, for orchestra, Op. 32, XXXIII, Jan '47, 136; XXXIV, Jan '48, 55; Symphony No. 3 (A Lincoln Symphony), Op. 35, XXXIV, Jan '48, 53−55, 56; Variations On A Theme Of John Powell for (chorus and small orchestra with so- '27, 235−237; XLII, Jul '56, 362 MASON, Lowell and HASTINGS, Thomas, books by, MEMORIES OF A MUSICAL LIFE, VI, Apr ‘ 20, 247; TOUCH AND TECHNIC, XXIII, Jan ’ 37, 40 Mason and Hamlin Company (instrument makers), XVIII, Jan ‘ 32, 92, 93; XXXIV, Jan ’ 48, 46 Mass for Mixed Chorus and Double Woodwind Quintet (Igor Stravinsky), XXXV, Jul ‘ 49, 451−458; XXXVI, Oct ’ 50, 581584 (first liturgical performance) Mass for Women' s Voices (commissioned by League of Composers) (Virgil Thomson), XXXIV, Jan ‘ 48, 10 Mass of Saint Sebastian for three voices, a.cappella (H e i t o r Villa-Lobos), XXXIX, Apr ’ 53, 340−342 (Record Review by Henry Cowell) Massachusetts Journal, XVII, Jan ‘ 31, 34 Massa' s In the Cold, Cold Ground (Stephen C. Foster), IX, Oct ’ 23, 479; XVI, Oct ‘ 30, 465; XXII, Apr ’ 36, 169 Masses, Vespers and Litanies (Benjamin Carr), XVIII, Jan ‘ 32, 164−165; XXI, Apr ’ 35, 192, 204, 205, 206 MASSEY, Maria, XL, Jul ‘ 54, 391 MASSEY, The Right Hon. Vincent, XLII, Jan ’ 56, 112 Massey Report (Canadian Music), XLII, Jan ‘ 56, 112 MASTERS, Edgar Lee, SPOON RIVER ANTHOLOGY, XL, Oct ’ 54, 592 MAT6NS, Fuentes Laureano, music by, America (symphonic poem), XXXIII, Jul ‘ 47, 379; Jephtha' s Daughter (opera), XXXIII, Jul ’ 47, 379 book by, LAS ARTES EN SANTIAGO DE CUBA, XXXIII, Jul ‘ 47, 373 MATTFELD, Julius, article by, “ A Hundred Years of Grand Opera in New York” (See: New York Public Library Bulletin, 1925), XIII, Apr ’ 27, 238 book review by, (A SHORT HISTORY OF OPERA, by Donald Jay Grout), XXXIV, Apr ‘ 48, 294−296 “ Matthaeus Greiter' s Fortuna: An Experiment in Chromaticism and in Musical Iconography-I” (Edward E. Lowinsky), XLII, Oct ’ 56, 500−519 MATTHEWS, Blanche Dingley (Mrs. W. S. B.), II, Oct ‘ 16, 497 MATTHEWS, W. S. B., XI, Apr ’ 25, 250, 251; XXI, Jan ‘ 35, 75; XXVI, Jul ’ 40, 301−302; (See also: A PROSPECTUS OF A HUNDRED YEARS OF MUSIC IN CHICAGO) article by, “ Of Strength, Beauty and Satisfaction in Music,” II, Oct ‘ 16, 497506 MATZKA, George, VI, Apr ’ 20, 231 MAUREL, Victor (See: “*Victor Maurel: His Career and His Art”) 82 MAURER, Maurer, articles by, “ A Musical Family in Colonial Virginia,” XXXIV, Jul ‘ 48, 358−364; “ The ’ Professor of Musick‘ in Colonial America,” XXXVI, Oct ’ 50, 511−525 Maurice (Judith Dvorkin), XLII, Jan ‘ 56, 90 May-dew (C. Hugo Grimm), XI, Jul ’ 25, 417 May Night (Richard Hageman), XI, Jul ‘ 25, 416 The Maypole Lovers (See Merrymount by Rosseter Cole) May, the Maiden (John Alden Carpenter), XI, Jul ’ 25, 393 MAYER-SERRA, Otto, XXXIII, Jul ‘ 47, 367 articles by, “ Falla' s Musical Nationalism,” XXIX, Jan ’ 43, 1−17; “*Silvestre Revueltas and Musical Nationalism in Mexico,” XXVII, Apr ‘ 41, 123−145 Mayflower Tercentenary, XVI, Oct ’ 30, 461 McARTOR, Marion E., record review (Geminiani: Six Concerti Grossi, Op. 3. Barchet Quartet; Helma Elsnor, harpsichord; Pro Musica String Orchestra (Stuttgart), Rolf Reinhardt, cond.), XL, Jul ‘ 54, 460−462 McBRIDE, Robert, XXVI, Jan 40, 106 music by, Aria and Toccata in Swing, XXXVIII, Jul ’ 52, 483 (Record Review by Irving Fine); Go Choruses (commissioned by League of Composers), XXXIV, Jan ‘ 48, 10; Oboe Quintet, XXXIII, Jan ’ 47, 136 McCABE, William H., “ Music and Dance on a 17th Century College Stage,” XXIV, Jul ‘ 38, 313−322 McCONATHY, Osbourne, XI, Apr ’ 25, 305 McCORKLE, Donald M. “#John Antes, American Dilettante,” XLII, Oct ‘ 56, 486−499 McCORMACK, John, XI, Jul ’ 25, 324 McCURRY, John G. (Singing-School teacher), XXVI, Oct ‘ 40, 483−492 McDOWELL, Jane (Mrs. Stephen C. Foster), XXI, Jan ’ 35, 19, 20 McGILL, Anna Blanche, articles by, “ Irish Characteristics in Our Old Song Survivals,” XVIII, Jan ‘ 32, 106−119; “ Old Mission Music,” XXIV, Apr ’ 38, 186193 McGILL, Josephine, XVIII, Jan ‘ 32, 106 articles by, “’ Following Music‘ in a Mountain Land,” III, Jul ’ 17, 364−384; “ Old Ballad Burthens,” IV, Apr ‘ 18, 293−306; “ A Quaint Musical Survival: The Twelve Apostles,” XVI, Apr ’ 30, 186−190 book by, FOLK-SONGS OF THE KENTUCKY MOUNTAINS, XVIII, Jan '32, 117 McGLINCHEE, Claire, “ American Literature in American Music,” XXXI, Jan ‘ 45, 101−119 McGROARTY, John Steven, XXXIX, Oct ’ 53, 632 McHOSE, Alien Irvine, BASIC PRINCIPLES OF THE TECHNIQUE OF 18TH AND 19TH CENTURY COMPOSITION, XXXVIII, Apr ‘ 52, 333McKINLEY, Carl, Indian Summer Idyl, Memorial to Lidice (Bohuslav Martinu), XXXIV, Jan '48, 9 Memories of My Childhood (Life in a Rus186 sian Village) (Charles Martin Loeffler), XI, Jul '25, 314−315; XXXIII, Apr '47, Men and Mountains, for small orchestra Memory, A (Louise Campbell-Tipton), XIV, Jan '28, 147−148 Memphis Belle (film music) (Gail Kubik), XXXVI, Apr '50, 275 (Carl Ruggles), XVIII, Oct '32, 578; XXXI, Oct '45, 417 (See: King, A. Hyatt) MENA, Gerardo, XXXI, Apr '45, 216 portrait, XXXI, Apr '45, Opp. 218 MENA, Luis Emilio, music by, Recuerdos de Infancias, XXXI, Apr '45, 219−220; Sinfonia Giocosa, XXXI, Apr '45, 219- 336, (Book Review by William J. Mitchell) XXI, Jan '35, 41−42 McPHEE, Colin, XXXIX, Jan '53, 98, 99 220; Tres Preguntas (flute and orches League of Composers), XXXIV, Jan ‘ 48, 10; Tabuh Tabuhan (orchestra), tra), XXXI, Apr ’ 45, 219−220 XXXIV, Jul ‘ 48, 410−412; XL, Jan ’ 54, MENASCE, Jacques de, Sonata for Viola 58−59 and Piano, XLI, Jul ‘ 55, 373−376 article by, “ The Five-Tone Gamelan Music MENDEL, Arthur, XXXVIII, Oct ’ 52, 533; of Bali,” XXXV, Apr ‘ 49, 250−281 XXXIX, Jul ’ 53, 373−396; (See also: “ The Meaning of Music as Art” (Max Einstein, Alfred, Book Review, THE BACH READER) Schoen), XXVIII, Jan ‘ 42, 115−121 Mechanical Music in the Colonies, XXIV, articles by, “ On the Keyboard Accom Oct ’ 38, 487 paniments to Bach' s Leipzig church Mechanic' s Hall (NYC), XXIX, Apr ‘ 43, music,” Jul ’ 50, 339−362; “ On the 243 Pitches in Use in Bach' s Time,” XLI, MEDINA, Jose T., LA IMPRENTA EN Jul ‘ 55, 332−354 (Part I); XLI, Oct ’ 55, MEXICO, XV, Jan ‘ 29, 51 466−480 (Part II); “ Pitch in the 16th Meditations (Gottfried von Einem), XLI, and Early 17th Centuries” Part I: Jan ’ 55, 78 XXXIV, Jan ‘ 48, 28−45; Part II: MEES, Arthur, XVIII, Jan ’ 32, 90 XXXIV, Apr ‘ 48, 199−221; Part III: Mein Herz steten Treun (mixed chorus XXXIV, Jul ’ 48, 336−357; Part IV: of four voices) (Arnold Schoenberg), XXXIV, Oct ‘ 48, 575−593; “ Spengler' s XXXVII, Oct ’ 51, 482−483 Quarrel with the Methods of Music MEINECKE, Christopher (Charles), XIII, History,” XX, Apr ‘ 34, 131−171; “ More for THE BACH READER,” XXXVI, Apr ’ 27, 222−223, 225 MEISSNER, Benjamin, XXXIV, Jan ‘ 48, Oct ’ 50, 485−510 12 book by, THE BACH READER (ed. with Hans T. David), XXXV, Oct ‘ 49, MEJIA-ARREDONDO, Enrique, music by, Evocaciones (orchestral suite), XXXI, 568 et seq. book reviews by, (ESSAY ON THE Apr ’ 45, 219; Renacimiento (symphonic TRUE ART OF PLAYING KEYpoem), XXXI, Apr ‘ 45, 219; Symphony MELL, Albert, “ Paganinianain the Muller Collection of the New York Public Library,” XXXIX, Jan ’ 53, 1−25 MELLOWS(R. Emmet Kennedy), XII, Apr '26, 310 No. 1 in A Major, XXXI, Apr '45, 219 BOARD INSTRUMENTS, Carl Phil William J. Mitchell), XXXV, Apr '49, 323−329; THE LOST TRADITION IN MUSIC: RHYTHM AND TEMPO IN THE TIME OF J. S. BACH, by Fritz (MUSICAL ARTICLES FROM THE ENCYCLOPAEDIA BRITANNICA; and ESSAYS IN MUSICAL ANALYSIS: CHAMBER MUSIC; both by Donald music by, From the Revelation of St. John the Divine (commissioned by lipp Emanuel Bach. Translated by Mtlodie (Ernest Bloch), XI, Apr '25, 307 Melodies passageres, Op. 27 435−437 MEMOIRS OF AN AMERICAN PRIMA Oct '34, 393 Rothschild), XXXIX, Oct '53, 617−630; (Samuel Barber), XXXVIII, Jul '52, (song cycle) DONNA (Clara Louise Kellogg), XX, 83 IN J. S. 387; (ORNAMENTATION BACH' S ORGAN WORKS, by Putnam Francis Tovey), XXXI, Jul '45, 383- Aldrich), XXXVII, Apr '51, 290−294 record reviews by, (Bach: Cantata No. 140 (Wachet Auf); Cantata No. 32 (Liebster Jesu, mein Verlangen). Magda Laszlo, soprano; Alfred Poell, bass; Waldemar Kmentt, tenor; Orch. of the Vienna State Opera; Akademiechor, Herman Scheren, conductor. Cantata No. 6 (Bleib bei uns). Hetty Plumacher, alto; Werner Hohmann, tenor; Bruno Muller, bass; Stuttgart Choral Society, Bach Orchestra of Stuttgart, Hans Grischkat, conductor. Cantata No. 19 (Es erhub sich ein Streit). Agnes Giebel, soprano; Claus Stemann, tenor; Bruno Muller, bass; Stuttgart Choral Society; Ton-Studio Orchestra, Stuttgart, Hans Grischkat, conductor. Cantata No. 9 (Es ist das Heil uns kommen her). Cantata No. 137 (Lobe den Herrn, den machtigen Konig der Ehren). Claire Fassbender-Luz, soprano; Eve Draeger, Hetty Plumacher, altos; Claus Stemann, tenor; Bruno Muller, bass; Stuttgart Choral Society; Bach Orchestra of Stuttgart, Hans Grischkat, conductor. Cantata No. 140 (Wachet Auf). Cantata No. 4 (Christ lag in Todesbanden). Helmut Krebs, tenor; Dietrich Fischer-Dieskau, bass; Maria Jung, organ; Gottingen Bach Festival Orchestra; Chorus of the State School for Music, Frankfurt, Fritz Lehmann, conductor), XXXVIII, Oct '52 673−679; (Schutz: The Resurrection Story (Historia von der Aufer-stehung…). E. Lindenmeier, soprano; H. Munch, contralto; M. Eisenrieth, mezzosoprano; W. Berling, K. Liebl, F. Muller-Heldrich, tenors; Heinz Schnauffer, organist; Munich Viol Quintet and Chamber Choir, Karl Schleiffer, conductor), XXXVIII, Oct '52, 673−679 MENDELSSOHN COLLECTION (Thomas Hastings and William B. Bradbury), XXXII, Apr '46, 274 Mendelssohn Glee Club (NYC), I, Jan '15, 46−47; VI, Apr '20, 237; XVIII, Jan '32, 96; XXVIII, Oct '42, 401 Mendelssohn Hall (NYC), VI, Apr '20, 237 MENEL, Mr. ('cellist and concert manager), XVIII, Jan '32, 157, 321 MENGELBERG, William, XII, Apr '26, 160, 163; XXXIII, Apr '47, 185 (as conductor, New York Philharmonic) MENNIN, Peter, music by, Canzona, XLI, Jul '55, 407−408 (record review by Richard Franko Goldman); Concertato for Orchestra (commissioned by Erie, Pa. Philharmonic Orchestra), XXXIX, Apr '53, 247−249; Concerto for Cello, XLII, Jul ‘ 56, 390; Quartet No. 2, XL, Jul ’ 54, 472, 476; Symphony No. 3, XXXV, Jan ‘ 49, 111−115; XLI, Oct ’ 55, 558 (record review by Richard Franko Goldman); Symphony No. 5, XXXVII, Apr ‘ 51, 248−250; Symphony No. 6, XLI, Jan ’ 55, 77 Menominee Healing Song (Indian Tribal air), XIII, Oct ‘ 27, 562 MENOTTI, Gian-Carlo, XXXVII, Jul ’ 51, 317 music by, Amahl and the Night Visitors (opera), XXXVIII, Apr ‘ 52, 296−298; Concerto for Piano, XXXV, Apr ’ 49, 286 (first performance); The Consul (opera), XXXVI, Jul ‘ 50, 447−450; The Island God (two interludes from), XXXV, Apr ’ 49, 286 MERCURE, Pierre, Pantomime, XL, Jan ‘ 54, 60 MeRO, Yolanda, XXX, Apr ’ 44, 204 MERRIAM, Alan P., “ Flathead Indian Instruments and Their Music,” XXXVII, Jul ‘ 51, 368−375 Merrymount (Franz Bornschein), XXXI, Jan ’ 45, 109−110 Merrymount (later retitled: The Maypole Lovers) (Rossetter Cole), XXVIII, Jan 42, 74 Merrymount, Op. 31 (Howard Hanson), XXII, Apr ‘ 36, 143, 144, 147, 148, 149150; XXVIII, Jan ’ 42, 74; XXXI, Jan ‘ 45, 109−110 Smith), Merrymount (David Stanley XXVIII, Jan ’ 42, 73−74; XXXI, Jan ‘ 45, 109−110 METCALF, Frank J., article by, “ The Easy Instructor, A Bibliographical Study,” XXIII, Jan ’ 37, 89−97 book by, AMERICAN WRITERS AND COMPILERS OF SACRED MUSIC, XIII, Apr ‘ 27, 223; XXIV, Oct ’ 38, 481; XXV, Oct ‘ 39, 480 Metropolitan Art Museum, VII, Oct ’ 21, 563, 564 Metropolitan Conservatory of Music (NYC), XVIII, Jan ‘ 32, 86 Metropolitan Hall (NYC), XXVIII, Jan ’ 42, 102 Metropolitan Opera Company (NYC), IV, Jan ‘ 18, 34; XLI, Jul ’ 55, 412; XLI, Oct ‘ 55, 486 Metropolitan Opera House (NYC), II, Jul ’ 16, 387−388, 390−392, 393, 399; IV, Jan ‘ 18, 17; IV, Oct ’ 18, 614, 615; VI, Jan ‘ 20, 9, 85; VII, Oct ’ 21, 562; VIII, Jan ‘ 22, 87; VIII, Jul ’ 22, 361; IX, Jan ‘ 23, 67, 69; XII, Oct ’ 26, 589−590; XVI, Jan ‘ 30, 26; XVI, Apr ’ 30, 161; XVI, Oct ‘ 30, 453, 464, 519; XVIII, Jan ’ 32, 7, 90; XXII, Apr ‘ 36, 149; XXIV, Jan 84 ed. by John Stevens), XXXIX, Jul ‘ 53, 455−460 Mexican percussion instruments (See also: MILLER, Dayton C. (See also: Flute collection, Library of Congress), XIX, Chavez, Carlos), XXII, Oct ’ 36, 440Oct ‘ 33, 450; XX, Apr ’ 34, 221; XXXI, 443 Mexican Symphony Orchestra, XXII, Oct Apr ‘ 45, 266 MILLER, Hugh Milton, articles by, “ The ’ 36, 439 Earliest Keyboard Duets,” XXIX, Oct MEYER, Alfred H., “ Sibelius:Symphonist,” ‘ 43, 438−457; “’ Pretty Wayes: For XXII, Jan ‘ 36, 68−86 MEYEROWITZ, Jan, music by, The Bar Young Beginners to Looke On’,” rier (opera), XLI, Jul ‘ 55, 368−369; XXXIII, Oct ’ 47, 543−556; “ Sixteenth The Glory Around His Head (cantata), Century English Faburden Compositions for keyboard,” XXVI, Jan ‘ 40, XLI, Jul ’ 55, 368−370 50−64 MICHAEL, David Moritz, Lehigh Boatride 179 Microtonal music (See: Horizontes by Julian Carillo) MIDDLESCHULTE, Wilhelm (See also: Becker, John L.), XIV, Apr ‘ 28, 192202; XIX, Apr ’ 33, 169 music (Die Wasserfahrt), XXVIII, Apr '42, book by, AN OUTLINE OF THE HISTORY OF MUSIC. Revised ed., Mexican folk airs, Corrido of Michoacdn, XXVII, Apr '41, 130; La Reina de los Huajiniguiles, XXVII, Apr '41, 130 tional prayers for the Friday Evening) '38, 104; XXV, Apr '39, 129; XXVI, (mixed chorus, baritone soloist and Jul '40, 398; XXVIII, Apr '42, 252−253; XXXI, Jan '45, 110, 112; XXXIII, Apr orchestra), XXXVI, Jan '50, 99−105 '47, 178, 181, 183, 184; XXXIII, Oct Millenium No. 2 (Henry Brant), XL, Jul '54, 399−401 '47, 557; XXXVI, Jan '50, 8; XXXVII, Jul '51, 316−317; XXXVIII, Oct '52, MILLER, Catherine Keyes, XXXVIII, Jan '52, 32 642; XLI, Jul '55, 412 book review by, (MEDIAEVAL CAROLS, XXXVII, Oct '51, 603−611 (Book Review by Charles Warren Fox) MILLER, Philip L., book review (LA MALODIE FRANCAISE DE BERLIOZ X DUPARC, by Fritz Noske), XLII, Jan ‘ 56, 107−109 by, Chromatische Fantasie und Fuge (organ), XIV, Apr ’ 28, 199−201; Miller and Beacham (music publishers, Kanonische Fantasie iiber ‘ Bach’ und Baltimore), XX, Jan ‘ 34, 80 MILLET, W. E. (music publisher), XXI, Fuge iiber 4 Themen von Johann Seb. Bach (organ), XIV, Apr ’ 28, 198−199; Jan ‘ 35, 17 Konzert uber ein Thema von Joh. MILLIGAN, Harold Vincent, XX, Jan ’ 34, Sebastian Bach (organ), XIV, Apr ‘ 28, 87; XXI, Jan ’ 35, 17, 23 Mills College (Oakland, Calif.), XXVIII, 198; Toccata on “ Ein Feste Burg ist Unser Gott” (organ), XIV, Apr ‘ 28, Apr ’ 42, 159 198 MILLS, Charles, The True Beauty, XLII, Midsummer Lullaby (Edward Mac Dowell), Jan ‘ 56, 89 MILLS, Kerry, IX, Oct ’ 23, 476 XI, Jul ‘ 25, 385, 415 music by, Georgia Camp-Meeting, IX, MIERSCH, Paul, XVIII, Jan ’ 32, 97 Oct ‘ 23, 471 MIGNONE, Francisco, XXXIV, Jan ’ 48, 3 MILHAUD, Darius, XXXV, Oct ‘ 49, 613- Milton (folk-hymn from KNOXVILLE 614; XLI, Jan ’ 55, 93; XLI, Oct ‘ 55, HARMONY), XXVI, Oct ’ 40, 487, Opp. 489 (facsimile) 517−520 Milwaukee (Wis.) Festival, XXIX, Jan ‘ 43, portrait, XXVIII, Apr ’ 42, Opp. 142 music by, Concertino d' Etd, XL, Jul ‘ 54, 80, 81−82 469, 470−471 (recordreview by Richard Miniver Cheevy (Wintter Watts), XI, Jul F. Goldman); David (opera) (commis' 25, 392 sioned by Koussevitsky)XL, Oct ’ 54, Minneapolis Symphony Orchestra, XLI, 575−580; First Quintet (1951), XL, Jul Jan ‘ 55, 102 ’ 54, 469−471 (record review by Richard “ Minor Beethoveniana” (Donald Mc Ardle and Ludwig Misch), XLI, Oct ‘ 55, 446F. Goldman); Kentuckiana (Divertisse465 ment sur Vingt Airs du Kentucky), Quintet (1952), XL, Jul ’ 54, 469−471 Minstrel' s Return from the War (John Hill record review by Richard F. Goldman); Hewitt), XVII, Jan ‘ 31, 34, 37 XLI, Jul ’ 55, 361; Temple Service Minstrelsy, XXII, Apr ‘ 36, 156; XXIX, Apr ’ 43, 242−253; XXXVI, Oct ‘ 50, 554 (Sabbath Morning Service, with addi85 XLI, Jan '55, 77; Ouverture Mdditerraneene, XLI, Jan '55, 78; Second Minstrel Knight Jan '32, 155 (Benjamin Carr), XVIII, MINTZ, Donald, “ Some Aspects of the Revival of Bach,” XL, Apr ‘ 54, 201−221 Mirror, The (Felix Borowski), XLI, Jan ’ 55, 79 MISCH, Ludwig, “ Fugue and Fugato in Beethoven' s Variation Form,” XLII, Jan ‘ 56, 14−27 MISCH, Ludwig, and McARDLE, Donald W., “ Minor Beethoveniana,” XLI, Oct ’ 55, 446−465 MISHKIN, Henry G., article by, “ The Solo Violin Sonata of the Bologna School,” XXIX, Jan ‘ 43, 92 book review by, (TOMASO ALBINONI, MUSICO DI VIOLINO DILLETTANTE VENETO (1671−1750), by Remo Giazotto), XXXII, Oct ’ 46, 612616 Missale Romanum Ordinarium (printed by Espinosa, 1561), XV, Jan ‘ 29, 52 MISSOURI HARMONY, (Singing-school text), XIX, Oct ’ 33, 396; XXII, Apr ‘ 36, 160; XXVI, Oct ’ 40, 483 Mistletoe (Bainbridge Crist), XI, Jul ‘ 25, 405 MITCHELL, William J., XXXVIII, Oct ’ 52, 533 article by, “ C. P. E. Bach' s Essay: An Introduction,” XXXIII, Oct ‘ 47, 517−532 editor and translator: ESSAY ON THE TRUE ART OF PLAYING KEYBOARD INSTRUMENTS, by Carl Phillip Emanuel Bach), XXXV, Apr ’ 49, 323−329 (Book Review by Arthur Mendel) book reviews by, (BASIC PRINCIPLES OF THE TECHNIQUE OF 18TH AND 19TH CENTURY COMPOSITION, by Allen Irvine Mc Hose), XXXVIII, Apr ‘ 52, 333−336; (BERHARD ZIEHN DER DEUTSCHAMERIKANISCHE M U SI K T H E O RETIKER, by Hans Joachim Moser), XXXVII, Jul ’ 51, 435−441; (HARMONY by Heinrich Schenker, as ed. by Oswald Jones and trns. by Elizabeth Mann Borgese), XLI, Apr ‘ 55, 256−260; FUNCTIONS OF (STRUCTURAL HARMONY, by Arnold Schoenberg), XLI, Jan ’ 55, 109−115 record reviews, (C. P. E. BACH: Magnificat in D Major, Vienna State Opera Orchestra; Akademie Choir; Dorothy Siebert, soprano; Hilde Rossl-Majden, alto; Waldemar Kmentt, tenor; Hans Braun, bass. Concerto for Orchestra. Felix Prohaska, conductor), XXXIX, Jul ‘ 53, 473−475 MITROPOULOS, Dimitri, XXXV, Jan ’ 49, 107; XXXVII, Apr ‘ 51, 252; XXXVIII, Jan ’ 52, 135; XXXVIII, Oct ‘ 52, 645 86 Moby Dick (Bernard Herrmann), XXXI, Jan ‘ 45, 112−113 Moby Dick (Douglas Moore), XXXI, Jan ’ 45, 112 Moccasin-game Songs (Chippewa songs), XVII, Oct ‘ 31, 476 Mocking Bird (Septimus Winner), XVI, Oct ’ 30, 521 Modern American Music Series (Columbia Records), XL, Jul ‘ 54, 471−476 Modern Music (periodical), XXII, Jan ’ 36, 23; XXVI, Jan ‘ 40, 107; XXXI, Oct ’ 45, 424; XXXIV, Jan ‘ 48, 3, 6; (See also: League of Composers; League of Composers Review) MOHAUPT, Richard, Double Trouble, XLI, Jan ’ 55, 79 Molly on the Shore (Percy Grainger), XXIII, Apr ‘ 37, 129 MOLT, Theodore, Jr., XIII, Apr ’ 27, 221222 Mona (opera) (Horatio Parker), XVI, Apr ‘ 30, 161 MONCAYO, Jose Pablo, Cumbres, XLI, Jan ’ 55, 78 Monody (Benjamin Carr), XVIII, Jan ‘ 32, 166 MONROE, Mina and SCHINDLER, Kurt, BAYOU BALLADS, XIV, Apr ’ 28, 286 Montana State University (Committee on Research), XLI, Apr ‘ 55, 191 Montana State University, Music Foundation, XXXVII, Jul ’ 51, 368 MONTEUX, Pierre, X, Apr ‘ 24, 298; XI, Jul ’ 25, 323; XII, Apr ‘ 26, 160, 161 Montezuma, or Mexico and Puebla grand march and quick-step, the music selected from Beethoven and Meyerbeer, and played by the United States bands, marching into the City of Mexico, XIII, Apr ’ 27, 246 Montgomery (early patriotic air), XXX, Jan ‘ 44, 53, 54 MONTGOMERY, Franz, articles by, “ Early Criticism of Italian Opera in England,” XV, Jul ’ 29, 415−425; “ The Music Instruments in ‘ The Canterbury Tales’,” XVII, Oct ‘ 31, 439−448 Montium custos nemorumque, Virgo (from Five Odes of Horace) (Randall Thompson), XXXV, Jan ’ 49, 10−12 Mood (Alice Barnett), XI, Jul ‘ 25, 398 MOODY, Dwight L., II, Jan ’ 16, 112; IV, Jul ‘ 18, 397−398; XVIII, Jan ’ 32, 12; XXVI, Jul ‘ 40, 355 Moonbird' s Song (Richard Hammond), VIII, Oct ’ 22, 552−553 Moonlight (Philip James), XI, Jul ‘ 25, 414 MOORE, Douglas, XXI, Jan ’ 35, 112; XXIV, Jan ‘ 38, 13−14 (on modern artsong); XXXIII, Jul ’ 47, 325; XXXIV, Apr ‘ 48, 297; XXXVI, Oct ’ 50, 584−585 music by, The Ballad of Baby Doe (opera), XLII, Oct ‘ 56, 527−529; The Devil and Daniel Webster (opera), XXXI, Jan ’ 45, 103; XXXIV, Jan ‘ 48, 8; Giants in the Earth (opera), XXXVII, Jul ’ 51, 402−404; Joice Heth, 161 Year Old Negress (in Pageant of P. T. Barnum), XXXIII, Jul ‘ 47, 318; Moby Dick (symphonic poem), XXXI Jan ’ 45, 112; Pageant of P. T. Barnum (orchestral suite), XVIII, Jan ‘ 32, 11, 12; XXXIII, Jul ’ 47, 318; Quintet for Clarinet and Strings, XL, Jul ‘ 54, 472, 474; Symphony in A, XXXIV, Jul ’ 48, 410, 412−413; White Wings (chamber opera), XXXV, Jul ‘ 49, 448−451 MOORE, Earl V., XXXI, Apr ’ 45, 144 MOOS, Jean Corrodi, articles by, “ Some Recent Developments in Music Testing,” XIX, Jul ‘ 33, 318−330; “ The Yardstick Applied to Musical Talent,” XVI, Apr ’ 30, 238−262 Moravian Archives (Bethlehem, Pa.), XLII, Oct ‘ 56, 488 Moravian Church Archives (Winston Salem, N.C.), XLII, Oct ’ 56, 487 Moravian Historical Society (Nazareth, Pa.), XLII, Oct ‘ 56, 489 Moravian Music Foundation (Bethlehem, Pa.), XLII, Oct ’ 56, Opp. 498 Moravian music in the Province of Pennsylvania, XXVIII, Apr ‘ 42, 174−185 MOREL, Francois, Antiphone, XL, Jan ’ 54, 59−60 MOREL, Jean, XXXIX, Apr ‘ 53, 247 Morgan Library (Pierpont Morgan Library) (NYC), XLI, Oct ’ 55, 546 MORISON, Samuel Eliot, XLII, Jul ‘ 56, 358 Mormon songs (bibliography), XXXIX, Oct ’ 53, 631 Morning Chronicle (NYC), XXIII, Jan ‘ 37, 91 MURPHY, E. W., “ Violin Teaching in its Relation to the Organization of Civic Orchestras,” IV, Jan ’ 18, 50−60 MORRIS, Alexander Cecil, XXXIII, Jul ‘ 47, 385 MORSE, Arthur Cleveland, Love Sings A Song, XI, Jul ’ 25, 417 MORTON, Lawrence, current chronicle (Los Angeles), XXXIX, Oct ‘ 53, 595600 book reviews by, (AARON COPLAND, by Arthur Berger), XL, Jan ’ 54, 93−98 current chronicles (Los Angeles), XL, Jan ‘ 54, 56−58; XL, Oct ’ 54, 572−575 record reviews by, (Copland: Passacaglia; Piano Variations; Piano Sonata. Webster Aitken, piano. Symphony No. 3. Minneapolis Symphony Orchestra, Antal Dorati, cond.), XL, Apr ‘ 54, 294296; (Hindemith: Sonata for Four Hands. Josef and Greta Dichler, pianists; Frank Martin: Ballade for Flute, with orchestral accompaniment as arranged by Ernest Ansermet. Kamillo Wanansell, flute; Collegium Musicum Orchestra, Kurt Rapf, conductor), XXXIX, Oct ’ 53, 654−656; (Piston: Quintet for Piano and Strings. Walden String Quartet; Earl Wild, piano; Martinu: Quartet No. 6. Walden String Quartet), XXXIX, Oct ‘ 53, 657−659 MORTON, Thomas (librettist), XVIII, Jan ’ 32, 159 MOSENTHAL, Joseph, VI, Apr ‘ 20, 231 Moses und Aaron (incomplete opera) (Arnold Schoenberg), XXXVII, Oct ’ 51, 487 Mother of Us All, The (Virgil Thomson), XXXV, Apr ‘ 49, 210, 219 MOTHERS HYMN BOOK (Thomas Hastings), XXXII, Apr ’ 46, 274 MOTHERS NURSERY SONGS (Thomas Hastings), XXXII, Apr ‘ 46, 274, 275 MOTION PICTURE MOODS (Erno Rapee), XXVII, Apr ’ 41, 146 Motives de Son (8 songs for soprano and orchestra) (Amadeo Roldan), XXXVI, Apr ‘ 50, 270−271 MOTON, Robert R., RELIGIOUS FOLKSONGS OF THE NEGRO AS SUNG ON THE PLANTATION, II, Jan ’ 16, 116−118 MOTZAN, Otto, IX, Oct ‘ 23, 476 Mountain Bugle, The (John Hill Hewitt), XVII, Jan ’ 31, 37 Mountain Episode (Lamar Stringfield), XXXI, Oct ‘ 45, 418 (See: King, A. Hyatt) Mountain Pictures (Cecil Burleigh), XXXI, Oct ’ 45, 418 (See: King, A. Hyatt) Mountain Sketches (Lamar Stringfield), XXXI, Oct ‘ 45, 417 (See: King, A. Hyatt) Mountain Song (Arthur Farwell), XXXI, Oct ’ 45, 418 (See: King, A. Hyatt) MOUNTAIN SONGS OF NORTH CAROLINA (Susannah Wetmore and Marshall Bartholomew), XIV, Apr ‘ 28, 286 Mountain Vision (Arthur Farwell), XXXI, Oct ’ 45, 418 (See: King, A. Hyatt) “ Mountains, Music, and Musicians” (A. Hyatt King), XXXI, Oct ‘ 45, 395−419 Movie Pictorial, XV, Apr ’ 29, 284 Mozart Association (Salem, Mass.), XIII, Apr ‘ 27, 236 “ Mozartean Modulations” (Hans T. David), XLII, Apr ’ 56, 193−212 87 “*Mrs. H. H. A. Beach” (Burnet C. Tuthill), XXVI, Jul ‘ 40, 297−310 MUCK, Dr. Karl, XII, Apr ’ 26, 154, 160, 161; XVIII, Jan ‘ 32, 181; XXXI, Apr ’ 45, 176 (as conductor, Boston Symphony Orchestra) MUCZYNSKI. Robert. Concerto for Piano and Orchestra, XLI, Jan ‘ 55, 79 Muerto de Cristo, La (Jose de Jesds Ravelo, XXXI, Apr ’ 45, 216−217 MULLER, Joseph, XXIII, Apr ‘ 37, 198; XXVIII, Jul ’ 42, 343; XXXIX, Jan ‘ 53, 1−25 (See also: New York Public Library, Joseph Muller Collection; Musical Americana department) articles by, “ Bach Portraits,” XXI, Apr ’ 35, 155−165; “ Haydn Portraits,” XVIII, Apr ‘ 32, 282−298 MULLIGAN, W. E., XVIII, Jan ’ 32, 86, 91 MUNCH, Charles, XXXVIII, Jan ‘ 52, 119 Municipal Music in American Cities in 1918 (See: Whitmer, T. Carl) MURPHY, Howard, XXX, Jul ’ 44, 315 Murray and Kean (colonial actors), XXIV, Jan ‘ 38, 59 MURSELL, James L., “ Psychology and the Problems of the Scale,” XXXII, Oct ’ 46, 564−573 MUSER, Frani B., XXXIV, Jan ‘ 48, 6 article by, “ The Recent Work of Paul Hindemith,” XXX, Jan ’ 44, 29−36 Museum of Art (Brooklyn), XVIII, Apr ‘ 32, 284 Museum of Fine Arts (Boston, Mass.), XXVIII, Jul ’ 42, 380 Music Academy of the West (Santa Barbara, Calif.), XXXVII, Oct ‘ 51, 482 MUSIC AND IMAGINATION (Aaron Copland), XXXIX, Jan ’ 53, 107−109 (Book Review by Richard F. Goldman) “ Music and Musicians in Restoration London,” (John Harley), XL, Oct ‘ 54, 509520 “ Music and Musicians of Maine” (George Thornton Edwards), XXV, Jul ’ 39, 258 “ Music and Musicians of the Dominican Republic: A Survey” (Jacob Maurice Coopersmith) Part I: XXXI, Jan ‘ 45, 71−88; Part II: XXI, Apr ’ 45, 212−226 “ Music and the Feature Films” (Frederick W. Sternfeld), XXXIII, Oct ‘ 47, 517532 “ Music and the Movies” (Harry Alan Potamkin), XV, Apr ’ 29, 281−296 MUSIC AND WOMEN (Sophie Drinker), XXXIV, Apr ‘ 48, 285−288 (Book Review by Doris Silbert) MUSIC AS A HUMANITY, AND OTHER ESSAYS (Daniel Gregory Mason), VIII, Oct ‘ 22, 627 MUSIC AT HARVARD (Walter Raymond Spalding), XXII, Jan ’ 36, 111−113 Music Education, X, Oct ‘ 24, 587−595 (See: Music Teachers' National Association; Manchester, Arthur L.) Music for a Farce (Paul Bowles), XXXVIII, Oct ’ 52, 597; XL, Jul ‘ 54, 472, 474−475 Music for Brass Choir (Wallingford Riegger), XXXV, Jul ’ 49, 462−463 Music for English Horn and Orchestra (Edward Burlingame Hill), XXXV, Apr ‘ 49, 286 (first performance) Music for Four Stringed Instruments (Charles Martin Loeffler), XI, Jul ’ 25, 320 Music for percussion instruments, XXXVIII, Oct ‘ 52, 596−599 “ Music for the Armed Services” (Raymond Kendall), XXXI, Apr ’ 45, 141−156 Music for the Theatre (League of Composers commission) (Aaron Copland), XVI, Jan ‘ 30, 26−27; XXXI, Oct ’ 45, 421−422, 430; XXXIV, Jan ‘ 48, 4−5; XL, Jul ’ 54, 454−456 MUSIC IN CANADA (Dr. Ernest Mac Milmillan, ed.), XLII, Jan ‘ 56, 112−115 “ Music in Caracas During the Colonial Period (1770−1811)” (Jean Bautista Plaza), XXIX, Apr ’ 43, 198−213 “ Music in Cuba (1523−1900)” (Alejo Carpentier), XXXIII, Jul ‘ 47, 365−380 “ Music in Industry” (Doron K. Antrim), XXIX, Jul ’ 43, 275−290 MUSIC IN MEXICO. A Historical Survey. (Robert Stevenson), XXXIX, Oct ‘ 53, 638−640 (Book Review by Jesus Bal y Gay) MUSIC IN MINIATURE (William Billings), XXV, Oct ’ 39, 482, 484 MUSIC IN MY TIME (Daniel Gregory Mason), XXXIV, Jan ‘ 48, 46 “ Music in the American University” (J. Lawrence Erb), III, Jan ’ 17, 28−33 Music in the Colonies (Virginia), XXXVI, Oct ‘ 50, 511−525 “ Music in the Life of the Aztecs” (Frederick H. Martens), XIV, Jul ’ 28, 413−437 MUSIC IN THE RENAISSANCE (Gustav Reese), XLI, Jul ‘ 55, 378−391 MUSIC IN THE ROMANTIC ERA (Alfred Einstein), XXXIII, Oct ’ 47, 570575 (Book Review) MUSIC IN THE SOUTHWEST, 1825−1950 (Howard Swan), XXXIX, Oct ‘ 53, 630634 (Book Review by Willard Rhodes) MUSIC IN WESTERN CIVILIZATION (Paul Henry Lang), XXVIII, Jan ’ 42, 122−124 (Book Review by Curt Sachs) 88 Jan ‘ 52, 127 “ Music of Indian Mexico, The” (Rodney Gallop), XXV, Apr ’ 39, 210−225 THE MUSIC OF ISRAEL; ITS RISE AND GROWTH THROUGH 5, 000 YEARS Music of Changes (John Cage), XXXVIII, “*Music of Aaron Copland, The” (Arthur V. Berger), XXXI, Oct ‘ 45, 420−447 MUSIC OF OUR DAY, ESSENTIALS AND (Peter Gradenwitz), XXXVI, Jan '50, 135−138 (Book Review by Milton Feist) MUSICAL BIOGRAPHY, A (John Rowe Musical Cabinet, XVIII, Apr '32, 332 Musical Carpet, The, XXVI, Apr '40, 159 MUSICAL CHRONICLE (Paul Rosenfeld), “ Musical Appreciation” (J. Lawrence Erb), XI, Jan ‘ 25, 1−7 Musical Art Society (Boston Women' s chorus), XXXVI, Apr ’ 50, 162 Musical Art Society (NYC), XXV, Apr ‘ 39, 130 Musical Arts Society (La Jolla, Calif.), XXXVIII, Apr ’ 52, 307 Parker), XIII, Apr ‘ 27, 227−228 PROPHECIES(Lazare Saminsky), XIX, Jul ‘ 33, 353−355 “ Music of Randall Thompson, The” (Elliot Forbes), XXXV, Jan ’ 49, 1−25 “ Music of Robert Palmer, The” (William Austin), XLII, Jan ‘ 56, 35−50 “ Music of Samuel Barber, The” (Nathan Broder), XXXIV, Jul ’ 48, 325−335 MUSIC OF THE FRENCH PSALTER OF Music of the Harp of Love (James Hewitt), Musical Enthusiasts, The X, Jan ‘ 24, 156 Musical Courier, magazine, XI, Jul ’ 25, 320; XVIII, Jan ‘ 32, 85 “ Musical Culture of the Arapaho” (Bruno Nettl), XLI, Jul ’ 55, 325−331 (cantata) (John 1562, THE (Waldo Selden Pratt), XXVI, Apr '40, 172 XVII, Jan '31, 30 MUSIC OF THE PILGRIMS; A DESCRIPOF THE PSALM BOOKTION IN TO PLYMOUTH BROUGHT 1620, THE (Waldo Selden Pratt), XX1, Jan ‘ 35, 31; XXVI, Apr ’ 40, 172 Music of Today (broadcast), XXXVI, Oct ‘ 50, 585 “ Music of Wallingford Riegger, The” (Richard F. Goldman), XXXVI, Jan ’ 50, 39−61 “ Music of William Schuman, The” (Nathan Broder), XXXI, Jan ‘ 45, 17−28 MUSIC PRIMER Hill Hewitt), XVII, Jan ‘ 31, 37 “ Musical Family in Colonial Virginia, A” (Maurer Maurer), XXXIV, Jul ’ 48, 358−364 Musical Fund Society (Boston, Mass), XXXIX, Jan ‘ 53, 84 Musical Fund Society (Philadelphia, Pa.), XIII, Apr ’ 27, 224, 233, 234, 239; XVIII, Jan ‘ 32, 165, 328, 336; XXI, Apr ’ 35, 192, 207 Musical Gazette (Boston, Mass.), XIII, Apr ‘ 27, 228, 230 Musical Glasses (See: Francis Hopkinson), XXXIV, Jan ’ 48, 86 XXV, Oct ‘ 39, 481 “ Musical Instruments of Cuba” (Harold Courlander), XXVIII, Apr ’ 42, 227−240 “ Musical Instruments of Haiti” (Harold Courlander), XXVII, Jul ‘ 41, 371−383 Musical Instruments of Mexican Indians, XXV, Apr ’ 39, 215−225 MUSICAL GRAMMAR (William Tans' ur), Oct '33, 394−395 (Andrew Law), XIX, MUSIC SINCE 1900 (Nicolas Slonimsky), XXXVI, Jul ‘ 50, 463−464 (Book Review by Nathan Broder) Music Teachers' National Association, IX, Musical Journal (Baltimore, Md.), XVIII, Jan ’ 32, 153, 164 Jan ‘ 23, 144; XV, Jul ’ 29, 317; XVIII, Jan ‘ 32, 78, 83−84; XXII, Apr ’ 36, 151; “ Musical Landmarksin New York” (C6sar VI, XXIII, Jan ‘ 37, 43; XXVI, Apr ’ 40, Saerchinger), Jan ‘ 20, 69−90 Musical Magazine, The (Thomas Hastings, 168; XXIX, Jan ’ 43, 80, 81 Music Teachers' National Association, Proed.), XXIII, Jan ‘ 37, 96; XXIV, Apr ’ 38, 210−212; XXXII, Apr ‘ 46, 257−277 ceedings (1939), XXXVII, Oct ’ 51, 477 Musical Magazine or Repository of Musical (Schoenberg papers) Science, Literature and Intelligence, “ La Musica en Santo Domingo y otros Eusavos” (Fl Oridade Nolasco), XXXI, 1839−1842 (H. Theodore Hach and T. B. Hayward, eds.), XIII, Apr ‘ 27, Apr ’ 45, 225 MUSICA SACRA (Thomas Hastings and 231−232; XXI, Jan ‘ 35, 75; XXVI, Apr Solomon Warriner), XXXII, Apr ’ 46, ‘ 40, 157−158; XLII, Jul ’ 56, 364 Musical Million (Southern music journal), 268, 273 Musical Almanac, The, XXVI, Apr ‘ 40, 160 XIX, Oct ’ 33, 400 Musical America, magazine, XXI, Jan '35, MUSICAL MINISTRIES IN THE CHURCH (Waldo Selden Pratt), 64, 67; XXXIII, Apr '47, 209 Musical Americana department of Music XXVI, Apr '40, 170 Division, New York Public Library, Musical Panorama of Broadway (Carl XXXIX, Jan '53, 1−25 Lenschow), XXXIX, Jan '53, 81 89 MUSICAL PORTRAITS (Paul Rosenfeld), X, Jan ‘ 24, 156 MUSICAL PRIMER (Andrew Law), XXIII, Jan ’ 37, 89, 96 MUSICAL READER OR PRACTICAL LESSONS FOR THE VOICE (Singing School text) (Thomas Hastings), XXXII, Apr ‘ 46, (title page, facsimile), Opp. 267, 272; (facsimiles, musical excerpts) Opp. 272, 273 Musical Reporter, The (Boston, Mass.), XIII, Apr ’ 27, 232, 243; XXVI, Apr ‘ 40, 159 Musical Review (NYC), See: New York Musical Review Musical Review and Gazette, The (magazine), XLII, Jul ’ 56, 359, 360 “ Musical Scholarship at the Crossroads” (Paul Henry Lang), XXXI, Jul ‘ 45, 371−380 Musical Society of the City of New York, XXI, Apr ’ 35, 204, 205, 206 Musical Visitor, The, XXVI, Apr ‘ 40, 159 MUSICAL WORKSHOP, THE (Frederick Dorian), XXXV, Jan ’ 49, 151−153 (Book Review by Ernst Levy) Musical World and Times, The, XX, Jan ‘ 34, 84; XXI, Jan ’ 35, 18 MUSICIANS AND MUSIC LOVERS (W. F. Apthorp), XXI, Jan ‘ 35, 80 Musicians Guild (NYC), XLI, Jul ’ 55, 373 Musique Concrete (See: Cage; Fine; Luening; Ussachevsky), XXXIX, Apr ‘ 53, 254−255 “*My Evolution” (Arnold Schoenberg), XXXVIII, Oct ’ 52, 517−527 My Heart, like the Bird in the Tree (Wintter Watts), XI, Jul ‘ 25, 390 My Lady of Clouds (Alexander Steinert, Jr.), XI, Jul ’ 25, 413 MY LIFE AND SACRED SONGS (Ira D. Sankey), XXVI, Jul ‘ 40, 364 MY MUSICAL LIFE (Walter Damrosch), X, Jan ’ 24, 145−146 My Old Kentucky Home (Stephen C. Foster), XXI, Jan ‘ 35, 21 My Robin is to the Greenwood Gone (Percy Grainger), XXIII, Apr ’ 37, 129 MYERS, Robert Manson, articles by, “ Mrs. Delany: An Eighteenth-Century Handelian,” XXXII, Jan ‘ 46, 12−36; “ Samuel Butler: Handelian,” XXXIV, Apr ’ 48, 177−198 book by, HANDEL' S MESSIAH: A TOUCHSTONE OF TASTE, XXXIV, Jul ‘ 48, 445−448 (Book Review by Herbert M. Schueller) book review by, (HANDEL: A DOCUMENTARY BIOGRAPHY, by Otto Erich Deutsch), XLII, Jul ’ 56, 408−411 Mysterious Marriage (James Hewitt), XVII, Jan ‘ 31, 32 Mystic Trumpeter, The (Frederick S. Converse), XXXI, Jan ’ 45, 107, 110−111 N Die Nacht (suite for orchestra) (Templeton Strong), XIV, Jan ‘ 28, 145−147 NAGINSKI, Charles, Sonfonietta (commissioned by League of Composers), XXXIV, Jan ’ 48, 10 NATHAN, Hans, article by, “ Dixie,” XXXV, Jan ‘ 49, 60−84; “ Early Banjo Tunes and American Syncopation,” XLII, Oct ’ 56, 455−472; “ The Function of Text in French 13th Century Motets,” XXVIII, Oct ‘ 42, 445−462; “ Two Inflation Songs of the Civil War,” XXIX, Apr ’ 43, 242−253; “ The Tyrolese Family Rainer, and the Vogue of Singing Mountain-Troupes in Europe and America,” XXXII, Jan ‘ 46, 63−79 National Association of Composers and Conductors, XXXIV, Oct ’ 48, 533 National Association of Schools of Music, XXII, Apr ‘ 36, 151 NBC Symphony Orchestra (NYC), XXXIII, Apr ’ 47, 178, 182 90 National Conservatory of Music (Mexico City, D.F.), XXII, Oct ‘ 36, 438 National Conservatory of Music (NYC), VI, Apr ’ 20, 250; XVI, Apr ‘ 30, 155; XVIII, Jan ’ 32, 97; XXIX, Jul ‘ 43, 317 National Federation of Music Clubs, I, Apr ’ 15, 172; IX, Jan ‘ 23, 133, 144; XVIII, Jan ’ 32, 77; XXVIII, Jul ‘ 42, 296; XXXI, Apr ’ 45, 154−155; XXXIV, Jan ‘ 48, 12 National Gallery Orchestra (Richard Bales, conductor), XXXVIII, Jul ’ 52, 486−487 National Institute of Arts and Letters (See also: American Academy), XXXVI, Jul ‘ 50, 444; XXXVII, Oct ’ 51, 482 National Library of Mexico (Mexico City, D.F.), XV, Jan ‘ 29, 52 National Music Camp (Interlochen, Mich.), XXII, Apr ’ 36, 151 “ National Music Course” (Luther Whiting Mason), XXVIII, Jul ‘ 42, 341 National Orchestra Association, XXXVII, Apr ‘ 51, 250 National School of Music (Caracas, Venezuela), XXIX, Apr ’ 43, 199 National Symphony Orchestra (NYC), VII, Jan ‘ 21, 33 “ Native Music on Okinawa” (Jan La Rue), XXXII, Apr ’ 46, 157−170 Nativity, The (John Knowles Paine), VI, Apr ‘ 20, 234 Naumberg Foundation (Walter Naumberg Foundation), XLI, Oct ’ 55, 555, 558 Navaho Indian Songs, XX, Oct ‘ 34, 458465 Naval Academy Band, XXXIII, Jul ’ 47, 387 NAVARRO, Juan (compiler), Liber in quo quattuor Passiones Christi Domini continetur, XXXI, Apr ‘ 45, 191 NEGRO AND HIS SONGS, THE (Howard W. Odum and Guy B. Johnson), XII, Apr ’ 26, 313; XIV, Apr ‘ 28, 284, 287288 “ Negro Music at Birth” (Natalie Curtis Burlin), V, Jan ’ 19, 86−89 Negro Rhapsody (Henry F. Gilbert), IV, Jan ‘ 18, 33 (Rubin Negro. Rhapsody Goldmark), XVIII, Jan ’ 32, 11 Negro Song, XII, Apr ‘ 26, 306−314 “ Negro Spirituals in the Making” (Lucile Price Turner), XVII, Oct ’ 31, 480−485 NEIDLINGER, W. H., XVIII, Jan ‘ 32, 87 Nelly Was a Lady (Stephen C. Foster), IX, Oct ’ 23, 479; XXI, Jan ‘ 35, 20 NELSON, G. Adolph (See: Gustavus Adolphus College), XXVIII, Apr ’ 42, 163 NELSON, Robert U., THE TECHNIQUE OF VARIATION. A Study of the Instrumental Variation from Antonio Cabez6n to Max Reger, XXXV, Apr ‘ 49, 331−334 (Book Review by Ernest T. Ferand) NETTL, Bruno, articles by, “ Musical Culture of the Arapaho,” XLI, Jul ’ 55, 325−331; “ Notes on Infant Musical Development,” XLII, Jan ‘ 56, 28−34 NETTL, Paul, articles by, “ An English Musician at the Court of Charles VI in Vienna,” XXVIII, Jul ’ 42, 318−328; “ Mozart and the Czechs,” XXVII, Jul ‘ 41, 329−342 book by, THE STORY OF DANCE MUSIC, XXXIV, Oct ’ 48, 622−627 (book review by Otto Gombosi) NEUNDORFF, Adolf, VI, Jan ‘ 20, 85; VI, Apr ’ 20, 232 Never Love Unless… (Louis Gruenberg), XI, Jul ‘ 25, 411 NEVIN, Arthur, VI, Jan ‘ 20, 27 article by, “ Two Summers with the Blackfeet Indians of Montana,” II, Apr ’ 16, 257−270 NEVIN, Ethelbert, VI, Apr ‘ 20, 240, 244, 247; X, Jul ’ 24, 438; XVIII, Jan ‘ 32, 91; (See also: “ Some Memories of Ethelbert Nevin” ETHELBERT NEVIN) music by, O' er River, and Mead, and Town, XI, Jul ’ 25, 385; Oh! That We Two Were Maying, XI, Jul ‘ 25, 385; The Rosary, III, Jul ’ 17, 361−362; VI, Jan ‘ 20, 9 NEVINS, Miss Marian (See also: Mrs. Edward Mac Dowell), I, Jan ’ 15, 20 “ New Collection of Music Manuscripts in the United States, A” (Gisella Selden Goth), XXVI, Apr ‘ 40, 175−185 New Dance (piano 4-hands, drums, etc.) (Wallingford Riegger), XXXVI, Jan ’ 50, 50; XL, Apr ‘ 54, 312−313 New England Chronicle (Richard Donovan), XLII, Jul ’ 56, 416−420 New England Conservatory (Boston, Mass.), X, Jul ‘ 24, 442, 452; XXI, Jan ’ 35, 3952; XXXVI, Apr ‘ 50, 160, 161, 162 New England Idyls (Edward Mac Dowell), I, Jan ’ 15, 47; IX, Oct ‘ 23, 472 NEW ENGLAND PSALM SINGER OR AMERICAN CHORISTER (William Billings), XVI, Apr ’ 30, 221; XXIV, Apr ‘ 38, 211; XXV, Oct ’ 39, 482; XXVI, Oct ‘ 40, 492 New Federal Song (See: Hail Columbia), XVIII, Jan ’ 32, 156 New Friends of Music (NYC), XXXVII, Oct ‘ 51, 478 NEW HARP OF COLUMBIA (See: HARP OF COLUMBIA), XXVI, Oct ’ 40, 485 New Haven (Conn.) Choral Society, XXVIII, Jan ‘ 42, 73 New Haven (Conn.) Oratorio Society, XVI, Apr ’ 30, 159 New Haven (Conn.) Symphony Orchestra, XVI, Apr ‘ 30, 159; XVIII, Jan ’ 42, 65 NEW LETTERS OF BERLIOZ, 1830−1868 (Jacques Barzun), XL, Jul ‘ 54, 430−434 (book review by Edward N. Waters) “ New Light on The Star Spangled Banner” (John Atlee Kouwenhoven and Lawton M. Patten), XXIII, Apr ’ 37, 198−200 New Music Quarterly (Henry Cowell, ed.), XIX, Jan ‘ 33, 57; XXXVI, Jan ’ 50, 40 New Music Review, XIII, Jul ‘ 27, 456 New Music Society of America, XIX, Jul ’ 33, 352; XXVI, Jan ‘ 40, 113 New School for Social Research (NYC), XXXIV, Oct ’ 48, 533 91 “ New World” Symphony (Antonin Dvorak), I, Jan ‘ 15, 37; IV, Jan ’ 18, 27; IV, Jul ‘ 18, 330−331 New Year' s Eve in New York (Werner Janssen), XVIII, Jan ’ 32, 11 New York Albion, XXVIII, Jan ‘ 42, 103 New York American, XIII, Apr ’ 27, 224 New York Chamber Orchestra, XXXVI, Apr ‘ 50, 270 New York Chamber Music Society, VII, Jan ’ 21, 18 New York City Opera Company, XXXVI, Apr ‘ 50, 271 New York Clipper, XX, Jan ’ 34, 92 “ New York Concert in 1736, A” (Virginia Larkin Redway), XXII, Apr ‘ 36, 170177 New York Daily Advertiser, XVIII, Jan ’ 32, 155, 156, 161, 162 New York Days and Nights (Emerson Whithorne), IX, Apr ‘ 23, 297−298 New York Enquirer, XIII, Apr ’ 27, 224 New York Evening Post, I, Jan ‘ 15, 97, 98; XXIV, Apr ’ 38, 213 New York Gazette, VI, Jan ‘ 20, 71; XXII, Apr ’ 36, 170, 175 New York Herald, XVII, Jan ‘ 31, 36; XXVIII, Jan ’ 42, 103; XXIX, Apr ‘ 43, 243, 244, 252 New York Mercury, VI, Jan ’ 20, 74; XXI, Apr ‘ 35, 191 New York Music Critics' Circle, XXXIV, Oct ’ 48, 533, 594 New York Music Critics' Circle Award, XXXII, Jul ‘ 46, 370; XXXVI, Jan ’ 50, 40 New York Musical Fund Society, XIII, Apr ‘ 27, 233, 237 New York Musical Review, XIII, Apr ’ 27, 247 New York Musical Times, XX, Jan ‘ 34, 84 New York Oratorio Society, XXIII, Oct ’ 37, 413; XXV, Apr ‘ 39, 129, 131; XXVIII, Jul ’ 42, 270 New York Philharmonic Society, VI, Jan ‘ 20, 83; XXIX, Jul ’ 43, 314, 315, 321; XXIV, Apr ‘ 38, 216; XXXI, Apr ’ 45, 180; XXXIII, Apr ‘ 47, 178 (merger with New York Symphony) New York Philharmonic-Symphony, XXXIII, Apr ’ 47, 178, 182, 185; XXXVIII, Jan ‘ 52, 135; XXXIX, Jan ’ 53, 80−81 New York Post Boy, VI, Jan ‘ 20, 73 New York Public Library, Music Division, Joseph Muller Collection, XXXIX, Jan ’ 53, 1−25 New York Public Library, Musical Americana Department, XXXIX, Jan ‘ 53, 2 New York Stadt-Theater, VI, Jan ’ 20, 89 New York Sun, XVIII, Jan ‘ 32, 83 New York Symphony Orchestra, VII, Jul ‘ 21, 404; XVIII, Jan ’ 32, 85; XXII, Apr ‘ 36, 142; XXXVI, Apr ’ 50, 162; XXXIII, Apr ‘ 47, 178 (merger with New York Philharmonic) New York Symphony Society, XXVIII, Jul 42, 272 New York Times, XVIII, Jan ’ 32, 91; XXIV, Apr ‘ 38, 214, 217; XXXVII, Apr ’ 51, 192 New York Tribune, III, Oct ‘ 17, 629, 632; XVIII, Jan ’ 32, 81, 90; XXI, Apr ‘ 35, 186; XXIV, Apr ’ 38, 215, 217; XXXVII, Apr ‘ 51, 184, 186, 197 New York University, XXVII, Jul ’ 41, 268; XXXII, Apr ‘ 46, 269 New York Vocal Union, VI, Apr ’ 20, 234 New York Weekly Journal, XXII, Apr ‘ 36, 170 NEWELL, W. W., GAMES AND SONGS OF AMERICAN CHILDREN, II, Jan ’ 16, 123; XXII, Apr ‘ 36, 160 NEWLIN, Dika, XXXVII, Oct ’ 51, 473 article by, “#The Later Works of Ernest Bloch,” XXXIII, Oct ‘ 47, 443−459 book by, BRUCKNER, MAHLER, SCHOENBERG, XXXIII, Jul ’ 47, 409412 (Book Review by Henry Cowell) “ Newly Discovered Fosteriana” (John Tasker Howard), XXI, Jan ‘ 35, 17−24 NEWMAN, Alfred, XXXVII, Oct ’ 51, 471 NEWMAN, Joel, record reviews, (Bach: Works for the Lute: Suite No. 1 in E Minor; Prelude and Fugue in E-flat; Suite No. 3 in G Minor. Michel Podolski, lutenist), XLII, Oct ‘ 56, 553556; (Renaissance and Baroque Music for Lute and Guitar. Karl Scheit, guitar), XLII, Oct ’ 56, 567−569 NEWMAN, William S., articles by, “*Arthur Shepherd,” XXXVI, Apr ‘ 50, 159179; “ Concerning the Accompanied Clavier,” XXXIII, Jul ’ 47, 327−349 record reviews, (Arthur Shepherd: Triptych for High Voice and String Quartet. Marie Kraft, Walden String Quartet of the University of Illinois; Koutzen: String Quartet No. 2. Boris Koutzen, Bernard Robbins, Carlton Cooley, Harvey Shapiro), XXXIX, Jul ‘ 53, 496−499 NIBLO, William, VI, Jan ’ 20, 88, 89 Niblo' s Garden (NYC), XIII, Apr ‘ 27, 237; XVIII, Jan ’ 32, 77; XXXI, Jul ‘ 45, 364; (See also: Niblo' s Theatre) Niblo' s Theatre (NYC), XXVIII, Jan ’ 42, 102 (See also: Niblo' s Garden) NICHOLS, Clara T., “ Music in Our Public Schools,” IV, Oct ‘ 18, 535−541 NIERLING, Jan, “ The Music for Shakespeare,” XII, Oct ’ 26, 555−563 92 Night Soliloquy Nightingale Nightingale Apr '47, 186 (Kent Kennan), XXXIII, (Wintter “ Nordic” and the Rose, The and the Two Watts), XI, Jul '25, 391 Sisters, The ‘ 25, 398 NIKISCH, Arthur, VI, Apr ’ 20, 232; XXXI, Apr ‘ 45, 179 NILES, John Jacob, articles by, “ Shout, Coon, Shout,” XVI, Oct ’ 30, 516−530; “ White Pioneers and Black,” XVIII, Jan ‘ 32, 60−75 Ninety and Nine (Clephane-Sankey),(See: “ Gospel Hymns’) NITSCHMANN, Rev. Immanuel, XXI, Apr ‘ 35, 182 NIXON, Roger, XXXVII, Oct ’ 51, 471 No Limit (Bainbridge Crist), XI, Jul ‘ 25, 397−398 NOBLE, T. Tertius, XXXII, Apr ’ 46, 292293 Nobody Knows the Trouble I' ve Seen Nightingale Lane (Alice Barnett), XI, Jul (Percy Grainger), XXIII, Apr '37, 130 XXII, Apr '36, 142, 144−145 NORDICA, Lillian, IV, Oct '18, 614; VI, Jan '20, 85 NORDOFF, Paul, Lost Summer, for Mezzosoprano and Orchestra, XLI, Jan '55, 77 NORRIS, Homer A., III, Jul '17, 451 “ Norse” Sonata Symphony (Howard Hanson), Jan ‘ 15, 47 “ North American Indian, The” (Henry F. Gilbert), IV, Jan ’ 18, 28 Apr ‘ 36, 142, 143, 147 Northern Ballad (orchestra) (Horatio Parker), XVI, Apr ’ 30, 160 “ Northwest, Songs of the” (Marius Barbeau), XIX, Jan ‘ 33, 101−111 Northwestern University Department of Music (Evanston, Illinois), XXXVIII, Jul ’ 52, 438 NORTON, M. D. Herter, “ Haydn in America (before 1820),” XVIII, Apr ‘ 32, 309337 NORTON, M. D. Herter and HARRIS, ’ 35, 166−178 “ Notes on Infant Musical Development,” (Bruno Nettl), XLII, Jan ‘ 56, 28−34 Notre Dame de Paris (William Henry Fry), Roy, “ The Art of Fugue,” XXI, Apr North American Review, VI, Jan ‘ 20, 24 North and West (Howard Hanson), XXII, (Edward Mac Dowell), I, (Negro Spiritual), XVIII, Jan '32, 11, 68 Nocturne (Lucile Crew), XI, Jul '25, 417 Nocturne (Henry F. Gilbert), XXXI, Jan '45, 114−115 Nocturne (A. Walter Kramer), XI, Jul '25, 403 Noel (George W. Chadwick), X, Jul '24, 451 de NOLASCO, Flerida, LA MUSICA EN SANTO DOMINGO Y OTROS EU- SAYOS, XXXI, Apr ‘ 45, 225 Nonette (3 trumpets, 2 horns, 3 trombones, and tuba) (Wallingford Riegger), XXXVIII, Jul ’ 52, 439−440 Nonetto, for flute, oboe, clarinet, saxophone, bassoon, harp, celesta, battery, and mixed chorus (Heitor Villa-Lobos). XL, Jan ‘ 54, 157, 158 NORDEN, N. Lindsay, articles by, “ The Boy Choir Fad,” III, Apr ’ 17, 189−197; “ A New Theory of Untempered Music,” XXII, Apr ‘ 36, 217−233; “ A Plea for Pure Church Music,” IV, Apr ’ 18, 196−208 XXIV, Apr '38, 215 Notturno (Ernst Toch), XLI, Jan '55, 79 NOVACEK, Otokar, VII, Jul '21, 404; XXIX, Jul '43, 315 Now Like a Lantern (A. Walter Kramer), XI, Jul '25, 403 Now May the God of All Grace (John Antes), XLII, Oct '56, 496−497 Nuit des Tropiques, La (orchestra) (Louis Moreau Gottschalk), XXXIII, Jul '47, 377 Nunn' s Pianoforte Warehouse (NYC), XVII, Jan '31, Opp. 37 0 78 O Come Hither (Bainbridge Crist), XI, Jul 25, 406 O Venus, regina Cnidi Paphique (from Five Odes of Horace) (Randall Thomp- O Canada (Calixa Lavalee), XVIII, Jan '32, Oberlin Conservatoryof Music (Oberlin, Ohio), XXI, Jan ‘ 35, 81 rn n rn “ Oberon and Zar und Zimmermann” (Ern nest Sanders), XL, Oct ’ 54, 521−532 Oboe Quintet (Robert Mc Bride), XXXIII, son), XXXV, Jan '49, 9−10 Jan '47, 136 93 OCHARTE, Pedro (printer), XV, Jan ‘ 29, 52 Ode (text by Collin) James Hewitt), XVII, Jan 31, 32 Ode to Napoleon Buonaparte, Op. 41 (Arnold Schoenberg) (for string quartet, or string orchestra, piano, and reciter), XXXVII, Oct ’ 51, 478−479, 486 ODUM, Howard W., and Johnson, Guy B., books by, THE NEGRO AND HIS SONGS, XII, Apr ‘ 26, 313; XIV, Apr ’ 28, 284, 287−288 Odyssey of a Race (Heitor Villa-Lobos), XLI, Jan ‘ 55, 95 John Knowles Paine), XXIII, Oedipus Jan ’ 37, 41 Oedipus Rex (Igor Stravinsky) (record review by Frederic Cohen), XXXIX, Oct ‘ 53, 659−661 Oedipus Tyrannus (John Knowles Paine), X, Jul ’ 24, 450; XXV, Jul ‘ 39, 262−263 O' er River, and Mead, and Town (Ethelbert Nevin), XI, Jul ’ 25, 385 Of Mice and Men (film) (Aaron Copland), XXVII, Apr ‘ 41, 163−164; XXXV, Jan ’ 49, 116; XXXVII, Apr ‘ 51, 161, 162, 169−170, 173−174 OGAZON, Pedro Luis, XXII, Oct ’ 36, 436 OGLE, Cuthbert, XXXIV, Jul ‘ 48, 362, 363 Oh! Lemuel (Stephen C. Foster), XXI, Jan ’ 35, 20 Oh, Red Is the English Rose (Arthur Foote), XI, Jul ‘ 25, 383, 384 Oh! Susanna (Stephen C. Foster), XXI, Jan ’ 35, 18; XXII, Apr ‘ 36, 156 Oh! That We Two Were Maying (Ethelbert Nevin), XI, Jul ’ 25, 385 OHIO SACRED HARP, THE (Timothy B. Mason), XIX, Oct ‘ 33, 395 OHL, John F., and PARRISH, Carl, (MASTERPIECES OF MUSIC BEFORE 1750. An Anthology with Historical and Analytical Notes) (book review by George S. Dickinson), XXXVII, Oct ’ 51, 598−603 Ojos Criollas (Louis Moreau Gottschalk), XXXI, Jul ‘ 45, 357 O' Kane, Tullins C. (portrait), XXXII, Apr ’ 46, Opp. 266 Okinawan drum (illustration), XXXII, Apr ‘ 46, Opp. 161 Okinawan Music (See: “ Native Music on Okinawa”) Okinawan Musical Instruments (illustrations), XXXII, Apr ’ 46, Opp. 160 Old American Company, XVII, Jan ‘ 31, 27; XVIII, Jan ’ 32, 158; XXIV, Jan ‘ 38, 62 Old American Songs (Aaron Copland) (See: record review by Arthur Berger), XXXVIII, Oct ’ 52, 655, 658−659 94 “ Old Ballad Burthens” (osephine Mc Gill), IV, Apr ‘ 18, 293−306 Old Black Joe (Stephen C. Foster), VII, Apr ’ 21, 170; XXII, Apr ‘ 36, 169 OLD COLONY COLLECTION OF ANTHEMS Selected and Published Under the Patronage and Direction of the Handel and Haydn Society of Boston, 1818, XIII, Apr ’ 27, 245 Old Dog Tray (Stephen C. Foster), IX, Oct ‘ 23, 479 Old Farmer' s Wife, The (folk ballad), IV, Apr ’ 18, 297 Old Folks at Home (Stephen C. Foster), XVI, Oct ‘ 30, 458; XVII, Jan ’ 31, 36; XXI, Jan ‘ 35, 17; XXII, Apr ’ 36, 158159, 168 Old Hundred (Psalm tune), IX, Oct ‘ 23, 470; XVI, Apr ’ 30, 219; XVI, Oct ‘ 30, 462 Old Kentucky Home (Stephen C. Foster), XXII, Apr ’ 36, 169 “ Old Mission Music” (Anna Blanche Mc Gill), XXIV, Apr ‘ 38, 186−193 Old Mother, The (Charles Ives), XIX, Jan ’ 33, 53 Old Ship of Zion (Negro Spiritual), IV, Jan ‘ 18, 31 Old Soldier, The (Bainbridge Crist), XI, Jul ’ 25, 406 Old Song Re-sung, An (Charles Griffes), XI, Jul ‘ 25, 410 Old Tippecanoe' s Raisin’ (Thomas Carr), XVIII, Jan ‘ 32, 155 Old True Love (See: House Carpenter) Old Uncle Ned (Stephen C. Foster), XXI, Jan ’ 35, 18; XXII, Apr ‘ 36, 156−157 OLDBERG, Arne, VII, Jul ’ 21, 401; XVIII, Jan ‘ 32, 101; XXII, Apr ’ 36, 141 OLDEN TIME MUSIC (Henry M. Brooks), XIII, Apr ‘ 27, 236 OLDS, W. D., “ Bird Music,” VIII, Apr ’ 22, 242−255 OLIPHANT, E. H. C., “ Poetry for the Composer,” XI, Jan ‘ 25, 73−96 OLIVE LEAF (Singing-school textbook), XXVI, Oct ’ 40, 485 OLIVER, Katherine Schermerhorn, “ On Friendship,” III, Oct ‘ 17, 602−604 Oliver Ditson & Co. (See: Ditson & Co.) OLNICK, Harvey J., book reviews by, (BIBLIOGRAFIA DELLA MUSICA STRUMENTALE ITALIANA STAMPATA IN ITALIA FINO AL 1700 by Claudio Sartori), XL, Jan ’ 54, 98−102; (MUSIC IN CANADA, ed. by Sir Ernest Mac Millan, with Foreword by His Excellency, the Right Hon. Vincent Massey, Gov. Gen. of Canada), XLII, Jan ‘ 56, 112−115 On a Moonlit River (Alice Barnett), XI, Jul ‘ 25, 400 “ On Behalf of Musicology” (Waldo S. Pratt), I, Jan ’ 15, 1−16 On Mountain Crests, Op. 127 (L. A. Coerne), XXXI, Oct ‘ 45, 417 “ On Mozart' s Rhythm” (Edward E. Lowinsky), XLII, Apr ’ 56, 162−186 “ On the Nature of Musicology” (Louis Harap), XXIII, Jan ‘ 37, 18−25 “ On the Pitches in Use in Bach' s Time” (Arthur Mendel), XLI, Jul ’ 55, 332354 (Part I); XLI, Oct ‘ 55, 466−480 (Part II) ON THE TRAIL OF NEGRO FOLK SONGS (Dorothy Scarborough), XII, Apr ’ 26, 313; XIV, Apr ‘ 28, 285−286, 288, 295; XXII, Jan ’ 36, 52 Once Upon a Time (Bernard Rogers), XXXIII, Apr ‘ 47, 212 Only a Cry (Wintter Watts), XI, Jul ’ 25, 391 Only and Forever (Wintter Watts), XI, Jul ‘ 25, 391 Opal (Carl Engel), XI, Jul ’ 25, 411 Opera (See: ballad opera) OPERA, AND ITS FUTURE IN AMERICA, THE (Herbert Graf), XXVIII, Apr ‘ 42, 255−256 “ Opera in America Today” (H. W. Heinsheimer), XXXVII, Jul ’ 51, 315−329 “ Opera In Arcadia” (Nathaniel Burt), XLI, Apr ‘ 55, 145−170 Opera in New York, 1750−1850, VI, Jan ’ 20, 79−83 Opera News (periodical), XXXVII, Jul ‘ 51, 318−319 Ophelia (Edward Mac Dowell), VI, Apr ’ 20, 234 Opium Smoker, The (Louis Campbell Tipton), XIV, Jan ‘ 28, 148 Opus 45, Studie im Pianissimo (Boris Blacher), XLI, Jan ’ 55, 78 Oratorio Society (NYC), XVIII, Jan ‘ 32, 3 ORBE, Gabriel del, XXXI, Apr ’ 45, 216217 Orchestral Work (commissioned by League of Composers) (Leo Orstein), XXXIV, Jan ‘ 48, 10 Orchestration (See: “ Gershwin, Schillinger, and Dukelsky”) ORCHESTRATION (Walter Piston), XLII, Jan ’ 56, 103−105 Ordinarium (printed by Juan Pablos, 1556), XV, Jan ‘ 29, 51 Organs (See: Trinity Church, Newport, R. I.), XXII, Apr ’ 36, 170 Organum (orchestra) (Carl Ruggles), XXXVI, Apr ‘ 50, 272−274 Oriental Impressions (Henry Eichheim), X, Jul ’ 24, 402 ORMANDY, Eugene, XXXV, Jan ‘ 49, 120, 122; XXXVIII, Apr ’ 52, 298; XXXIX, Oct ‘ 53, 656−657 ORNSTEIN, Leo, I, Jul ’ 15, 431; III, Oct ‘ 17, 648; IV, Jul ’ 18, 445; VII, Oct ‘ 21, 560; IX, Jan ’ 23, 124; IX, Apr ‘ 23, 265; X, Oct ’ 24, 623; XI, Apr ‘ 25, 309 article about, “ Ornstein and Modern Music” (Charles L. Buchanan), IV, Apr ’ 18, 174−183 portrait, IV, Apr ‘ 18, Opp. 174 music by, Cradle Song, XI, Jul ’ 25, 413; Orchestral Work (commissioned by League of Composers), XXXIV, Jan ‘ 48, 10; Poems of 1917 (a suite for piano), VII, Apr ’ 21, 164−165; Three Moods (piano), XXXV, Apr ‘ 49, 292293; A Vision of Glory, XI, Jul ’ 25, 413; Wild Men' s Dance, IV, Apr ‘ 18, 177, 178, 179; IV, Jul ’ 18, 445 Orphan (Thomas Otway), VII, Oct ‘ 21, 540 Orphee (Igor Stravinsky), XLI, Jan ’ 55, 94 Orpheus Glee Club (NYC), VI, Apr ‘ 20, 234; XVIII, Jan ’ 32, 90 Orpheus with His Lute (William Schuman) XXXI, Jan ‘ 45, 18 Orquesta Sinfonica de Mexico, XXVII, Apr ’ 41, 124, 125−127 Orquesta Sinfonica Nacional (Dominican Republic), XXXI, Apr ‘ 45, 222, 224 ORREGO-SALAS, Juan (Current Chronicle) (Chile), XXXIV, Jul ’ 48, 419−423 ORTH, John, XVI, Apr ‘ 30, 154; XVIII, Jan ’ 32, 78; XXIX, Jan ‘ 43, 80 ORTIZ, Fernando, books by, LA AFRICANIA DE LA MUSICA FOLKLORICA DE CUBA, XXXVIII, Apr ’ 52, 325−327; LOS BAILES Y EL TEA TRO DE LOS NEGROS EN EL FOLKLORE DE CUBA, XXXVIII, Apr ‘ 52, 325−327 ORTMANN, Otto, XXVIII, Jul ’ 42, 289; XXXI, Apr ‘ 45, 266 articles by, “ The Fallacy of Harmonic Dualism,” X, Jul ’ 24, 369−383; “ Notes on the Nature of Harmony,” VII, Jul ‘ 21, 366; “ Tonal Intensity as an Aesthetic Determinant,” XIV, Apr ’ 28, 178−191; “ What Is Tone-Quality?” XXI, Oct ‘ 35, 442−450 *“ Oscar G. Sonneck” (Carl Engel), XXV, Jan ’ 39, 2−5 OSGOOD, Henry O., XXVII, Jan ‘ 41, 50; book by, SO THIS IS JAuu, XIII, Jan ’ 27, 159−160 OSTINELLI, Louis, XVII, Jan ‘ 31, 38 “ Otomi Indian Music from Mexico” (Rodney Gallop), XXVI, Jan ’ 40, 87−100 *“ Otto Kinkeldey” (Edward J. Dent), XXIV, Oct ‘ 38, 405−411; (George Sherman Dickinson), XXIV, Oct ’ 38, 412418 95 OUR AMERICAN MUSIC (John Tasker Howard), XIX, Jan ‘ 33, 2; XXI, Jan ’ 35, 78, 81; (book review of revised edition by William Treat Upton, George Pullen Jackson, and Nathan Broder), XXXIII, Jan ‘ 47, 130−136 “ Our Folk-Music and Its Probable Impress on American Music of the Future” (John Tasker Howard), VII, Apr ’ 21, 167−171 OUR MUSICAL HERITAGE, Curt Sachs (book review by N. B.), XXXV, Apr ‘ 49, 329−330 Our Native Land (John Hill Hewitt), XVII, Jan ’ 31, 37 OUR NEW MUSIC (Aaron Copland), XXXI, Oct ‘ 45, 420, 424 Our Town (film music) (Aaron Copland), XXVII, Apr ’ 41, 164; XXXI, Oct ‘ 45, 435, 436; XXXV, Jan ’ 49, 116; XXXVII, Apr ‘ 51, 161, 162; (record review by Frederick W. Sternfeld) XXXIX, Apr ’ 53, 307−308 Out of the Rolling Ocean (Marshall Kernochan), VII, Jul ‘ 21, 310, 311 Outcast (Ernest Toch), XXIV, Oct ’ 38, 450 Outdoor Overture, An (Aaron Copland), XXV, Jul ‘ 39, 372, 373 OUTLINE OF THE HISTORY OF MUSIC, AN (Hugh Milton Miller) (book review by Charles Warren Fox), XXXVII, Oct ’ 51, 603−611 Ouverture Mediterranndene (Darius Milhaud), XLI, Jan '55, 78 Over the Pavements (Charles Ives), XLI, Jan '55, 85, 87 (See also: Ivesiana) Over the Western Sea (Wintter Watts), XI, Jul '25, 391 Overture (Dudley Buck), XXI, Jan '35, 86 Overture (to As You Like It) (John Knowles Paine), XXI, Jan '35, 87 Overture, All on a Summer' s Day (Leo Sowerby), XLI, Jan '55, 79 Overture in 9 movements, expressive of a battle (James Hewitt), XVII, Jan '31, 26 Overture in 12 movements, expressive of a voyage from England to America (Jean Gehot), XVII, Jan '31, 26 Overture Joyeuse (orchestra) (Arthur Shepherd), XXXVI, Apr '50, 161−162 Overture: Prince Hal (David Stanley Smith), XXVIII, Jan '42, 72 Overture to a Drama (Arthur Shepherd), XXXVI, Apr '50, 159 Overture to Much Ado About Nothing (Mario Castelnuovo-Tedesco), XLI, Jan '55, 78 OZARK FOLKSONGS (Vance Randolph), XLI, Apr '55, 245 P PABLOS, Juan (first American printer), XV, Jan ‘ 29, 51 PACHELBEL, Charles Theodore (or Carl Theodor), VI, Jan 20, 71; See also: Early concerts in NYC, XXII, Apr ’ 36, 170 “ Pack, Clouds, Away” (Alexander Rihm), XI, Jul ‘ 25, 415 Paderewski Prize, XXXVI, Apr ’ 50, 161162 Pagan Poem, A (Charles Martin Loeffler), IX, Jan ‘ 23, 125; XI, Jul ’ 25, 320, 322, 323, 324, 326 Paganini (String) Quartet, XLII, Apr ‘ 56, 243 PAGE, Nat, XI, Apr ’ 25, 305 Pageant of P. T. Barnum (Douglas Moorc), XVIII, Jan ‘ 32, 11, 12; XXXIII, Jul ’ 47, 318 PAINE, John K. H. (organ builder), XXV, Jul ‘ 39, 257 PAINE, John Knowles, XVI, Apr ’ 30, 153; XVI, Oct ‘ 30, 450; XVIII, Jan ’ 32, 78, 79, 81, 84, 97; XXI, Jan ‘ 35, 73, 87; XXII, Jan ’ 36, 3, 112; XXIII, Jan ‘ 37, 96 38−39, 40, 41; XXVI, Jul ’ 40, 297; XXVIII, Apr ‘ 42, 181; XXIX, Jan ’ 43, 79; XXXI, Apr ‘ 45, 174; XXXII, Apr ’ 46, 290; (See: *“ John Knowles Paine‘) portrain, XXV, Jul ’ 39, Opp. 257 music by, Azara (opera), XXV, Jul ‘ 39, 265; Centennial Hymn, Centennial Exposition, Philadelphia, 1876, XXXVII, Apr ’ 51, 186, 195; Centennial Ode, (1876), XXV, Jul ‘ 39, 264; Hymn of the West, XXV, Jul ’ 39, 264; The Nativity, VI, Apr ‘ 20, 234; Oedipus Tyrannus, X, Jul ’ 24, 450; XXIII, Jan ‘ 37, 41; XXV, Jul ’ 39, 262−263; Overture (to As You Like It), XXI, Jan ‘ 35, 87; President Lincoln: A Funeral March, XXV, Jul ’ 39, 261; Radway' s Ready Relief (male chorus with bass solo), XXV, Jul ‘ 39, 261; Song of Promise, XXV, Jul ’ 39, 264; ” Spring“ Symphony, VI, Apr ‘ 20, 234; Symphonic Fantasia (on The Tempest), XXI, Jan ’ 35, 87; Symphony No. 1, XXI, Jan ‘ 35, 87; Symphony No. 2, XXIII, Jan ’ 37, 41 PAINE, Robert Treat (See: Adams and Liberty), XXIII, Apr ‘ 37, 198 Paine Fellowship (See: John Knowles Paine), XXXII, Jul ’ 46, 358 PALACHE, John G., “ Debussy as Critic,” X, Jul ‘ 24, 361−368 Palazzo Pagani (Edward Ballantine), XI, Jul ’ 25, 417 PALMER, Robert, XLII, Jan ‘ 56, 35−50 list of works, XLII, Jan ’ 56, 48−50 XL, Jul ‘ 54, 472, 474; String Quartet No. 3, XLI, Oct ’ 55, 511−514 Pampeana No. 3 (Alberto Ginastera), XLI, Jan ‘ 55, 79 and the Priest music by, Quartet for Piano and Strings, Dream of Mary, a Morality, Op. 82, XVI, Apr '30, 160; Fairyland (opera), XVI, Apr '30, 161; Hora Novissima (choral), XVI, Apr '30, 154, 156, 157, 158, 160, 161; XXIII, Jan '37, 41; King Trojan (chorus, soli and orchestra), VI, Apr '20, 234; XVI, Apr '30, 155; XVI, Apr '30, 161; Northern Ballad XVI, Apr '30, 154, 157; Mona (opera), (orchestra), XVI, Apr '30, 160; Wan- The Legend of St. Christopher (choral), Pan XXXIV, Jan ‘ 48, 84, 89 PARKER, John Rowe, XVIII, Jan ’ 32, 142Hill), I, Apr ‘ 15, 176 Pan-American Association of Composers, 143; XXIX, Jan ’ 43, 114, 118; book by, A MUSICAL BIOGRAPHY…, XIII, XXXVI, Jan ‘ 50, 40 Pantomime (Pierre Mercure), XL, Jan ’ 54, Apr ‘ 27, 227−228 60 PARKHURST, Winthrop, “ Music, the Invisible Art,” XVI, Jul ’ 30, 297−304 Paons, Les (Charles Martin Loeffler), XI, PARRISH, Carl, “ Criticismsof the Piano Jul ‘ 25, 326 When It Was New,” XXX, Oct ’ 44, *“ Papa’ Goetschius in Retrospect” (Arthur Shepherd), XXX, Jul ‘ 44, 307−318 428−440 book by, (with John F. Ohl) MASTERPapago Healing Songs (Indian tribal airs), PIECES OF MUSIC BEFORE 1750. XIII, Oct ’ 27, 563 An Anthology with Historical and Papago Indian song, Flaming Light in the East, XVII, Oct ‘ 31, 466; The Red Analytical Notes. (Book review by Evening, XVII, Oct ’ 31, 466 George S. Dickinson), XXXVII, Oct Parable of Death, A (oratorio) (Lukas ‘ 51, 598−603 book review by, MASTERS OF THE Foss), XXXIX, Oct ’ 53, 595−600; XLI, KEYBOARD (Willi Apel), XXXIV, Jan ‘ 55, 77 Parade (Abram Chasins), XXXIII, Apr ’ 47, Jul ‘ 48, 442−445 185 PARTCH, Harry, GENESIS OF A MUSIC PARIS, Juan (1759−1845) (Cuban com(book review by J. Murray Barbour), poser), XXXIII, Jul ’ 47, 368−369 XXXVI, Jan ‘ 50, 131−135 Park Theatre (NYC), I, Jan ’ 15, 96; III, Parting Friends from SOCIAL HARP Jan ‘ 17, 27; XIII, Apr ’ 27, 238; XVII, (fascimile), XXVI, Oct ‘ 40, Opp. 487 Partita (piano) (Arthur Berger), See: Jan ’ 31, 29 PARKER, Mrs. Alvin A., XXI, Jan ‘ 35, 108 record review by Irving Fine, XXXVIII, PARKER, D. C., “ Reflectionson Romanti Jul ’ 52, 480−481 cism,” IV, Apr ‘ 18, 307−322 Partita (Charles Martin Loeffler), XXXIII, PARKER, Henry T., XXIII, Oct ’ 37, 428 Jan ‘ 47, 136 PARKER, Horatio T., I, Oct ’ 15, 628; IV, Partita for Violin, Viola, ‘ Cello, and Piano Jan ’ 18, 24; VI, Apr ‘ 20, 240; IX, Jan (Burrill Phillips), XXXIV, Jul ’ 48, 417' 23, 123, 139; X, Jul ‘ 24, 439, 449, 453; 419 XIX, Jan ’ 33, 45, 47; XIX, Oct ‘ 33, Passacaglia (piano) (Aaron Copland), 415; XXI, Jan ’ 35, 73; XXVI, Jul ‘ 40, XXXIV, Jan ’ 48, 2; XL, Apr ‘ 54, 294297; XXVIII, Jan ’ 42, 64; XXXII, Apr 296 (record review by Lawrence Mor' 46, 209, 290; XXXIII, Oct ‘ 47, 557 ton) list of compositions, XVI, Apr ’ 30, 164- Passacaglia and Fugue (Gardner Read), 169 XXXIII, Jul ‘ 47, 315−316 portrait, XVI, Apr ’ 30, Opp. 153 Passacaglia and Fugue, Op, 34 (concert music by, A. D. 1919 (mixed chorus, soband) (Wallingford Riegger), XXXVI, prano solo and orchestra), XVI, Apr ‘ 30, Jan ’ 50, 51; XXXVI, Oct ‘ 50, 594 (Edward Burlingame Pan and the Star XXII, Apr '36, 144, 146, 148 (Howard Hanson), 156, 157, 161 PARKER, Horatio W., XVIII, Jan '32, 87 PARKER, J. C. D., XXIII, Jan '37, 41 PARKER, James (See: Francis Hopkinson, THE PSALMS OF DAVID, etc.), derer' s Psalm, Op. 50, XVI, Apr '30, His Love, Op. 31, XVI, Apr '30, 156; 97 160; Cahal Nor of the Wine-red Hand, XVI, Apr '30, 156; Dream King and Passacaglia, Interlude Sowerby), XXIV, Jul '38, 256 Passers-By(ohn Beach), XI, Jul '25, 412 and Fugue (Leo Passion, The (Bernard Rogers), XXIII, Apr ‘ 47, 222−225; XXXIII, Jul ’ 37, 317 Pasticcio operas in USA, XXX, Jan ‘ 44, 51 Pastorale for violin, clarinet and piano, Op. 8, (Daniel Gregory Mason), XXXIV, Jan ’ 48, 52 Pastorale for Voice and Orchestra (Herbert Elwell), XXXIV, Jul ‘ 48, 405−407 PATRIA EN CANCION, LA (Jose Ovidio Garcia and Ramon Emilio Peralta), XXI, Apr ’ 45, 214−215 Patriot, or Liberty Asserted, The (James Hewitt), XVII, Jan ‘ 31, 32; XXIV, Jan ’ 38, 71 Patriot, or Liberty Obtained, The (Benjamin Carr), XVIII, Jan ‘ 32, 159; XXIV, Jan ’ 38, 71 PATTEN, Lawton M. and Kouwenhoven, John Atlee, “ New Light on The Star Spangled Banner,” XXIII, Apr ‘ 37, 198−200 OF PROTESTANT PATTERNS CHURCH MUSIC (Robert M. Stevenson), XL, Jul ’ 54, 421−423 (book review by F. Mark Siebert) PATTERSON, Frank, XI, Apr ‘ 25, 309; XIX, Oct ’ 33, 415 *“ Paul Creston” (Henry Cowell), XXXIV, Oct ‘ 48, 533−543 PAULY, Reinhard G., “ Benedetto Marcello' s Satire on Early 18th-Century Opera,” XXXIV, Apr ’ 48, 222−223 PAUER (or PAUR), Emil, XXXI, Apr ‘ 45, 179, 180; as conductor, Boston Symphony, XXX, Apr ’ 44, 202 Pawnee Lullaby (tribal air), VII, Oct 21, 550 Pawnee tribal air, Song of the Hand-Game, XVII, Oct ‘ 31, 477 PAYNE, John Howard (See: Clari) Peabody Concerts (Baltimore), XI, Jul ’ 25, 373, 377 Peabody Conservatory of Music (Baltimore), XX, Oct ‘ 34, 389; XXVIII, Jul ’ 42, 289, 294; XXX, Apr ‘ 44, 198, 200, 203 Peabody Opera Company (Baltimore), XXXVII, Apr ’ 52, 285 Peabody Symphony Orchestra (Baltimore), XX, Oct ‘ 34, 384, 390, 391, 392, 394, 396 Peace Jubilee (Boston, 1869. See: Gilmore, Patrick), XXIII, Jan ’ 37, 38 Peaceable Kingdom, The (commissioned by the League of Composers) (Randall Thompson), XXXIV, Jan ‘ 48, 10; XXXV, Jan ’ 49, 1, 15−20, 21 PELHAM, Peter, XXXIV, Jul ‘ 48, 363−364; XXXVI, Oct ’ 50, 518−519, 523 PELISSIER, Victor, XXIV, Jan ‘ 38, 58 98 PENA-MORELL, Esteban, FOLKLO-MUSICA DOMINICANA (unpublished collection of folk materials), XXXI, Apr ‘ 45, 218 PENFIELD, Smith N., XVIII, Jan ’ 32, 80 “ Pennsylvania Dutch Spirituals” (George Pullen Jackson), XXXVIII, Jan ‘ 52, 80−84 Pennsylvania Herald, XXI, Apr ’ 35, 202 Pennsylvania Society of Colonial Dames of America, Committee on Historical Research, Mrs. Alvin Affleck Park, Chairman, CHURCH MUSIC AND MUSICAL LIFE IN PENNSYLVANIA IN THE EIGHTEENTH CENTURY (4 vols.), XIV, Apr ‘ 28, 300; XXVIII, Apr ’ 42, 179 People' s Choral Union (NYC), VI, Apr ‘ 20, 240; XXV, Apr ’ 39, 130 People' s Symphony Concerts (NYC), VI, Apr 20, 240 PEPPERDINE, George, XXXVI, Oct ‘ 50, 585 PEPUSCH, John Christopher (See: Beggar' s Opera; “ John Christopher Pepusch”) PERABO, Ernest, X, Jul ’ 24, 444; XXVI, Jul ‘ 40, 299 PERALTA, Ramon Emilio (with Jose Ovidio Garcia) LA PARTIA EN CANCION (School song-book), XXXI, Apr ’ 45, 214−215 *“ Percy Grainger, Cosmopolitan Composer” (Charles W. Hughes), XXIII, Apr ‘ 37, 127−136 *“ Percy Grainger, the Music and the Man” (Cyril Scott), II, Jul ’ 16, 425−433 Perdriole, La (French Canadian folk song), XXIX, Jan ‘ 43, 131−132 Perfect Day, A (Carrie Jacobs Bond), IX, Jan ’ 23, 140 Perilous Chapel, The (Lou Harrison), XXV, Apr ‘ 49, 296 PERKINS, Charles Callahan, XXI, Jan ’ 35, 73 music by, Piano Quartet in B-flat, Op. 13, XXI, Jan ‘ 35, 86; The Pilgrims (cantata), XXI, Jan ’ 35, 85 book by, HISTORY OF HANDEL AND HAYDN SOCIETY OF BOSTON, MASS. Vol. I, XIII, Apr ‘ 27, 220 PERKINS, Francis D., book review (THE YEAR IN AMERICAN MUSIC. 19461947, Julius Bloom, editor), XXXIV, Apr ’ 48, 297−299 PERLE, George, XXXIX, Oct ‘ 53, 520 music by, Rhapsody for Orchestra, XLI, Jan ’ 55, 78; XLI, Jul ‘ 55, 425; Second Symphony, XLI, Jan ’ 55, 77 article by, “ Integrative Devices in the Music of Machaut,” XXXIV, Apr ‘ 48, 169−176 book review by, (COMPOSITION WITH TWELVE NOTES, by Josef Rufer), XLI, Jul '55, 392−395 PERSICHETTI, Vincent, music by, Concerto for Piano Four Hands, Op. 56, XLI, Oct '55, 551, 553 (record review by Nathan Broder; Divertimento (Prologue, Song, Dance, Burlesque, Soliloquy, March) (concert band), XXXVI, Oct '50, 595; Psalm, XLI, Jul '55, 407408 (record review by Richard Franko Goldman); Quintet for Piano and Strings, Op. 67 (commission, Koussevitsky Foundation), XLII, Jan '56, 143; Serenade No. 5 for Orchestra, XLI, Jan '55, 77; Symphony for Strings, XLI, Jan '55, 78 book review by (THE THEMATIC PROCESS IN MUSIC, by Rudolph Reti), XXXVII, Oct '51, 612−613 current chronicle by (Philadelphia), XXXIV, Apr '48, 252−254; XXV, Jan '49, 122−126; XXV, Apr '49, 296−301; XXXVI, Apr '50, 282−285; XXXVII, Apr '51, 260−264; XXXVIII, Apr '52, 298−301 record reviews by, (Bartok: Improvisations, Op. 20; For Children. Carl Seeman, piano), XLI, Apr '55, 262−263; (Bartok: Six Dances in Bulgarian Rhythm. Bloch: Poems of the Sea. Hindemith: Piano Sonata No. 2; Kabalevsky: Sonatina in C Major, Op. 13, No. 1. Jerome Rappaport, piano), XL, Jul '54, 435; (Arnold Bax: Quintet for Strings and Harp; Jacques Ibert: Trio for Violin, 'Cello and Harp; Francesco Malipiero: Sonata a Cinque. Laura Newell, harpist, and Stuyvesant String Quartet), XXXVIII, Jul '52, 481−482; (Bloch: Concerto for Violin and Orchestra. Joseph Szigeti, violin; Orchestre de la Societe des Concerts du Conservatoire, Charles Munch, cond. Baal Shem. Szigeti, violin, Andor Farkas, piano), XL, Jan '54, 121−122; (Willy Burkhard: Toccata for Four Wind Instruments, Percussion, and String Orchestra, Opus 86. Paul Miieller: Sinfonia for String Orchestra, Opus 40. The Collegium Musicum, Zuerich, Paul Sacher, conductor), XXXIX, Jul 53, 483; (Norman Dello Joio, A Psalm of David; chorus and orchestra of Crane Department of Music, State University Teachers College, Potsdam, N.Y., Helen M. Hosmer, conductor), XXXVIII, Jul '52, 483; (Zoltan Kodaly, Quartet No. 2, Op. 10; Karol Szymanowski, Quartet in C Major, Op. 37. Walden Quartet of the University of Jan '56, 124−125; (Shostakovitch:Concerto for Piano, Trumpet and Strings. Menahem Pressler, piano; Harry Glantz, trumpet; MGM Orchestra, Theodore Bloomfield, cond. Sonata No. 2, B Minor, Op. 64. 24 Preludes for theil: Second Violin Sonata. Israel Baker, violin; Yaltah Menuhin, piano), XXXIX, Jan '53, 141−142; (Modern American Music Series, Columbia Records), XL, Jul '54, 471−476; (Pijper: Symphony No. 3. Diepenbrock: Marsyas, or The Enchanted Well, Prelude and Entr' acte. Concertgebouw Orchestra of Amsterdam, Eduard van Beinum, cond.), XL, Jul '54, 480−481; (Poulenc: Concerto for Piano and Orchestra. Annette Haas-Hamburger, Orchestre de L' Association des Concerts Pasdeloup, Pierre Dervaux, conductor; Poulenc: Three Pieces for Piano; Milhaud: Suite for Violin, Clarinet, and Piano. Jaques Parrenin, violin; Ulysse Delecluze, clarinet; Annette Haas-Hamburger, piano), XXXIX, Jul '53, 492−493; (Prokofiev: Piano Sonata No. 8 in Bflat, Op. 84. Anthony di Bonaventura, piano), XL, Jan '54, 149; (Alan Rawsthorne, Piano Concerto No. 2. Clifford Curzon, pianist, and London Symphony Orchestra), XXXVIII, Oct '52, 667; Rosenberg, Hilding: The Four Ages of Man. Stockholm Symphony Orchestra, Tor Mann, cond.; Legly: Suite for Orchestra. L' Orchestre Nationale de Belgique, Fernand Quinet, cond.; Alpaerts, Flor: James Ensor Suite, Louis Weemaels, cond.), XLII, Bernhard Ambramowitch; George An- Oct '52, 666; Illinois), XXXVIII, (Ernst Krenek: Piano Sonata No. 4. '55, 275; (Vaughan Williams: Five Mystical Songs. Harold Ronk, baritone. Buxtehude: Cantata, Jesu, meine Freude. Katherine Hansel, soprano; George Barritt, tenor; John Tompkins, bass; Buxtehude: Organ Chorale Prelude, Wie Schoen leuchtet der Morgenstern. Chancel Choir of the National Presbyterian Church, Theodore Schaefer, organist and choirmaster), XXXIX, Jul '53, 500−501; (Vaughan Williams: Flos Campi, Francis Tursi, viola; Cornell A Cappella Chorus; Concert Hall Chamber Orchestra, Robert Hull, conductor. Junter Johnson: Letter to the World, Concert Hall Chamber Orchestra; Robert Hull, conductor), XXXIX, Jan '53, 153−154; (Ralph Vaughan Williams, A London Symphony. Lon- Piano. Menahem Pressler), XLI, Apr 99 don Philharmonic Orchestra; Sir Adrian Boult, conductor), XXXVIII, Oct ‘ 52, 681; (Vaughan Williams: A Sea Symphony; Music for “ The Wasps” Symphonies Nos. 4, 5, and 6; Sinfonia Antarctica), XLI, Oct ’ 55, 560562; (Vaughan Williams: Symphony No. 6. London Symphony Orchestra, Adrian Boult, cond.), XL, Jul ‘ 54, 482 PERSICHETTI, Vincent, and Schreiber, Flora Rheta, WIILLIAM SCHUMAN, XLI, Jan ’ 55, 105−106 PETER, John Frederick (Johann Friedrich), XVIII, Apr ‘ 32, 327 (See: “*John Frederick Peter”); XLII, Oct ’ 56, 495, 496 list of compositions, XXIII, Jul ‘ 37, 309313 Peter Ibbetson (film music) (Ernest Toch), XXIV, Oct ’ 38, 450; XXVII, Apr ‘ 41, 163 Peterborough, N. H. (See: Mac Dowell) PETERS, W. C. (music publisher), XX, Jan ’ 34, 78, 94 PETERSILEA, Carlyle, XVIII, Jan ‘ 32, 79 Petersiliea Academy of Music (Boston), XVIII, Jan ’ 32, 78 Petite Suite (Adolph Weiss), XXXVI, Oct ‘ 50, 589−590 Petite Suite de morceaux a deux voix dans le style du Passe (for piano) (Templeton Strong), XIV, Jan ’ 28, 145−147 PETTIS, Ashley, “ The WPA and the American Composer,” XXVI, Jan ‘ 40, 101−112 PEYSER, Herbert F., I, Oct ’ 15, 628 articles by, “ The Epic of the ‘ Unfinished’,” XIV, Oct ‘ 28, 639−660; “ Some Fallacies of Moder Anti-Wagnerism,” XII, Apr ’ 26, 175−189; “ Some Observations on Translation,” VIII, Jul ‘ 22, 353−371; “’ Tristan,‘ First-Hand,” XI, Jul ’ 25, 418−426 PFATTEICHER, Carl F. (as translator), XXII, Jan ‘ 36, 109 Phantoms (John Powell), XI, Jul ’ 25, 416 PHELPS, Ellsworth C., XVII, Jan ‘ 32, 80, 87 PHELPS, Roger P., XLII, Oct ’ 56, 487 Phi Mu Alpha (Sinfonia), XXI, Jan ‘ 35, 52 Philadelphia, Pa., subscription concerts (See: Francis Hopkinson), XVIII, Jan ’ 32, 157 Philadelphia Gazette, XXI, Apr ‘ 35, 192 Philadelphia Musical Association, XXXVII, Apr ’ 51, 197 Philadelphia Orchestra, XII, Apr r26, 154; XV, Apr ‘ 29, 285; XVI, Oct ’ 30, 461; XXI, Apr ‘ 35, 179, 186, 187; XXVIII, Apr ’ 42, 184 Philadelphia Philharmonic Society, XXIV, Apr ‘ 38, 215 Philadelphia Public Ledger, XXXVII, Apr ’ 51, 184, 192, 193−194, 200 PHILE, Philip, VI, Jan ‘ 20, 79; XXI, Apr ’ 35, 202 Philharmonic Orchestra (Los Angeles), XXXVI, Oct ‘ 50, 579−580 Philharmonic Orchestra (NYC), XVII, Apr ’ 40, 148; XXVI, Jul ‘ 40, 398 Philharmonic Society (Bethlehem, Pa.), XXI, Apr ’ 35, 182, 200; See: Collegium Musicum, Bethlehem, Pa., XXVIII, Apr ‘ 42, 180 Philharmonic Society (Boston), XIII, Apr ’ 27, 223; XVII, Jan ‘ 31, 38; XVIII, Apr ’ 32, 329 Philharmonic Society (Brooklyn), XXIV, Apr ‘ 38, 213 Philharmonic Society (NYC), VI, Apr ’ 20, 232, 250; XXI, Apr ‘ 35, 206; XXVIII, Jul ’ 42, 271 Philharmonic Society of New York (18241827), XIII, Apr ‘ 27, 233; (first concert, 1842), XIII, Apr ’ 27, 243 “ Philippe De Vitry: Some New Discoveries” (with list of motets by De Vitry) (Leo Schrade), XLII, Jul ‘ 56, 330−354 PHILLIPS, Burrill, Don' t We All? (opera buffa), XXXV, Jul ’ 49, 466−470; Partita for Violin, Viola, ‘ Cello, and Piano, XXXIV, Jul ’ 48, 417−419 PHILLIPS, Harold D., “ The Anomalous Place of Mozart in Music,” VIII, Jul ‘ 22, 372−376; “ The Musical Psychology of America,” IX, Oct ’ 23, 508−514 PHILLIPS, Philip (See: “ Gospel Hymns”), XXVI, Jul ‘ 40, 359 portrait, XXXII, Apr ’ 46, Opp. 266 Phonograph, its beginnings, XXI, Jan ‘ 35, 56 Pianist and Organist, The (periodical), XVIII, Jan ’ 32, 96 Piano Concerto (Aaron Copland), XVIII, Jan ‘ 32, 11; XXXI, Oct ’ 45, 437; XLII, Oct ‘ 56, 556−557 Piano Concerto in F (George Gershwin), XVIII, Oct ’ 32, 647; XXXIII, Apr ‘ 47, 186; XXXIII, Jan ’ 47, 107, 108 Piano Concerto (Howard Hanson), XXXV, Apr ‘ 49, 287−288 Piano Concerto (Robert Muczynski), XLI, Jan ’ 55, 79 Piano Concerto, Op. 42 (Arnold Schoenberg), XXXVII, Oct ‘ 51, 479 Piano Concerto (Roger Sessions), XLII, Jul ’ 56, 390 Piano Concerto (Arthur Whiting), VI, Apr ‘ 20, 234 Piano Concerto No. 3 (Gian Francesco Malipiero), XLI, Jan ’ 55, 77 100 Piano Quartet in B-flat, Op. 13 (Charles Pilgrim' s Progress (Edgar Stillman Kelley), IX, Jan ‘ 23, 125; XXIII, Jan ’ 37, 41 Callahan Perkins), XXI, Jan ‘ 35, 86 Piano Quintet (Ernest Bloch), XXXIV, Jan Pillar of Fire (Arnold Schoenberg) (ballet version of Verklaerte Nacht of 1899), ’ 48, 1 Piano Quintet (Roy Harris), XXV, Jul ‘ 39, XXXVII, Oct ’ 51, 480 PINKHAM, Daniel, Madrigal, XLII, Jan 378 Piano Quintet (Bohuslav Martinu), XXV, ‘ 56, 87, 88 Pioneers (William Schuman), XXXI, Jan Apr ’ 49, 301−305 Piano Quintet in E-flat (David Stanley ‘ 45, 108 Piper at the Gates of Dawn, The (Randall Smith), XXVIII, Jan ’ 42, 71 Piano sonata (See also: Sonata) Thompson), XXXV, Jan ‘ 49, 3 Piano Sonata (Samuel Barber), XXXVI, PISK, Paul A., *“ Ernest Toch,” XXIV, Oct ’ 38, 438−450 Apr ‘ 50, 276−279 Piano Sonata (Elliott Carter), XXXVII, Jan PISTON, Walter, XXXIII, Jan ’ 47, 19; XXXIII, Jul ‘ 47, 314, 315, 317, 321; ’ 51, 85−87 See: *“ Walter Piston” Piano Sonata (Aaron Copland), XL, Apr list of compositions, XXXII, Jul ‘ 46, 374' 54, 294−296 375 Piano Sonata (Leon Kirchner), XXXV, Oct ’ 49, 617−619 portrait, XXXII, Jul ‘ 46, Opp. 354 music by, Carnival Song (men' s voices Piano Sonata No. I (Charles Ives), XL, and brass instruments), XXXII, Jul Jul ’ 54, 471, 473 Piano Sonata No. 2 (Paul Hindemith), XL, Piano Variations (Aaron Copland), XXXI, Jul '54, 435 Name of Bach, XXXIII, Jul '47, 323; Concertino for Piano and Chamber Orchestra, XXXII, Jul '46, 365; XXXIII, Jul '47, 311−312; Concerto for Orchestra, XXXII, Jul '46, 367; XXXIII, Jul '47, 314, 317; Concerto for Violin and Orchestra, XXXII, Jul '46, 369−370; Divertimento for Nine Instruments, XXXII, Jul '46, 372; Fugue on a Victory Tune, XXXIII, Jul '47, 321; The Incredible Flutist '46, 363, 369; Chromatic Study on the Oct ‘ 45, 428−429; XL, Apr ’ 54, 294−296 PIERCE, Edwin Hall, articles by, “ Certain Questionable Tendencies in Modern Chamber-Music,” Apr ‘ 25, 261−270; XI, “ A Colossal Experimentin ’ Just Intonation‘,” X, Jul ’ 24, 326−332; “ Gospel Hymns' and Their Tunes,” XXVI, Jul ’ 40, 355−364;“ In Behalf of the' Popular‘ Elements in Musical Art,” IX, Oct ’ 23, 469−481; “ The Newer Pedagogic Problems of Harmony,” XI, Oct ‘ 25, 547; “ On Some Old Bugle-Calls of the U.S. Navy,” XVIII, Jan ’ 32, 134−139;“ Orchestra Tone-Color, Past and Present,” XIII, Oct ‘ 27, 605−616;“ The Rise and Fall of the ’ Fugue-Tune‘ in America.” XVI, Apr ’ 30, 214−228; “ The Significance of the ‘ Trill’ as Found in Beethoven' s most Mature Works,” XV, Apr ‘ 29, 233−243; “ United States Navy Bands, Old and New,” XXXIII, Jul ’ 47, 381; “ When Main Street Had an Orchestra,” XX, Oct ‘ 34, 426−434 Pierian Sodality (student association, Harvard), See: Harvard Musical Association, XIII, Apr ’ 27, 230; XXI, Jan ‘ 35, 69; XXI, Apr ’ 35, 207; XXII, Jan ‘ 36, 112; XLII, Jul ’ 56, 362 Pierrette and I (Emerson Whithorne), XI, Jul ‘ 25, 410−411 Pierrot (Homer Samuels), XI, Jul ’ 25, 417 Pierrot (Wintter Watts), XI, Jul ‘ 25, 389 PIKE, Thomas, XXI, Apr ’ 35, 193 Pilgrim Vision (John Alden Carpenter), XVI, Oct ‘ 30, 461−462 Pilgrims, The (Charles Callahan Perkins), XXI, Jan ’ 35, 85 101 Quintet for Flute and String Quartet, XXXII, Jul '46, 371; Quintet for Piano 659; Sonata for Flute and Piano, (ballet, and concert suite), XXXII, Jul '46, 363, 368; Intermezzo (concert band), XXXVI, Oct '50, 594; Prelude and Fugue (commissioned by League of Composers), XXXIV, Jan '48, 10; and Strings (record review) by Lawrence Morton), XXXIX, Oct '53, 657Violin and Piano, XXXII, Jul '46, 369; Sonatina for Violin and Harpsichord, XXXII, Jul '46, 361−362, 372; XL, Jul '54, 472, 474; String Quartet No. 2, XXXII, Jul '46, 367−368; Suite for Oboe and Piano, XXXII, Jul '46, 365−366; Suite for Orchestra, XXXII, Jul '46, 363; Symphony No. 1, XXXII, Jul '46, 364−365; Symphony No. 2, XXXII, Jul '46, 361−362; Sonata for XXXII, Jul '46, 363, 370; Symphony No. 3, (commissionedby Koussevitsky Music Foundation), XXXIV, Apr '48, 249−250; first performance, XXXV, Apr Nathan Broder); Symphony No. 5, XLII, Jul '56, 390; Three Pieces for '55, 551, 554−555 (record review by '49, 287; Symphony No. 4, XLI, Oct Flute, Clarinet and Bassoon, XXXII, Jul ‘ 46, 354, 359; Trio for Violin, Violoncello and Piano, XXXIII, Jul ’ 47, 313−314 article by, “ Stravinsky as Psalmist” (an excerpt), XXXII, Jul ‘ 46, 372 books by, HARMONY, XXXI, Apr ’ 45. 149; ORCHESTRATION, XLII, Jan ‘ 56, 103−105 (book review by William Schuman) book reviews by, (HARMONIC PRACTICE, by Roger Sessions), XXXVIII, Jul ’ 52, 457−468; (TRAITI DE L' ORCHESTRATION, by Charles Koechlin), XLI, Apr ‘ 55, 247−250 Pittsburgh (Pa.) International Contemporary Music Festival, XXXIX, Jul ’ 53, 432; XLI, Jan ‘ 55, 79 Pittsburgh (Pa.) Symphony Orchestra, XXIV, Apr ’ 48, 254; XXXVIII, Apr ‘ 52, 301, 306; XLI, Jul ’ 55, 367 Pizarro, or the Spaniards in Peru James Hewitt), XVII, Jan ‘ 31, 32 PLACIDE, Alexandre (See: ballet), XXIV, Jan ’ 38, 62−63, 66, 71 Plainsman, The (film music) (George Antheil), XXVII, Apr ‘ 41, 163 Plainte du coureur de bois, La (Canadian folk song), XXIX, Jan ’ 43, 135−136 PLAMENAC, Dragan, XXXVI, Oct ‘ 50, 506, 507, 508−509 articles by, “ New Light on the Last Years of Carl Philipp Emanuel Bach,” XXXV, Oct ’ 49, 565−587; “ A Reconstruction of the French chansonnier in the Biblioteca Colombina, Sevilla-I (for Curt Sachs, on his seventieth birthday), XXXVII, Oct ‘ 51, 501−542; Part II (the same), XXXVIII, Jan ’ 52, 85−117; Part III (the same), XXXVIII, Apr ‘ 52, 245−277; ” An Unknown Composition by Dufay?“ XL, Apr ’ 54, 190200 book reviews by, (CATALOGUE CRITIQUE ET DESCRIPTIF DES IMPRIMIS DE MUSIQUE DES XVIO ET XVIIO SIECLES CONSERVESSX LA BIBLIOTHEQUE DE L' UNIVERSITE ROYALE D' UPSALA, Tome II and III, by Ake Davidsson), XXXVIII, Apr ‘ 52, 327−333; (CATALOGUE CRITIQUE ET DESCRIPTIF DES IMPRIMIS DE MUSIQUE DES XVIo ET XVIIo SIACLES CONSERVES DANS LES BIBLIOTHPQUES SUEDOISES; CATALOGUE CRITIQUE ET DESCRIPTIF DES OUVRAGES THIORIQUES SUR LA MUSIQUE IMPRIMIS AU XVIo ET AU XVIIo SI.CLES ET CONSERVSS DANS LES BIBLIOTHEQUES SUEDOISES, by Ake Davidsson), XLI, Jan ‘ 55, 107−109; CORREA DE (FRANCISCO ARAUXO, Libro de Tientos y Discursos de Musica practica, y theorica de Organo intitulade Facultad Organica (1626), Vol. I, transcripcion y estudio por Santiago Kastner (Monumentos de la Mdsica Espafiola VI), XXXVI, Apr ’ 50, 311−314; (LA MUSICA EN LA CORTE DE LOS REYES CAT6LICOS, Higinio Angles), XXXIV, Apr ‘ 48, 289−293; (DER SQUARCIALUPI-CODEX PAL. 87 DER BIBLIOTECA LAURENZIANA ZU FLORENZ. Ed. by Johannes Wolf), XLII, Oct ’ 56, 539−543 “ Plantation Meistersinger” (John W. Work), XXVII, Jan ‘ 41, 97−106 Play-bills of minstrel shows, XXIX, Apr ’ 43, 246, 249 Player-Queen, The (John Alden Carpenter), XI, Jul ‘ 25, 396 PLAZA, Jean Bautista, “ Music in Caracas During the Colonial Period (17701811),” XXIX, Apr ’ 43, 198−213 Pleading (A. Walter Kramer), XI, Jul ‘ 25, 402 Pleasure Dome of Khubla Khan (Charles Griffes), VIII, Oct ’ 22, 616 PLEASURES OF MUSIC (Jacques Barzun, editor), (book review by Paul Henry Lang), XXXVIII, Apr ‘ 52, 278284 Plough That Broke the Plains, The (Virgil Thomson), XXV, Jan ’ 49, 115, 116; XXXV, Apr ‘ 49, 210, 221−222; XXXVII, Apr ’ 51, 161; (Orchestral Suite from the Film Score, record review by Frederick W. Sternfeld), XXXIX, Apr ‘ 53, 307310 Pocahontas (ballet) (Elliott Carter), XXXIV, Jan ’ 48, 8 POCHON, Alfred, VI, Oct ‘ 20, 472; XI, Apr ’ 25, 309; XXIII, Oct ‘ 37, 417; See: Flonzaley Quartet. Poem (Charles Martin Loeffler), See: La Bonne Chanson Poem and Dance (Quincy Porter), XLII, Jul ’ 56, 419 Poem for Flute and Orchestra (Charles T. Griffes), IX, Jan ‘ 23, 125 Poem for Orchestra, Op. 27 (Edward Burlingame Hill), XXXI, Jan ’ 45, 113−114 Poem for Orchestra (Charles Martin Loeffler), X, Apr ‘ 24, 297−298; XI, Apr ’ 25, 308 Poema Indio (Luis Rivera), XXXI, Apr ‘ 45, 221 Poemes d' Automne (Ernest Bloch), XI, Jul ’ 25, 408 102 Poems of 1917 (Leo Ornstein), VII, Apr '21, 164−165 Poems of the Sea (Ernest Bloch), XL, Jul '54, 435 (record review by Vincent Persichetti) Poet Sings, The (Wintter Watts), XI, Jul '25, 389 Americaine (John Alden Car- POWERS, Francis Fischer, XVIII, Jan ‘ 32, 94 penter), XVI, Oct ’ 30, 458 “ Polyphonic Forms and Devices in Modem POWNALL, Mrs. Mary Ann, XVIII, Jan American Music” (Dorothy Slepian), ‘ 32, 162 Prairie (Leo Sowerby), XXXIII, Jul ’ 47, 311−326 XVIII, Jan ‘ 32, 13 PONCE, Manuel M., XXII, Oct ’ 36, 436; Praise God from Whom All Blessings Flow XXVII, Apr ‘ 41, 124; XXXIV, Jan ’ 48, (to tune, Old Hundredth), XXXV, Apr 3 ‘ 49, 221 music by, Estrellita, XXII, Oct ’ 36, 436 PRATT, Carroll C., book review (DER to Pond, William, & Co. (Successors Firth, TONCHARAKTER: EINE EINFUEHPond & Co.), XI, Jan ‘ 34, 94, 95 RUNG IN DIE TONPSYCHOLOGIE, Poor Jack, or the Sailor' s Landlady, XVIII, Jacques Handschin), XXXV, Jul ’ 49, 485−487 Jan ‘ 32, 159 POPE, Isabel, XXXIII, Jan ’ 47, 126 PRATT, Silas G., XVIII, Jan ‘ 32, 78, 79, Porgy and Bess (opera) (George Gershwin), 84, 86, 87, 88, 97 XXXIII, Jan ’ 47, 108, 109−110; XXXIII, PRATT, Waldo Selden, II, Jul ‘ 16, 465; Jul ’ 47, 316; XXXIV, Apr ‘ 48, 296; XV, Jul ’ 29, 317; XX, Oct ‘ 34, 384; XXXIX, Apr ’ 53, 307 XXIII, Jan ‘ 37, 18, 22; XXV, Jan ’ 39, Portals, for thirteen strings (Carl Ruggles), 2−3; See: *“ Waldo Selden Pratt” Oct ‘ 32, 578, 585−587; XLI, Oct XVIII, portrait, XVI, Apr ’ 40, Opp. 162 ‘ 55, 551, 552 articles by, “ The Importanceof the Early PORTER, Quincy, Canon and Fugue (or French Psalter,” XXI, Jan ’ 35, 25−32; gan), XXXIII, Jul ‘ 47, 313, 315; (on “ On Behalf of Musicology,” I, Jan ’ 15, modern art-song), XXIV, Jan ‘ 38, 14; 1−16; “ A Word of Comment,” XXV, Concerto for Two Pianos and Orches Jan ’ 39, 1 tra, XLI, Jan ‘ 55, 77; Poem and Dance, books by, (with Charles N. Boyd), XLII, Jul ’ 56, 419 (record review by American Supplement to GROVE' S Polonaise Power of Love, The (Percy Grainger), XXIII, Apr '37, 130 POWELL, Mel, current chronicle (New York), XLII, Jul '56, 383−386 music by, Phantoms, XI, Jul '25, 416; Rhapsodie Negre, IX, Jan '23, 125; To a Butterfly, XI, Jul '25, 416 Homer Ulrich), XXXV, Jan ‘ 49, 153156 Portraits (David Stanley Smith), XI, Jul ’ 25, 416 Portuguese Folk Songs in U.S.A. (See: Hare, Maud Cuney) “ Possible Survivals of African Song in Jamaica,” (Helen H. Roberts), XII, Jul ‘ 26, 340−358 “ Postcript, A” (Carl Engel), XV, Jan ’ 29, 149−151 “ Postscript, A” (Gustav Reese (a memorial to Carl Engel), XXX, Jul ‘ 44, 368−370 POTAMKIN, Harry Alan, “ Music and the Movies,” XV, Apr ’ 29, 281−296 POUND, Louise, XVI, Jan ‘ 30, 39−40 books by, AMERICAN BALLADS AND book review by, (CHAMBER MUSIC, by XLII, Jan '56, 118, 119 (record review by Henry Cowell) Henry Cowell); String Quartet No. 6, DICTIONARY, XXVI, Apr '40, 171; HISTORY OF MUSIC, XXVI, Apr '40, 170; THE MUSIC OF THE FRENCH PSALTER OF 1562, XXVI, Apr '40, 172; THE MUSIC OF THE PILGRIMS, XXI, Jan '35, 31; XXVI, Apr '40, 172; MUSICAL MINISTRIES IN Prayer in Time of War (William Schu- THE CHURCH, XXVI, Apr '40, 170 man), XXXV, Apr '49, 286 Prayers of Kierkegaard, Op. 30 Prelude Barber), XLI, Apr ‘ 55, 227−228 Precious Name (Baster-Doane) (See: “ Gospel Hymns”), XXVI, Jul ’ 40, 360 Prelude, Op. 6 (Howard Hanson), XXII, Apr ‘ 36, 141 and (Samuel Prelude and Fugue for Orchestra (Roland League of Composers) (Walter Piston), XXXIV, Jan '48, 10 Fugue (commissioned by SONGS, XIV, Apr '28, 284−285, 286, 292; XVIII, Jan '32, 106, 118 POWELL, Eddie, XXXVII, Oct '51, 471 POWELL, John, VII, Jul '21, 305; IX, Jan '23, 123; XVIII, Jan '32, 11; XXXIV, Jan '48, 51 Prelude and Passacaglia (Ben Weber), XLI, Jan '55, 79 Prelude, Choral and Fugue (avid Stan Prelude for Orchestra (Edward Burlingame Hill), XLI, Oct 55, 551, 555 Leich), XLII, Jul '56, 396 ley Smith), XVIII, Jan '42, 64 103 Prelude for Orchestra, Op. 71 (Karol Rathaus), XLI, Jan ‘ 55, 78 Preludes I and III, Op. 38 (piano) (Paul Creston), XXXIV, Oct ’ 48, 537 PRESBYTERIAN HYMNAL, THE (Clarence Dickinson, editor), XXXVII, Apr ‘ 51, 221 President Lincoln: A Funeral March (John Knowles Paine), XXV, Jul ’ 39, 261 President' s March (Phlip Phile), VI, Jan ‘ 20, 79; XVIII, Jan ’ 32, 156, 321 PRESSER, Theodore, X, Jul ‘ 24, 443; XI, Apr ’ 25, 308; XXVI, Jul ‘ 40, 356 PRIMITIVE BAPTIST HYMNAL, XXVI, Oct ’ 40, 485 PRIMROSE, William, XXXIX, Oct ‘ 53, 644 Princeton University, XXI, Apr ’ 35, 185 Prisoner of Monterey, The (opera) (John Hill Hewitt), XVII, Jan ‘ 31, 37 “ Problems of Harmony,” (Arnold Schoenberg), XXII, Jan ’ 36, 23 “ Professor of Musick’ in Colonial America, The,” (Maurer Maurer), XXXVI, Oct ‘ 50, 511−525 Prologue (William Schuman), XXV, Jul ’ 39, 381 PROSPECTUS OF A HUNDRED YEARS OF MUSIC IN CHICAGO, A (W. S. B. Matthews and Glanville L. Howe, editors), XXI, Jan ‘ 35, 79−80 Proud Maisie (Charles Martin Loeffler), XI, Jul ’ 25, 409 Psalm (Vincent Persichetti), XLI, Jul ‘ 55, 407−408 Psalm 22 (Ernest Bloch), XI, Jul ’ 25, 408 Psalm 42 (chorus and orchestra) (Arthur Shepherd), XXXVI, Apr ‘ 50, 167, 172 Psalm 114 (Ernest Bloch), XI, Jul ’ 25, 408 Psalm 130 (Richard Yardumian), XLI, Oct ‘ 55, 551, 554 Psalm 137 (Ernest Bloch), XI, Jul ’ 25, 408 Psalm of David, A, for chorus and orchestra) (Norman Dello Joio) (See: record review by Vincent Persichetti), XXXVIII, Jul ‘ 52, 483 PSALM SINGER' S AMUSEMENT, THE (William Billings), XVI, Apr ’ 30, 228; XXV, Oct ‘ 39, 482 Psalm Singing in New England, XXI, Apr ’ 35, 197 Psalmodia Christiana (1583), XV, Jan ‘ 29, 53 PSALMS OF DAVID, THE (For the Dutch Church, NYC, 1767, Francis Hopkinson, translator and editor), XXIV, Oct ‘ 38, 481 PSALMS OF DA VID WITH THE TEN COMMANDMENTS, CREED, LORD' S PRAYER, & c IN METRE ALSO THE OF CATECHISM, CONFESSION FAITH, LITURGY & c TRANSLATED FROM THE DUTCH-FOR THE USE OF THE REFORMED PROTESTANT DUTCH CHURCH OF THE CITY OF NEW YORK, NEW YORK, printed by James Parker, at the New Printing Office in Beaver Street MDCCLXVII. (Francis Hopkinson, translator and ed.) XXIV, Oct ’ 38, 481; XXXIV, Jan ‘ 48, 84 Psalter (for comments on “ Early French Psalter” in America, see Pratt, Waldo S.) Psalter (Henry Ainsworth), XXI, Jan ’ 35, 31; XL, Apr ‘ 54, 259 Psalterium Amphonarium (printed by Ocharte, 1584), XV, Jan ’ 29, 53 Psalters of Reformed Protestant Dutch Church, See: A COLLECTION OF THE PSALMS AND HYMN TUNES, etc.; THE PSALMS OF DAVID, etc.; Francis Hopkinson; James Parker; Oscar G. Sonneck; Carleton Sprague Smith; THE FRENCH PSALTER; Waldo S. Pratt Pueblo (commissioned by the League of Composers) (Lazare Saminsky), XXXIV, Jan ‘ 48, 10 Pueri Hebraeorum, for double chorus of women' s voices a cappella (Randall Thompson), XXV, Jan ’ 49, 12 Pulitzer Prizes, XXXVI, Jul ‘ 50, 444 Pulitzer Traveling Fellowship, XXXIII, Apr ’ 47, 209 Puritan Passions (film music) (Frederick Converse), XXVII, Apr ‘ 41, 147 PURVIS, Richard, XXXII, Apr ’ 46, 292 PUTNAM, Herbert, XIV, Apr ‘ 28, 299; XV, Jul ’ 29, 317; XV, Oct ‘ 29, 639; (Remarks at funeral services of Oscar G. Sonneck), XV, Jan ’ 29, 1−4 article by, *“ A Tribute to Carl Engel,” XXXI, Apr ‘ 45, 137−138 PYRLAEUS, John Christopher, XXIII, Jul ’ 37, 306; XLII, Oct ‘ 56, 488 Q QUAILE, Elizabeth, XII, Oct ‘ 26, 541; XIX, Jul ’ 33, 324 “ Quaint Musical Survival: The Twelve Apostles” Josephine Mc Gill), XVI, Apr ‘ 30, 186−190 Quartet for Piano and Strings (Aaron Copland), XXXVIII, Oct ’ 52, 655, 658659 (record review by Arthur Berger) Quartet for Piano and Strings (Robert Palmer), XL, Jul ‘ 54, 472, 474 104 Quartet for Piano Quartet in B-flat Shepherd), XXXVI, Apr '50, 171 Jul '54, 472, 475 and Strings (Arthur (Andrew Imbrie), XL, (Ar- thur Berger), XL, Jul '54, 472, 475 Quartet No. 2 (Benjamin Lees), XLII, Apr '56, 243−244 Quartet No. 2 (Peter Mennin), XL, Jul '54, 472, 476 Quartet No. 6 (Ross Lee Finney), XLI, Jul '55, 361−363 Quartet No. 6 (Bohuslav Martinu), XXXIX, Oct '53, 657, 658−659 (recordreview by Lawrence Morton) Quartet on Negro Themes, Op. 19 (Daniel Quartet in C Major for Woodwinds Quatuor, for flute, harp, celesta, alto saxophone, and women' s voices (Heitor Villa-Lobos), XL, Jan ‘ 54, 157, 158 “ Quechua Melody, Types of” (Winthrop Sargeant), XX, Apr ’ 34, 230−245 QUEST OF THE BALLAD (W. R. Mac- Kenzie), XIV, Apr '28, 284, 295 Quintet (Ernest Bloch), XI, Apr '25, 308 Moore), XL, Jul '54, 472, 474 Quintet for Clarinet and Strings (Douglas Quintet for Flute and String Quartet (Wal- ter Piston), XXXII, Jul '46, 371 Persichetti), XLII, Jan '56, 143 for Piano and Strings Quintet for Piano and Strings Quintet (Vincent (Walter Gregory Mason), XVIII, Jan '32, 13; XXIII, Jan '37, 27; XXXIV, Jan '48, 50 child), XIV, Jan '28, 149−154 Quatuor, Op. 27 (Blair Fairchild), XIV, Jan '28, 149−154 Quatrains d' Al-Ghazali, Op. 40 (Blair Fair- Piston), XXXIX, Oct '53, 657−659 (recordreview by Lawrence Morton) in E-flat (Antonin Dvorak), IV, Quintet Jul '18, 330−331 Quisqueyana (Juan Francisco Garcia), XXXI, Apr '45, 218−219 R “ Race Values in Aframerican Music” (Paul Fritz Laubenstein), XVI, Jul ‘ 30, 378403 *“ Rachmaninoff”(Personal Reminiscences, Part I) (A. J. and Katherine Swan), XXX, Jan ’ 44, I; (Part II), XXX, Apr ‘ 44, 174−191 Radcliffe Choral Society, XXXVIII, Oct ’ 52, 660 Radin, Herman T., “ On Musical Book Plates,” XXV, Apr ‘ 39, 135−141 Radio (See: De Forest, Fessenden) Radio Corporationof America, XXIX, Jan ’ 43, 139 Radio Opera, XXXIV, Apr ‘ 48, 296 Radway' s Ready Relief RAMIREZ-PERALTA, Jose, XXXI, Apr '45, 225−226 Ranas (The Frogs) (Silvestre Revueltas), XXVII, Apr '41, 128 RANCK, Edwin Carty, “ The Mac Dowell Colony at Peterborough,” VI, Jan ‘ 20, 24−28 RANDEGGER, Giuseppe A., XXXIV, Oct ’ 48, 534 RANDOLPH, David, XLII, Jan ‘ 56, 87 Harold, XXVIII, RANDOLPH, Paine), XXV, Jul '39, 261 RAFFELIN, Antonio (in Philadelphia, c1848 et seq), XXXIII, Jul '47, 376 (John Knowles Rainer family (See: “ The Tyrolese Family Rainer, and the vogue of Singing Mountain-Troupes in Europe and America), XXXII, Jan ‘ 46, 63−79 Raising of Lazarus, The (Bernard Rogers), Ranelagh Garden (NYC), XXI, Apr '35, 194 RANGER, Ralph, XXXVII, Oct '51, 471 RAPEE, Erno, books by, ENCYCLOPEDIA FOR MOVIE MUSICIANS, XV, Apr '29, 289−290; MOTION PICTURE MOODS, XXVII, Apr '41, 146 RANDOLPH, Vance, OZARK SONGS, XLI, Apr '55, 245 294; See: *“ Harold Randolph: The Man and the Musician” portrait, XXX, Apr ‘ 44, Opp. 198 FOLK- Jul '42, XLI, Jan ‘ 55, 78 RATNER, Leonard G., article by, “ Eigh Rake' s Progress, The (opera) (Igor Strateenth-Century Theories of Musical vinsky), XXXVIII, Jan ’ 52, 146−152; Period Structure,” XLII, Oct ‘ 56, 439XLI, Jul ’ 55, 412−414 454 RAKSIN, David, XXXVII, Oct ‘ 51, 471 music by, String Quartet in D, XLI, Apr RALSTON, F. Marion, VI, Jan ’ 20, 27 ‘ 55, 229−231 105 XXXIII, Apr '47, 210, 212, 214, 216, 217 (excerpt) (See also: The Rising.) RAKEMANN, L., XIII, Apr '27, 241, 244 RATHAUS, Karol (See: “*Karol Rathaus” by Boris Schwartz) music by, Prelude for Orchestra, Op. 71, RAU, Albert G., XLII, Oct ‘ 56, 490 article by, “*John Frederick Peter,” XXIII, Jul ’ 37, 306−313 RAVELO, Jose de Jesus, La Muerto de Cristo (oratorio), XXXI, Apr ‘ 45, 216217; La Resurreccion de Cristo (oratorio), XXXI, Apr ’ 45, 216−217; Scherzo all' antico (orchestra), XXXI, Apr ‘ 45, 216−217; String Quartet, Op. 107, XXXI, Apr ’ 45, 216−217 Raven, The (Arthur Bergh), XXXI, Jan ‘ 45, 114 REA, Daniel, XVII, Jan ’ 31, 55 READ, Gardner, music by, Passacaglia and Fugue (organ), XXXIII, Jul ‘ 47, 315316; Toccata Giocosa, Op. 94, XLI, Jan ’ 55, 78 book by, THESAURUS OF ORCHESTRAL DEVICES, XL, Jul ‘ 54, 419−421 (book review by William Schuman) “ Recent Work of Paul Hindemith, The” Frani B. Muser), XXX, Jan ’ 44, 29−36 “ Recollections of Folk-Musicians” (Jeffrey Mark), XVI, Apr ‘ 30, 170−185 Recordare (Lukas Foss) (first performance), XXXV, Apr ’ 49, 287, 288−289 Recuerdos de Infancias (Luis Emilio Mena), XXXI, Apr ‘ 45, 219−220 Red Evening, The (Papago Indian song), XVII, Oct ’ 31, 466 Red Pony, The (film music) (Aaron Copland), XXXV, Jan ‘ 49, 116; XXXVI, Apr ’ 50, 274 Red Rose Whispers of Passion (Arthur Foote), XI, Jul ‘ 25, 383−384 Red-bird in a Green Tree (Roy Harris), XXXIII, Jan ’ 47, 27−28 REDDICK, William, Two Loves, XI, Jul ‘ 25, 417 Redes (The Wave) (film music) (Silvestre Revueltas), XXVII, Apr ’ 41, 132−133, 137−139 REDFIELD, John, XXIII, Jan ‘ 37, 22 REDWAY, Virginia Larkin, “ The Carrs, American Music Publishers,” XVIII, Jan ’ 32, 150−177; “ Handel in Colonial and Post-Colonial America (to 1820),” XXI, Apr ‘ 35, 190−207; “ James Parker and the ’ Dutch Church‘,” XXIV, Oct ’ 38, 481−500; “ A New York Concert in 1736,” XXII, Apr ‘ 36, 170−177 REED, G. P. (publisher), XIII, Apr ’ 27 246 REED, H. Owen, La Fiesta Mexicana, XLI, Jul ‘ 55, 407−408 (record review by Richard Franko Goldman) REESE, Gustave (editor of The Musical Quarterly, Oct 1944 to Apr 1945); XXVII, Jan ’ 41, 107−110; XXXI, Jan ‘ 45, 46; XXXI, Apr ’ 45, 266; XXXIV, Oct ‘ 48, 593; XXXVIII, Apr ’ 52, 204; XLI, Apr ‘ 55, 253; XLI, Oct ’ 55, 546; XLII, Jul ‘ 56, 292; XLII, Oct ’ 56, 558 articles by, “ The First Printed Collection of Part-Music (The Odhecaton),” XX, Jan ‘ 34, 39−76; “ Ripe Fruit at Sixty,” XXVII, Jul ’ 41, 384−390 books by, MUSIC IN THE MIDDLE AGES, XXXIII, Oct ‘ 47, 559−560; MUSIC IN THE RENAISSANCE, XLI, Jul ’ 55, 378−391 book reviews by, ODHECATON (Helen Hewitt edition), XXIX, Apr ‘ 43, 261265; “ SUMER IS ICUMEN IN”: A REVISION, Manfred Bukofzer), XXXI Apr ’ 45, 267−268 Reformed Protestant Dutch Church of the City of New York (See: Collegiate Reformed Church) Regina (opera) (Marc Blitzstein), XXXIX, Jan ‘ 53, 95 Reina de los Huajiniguiles, La (Mexican folk air), XXVII, Apr ’ 41, 130 REINAGLE, Alexander, VI, Jan ‘ 20, 73; XVIII, Jan ’ 32, 150, 157−158, 321, 332; XVIII, Apr ‘ 32, 312, 313; XXI, Apr ’ 35, 202, 203; XXIV, Jan ‘ 38, 58, 62, 66, 67, 68; XXIX, Jan ’ 43, 113; XXX, Jan ‘ 44 51, 57, 81; *“ Alexander Reinagle as Sonatist” (Ernst C. Krohn), XVIII, Jan ’ 32, 140−149 portrait, XVIII, Jan ‘ 32, Opp. 146 music by, America, Commerce and Freedom, XXIV, Jan ’ 38, 73; The Warrior' s Welcome Home (ballet), XXIV, Jan ‘ 38, 69 REIS, Claire R. (and Marion Bauer), “ Twenty-five years with the League of Composers,” XXXIV, Jan ’ 48, 1−14 Religion Is a Fortune (folk hymn), II, Jan ‘ 16, 118 RELIGIOUS FOLK-SONGS OF THE NEGRO (Nathaniel Dett), XXII, Apr ’ 36, 158 RELIGIOUS FOLK-SONGS OF THE NEGRO AS SUNG ON THE PLANTATION (Robert R. Moton), II, Jan ‘ 16, 116−118 Remember (Kurt List), XLII, Jan ’ 56, 89 Remember Not (Rupert Hughes), XI, Jul ‘ 25, 412 Renacimiento (Enrique Mejia-Arredondo), XXXI, Apr ’ 45, 219 Renacuajo Paseador, El (Polliwog Takes a Stroll) (puppet-ballet by Silvestre Revueltas), XXVII, Apr ‘ 41, 123, 128, 136 REPORT ON THE STAR SPANGLED BANNER, HAIL COLUMBIA, AMERICA AND YANKEE DOODLE (Oscar G. Sonneck), III, Jan ’ 17, 98, 100; XX, Jul ‘ 34, 266 106 REPPER, Charles, Song is so Old, XI, Jul '25, 417 Requiem (Rubin Goldmark), IX, Jan '23, 125 Resurreccion de Cristo, La (Jose de Jesus Resurrection of Christ (old folk hymn), II, Rhapsody for Orchestra XLI, Jan '55, 78; XLI, Jul '55, 425 Rhapsody in, Blue (George (George Perle), Rhapsody for Piano and Orchestra (Henry Holden Huss), VI, Apr '20, 234 Ravelo), XXXI, Apr '45, 216−217 Jan ‘ 16, 117 RETI, Rudolph, article by, “ Egon Wellesz, Musician and Scholar,” XLII, Jan ’ 56, 1−13 IN MUSIC, XXXVII, Oct ‘ 51, 612−613 (book review by Vincent Persichetti) record review by (Norman Dello Joio: book by, THE THEMATIC PROCESS XVIII, Oct '32, 646; XXXIII, Jan '47, 106, 107, 108; XXXIII, Apr '47, 186 RHODES, Willard, book reviews, (ENGLISH FOLK SONG: SOME CONCLU- Gershwin), SIONS, by Cecil Sharp, new ed. revised by Maud Karpeles with an appreciation by Ralph Vaughan Williams), XLI, Apr '55, 244−247;(MUSIC IN THE SOUTHWEST, 1825−1950, by Heitor Villa-Lobos:Erosion. Louisville Orchestra. Robert Whitney, cond.), XXXIX, Apr '53, 314−316 Retreat (Frank La Forge), XI, Jul '25, 416 REUTER, Rudolph, XXVIII, Jul '42, 297 The Triumph of St. Joan, Symphony. Howard Swan), XXXIX, Oct '53, 630634 RHYTHM OF TWELFTH CENTURY POLYPHONY, ITS THEORY AND PRACTICE, THE (William G. Waite), XLI, Apr ‘ 55, 250−253 RICE, Edwin T., XVII, Apr ’ 40, 151−152 The articles by, “ The De Coppet Music Room Revellers, John Hill (cantata) in New York and Switzerland,” Hewitt), XVII, Jan ‘ 31, 37 XXIII, Revista Musical (Dominican periodical), Oct ’ 37, 413−420; *“ Personal Recollections of Leopold Damrosch,” XXVIII, XXXI, Apr ‘ 45, 225 REVIVALIST, THE (Singing-school man Jul ’ 42, 269−275; *“ Thomas and Central Park Garden,” XXVI, Apr ‘ 40, 143ual), XXII, Apr ’ 36, 158, 168 REVUELTAS, Silvestre (See: *“ Silvestre 152; *” A Tribute to Frank Damrosch,“ Revueltas and Musical Nationalism in XXV, Apr ‘ 39, 129−134 Mexico”) (Otto Mayer-Serrs), XXVII, RICE, John (Colonial organist, Trinity Church, NYC), XXII, Apr ’ 36, 176 Apr ‘ 41, 123−145 list of compositions, XXVII, Apr ’ 41, 145 RICE, Phil., Phil. Rice' s Correct Method portrait, XXVII, Apr ‘ 41, Opp. 124 for the Banjo (1858), XLII, Oct ’ 56, music by, Caminos, XXVII, Apr ‘ 41, 457, 458 131−132; Cuauhnahuac (Cuernavaca), Rice Institute Lectureshipin Music, XXIV, XXVII, Apr ’ 41, 127, 130−131; Duo Jan ‘ 38, 100 para Pato y Canario, XXVII, Apr ’ 41, “ Richard Wagner, Theodore Thomas, and the American Centennial” (Abram 128, 135−136; Homenaje a Garcia Lorca, XXVII, Apr ‘ 41, 129, 141−143; Janitzio, Loft), XXXVII, Apr ’ 51, 184−202 XXVII, Apr ‘ 41, 127, 129−130, 133- Richard Hill Theatre (NYC), VI, Jan ’ 20, 135; Ranas (The Frogs), XXVII, Apr 86, 87 '41, 128; Redes (The Wave) (film mu El Renacuajo Paseador (Polliwog Takes '28, 286, 288, 296 a Stroll) (puppet-ballet), XXVII, Apr Ride On, Jesus (Negro Spiritual), XVI, Jul '41, 123, 128, 136; Sensemaya (sym' 30, 409 phonic poem), XXVII, Apr '41, 128, Riders to the Sea (Henry F. Gilbert), IV, 143; El Tercolote (The Owl), XXVII, Jan '18, 34−35 sic), XXVII, Apr '41, 132−133, 137−139; RICKABY, Franz, BALLADS AND SONGS OF THE SHANTY-BOY, XIV, Apr music), XXVII, Apr '41, 164 Apr '41, 128; The Wave (Redes) (film Vladimir Ussachevsky), XLI, Jan '55, 78 Rhapsodie (Louis Campbell-Tipton), XIV, Jan '28, 147−148 '23, 125 Rhapsody (Wallingford Riegger), XXXVI, Jan '50, 44 Rhapsodie Negre (ohn Powell), IX, Jan Rhapsodic Variations for Tape-Recorder and Orchestra (Otto Luening and RIEGGER, Wallingford, XXXIII, Jul ‘ 47, 315, 316; XXXVIII, Jul ’ 52, 437−440; See: #“ The Music of Wallingford Riegger” list of compositions and first performances, XXXVI, Jan ‘ 50, 59−61; Supplemental list of compositions, XXXVIII, Jul ’ 52, 438 portrait, XXXVI, Jan ‘ 50, Opp. 40 RIDOUT, Godfrey, Two Thou Hast Made Me, Work Decay?; At the Imagined Corners, XL, Mystical Songs: and Shall Thy Round Earth' s Jan '54, 61−62 107 music by, American Polonaise, XXXVI, Jan ‘ 50, 43; La belle dame sans merci (four voices and chamber orchestra) XXXVI, Jan ’ 50, 43; Blue Voyage (piano), XXXVI, Jan ‘ 50, 44; Canons for Woodwinds, XXXVI, Jan ’ 50, 46; Dichotomy, XXXIII, Jul ‘ 47, 318−319; XXXVI, Jan ’ 50, 47−50; Evocation (piano 4-hands, or orchestra), XXXVI, Jan ‘ 50, 51; Fantasy and Fugue (orchestra and organ), XXXVI, Jan ’ 50, 46; Frenetic Rhythms (piano, flute, clarinet, drums, etc.), XXXVI, Jan ‘ 50, 50; Music for Brass Choir, XXXV, Jul ’ 49, 462−463; New Dance (piano 4hands, drums, etc.), XXXVI, Jan ‘ 50, 50; New Dance, XL, Apr ’ 54, 312−313 (record review by Irving Fine); Nonette (3 trumpets, 2 horns, 3 trombones and tuba), XXXVIII, Jul ‘ 52, 439−440; Passacaglia and Fugue, Op. 34 (concert band), XXXVI, Jan ’ 50, 51; XXXVI, Oct ‘ 50, 594; Quartet No. 1 (strings), XXXVI, Jan ’ 50, 52 Quartet No. 2 (strings), XXXVI, Jan ‘ 50, 5255; XL, Jul ’ 54, 472, 473; Rhapsody, XXXVI, Jan ‘ 50, 44; Sonatina for Violin and Piano, XXXVI, Jan ’ 50, 52; Study in Sonority (for 10 violins), XXXIII, Jul ‘ 47, 313; XXXVI, Jan ’ 50, 42, 44−45, 46; Suite for Flute Alone, XXXVI, Jan ‘ 50, 46; Symphony No. 3, XXXIV, Oct ’ 48, 594−599; XXXVI, Jan ‘ 50, 40, 55−56; XLI, Oct ’ 55, 558; Trio in B Minor for Piano, Violin and ‘ Cello, XXXVI, Jan ’ 50, 40, 43; Variations for Piano and Orchestra, XLI, Jan ‘ 55, 78; Whimsy, XXXVI, Jan ’ 50, 43 On modern art-song, XXIV, Jan ‘ 38, 23 REISENFELD, Hugh, XV, Apr ’ 29, 284 RIETI, Vittorio, Introduzione e Gioco Delle Ore, XLI, Jan ‘ 55, 79 RIHM, Alexander, XI, Jul ’ 25, 386 music by, Her Lullaby, XI, Jul ‘ 25, 415; Joy, XI, Jul ’ 25, 415; Pack, Clouds, Away, XI, Jul ‘ 25, 415; The Rose, XI, Jul ’ 25, 415; Thou and I, XI, Jul ‘ 25, 415; To One Away, XI, Jul ’ 25, 415; Wood Song, XI, Jul ‘ 25, 415 RINGER, Alexander L., articles by, “ A French Symphonist at the Time of Beethoven: Etienne Nicolas Mehul,” XXXVII, Oct ’ 51, 543−565; “ Willem Pijper and the ‘ Netherlands School’ of the 20th Century,” XLI, Oct ‘ 55, 427−445 book review by (RHYTHM AND TEMPO. A Study in Music History, by Curt Sachs), XXXIX, Apr ’ 53, 276−283 record review by, (Francois Daniel Es- prit Auber: Fra Diavolo. Soloists, Dresden State Opera, Saxon State Orchestra, Karl Elmendorff, cond.), XXXVIII, Oct ‘ 52, 642−644 Rip Van Winkle (opera) (George F. Bristow), VI, Apr ’ 20, 249−250; XVIII, Jan ‘ 32, 7, 77; XXIV, Apr ’ 38, 215 Rip Van Winkle (opera) (John Hill Hewitt), XVII, Jan ‘ 31, 37 Rip van Winkle Overture (George W. Chadwick), X, Jul ’ 24, 446−447; XXI, Jan ‘ 35, 87−88; XXIII, Jan ’ 37, 41 “ Ripe Fruit at Sixty” (Gustave Reese), XXVII, Jul ‘ 41, 384−390 Rising of Lazarus, The (cantata) (Bernard Rogers), XVIII, Jan ’ 32, 13 (See also: The Raising…) Ritmica No. 1 (wind quintet and piano) (Amadeo Roldan), XLII, Jan ‘ 56, 118, 119 RITTER, F. L., XXI, Jan ’ 35, 75 River, The (Virgil Thomson), XXXV, Jan ‘ 49, 116; XXXV, Apr ’ 49, 210, 222; XXXVII, Apr ‘ 51, 161 RIVERA, Luis, Poema Indio (narrator, baritone, and orchestra), XXXI, Apr ’ 45, 221 ROBERTS, Helen H., XXXVII, Jul ‘ 51, 369 article by, “ Possible Survivals of African Song in Jamaica,” XII, Jul ’ 26, 340358 book by, FORM IN PRIMITIVE MUSIC, XX, Jan ‘ 34, 123 Robin Hood (James Hewitt), XVII, Jan ’ 31, 32 ROBREDO, Manuel Saumell (Cuban composer), XXXIII, Jul ‘ 47, 377 Rochester (N.Y.) Philharmonic Orchestra, XXXVIII, Jul ’ 52, 438 Rochester (N.Y.) Symphony Orchestra, XXII, Apr ‘ 36, 142 Rock of Ages (Thomas Hastings), XXXII, Apr ’ 46, 273 Rock of Rubies, The (Albert Spalding), XI, Jul ‘ 25, 413−414 Rocked in the Cradle of the Deep (Joseph P. Knight), XIII, Apr ’ 27, 231−232 Rockefeller Foundation (See: Louisville (Ky.) Orchestra, list of commissioned works) Rodeo (Aaron Copland), XXXI, Oct ‘ 45, 434; XXXVII, Apr ’ 51, 161; XL, Oct ‘ 54, 622 RODEHEAVER, Homer, XXVI, Jul ’ 40, 355 RODGERS, Richard (See: League of Composers commissions), XXXIV, Jan ‘ 48, 12 RODRIGO, Joaquin, Cuatro Madrigales Amatorios, XLI, Jan ’ 55, 77 108 RODRIGUES, Jose Maria, Sinfonia quasi una Fantasia, XXXI, Apr ‘ 45, 216 RODZINSKI, Artur, XXXIV, Jan ’ 48, 8; XXXVII, Oct ‘ 51, 479 *“ Roger Sessions: Portrait of an American Composer” (Mark A. Schubart), XXXII, Apr ’ 46, 196−214 ROGERS, Bernard, XXXIII, Jul ‘ 47, 325; See: *“ Bernard Rogers” list of compositions, XXXIII, Apr ’ 47, 226−227 portrait, XXXIII, Apr ‘ 47, Opp. 208 music by, Characters from Hans Christian Andersen (orchestra), XXXIII, Apr ’ 47, 212, 217 (excerpt); Dance of Salome (orchestra), XXXIII, Apr ‘ 47, 219; Dance Scenes, XLI, Jan ’ 55, 77; “ Elegy” from Third Symphony (excerpt), XXXIII, Apr ‘ 47, 214−215; Elegy in Memory of President Roosevelt (excerpt), XXXIII, Apr ’ 47, 215; Fuji in the Sunset Glow (tone poem), XXXIII, Apr ‘ 47, 210; Invasion, XXXIII, Apr ’ 47, 215; The Marriage of Aude (opera), XXXIII, Apr ‘ 47, 220; Once Upon a Time (small orchestra), XXXIII, Apr ’ 47, 212; The Passion (chorus, solo voices, orchestra), XXIII, Apr ‘ 47, 222−225; XXXIII, Jul ’ 47, 317; The Raising of Lazarus (cantata), XVIII, Jan ‘ 32, 13; XXXIII, Apr ’ 47, 210, 212, 214, 216, 217 (excerpt); Soliloquy for Flute and Strings, XXXIII, Apr ‘ 47, 210, 212, 214; The Song of the Nightingale, XXXIII, Apr ’ 47, 215, 218; The Supper at Emmaus, XXXIII, Apr ‘ 47, 210, 212; Symphony No. 4, XXXIII, Apr ’ 47, 221−222; XXXIV, Jul ‘ 48, 415−417; Three Jap- ROGERS, James Frederick, articles by, “ The Health of Musicians,” XII, Oct ‘ 26, 614−622; “ Music as Medicine,” IV, Jul ’ 18, 365−375; “ A Song of Rags,” II, Jan ‘ 16, 61−66 ROGERS, James H., music by, Five Quatrains from Omar Khayyam (song cycle), XI, Jul '25, 384; In Memoriam (song cycle), XI, Jul '25, 384; The Last Song, XI, Jul '25, 384; The Time for Making Songs Has Come, XI, Jul '25, 384 ROGERS, M. Robert, “ Jazz Influence on French Music,” XXI, Jan ‘ 35, 53−68 ROGERS, Winthrop L., XXIII, Oct ’ 37, 414 Roi Arthur, Le (symphonic poem) (Templeton Strong), XIV, Jan '28, 145−147 ROLDAN, Amadeo, XXXIV, Jan '48, 12 music by, Motives de Son (8 songs for soprano and orchestra), XXXVI, Apr '50, 270−271; Ritmica No. 1, for wind quintet and piano, XLII, Jan '56, 118, 119 (record review by Henry Cowell) Roll, Jordan, Roll (folk hymn), II, Jan '16, 117 “ Romantic” Symphony (Symphony No. 2, Op. 30) (Howard Hanson), XXII, Apr ‘ 36, 144−145, 148; XXXIII, Apr ’ 47, 185 Rondel (Frederick Jacobi), XI, Jul ‘ 25, 410 RONTGEN, Julius, Chinesische Lieder, VIII, Oct ’ 22, 552 Roosevelt College String Quartet (Chicago), XXXVII, Apr ‘ 51, 245 ROOT, Frederic W., “ Imagination and Fact in Voice Culture,” III, Jan ’ 17, 104−114 ROOT, George F., XXXI, Oct ‘ 45, 476; anese Dances (orchestra), XXXIII, Apr See: “ Gospel Hymns,” XXVI, Jul ’ 40, ‘ 47, 210; To The Fallen (orchestra), 359, 363 VIII, Oct ’ 22, 551; XXXIII, Apr ‘ 47, portrait, XXXII, Apr ’ 46, Opp. 266 209; The Veil (opera), XXXVII, Jul Rosa Lee (American folk tune), IV, Jan ‘ 51, 328; The Warrior(opera), XXXIII, ’ 18, 29 ROGERS, Francis, articles by, *“ Adolphe Nourrit,” XXV, Jan ‘ 39, 11−25; “ America' s First Grand Opera Season,” I, Jan ’ 15, 93−101; “ Handel and Five Prima Donnas,” XXIX, Apr ‘ 43, 214; “ Henrietta Sontag in New York,” XXVIII, Jan ’ 42, 100−104; *“ Jenny Lind,” XXXII, Jul ‘ 46, 437−448; “ Some Memories of Ethelbert Nevin,” III, Jul ’ 17, 358−363; “ Some Prima Donnas of the Latter Eighteenth Century,” XXX, Apr ‘ 44, 147−162; “ Sophie Arnould,” VI, Jan ’ 20, 57−61; *“ Victor Maurel: His Career and His Art,” XII, Oct ‘ 26, 580−601 ROGERS, James A., XV, Oct ’ 29, 614 109 Apr '47, 215−216 (excerpt), 218, 220 Rosary, The (Ethelbert Nevin), III, Jul '17, 361−362; VI, Jan '20, 9; XVI, Oct '30, 518 415 Rose, The (Alexander Rihm), XI, Jul ‘ 25, Rose of the Night, The (Charles T. Griffes), XI, Jul ’ 25, 409 ROSEN, Lucie (See: League of Composers commissions), XXXIV, Jan ‘ 48, 12 ROSEN, Jerome, String Quartet No. 1, XLI, Apr ’ 55, 229, 231−233 ROSENFELD, Paul, X, Jan ‘ 24, 154; XII, Oct ’ 26, 641; XVII, Jan ‘ 31, 69; XXXI, Oct ’ 45, 427; XLII, Jan ‘ 56, 35, 47 article by, “ All the World' s Poughkeepsiel” XXIX, Oct ’ 43, 466−474 books by, AN HOUR WITH AMERICAN MUSIC (excerpt), XXXIII, Jan ‘ 47, 19; MUSICAL CHRONICLE, X, Jan ’ 24, 156; MUSICAL PORTRAITS, X, Jan ‘ 24, 156 current chronicle by, XXV, Jan ’ 39, 97103; XXV, Apr ‘ 39, 226−231; XXV, Jul ’ 39, 372−381; XXV, Oct ‘ 39, 513−518 ROSENTHAL, Karl August, “ Mozart' s Sacramental Litanies and Their Forerunners,” XXVII, Oct ’ 41, 433−455 Roses Blanches, Les (French Canadian folk song), XXIX, Jan ‘ 43, 133−134 Roses Breathe in the Night (Marion Bauer), XI, Jul ’ 25, 410 ROSS, Gilbert, XXXIX, Jan ‘ 53, 152 ROSS, Hugh, XXXIV, Apr ’ 48, 298; XXXVIII, Oct ‘ 52, 645 ROTHAPFEL, S. L. (“ Roxy’), XV, Apr ‘ 29, 282 ROTHMULLER, Marko, XXXVI, Jul ’ 50, 441 ROTHWELL, Walter Henry, VI, Apr ‘ 20, 239 Rough Wind (Charles Ives), XIX, Jan ’ 33, 53 Rounds for String Orchestra (David Diamond), XXXV, Apr ‘ 49, 286 Rowan County Crew, The (folk ballad), III, Jul ’ 17, 383 *” Roy Harris“ (Arthur Farwell), XVIII, Jan ‘ 32, 18−32 *” Roy Harris“ (Nicolas Slonimsky), XXXIII, Jan ’ 47, 17−36 RUBINSTEIN, Beryl, VIII, Jan ‘ 22, 91 RUBINSTEIN, Ida, XXXIX, Oct ’ 53, 656 Rubinstein (choral) Club, NYC, VI, Apr ‘ 20, 234 RUBSAMEN, Walter H., XXV, Oct ’ 39, 507; XXXVIII, Jul ‘ 52, 501 articles by, ” The Ballad Burlesques and Extravaganzas,“ XXXVI, Oct ’ 50, 551561; ” Kurt Huber in Munich,“ XXX, Apr ‘ 44, 226−233; ” Schoenberg in America,“ XXXVII, Oct ’ 51, 469−489 book reviews by, (HEINRICH ISAAC' S CHORALIS CONSTANTINUS BOOK III. Transcribed from the Formschneider first edition by Louise Cuyler), XXXVII, Oct ‘ 51, 613−621; (MUSIK DER GEGENWART. Geschichte der Neuen Musik, by Karl H. Worner), XXXVIII, Apr ’ 52, 314−322 current chronicle by, (Los Angeles) XXXV, Oct ‘ 49, 609−616; XXXVI, Oct ’ 50, 579−587 Rude Poema (Heitor Villa-Lobos), XLI, Apr ‘ 55, 275−276 RUDHYAR, Dane (on modern art-song), XXIV, Jan ‘ 38, 27 article by, ’ Creators and Public: Their Relationship,“ X, Jan ‘ 24, 120−130; ’ The Relativity of our Musical Conceptions,” VIII, Jan ‘ 22, 108−118 RUDIMENTS OF THE ART OF PLAYING (J. C. G. Craupner), XVIII, Apr ’ 32, 329, 332 RUDOLF, Max, THE GRAMMAR OF CONDUCTING: A Practical Study of Modern Baton Technique, with a foreword by George Szell (book review by Richard Franko Goldman), XXXVI, Apr ‘ 50, 310−311 RUGGLES, Carl (See: *“ Carl Ruggles”) portrait, XVIII, Oct ’ 32, Opp. 582 music by, Angels, for six muted trumpets, XVIII, Oct ‘ 32, 578; Evocations (piano), XLI, Oct ’ 55, 551, 552 (record review by Nathan Broder); Lilacs; Portals (string orchestra), XLI, Oct ‘ 55, 551, 552, (record review by Nathan Broder); Men and Mountains (orchestra) (See: A. Hyatt King), XXXI, Oct ’ 45, 417; Organum (orchestra), XXXVI, Apr ‘ 50, 272−274; Portals (for thirteen strings), XVIII, Oct ’ 32, 578, 585−587; Toys (voice and orchestra), XVIII, Oct ‘ 32, 578; XIV, Jan ’ 38, 12, 20−22 RUSSELL, Alexander, XI, Jul ‘ 25, 375 RUSSELL, Charles E., XXXVII, Apr ’ 51, 185 RUSSELL, Henry (Whig balladist), XXXII, Jan ‘ 46, 65, 74, 75 music by, Woodman, Spare That Tree, XXXII, Jan ’ 46, 74 RUSSELL, Theodore, “ The Violin ‘ Scordatura’,” XXIV, Jan ‘ 38, 84−96 RUSSELL, William, XXXIII, Jul ’ 47, 314 music by, March Suite, XXXVIII, Oct ‘ 52, 596 Russian Cathedral of St. Nicholas (NYC), choir of, IV, Apr ’ 18, 202 Russian Symphony Orchestra (NYC), XXXVI, Apr ‘ 50, 162; (See also: Henry F. Gilbert, Modest Altschuler) Russian (baritone with orchestral accompaniment) (Daniel Gregory Mason), IX, Jan ’ 23, 125; XXXIV, Jan ‘ 48, 56 RYAN, Calvin T., “ The Rediscovery of Music as a Subject for Education,” XVI, Jul ’ 30, 330−336 Ryan' s Mammoth Collection (Banjo tunes), XLII, Oct ‘ 56, 455 RYBNER, Cornelius, XIV, Oct ’ 28, 656 article by, “ Niels Wilhelm Gade,” III, Jan ‘ 17, 115−122 110 S SABIN, Robert, “ Early American Composers and Critics,” XXIV, Apr ‘ 38, 210−218 SACHS, Curt, XXVIII, Apr ’ 42, 218; XXX, Apr ‘ 44, 234−237; XXXI, Apr ’ 45, 266; XXXVII, Jan ‘ 51, 74; XXXVII, Oct ’ 51, 501; XXXIX, Jan ‘ 53, 98 articles about, “*Alfred Einstein and Curt Sachs”“ Ripe Fruit at Sixty” selected list of works, XXVII, Jul ’ 41, 275−277 portrait, XXVII, Jul ‘ 41, Opp. 264 articles by, “ Ancient European Musical Instruments: A Review,” XXVIII, Jul ’ 42, 380−383;“ Bach and Blavet,” XXX, Jan ‘ 44, 84−86; “ Cromatic Trumpets in the Renaissance,” XXXVI, Jan ’ 50, 62−66; “ The Mystery of Babylonian Notation,” XXVII, Jan ‘ 41, 62−69; “ Rhythm and Tempo: An Introduction,” XXXVIII, Jul ’ 52, 384−398;“ The Road to Major,” XXIX, Jul ‘ 43, 381404; “ Some Remarks about Old Notation,” XXXIV, Jul ’ 48, 365−370; “ Towards a Prehistory of Occidental Music,” XXIV, Apr ‘ 38, 147−152 books by, THE HISTORY OF MUSICAL INSTRUMENTS, XXVII, Jul '41, 268, 384; OUR MUSICAL HERISACRED MUSIC IN HISTORY OF (N. D. Gould), XIX, Oct '33, 395 Sad Are the Tidings (Benjamin Carr) XXI, AMERICA, THE Apr ‘ 35, 206 SAERCHINGER, Cesar, “ Musical Landmarks in New York” Part I: VI, Jan ’ 20, 69−90; Part II: VI, Apr ‘ 20, 227256 book reviews by, (CATALOGUE GENERAL DES ANTIQUITES EGYPTIENNES DU MUSEE DU CAIRE: INSTRUMENTS DE MUSIQUE, by Hans 283 (Book Review by Alexander L. Ringer) AND TEMPO, XXXIX, Apr '53, 276- TAGE, XXXV, Apr '49, 329−330 (Book Review by Nathan Broder); RHYTHM Salammbo' s Invocation to Tanith (See also: “ Gospel Hymns”), XXVI, Jul ‘ 40, 358 Sage and Clough (New York publishers), XXI, Apr ’ 35, 205, 206 SAHAGUN, Bernardino de, XV, Jan ‘ 29, 53 St. Cecilia Society (Charleston, S. C.), VII, Oct ’ 21, 540; XXI, Apr ‘ 35, 193, 207; XXII, Apr ’ 36, 173; XXXVI, Oct ‘ 50, 518, 523 ST. JOHN-BRENON, Algernon, “ Giuseppe Verdi,” II, Jan ’ 16, 130−162 St. Louis Blues (W. C. Handy), XLII, Oct ‘ 56, 468 St. Louis (Mo.), Exposition (See also: J. Fred Wolle), XXI, Apr ’ 35, 185 St. Louis (Mo.) Symphony Orchestra, XXXVI, Apr ‘ 50, 162 St. Peter' s Church (Phildelphia) Boys' Choir, XXXIX, Oct ’ 53, 656 Saint Vartan (Symphonyin 24 movements, for alto saxophone, horn, four trumpets, trombone, piano, percussion and strings) (Alan Hovhaness), XXXVII, Jul ‘ 51, 396−399 (Henry Safe in the Arms of Jesus (Crosby-Doane) Oct ‘ 45, 423; XXXIII, Apr ’ 47, 186 Salt Lake City (Utah) Tabernacle (See: “ Sound and Its Uses”), IV, Apr ‘ 18, 251 SACRED HARP Singing Association, XIX, Salt Lake Symphony Orchestra (Salt Lake Oct ’ 33, Opp. 393 (illustration) SACRED HARP Singing Conventions (See City, Utah), XXXVI, Apr ‘ 50, 161 also: SACRED HARP Singing Associ- SALTER, Sumner, XVIII, Jan ’ 32, 87, 91; ation), XIX, Oct ‘ 33, 220−221 XXVI, Apr ’ 40, 164 SACRED LYRE (Thomas Hastings), articles by, “ Early Encouragements to XXXII, Apr ‘ 46, 274 American Composers,” XVIII, Jan ’ 32, text), XIX, Oct ‘ 33, 396; XXII, Apr ’ 36, 156, 158, 164, 167, 168; XXVI, Oct ‘ 40, 483; XXVII, Jan ’ 41, 98 11l SACRED F. Gilbert), IV, Jan ‘ 18, 25 SALAS, (y Castro), Esteban (Cuban com Hickmann), XXXVII, Jan ’ 51, 122−123; poser, 18th century), XXXIII, Jul ‘ 47, 367−368, 369 (CYMBALA–Bells in the Middle Ages. By J. Smits van Waesberghe. Vol. I of SALAZAR, Adolfo, XXX, Oct ’ 44, 498−500 Studies and Documents, Publications article by, “ Parsifalin Romantic Lands,” of the American Institute of MusicolXXV, Jan ‘ 39, 76−96 ogy, Rome, 1951), XXXVIII, Oct ’ 52, Sally Gray (old ballad), XVI, Apr ‘ 30, 181 640−641; (MUSIC IN WESTERN CIV- Salome (Henry Hadley), XXIII, Jan ’ 37, ILIZATION, by Paul Henry Lang), 41 XXVIII, ‘ 42, 122−124 El Saldn HARP, THE (Singing-School Mdxico (Aaron Copland) XXXI, 76−105; “ The Ornaments in Bach' s Organ Works,” VI, Jul ‘ 20, 392−402 Salut d' Amour (Ernest Bloch), XI, Apr ’ 25, 307 SALZEDO, Carlos, IX, Jan ‘ 23, 124; XXXIII, Jan ’ 47, 105 SALZER, Felix, STRUCTURAL HEARING (2 vols.), XXXIX, Jan ‘ 53, 126129 (Book Review by Nathan Broder) SAMAROFF, Olga, “ The Piano Music of Schubert,” XIV, Oct ’ 28, 596−609 SAMINSKY, Lazare, XXIV, Jan ‘ 38, 14−15 (on modern art-song), XXVI, Jan ’ 40, 101; XXXIV, Jan ‘ 48, 7 music by, Pueblo (commissioned by League of Composers), XXXIV, Jan ’ 48, 10; Symphony No. 2-of the Summits, XXXI, Oct ‘ 45, 417 (See: King, A. Hyatt) articles by, “ Bela Bartok and the Graphic Current in Music,” X, Jul ’ 24, 400−404; “ The Music of the Peoples of the Russian Orient,” VIII, Jul ‘ 22, 346352 book by, MUSIC OF OUR DAY, ESSENTIALS AND PROPHECIES, XIX, Jul ’ 33, 353−355 SAMUEL BARBER (Nathan Broder), XLI, Jan ‘ 55, 105−106 (book review by Alfred Frankenstein) SAMUELS, Homer, Pierrot, XI, Jul ’ 25, 417 San Francisco Symphony Orchestra, XXII, Apr ‘ 36, 142; VLII, Apr ’ 56, 245 SAN JUAN, Pedro, XXXIV, Jan ‘ 48, 3 (See also: Havana Philharmonic Orchestra) SANBORN, Pitts, XII, Apr ’ 26, 164; XXI, Apr ‘ 35, 179 SANDBURG, Carl, AMERICAN SONGBAG, XVIII, Jan ’ 32, 73 SANDERS, Ernest, article by, “ Oberon and Zar und Zimmermann,” XL, Oct ‘ 54, 521−532 book review by, (ROBERT SCHUMANN, by Karl H. Worner), XXXIX, Apr ’ 53, 293−302 SANDERS, Robert L., Little Symphony (No. 2 in B-flat), XLI, Jan ‘ 55, 79 SANDERSON, Sybil, XXXI, Oct ’ 45, 496 SANDI, Luis, El Venado, XXII, Oct ‘ 36, 440 SANKEY, Ira D., II, Jan ’ 16, 112; IV, Jul ‘ 18, 398; XVIII, Jan ’ 32, 12; XXVI, Jul ‘ 40, 355, 359, 361, 363, 364 books by, MY LIFE AND SACRED SONGS, XXVI, Jul ’ 40, 364; STORY OF THE GOSPEL HYMNS AND OF SACRED SONGS AND SOLOS, XXVI, Jul ‘ 40, 364 SANTA-CRUZ, Domingo (String Quartets), XXXIV, Jul ‘ 48, 419−423 “ Santayana as a Critic of Music” (William Austin), XL, Oct ’ 54, 497−508 SAPIR, E., “ Representative Music,” IV, Apr ‘ 18, 161−167 SAPP, Alan, record review (Debussy: Pelleas et Melisande. Suzanne Danco, soprano; Helene Bonvier, mezzo-soprano; Pierre Mollet, tenor; Heinz Rehfuss, baritone; Andre Vessieres, bass; Flora Wend and Derrick Olsen. L' Orchestre de la Suisse Romande, Ernest Ansermet, conductor), XXXIX, Apr ’ 53, 310314 Sappho Fragments (A. Walter Kramer), XI, Jul ‘ 25, 403 SARGEANT, Winthrop, XLII, Oct ’ 56, 468, 469, 470 articles by, “ Bernard Ziehn, Precursor,” XIX, Apr ‘ 33, 169−177; “ Types of Quechua Melody,” XX, Apr ’ 34, 230245 Melody,“ XX, Apr ‘ 34, 230−245 book review, (ESQUIRE' S JAZZ BOOK, Paul Edward Miller, ed.), XXXI, Jan ’ 45, 120−122 SARGEANT, Winthrop and LAHIRI, Sarat, ” A Study in East Indian Rhythm,“ XVII, Oct ‘ 31, 427−438 Saturday' s Child (commissioned by League of Composers) (Emerson Whithorne), XVIII, Jan ’ 32, 11; XXXIV, Jan ‘ 48, 10 SAUGUET, Henri, Les Trois Lys, XLI, Jan ’ 55, 79 Save Me, Lord, Save Me (old Folk-Hymn), II, Jan ‘ 16, 116−118 Saviour, When in Dust to Thee, or Spanish Hymn (Benjamin Carr), XVIII, Jan ’ 32, 166 SCALERO, Rosario, articles by, ” A Contribution to the Pedagogy of Composition,“ VIII, Oct ‘ 22, 487−494; ” On the Origins of Music,“ XII, Jul ’ 26, 334339 Scandalize My Name (Negro Spiritual), XVIII, Jan ‘ 32, 65 SCANLAN, Mary Browning, ” Thomas Hastings,“ XXXII, Apr ’ 46, 265−277 SCARBOROUGH, Dorothy, ON THE TRAIL OF NEGRO FOLK SONGS, XXI, Apr ‘ 26, 313; XIV, Apr ’ 28, 285286, 288, 295; XXII, Jan ‘ 36, 52 Scarlet Letter, The (opera) (Walter Damrosch), XXXI, Jan ’ 45, 109 Scenes d' Anabase (Paul Bowles), XL, Jul ‘ 54, 472, 475 SCHARWENKA, Xaver, VI, Apr ’ 20, 240, 255; VII, Oct ‘ 21, 400; X, Jan ’ 24, 149−150 (review of autobiography) 112 SCHAUFFLER, Robert Haven, article by, “ Brahms, Poet and Peasant,” XVIII, Oct ‘ 32, 547−558 book by, FRANZ SCHUBERT: THE ARIEL OF MUSIC, XXXVI, Jan ’ 50, 138−141 (book review by Frederick W. Sternfeld) SCHELLING, Ernest, IX, Jan ‘ 23, 123; XXX, Apr ’ 44, 204 music by, Impressions from an Artist' s Life (orchestra), XXXIII, Apr ‘ 47, 185 Scherzo all’ antico (ose de Jesds Ravelo), XXXI, Apr ‘ 45, 216−217 Scherzo Cldsico (Juan Francisco Garcia), XXXI, Apr ’ 45, 218−219 Scherzo Fantasque (Ernest Bloch), XXXVII, Apr ‘ 51, 243−245 SCHETKY, George (’ cellist and music publisher), XVIII, Jan ‘ 32, 150, 164, 165 SCHILL, Otto K., XVIII, Jan ’ 32, 86 SCHILLINGER, Joseph (See: “ Gershwin, Schillinger, and Dukelsky”) portrait, XXXIII, Jan ‘ 47, Opp. 104 book by, THE SCHILLINGER SYSTEM OF MUSICAL COMPOSITION (book review by Nicolas Slonimsky), XXXII, Jul ’ 46, 464−470 SCHINDLER, Kurt and MONROE, Mina, BAYOU BALLADS, XIV, Apr ‘ 28, 286 Schirmer, G. (publishers), XVIII, Jan ’ 32, SCHIRMER, Gustav Jr., VIII, Oct ‘ 22, 615616; X, Oct ’ 24, 459; XI, Jul ‘ 25, 322 SCHIRMER, Gustav Sr., XIII, Apr ’ 27, 295; XXXI, Apr ‘ 45, 184 SCHIRMER, Mrs. Gustav (Sr.), XXXI, Apr ’ 45, 186 SCHIRMER, Rudolph E., X, Oct ‘ 24, 459; XIII, Apr ’ 27, 295, 300; XV, Jan ‘ 29, 149; XIX Jan ’ 33, 112; XXIII, Jan ‘ 37, 28, 29; XXV, Jan ’ 39, 2; XXVI, Jul ‘ 40, 96; XLI, Jan '55, 105 395 SCHIRMER, Rudolph '44, 370 E., Jr., XXX, Jul SCHLAUCH, Margaret, “ The Hewitt Edition of the Odhecaton” (Review of), XXIX, Apr ‘ 43, 247−261 SCHLESINGER, Daniel, XIII, Apr ’ 27, 240, 244 SCHMIDT, A. P., XVIII, Jan ‘ 32, 96 SCHMIDT, Henry (See: Boston Academy), XIII, Apr ’ 27, 242−243 SCHMIDT, John Christopher, XXIII, Jul '37, 306 SCHMITZ, E. Robert, IX, Apr ‘ 23, 298 SCHNEIDER, Alexander, XXXIX, Apr ’ 53, 322−323 SCHNEIDER, Hans, articles by, “ The Enjoyment of Music,” VII, Apr ‘ 21, 218225; “ The Haunting Melody,” V, Jan ’ 19, 100−108 Schneider Quartet, XXXIX, Oct ‘ 53, 653654 SCHOEN, Max, XVI, Apr ’ 30, 246−247, 251; XIX, Jul ‘ 33, 320 articles by, “ The Basis of Music-Mindedness,” XXI, Jul ’ 35, 348−355; “ The Experience of Beauty in Music,” XVII, Jan ‘ 31, 93−109; “ The Meaning of Music as Art,” XXVIII, Jan ’ 42, 115121; “ Musical Talent and its Measurement,” XIV, Apr ‘ 28, 255−282; “ Pitch and Vibrato in Artistic Singing,” XII, Apr ’ 26, 275−290; “ The Teaching of Appreciation in Music,” XIII, Jan ‘ 27, 39−58 SCHOENBERG, Arnold (in America), XXX, Oct ’ 44, 384; Jan ‘ 48, 7, 8; XXXV, Jan ’ 49, 107−111; XXXVI, Oct ‘ 50, 584−585 (birthday celebration in L. A.); XXXVII, Oct ’ 51, 472, 484 (75th birthday celebration, UCLA); XXXIX, Jan ‘ 53, 29, et seq. article about, “*Schoenberg in America” (Walter H. Rubsamen), XXXVII, Oct ’ 51, 469−489 portraits, XXII, Jan ‘ 36, Opp. 28; XXXVII, Oct ’ 51, Opp. 480 portrait with class, XXXVII, Oct ‘ 51, Opp. 481 death mask, illustration, XXXVII, Oct ’ 51, Opp. 469 music by, De Profundis, Op. 50b (setting of Psalm 130 for six-part mixed chorus), XXXVII, Oct ‘ 51, 486; Drei mal Tausend Jahre, Op. 50a, for fourvoiced chorus, a cappella, XXXVII, Oct ’ 51, 482−486; Erwartung (monodrama), Op. 17, XXXVIII, Oct ‘ 52, 671−673 (record review by Richard Goldman); Es gingen zwei Gespielen gut (setting for mixed chorus of four voices a cappella), XXXVII, Oct ’ 51, 482−483; Fantasy for Violin with Piano Accompaniment, XXXVII, Oct ‘ 51, 484; Five Pieces for Orchestra, Op. 16, XL, Jul ’ 54, 462463 (record review by Richard F. Goldman); Die Jakobsleiter, XXXVII, Oct ‘ 51, 486, 487; Kol Nidre (a version for reciter, chorus and orchestra), XXXVII, Ovt ’ 51, 476, 486; Der Mai tritt ein mit Freuden (setting for mixed chorus of four voices, a cappella), XXXVII, Oct ‘ 51, 482−483; Mein Herz in steten Treuen (setting for mixed chorus of four voices, a cappella), XXXVII, Oct ’ 51, 482−483; Moses and Aaron (incomplete opera), XXXVII, Oct ‘ 51, 487; Ode to Napoleon Buonaparte, Op. 41 (for string quartet or string orchestra, piano, and reciter), XXXVII, Oct ’ 51, 478−479, 486; Pelleas und Meli- 113 sande, XXXVII, Oct ‘ 51, 475, 480; Piano Concerto, Op. 42, XXXVII, Oct ’ 51, 479; Pillar of Fire (Ballet version of Verklarte Nacht of 1899), XXXVII, Oct ‘ 51, 480; Second Chamber Symphony, Op. 38 (commissioned by New Friends of Music, NYC), XXXVII, Oct ’ 51, 477−478; Songs, Op. 2, Nos. 1, 2, 3, 4; Op. 3, Nos. 4, 6; Op. 6, Nos. 1−8; Op. 14, Nos. 1, 2, XXXIX, Apr ‘ 53, 339−340 (record review by Richard F. Goldman); String Quartet No. 4, Op. 37 (commissioned by Elizabeth Sprague Coolidge), XXXVII, Oct ’ 51, 474; String Quartets Nos. 1−4, Op. 7, 10, 30, 37, XL, Jul ‘ 54, 435−444 (record review by Richard S. Hill); String Trio, Op. 45 (commissioned by Harvard University), XXXVII, Oct ’ 51, 481; Suite for Strings in G Major (Schoenberg' s first composition in America), XXXVII, Oct ‘ 51, 469−470; A Survivor from Warsaw, Op. 46 (for narrator, men' s chorus and orchestra), (commissioned by Koussevitzky Foundation), XXXVI, Jul ’ 50, 450−451; XXXVII, Oct ‘ 51, 482, 486; Theme and Variations, Op. 43a (concert band), XXXVI, Oct ’ 50, 594; XXXVII, Oct ‘ 51, 479; Variations on a Recitative for Organ, Op. 40 XXXVII, Oct ’ 51, 478; Violin Concerto, Op. 36, XXXVII, Oct ‘ 51, 473 articles by, “*My Evolution,” XXXVIII, Oct ’ 52, 517−527; “ Problems of Harmony,” XXII, Jan ‘ 36, 23 book by, STRUCTURAL FUNCTIONS OF HARMONY, XLI, Jan ’ 55, 109115 (book review by William J. Mitchell) SCHOENEFELD, Henry, XVIII, Jan ‘ 32, 84 Schola Cantorum (NYC), XXXIV, Apr ’ 48, 298; XXXVIII, Oct ‘ 52, 645 School for Wives, The (Rolf Liebermann), XLII, Jan ’ 56, 85−86 School Music in NYC, 1918 (See: Nichols, Claire T.) SCHRADE, Leo, XXXIII, Apr ‘ 47, 274 (as editor), XXXIX, Jan ’ 53, 122, 125; XL, Apr ‘ 54, 267−268 articles by, “ Monteverdi' s II Ritorno d' Ulisse,” XXXVI, Jul ’ 50, 422−423; “ Music in the Philosophy of Boethius,” XXXIII, Apr ‘ 47, 188−200; “ The Organ in the Mass of the 15th Century” Part I: XXVIII, Jul ’ 42, 329−336; Part II: XXVIII, Oct ‘ 42, 467−487; “ Philippe De Vitry: Some New Discoveries” (with list of motets by De Vitry), XLII, Jul 56, 330−354 book by, MONTEVERDI: CREATOR OF MODERN MUSIC, XXXVII, Apr ‘ 51, 272−278 (book review by Charles Warren Fox) book reviews by, (DIE BEZIEHUNGEN VON FORM UND MOTIV IN BEETHOVEN' S INSTRUMENTALWERKEN, by Kurt von Fischer), XXXVI, Jul ’ 50, 461−463; (DAS LOCHAMER LIEDERBUCH. Eine musikgeschichtliche Studie. By Walter Salmen), XXXIX, Jul ‘ 53, 461−463; (DEL VOCALE MUZIEK VAN JAN P. ZWEELINCK, Deel I, by B. van den Sigtenhorst Meyer), XXXV, Oct ’ 49, 649−651 record reviews by, (Monteverdi: Beatus Vir, Laudate Dominum, Ut queant laxis. Rosanna Giancola, Luciana Piovesan, sopranos; Maria Amadini, contralto; Emilio Cristinelli, tenor; Marcello Cortis, baritone; Giuliano Ferrein, bass; vocal ensemble and chamber orchestra of the Scuola Veneziana, Angelo Ephrikian, conductor. Combattimento di Tancredi e Clorinda, Ballo delle Ninfe d' Istro, Mantre Vaga Angioletta. Same performers as above. Domine Ad Adjuvandum, Nigra sum, Ave Maria stella, Magnificat. Same performers as above, and Giannella Borelli, contralto; Giacinto Tossiti, tenor; Antonio Massaria, bass), XXXIX, Apr ‘ 53, 338; (Monteverdi: Vespro della Beata Vergine. Soloists, Swabian harpsichord, organ, The Choral Singers, Stuttgart; The Stuttgart Bach Orchestra, Hans Grischkat, cond.), XL, Jan ’ 54, 138−145 SCHREIBER, Flora Rheta, and Persichetti, Vincent, WILLIAM SCHUMAN, XLI, Jan ‘ 55, 105−106 SCHREINER, Alexander, XXXVII, Oct ’ 51, 475, 489 SCHROEDER, Alwin, XXV, Apr ‘ 39, 132 SCHUBART, Mark A., “*Roger Sessions: Portrait of an American Composer,” XXXII, Apr ’ 46, 196−214 SCHUELLER, Herbert M., article by, “ Imitation’ and ‘ Expression’ in British Music Criticism in the 18th Century,” XXXIV, Oct ‘ 48, 544−566 book review by, (HANDEL' S MESSIAH: A TOUCHSTONE OF TASTE, by Robert Manson Myers), XXXIV, Jul ’ 48, 445−448 SCHULTZE, Katherine, and MacARDLE, Donald W., “ Five Unfamiliar Beethoven Letters,” XXXVII, Oct ‘ 51, 490500 SCHUMAN, William, XXV, Jul ’ 39, 379380; XXVI, Jan' 40, 109−110; XXXI, Jan 114 ‘ 45, 103−104; XXXIII, Jan ’ 47, 33; XXXIII, Jul ‘ 47, 315, 316, 317, 321, 325; XL, Apr ’ 54, 249; (See also: “ Music of William Schuman, The”); list of compositions, XXXI, Jan ‘ 45, 2628 portrait, XXXI, Jan ’ 45, Opp. 18 (See also: WILLIAM SCHUMAN) SCHWARTZ, Boris, “*Karol Rathaus,” XLI, Oct ‘ 55, 481−495 SCHWEIGER, Hertha, “ Abt Vogler,” XXV, Apr ’ 39, 156−166 SCOTT, Cyril, “ Percy Grainger, the Music and the Man,” II, Jul ‘ 16, 425−433 SCOTT, James, XLII, Oct ’ 56, 469 SCOTT, Tom, Fanfare and Cantilena, XLI, music by, American Festival Overture, Jan ‘ 55, 77 SCOTTI, Antonio, XXXIII, Apr ’ 47, 183 312, 315; Casey at the Bat (opera), Sea, The (Edward Mac Dowell), XV, Jan XLI, Jan ‘ 55, 106; Concerto for Piano ’ 29, 90−94 and Small Orchestra, XXXIII, Jul ‘ 47, Sea Pieces (Edward Mac Dowell), I, Jan ’ 15, 319−320; Credendum (orchestra), XLII, 47; VI, Jan ‘ 20, 26 Jan ’ 56, 143; XLII, Jul ‘ 56, 386−389; Seal Poke (Eskimosong), VIII, Jul ’ 22, 379 A Free Song (cantata), XXXI, Jan ‘ 45, SEASHORE, Carl E., XIV, Apr ’ 28, 255; 108; Judith (Louisville OrchestracomXVI, Apr ‘ 30, 238, 239, 245, 250; XIX, mission, with Martha Graham as Jul ’ 33, 319−320, 326 articles by, “ The Harmonic Structure of XXXVII, Apr ‘ 51, 255choreographer), a Musical Tone,” XXV, Jan ’ 39, 6−10; 260; XXXVII, Jul ‘ 51, 317; XLI, Jan “ In Search of Beauty,” XXVIII, Jul' 42, ’ 55, 77; Orpheus with His Lute (song), XXXI, Jan ‘ 45, 18; Pioneers (eight302−308; “ The Inheritance of Musical Talent,” VI, Oct ’ 20, 586−598; “ The part choral setting), XXXI, Jan ‘ 45, Measurement of Musical Talent,” I, 108; Prayer in Time of War, XXXV, Apr ’ 49, 286; Prologue, XXV, Jul ‘ 39, Jan ’ 15, 129−148; “ Psychology in Music: The Role of Experimental Psy381; Side Show, XXXI, Jan ‘ 45, 22, 25; chology in the Science and Art of String Quartet No. 3, XXXI, Jan ’ 45, 20 (Finale, excerpt); XXXI, Jan ‘ 45, Music,” XVI, Apr ’ 30, 229−237; “ The 17 (Introduction); String Quartet No. Sense of Rhythm as a Musical Talent,” IV, Oct ‘ 18, 507−515 4, XXXVII, Jul ’ 51, 394−396; XL, Jul XXXI, Jan ‘ 45, 18; XXXIII, Jul ’ 47, XXXI, Jan ‘ 45, 17−18, 23 (Finale, excerpt); XXXI, Jan ’ 45, 20 (slow move' 54, 472, 474; Symphony for Strings, Jan '45, 17, 19 (First movement, excerpt); XXXI, Jan '45, 21 (Themes of various movements); XXXIII, Jul '47, '45, 19 (Second movement, excerpt); XXXI, Jan '45, 23 (Last movement, excerpt); Symphony No. 6 (commissioned by Dallas Symphony Orchestra), XXXVIII, Apr '52, 298−301; XLI, Oct '55, 551, 553 (recordreview by Nathan Broder); Undertow, Choreographic Episodes for Orchestra, XL, Oct '54, 622624 (record review by Irving Fine); 313, 320; Symphony No. 4, XXXI, Jan ment, excerpt); Symphony No. 2, XXV, Jul '39, 380; Symphony No. 3, XXXI, Second Piano Sonata (Arthur Shepherd), Second nold Schoenberg) (Commissioned by New Friends of Music, NYC), XXXVII, Oct '51, 477−478 Second Piano Concerto (Roy Harris), XLI, Jan '55, 77 XXXVI, Apr '50, 166, 168, 169 Quartet (strings) (Wallingford Second Chamber Symphony, Op. 38 (Ar- Riegger), XXXVI, Jan '50, 52−55 Second Quintet (1952) (Darius Milhaud), XL, Jul '54, 469−471 Second Symphony (George Perle), XLI, Jan '55, 77 Second Violin Sonata (George Antheil), XXXIX, Jan ‘ 53, 141−142 (Record Review by Vincent Persichetti) W. SEEBOECK, C. E., XVI, Oct ’ 30, 450 Violin Concerto (commissioned by SEEGER, Charles Louis Jr., XXIII, Jan Samuel Dushkin), XXXVI, Apr ‘ 50, ’ 37, 2; XXXI, Apr ‘ 45, 266 279−282; XLII, Jul ’ 56, 390; Voyage articles by, “*Carl Ruggles,” XVIII, Oct ‘ 32, 578−592; “ Contrapuntal Style in (piano), XLI, Oct ’ 55, 551, 553 (record review by Nathan Broder) the Three-Voice Shape-Note Hymns,” article by, “ On Teaching the Literature XXVI, Oct ‘ 40, 483−493;” On Style and and Materials of Music,“ XXXIV, Apr Manner in Modern Composition,” IX, ’ 48, 155−168 Jul ‘ 23, 423−431; “ On the Principles book reviews by (ORCHESTRATION of Musicology,” Apr ’ 24, 244−250 X, book reviews by, (CANCIONERO POPby Walter Piston), XLII, Jan ‘ 56, 103XL, Jul ’ 54, 419−421 OF ORCHES105; (THESAURUS TRAL DEVICES, by Gardner Read), ULAR DE LA PROVINCIA DE MA- DRID. Vol. I. Collected by Manuel Garcia Mates. Edited by Marius 115 Schneider and Jose Romeu Figueras), XXXIX, Apr ‘ 53, 289−293; (A GUIDE TO LATIN AMERICAN MUSIC, by Gilbert Chase), XXXII, Apr ’ 46, 303305 SEIDL, Anton, VI, Apr ‘ 20, 250−252; XIII, Apr ’ 27, 280; XVIII, Jan ‘ 32, 994; XXX, Oct ’ 44, 448−457; XXXI, Apr ‘ 45, 180 Seine at Night, The (Virgil Thomson), XXXIV, Jul ’ 48, 410, 413−415; XXXV, Apr ‘ 49, 220−221 SEITZ, Harry, XXVIII, Apr ’ 42, 171 SELBY, William, XXI, Apr ‘ 35, 201−202; XXV, Oct ’ 39, 493 music by, Apollo, and the Muse' s Musical Compositions,“ XXXIII, Jul ‘ 47, 335 SELDEN-GOTH, Gisella, ” A New Collection of Music Manuscripts in the United States,“ XXVI, Apr ’ 40, 175−185 SELECT SONGSTER, THE (Early American Songster, Chauncey Langdon, compiler), XXX, Jan ‘ 44, 51, 53 ”*Self-Portrait of the Artist as a Young Man,“ (Harold Bauer), XXIX, Apr ’ 43, 153−168 SEMBRICH, Marcella, IV, Oct ‘ 18, 614616 SENDREY, Alfred, BIBLIOGRAPHY OF JEWISH MUSIC, XXXVII, Jul ’ 51, 432−435 (Book Review by Milton Feist) Sensemaya (Symphonic poem) (Silvestre Revueltas), XXVII, Apr ‘ 41, 128, 143 September (Charles Ives), XIX, Jan ’ 33, 55−56 Seraph (John Cole, ed.), XIII, Apr ‘ 27, 236 Serenade (John Alden Carpenter), XI, Jul ’ 25, 397, 398; XV, Jan ‘ 29, 106−111 Serenade (Leo Sowerby), XXIV, Jul ’ 38, 254, 260 Serenade (Gustav Strube), XXVIII, Jul ‘ 42, 294 Serenade for Flute, Harp and Strings (Howard Hanson), XXXV, Apr ’ 49, 287 Serenade for Orchestra (Ulysses Kay), XLI, Jan ‘ 55, 78 Serenade for Quartet (Daniel Gregory Mason), XXXIV, Jan ’ 48, 51 Serenade for Strings (Arthur Bird), XXIX, Jan ‘ 43, 88 Serenade for Wind Instruments (Arthur Bird), XXIX, Jan ’ 43, 85 Serenade in G Major (Leo Sowerby), XXXIII, Jul ‘ 47, 311 Serenade No. 5 for Orchestra (Vincent Persichetti), XLI, Jan ’ 55, 77 Serenade to a Beauteous Lady (commissioned by League of Composers) (Louis Gruenberg), XXXIV, Jan ‘ 48, 10 Series of Old American Songs (S. Foster Damon), XLII, Oct ‘ 56, 457, 466 SERLY, Tibor, XXXIX, Oct ’ 53, 641, 644 SESSIONS, Roger, XXVI, Jan ‘ 40, 102; XXXVI, Apr ’ 50, 268−270; XXXVI, Oct ‘ 50, 584; XXXIX, Jan ’ 53, 28; (See also: “ Roger Sessions: Portrait of an American Composer”) list of compositions, XXXII, Apr ‘ 46, 214 music by, Duo for Violin and Piano, XXXII, Apr ’ 46, 201−202; From My Diary (Suite for Piano), XXXVIII, Jul ‘ 52, 481 (Record Review by Irving Fine); Piano Concerto, XLII, Jul ’ 56, 390; Piano Sonata, XXXII, Apr ‘ 46, 200−201; String Quartet in E Minor, XXXII, Apr ’ 46, 203−206; String Quartet No. 2, XLI, Jan ‘ 55, 94; Suite from “ The Black Maskers,” (orchestra), XXXII, Apr ’ 46, 209−211; Symphony, XXXVI, Jan ‘ 50, 94−98; XLII, Apr ’ 56, 244 article by, ‘ The Composer and His ’ Message‘,“ XXVII, Oct ’ 41, 528, 533−537 book by, HARMONIC PRACTICE, XXXVIII, Jul ‘ 52, 457−468 (Book Review by Walter Piston) Set of Four (Leo Sowerby), XXIV, Jul ’ 38, 251, 253 Set of Pieces for Theater or Chamber Orchestra (Charles Ives), XXXV, Jul ‘ 49, 458 Seven Songs for the Harpsichord or Fortepiano (Francis Hopkinson), IX, Apr ’ 23, 257 Seven Stars in My Right Hand (Negro Spiritual), XVIII, Jan ‘ 32, 72 Seven Theses (piano) (Paul Creston), XXXIV, Oct ’ 48, 533 ” 1774 Psalm Book of the Reformed Protestant Dutch Church in New York City, The“ (Carleton Sprague Smith), XXXIV, Jan ‘ 48, 84−96 SEVITZKY, Fabian, XIX, Jul ’ 33, 353 SEWALL, Judge Samuel, XXXIV Jan ‘ 48, 85 (excerpt from Diary) SEWALL, Maud G., ” Hucbald, Schoenberg and Others on Parallel Octaves and Fifths,“ XII, Apr ’ 26, 248−265 Sextet (Aaron Copland), XXXIV, Jan ‘ 48, 3; XL, Jul ’ 54, 471, 473 Sextet for Winds and Piano (Edward Burlingame Hill), XXXVI, Jul ‘ 50, 445; XL, Jul ’ 54, 472, 473 Sextet for Woodwinds, French Horn and Trumpet, Op. 73 (Joseph Achron), XXXV, Oct ‘ 49, 612−613, 615 Sextet for Woodwinds, Horn and Piano (Adolph Weiss), XXXV, Oct ’ 49, 615616 SEYMOUR, Harriet A., XXX, Oct ‘ 44, 411 116 Shadows, The (voice) (Louise Campbell Tipton), XIV, Jan '28, 147−148 SHADOWS ON THE WALL (John Hill Hewitt), XIII, Apr '27, 223; XVII, Jan '31, 35, 36, 37 Shah Feridoun, Op. 39 (Blair Fairchild), XIV, Jan ‘ 28, 149−154 Shake Your Brown Feet, Honey (See: Four Negro Songs) Shaker dances, XXIII, Oct ’ 37, 506−507 “ Shaker Songs” (Edward D. Andrews), XXIII, Oct ‘ 37, 491−508 SHANET, Howard, “ Why did J. S. Bach Transpose His Arrangements?” XXXVI, Apr ’ 50, 180−203 Shape-Note Hymns (See: Jackson, George Pullen; Seeger, Charles; also, Singing School texts) “ Shape-Note” Singing, XXVII, Jan ‘ 41, 97106 “ Shape-Note” singing-books, XXXI, Jul ’ 45, 278 SHAPERO, Harold, XXXV, Apr ‘ 49, 283 music by, Sonata No. 1 for Piano, XXXVIII, Jul ’ 52, 480 (Record Review by Irving Fine); Sonata for Piano Four Hands, XL, Jul ‘ 54 472, 474; Symphony (for Classical Orchestra) (commissioned by Koussevitzky Music Foundation), XXXIV, Apr ’ 48, 249−250; XXXV, Apr ‘ 49, 287 (first performance) SHARP, Cecil J. and CAMPBELL, Olive, FOLK-SONGS Dame, ENGLISH FROM THE SOUTHERN APPALACHIANS, XIV, Apr ’ 28, 285; XLI, Apr ‘ 55, 244, 245, 246 SHATTUCK, Arthur, VII, Jul ’ 21, 400 SHAW, Robert (Director of the Robert Shaw Chorale), XXXVIII, Apr ‘ 52, 294 SHAWN, (Thomas Hastings), XXXII, Apr ’ 46, 274 SHELLEY, Harry Rowe, XVIII, Jan ‘ 32, 87; XXXII, Apr ’ 46, 290 SHEPHERD, Arthur, XI, Apr ‘ 25, 305; XIX, Jul ’ 33, 352; XXI, Jan ‘ 35, 41 (See also: “*Arthur Shepherd”) list of compositions, XXXVI, Apr ’ 50, 175−179 portrait, XXXVI, Apr ‘ 50, Opp. 160 article by, “’ Papa‘ Goetschius in Retrospect,” XXX, Jul ’ 44, 307−318 music by, Choreographic Suite (orchestra), XXXVI, Apr ‘ 50, 173; City in the Sea (cantata with orchestra), XXXVI, Apr ’ 50, 162; Fantasia Concertante on “ The Garden Hymn” (originally for organ), XXXVI, Apr ‘ 50, 165, 166; Fantasia on Down East Spirituals (orchestra), XXXVI, Apr ’ 50, 165, 172; Fantasia Humoresque, XXI, Jan ‘ 35, 44; Festival of Youth (orches- tral overture), XXXVI, Apr ‘ 50, 162; Horizons, Symphony No. 1 (Four Western Pieces for Orchestra), (Juilliard Foundation Award), XVIII, Jan ’ 32, 12; (in four-hand piano arr. by composer), XXXVI, Apr ‘ 50, 163, 164−165, 173−174; Overture Joyeuse (orchestra), XXXVI, Apr ’ 50, 161−162; Overture to a Drama, XXXVI Apr ‘ 50, 159; Psalm XLII (chorus and orchestra), XXXVI, Apr ’ 50, 167, 172; Quartet for Piano and Strings, XXXVI, Apr ‘ 50, 171; Sonata for Violin and Piano, XXXVI; Apr ’ 50, 170−171; Sonata No. 1 for piano, XXXVI, Apr ‘ 50, 165; Sonata No. 2 for piano, XXXVI, Apr ’ 50, 166, 168, 169; Song of the Pilgrims (cantata for mixed chorus, tenor solo and orchestra), XXXVI, Apr ‘ 50, 172; Triptych (for soprano and string quartet), XXXVI, Apr ’ 50, 170; XXXVI, Jul ‘ 50, 445; XXXIX, Jul ’ 53, 496−499 (Record Review by William S. Newman) Shepherd' s Hey (Percy Grainger), XXIII, Apr ‘ 37, 129, 134 SHEPPERD, Frank N., XVIII, Jan ’ 32, 86 SHERMAN, Elna, “ Music in Thomas Hardy' s Life and Work,” XXVI, Oct ‘ 40, 419−445 SHERWOOD, William H., XVIII, Jan ’ 32, 79, 85, 100, 101; XXIII, Jan ‘ 37, 40 SHIFRIN, Seymour, Sonata for Cello and Piano, XLII, Apr ’ 56, 245 SHILKRET, Nathaniel, Prelude to Genesis (a cyclic work by Stravinsky, Castelnuovo-Tedesco, Milhaud, Toch, Tansman, and Shilkret), XXXVII, Oct ‘ 51, 480−481 Ship Carpenter, The (See: House Carpenter) Shipwrecked Mariners Preserved, The (Raynor Taylor), XXIV, Jan ’ 38, 65 Short Overture (Bernard Wagenaar), XLI, Jan ‘ 55, 79 Short Symphony (Aaron Copland), XXXI, Oct ’ 45, 423, 429, 437 Short Symphony (No. 4) (Henry Cowell), XXXV, Apr ‘ 49, 287 (first performance); XL, Apr ’ 54, 312−313 Short Symphony (Howard Swanson), XXXVII, Apr ‘ 51, 252−253 “ Shout, Coon, Shout” (John Jacob Niles), XVI, Oct ’ 30, 516−530 Sibley Music Library (Eastman School of Music), XIX, Jul ‘ 33, 342; XXXVII, Apr ’ 51, 273; XXXIX, Jan ‘ 53, 119−120; XLII, Oct ’ 56, 486 SICCARDI, Honorio, XXXIV, Jan ‘ 48, 3 Side Show (William Schuman), XXXI, Jan ’ 45, 22, 25 117 “*Sidney Lanier” (Harry Colin Thorpe), XI, Jul ‘ 25, 373−382 SIEBERT, F. Mark, book reviews, (THE HISTORY OF AMERICAN CHURCH MUSIC, by Leonard Ellinwood), XL, Jul ’ 54, 423−424; (DIE MUSIK IM OSTERFRUHEVANELISCHEN REICH, by Hans Joachim Moser), XL, Oct ‘ 54, 615−619; (PATTERNS OF PROTESTANT CHURCH MUSIC, by Robert M. Stevenson), XL, Jul ’ 54, 421−423 record reviews, (Bach: Cantata No. 63, Christen, atzet diesen Tag! Marget Opawsky, soprano; Hilde Rossl-Majdan (alto; Waldemar Kmentt, tenor; Harold Hermann, bass; Helmut Wobitsch, trumpet; Vienna State Opera Orchestra; Vienna Chamber Choir, Gielen Michael, conductor. Cantata No. 189, Meine Seele riihmt und preist. Walter Ludwig, tenor; Ilse Meinert, violin; Gustav Scheck recorder; Herman Tottcher, oboe; August Wenzinger, ‘ cello; Renate Noll, harpsichord; Fritz Lehmann, conductor. Cantata No. 53, Schlage doch, gewunschte Stunde; Cantata No. 200, Bekennen will ich seinen Namen. Hildegard Hennecke, alto; Chamber Orchestra of the Schola Cantorum Basiliensis, August Wenzinger, conductor). XXXIX, Jul ’ 53, 471−473; (Schiitz: The Christmas Story [Weihnachts Historie], German Requiem [Musicalische Exequien], Little Sacred Concerts [Kleine geistliche Concerts]) XL, Jan ‘ 54, 152−157 SIEGMEISTER, Elie, Western Suite, XXXIII, Apr ’ 47, 186 Sights and Sounds (Russell Bennett), XVIII, Jan ‘ 32, 11 SILBERT, Doris, article by “ Ambiguity in the String Quartets of Joseph Haydn,” XXXVI, Oct ’ 50, 562−573 book review by, (MUSIC AND WOMEN, by Sophie Drinker), XXXIV, Apr ‘ 48, 285−288 Les Silhouettes (John Alden Carpenter), XI, Jul ’ 25, 395 de SILVA, Gonzalo (Cuban music teacher, 1605), XXXIII, Jul ‘ 47, 366 “*Silvestre Revueltas and Musical Nationalism in Mexico” (Otto Mayer-Serra), XXVII, Apr ’ 41, 123−145 SIMON, Heinrich, “ The Clementi Manuscripts at the Library of Congress,” XXVIII, Jan ‘ 42, 105−114 SIMPSON, G. G., XXXIX, Jan ’ 53, 35 Sinfonia (Phi Mu Alpha), XXI, Jan ‘ 35, 52 Sinfonia Breve (Ernest Bloch), XL, Apr ‘ 54, 237−240 Sinfonia Concertante (Mark Wessel), XVIII, Jan ’ 32, 13 Sinfonia de Antigona (Carlos Ch Avez), XXII, Oct ‘ 36, 439, 443 Sinfonia Flamenco (Carlos Surinach), XLI, Jan ’ 55, 79; XLI, Apr ‘ 55, 223−225 Sinfonia Giocosa (Luis Emilio Mena), XXXI, Apr ’ 45, 219−220 Sinfonia in Two Parts (Leon Kirchner), (commissioned by Rodgers and Hammerstein, awarded through the League of Composers), XXXVIII, Apr ‘ 52, 287291 Sinfonia India (Carlos Ch Avez), XXII, Oct ’ 36, 439, 443 Sinfonia No. 3 (Carlos Ch Avez), XLII, Apr ‘ 56, 240−242 Sinfonia quasi una Fantasia (Jose Maria Rodriquez), XXXI, Apr ’ 45, 216 Sinfonietta (George W. Chadwick), X, Jul ‘ 24, 439 Sinfonietta (Henry Cowell), XXXVII, Oct ’ 51, 579 Sinfonietta (Charles Naginski) (commissioned by League of Composers), XXXIV, Jan ‘ 48, 10 Sinfonietta in E (Paul Hindemith), XLI, Jan ’ 55, 77 “ Sinful Songs' of the Southern Negro” (John A. Lomax), XX, Apr ’ 34, 177187 Sing Me a Song of a Lad That is Gone (Sidney Homer), XI, Jul ‘ 25, 386 SINGER, Jacques, XXXI, Apr ’ 45, 148 Singer' s Wish, The (William Arms Fisher), XI, Jul ‘ 25, 385 “ Singing Families” in the United States (See: the Hutchinsons; the “ Tyrolese Family Rainer” Father Kemp' s “ Old Folks” the Baker Family), XXXII, Jan ’ 46, 63−79 Singing Girl of Shan, The (Alice Barnett), XI, Jul ‘ 25, 400 SINGING MASTER' S ASSISTANT, THE (“ Billings' Best”), XVI, Apr ’ 30, 228; XXV, Oct ‘ 39, 482 Singing-Schools, XIX, Oct ’ 33, 393−400; XXII, Apr ‘ 36, 155; XXIX, Jan ’ 43, 78−79 Sioux Healing Song (Indian Tribal Air), XIII, Oct ‘ 27, 562 Sioux Indian song, Song of the Sun Dance, XVII, Oct ’ 31, 468 SISSLE, Noble, XXXI, Apr ‘ 45, 144 Six Psalms for Chorus (a cappella) and Soli (Blair Fairchild), XIV, Jan ’ 28, 149−154 118 SKETCHES OF PRINTERS AND PRINTING IN COLONIAL NEW YORK (Charles Swift Richie Hildeburn), XXIV, Oct '38, 481 Skyscrapers (John Alden Carpenter), XV, Oct '29, 621; XVI, Oct '30, 444, 446, 447, 453, 454, 464−465, 466; XIX, Jul '33, 356−357 SLAVE SONGS OF THE UNITED Antonova, contralto; other singers, chorus and orchestra of the Moscow Bolshoy Theater, Alexander Melik Pashayev, conductor), XXXIX, Oct '53, 645−648; (Janacek:Slavonic Mass. Brno Radio Orchestra, Moravian Mixed Chorus, B. Bakala, cond.), XL, Apr '54, 305−306; (Kabalevsky: Concerto for Oistrakh, violin, State Orchestraof the USSR, Kabalevsky, conductor; Khren Violin and Orchestra, Op. 48. David STATES (William Francis Allen), IV, Jan '18, 31; IV, Jul '18, 328−329; XII, Apr '26, 307; XVI, Jul '30, 378; XLII, Oct '56, 466, 467 SLEEPER, Helen Joy, ed., JOHN JENKINS (1592−1678), FANCIES AND AYRES, XXXVIII, Apr ‘ 52, 322−325 (Book Review by Stephen D. Tuttle) SLEPIAN, Dorothy,“ Polyphonic Forms and Devices in Modern American Music,” XXXIII, Jul ’ 47, 311−326 SLONIMSKY, Nicolas, XIX, Jan ‘ 33, 51, 353; XXI, Jan ’ 35, 67; XXXVI, Oct ‘ 50, 485; XXXVII, Oct ’ 51, 487; XLII, Jan ‘ 56, 40 articles by, “ Chopiniana: Some Materials for a Biography,” XXXIV, Oct ’ 48, 467−486; “ Dimitri Dimitrievitch Shostakovitch,” XXVIII, Oct ‘ 42, 415444; “ Further Light on Tschaikowsky,” XXIV, Apr ’ 38, 139−146; “*Roy Harris,” XXXIII, Jan ‘ 47, 17−36 books by, MUSIC OF LATIN AMER- book reviews by, (RUSSIAN MUSIC FROM THE BEGINNING OF THE NINETEENTH CENTURY, by B. V. ICA, XXXII, Jan '46, 140−143 (Book Review by Gilbert Chase); MUSIC SINCE 1900, XXIV, Apr '38, 219−225; XXXVI, Jul '50, 463−464 (Book Review by Nathan Broder) 145−148; (Rimsky-Korsakoff: The May Night. Soloist, Chorus and orchestra of the Moscow Bolshoy Theater, Vasily Nebolsin, cond.), XLI, Jul '55, 409−410; piano and string quartet. Hollywood String Quartet; Victor Aller, piano), XXXIX, Jul '53, 499; Shostakovitch: (Shostakovitch: Quintet, Op. 57, for phony No. 7, Op. 131; On Guard For Peace; Winter Holiday, Op. 122. Peyko, Nicolai: Moldavian suite), XL, Jan '54, from incidental music for Shakespeare' s comedy. State Orchestraof the USSR, Stassevich, conductor), XXXIX, Jul '53, 490−492; (Khatchaturian: Symphony No. 2. National Philharmonic Orchestra, Khatchaturian, cond.), XLI, Apr '55, 267−268; (Mussorgsky: The Marriage. Nicolas Agroff, bass; Charlotte Desmazures, contralto; Jean Mollien, tenor; Alexander Popoviztky, bass; L' Orchestre Radio Symphonique de Paris, Ren6 Liebowitz, cond.), XLI, Apr '55, 271−272; (Prokofiev: Sym- nikov: Much Ado About Nothing, suite Asaf' ev (Igor Glebov), translated by Alfred J. Swan), XL, Jul '54, 425−430; (THE SCHILLINGER SYSTEM OF MUSICAL COMPOSITION, by Joseph Schillinger), XXXII, Jul '46, 465−470 record reviews by, (Borodin:Prince Igor. A. Ivanov, baritone; E. Smolenskaya, soprano; S. Lemeshev, tenor; A. Pirogov, bass-baritone; M. Reizen, bass; other singers, chorus and orchestra of the Moscow Bolshoy Theater, A. Malik Pashayev, conductor), XXXIX, Jul '53, 481−483; (Dvorak: The Golden Spinning Wheel, Op. 109; The Midday Witch, Op. 108; Waltzes, Op. 54, Nos. 1 and 4. Czech Philharmonic Orchestra and Prague Soloists Orchestra, V. Talich, cond.), XL, Apr '54, 299−300; Mikhailov, bass; Tatiana Shpieler, soprano; George Nelepp, tenor; Elena (Glinka: A Life for the Czar. Maxim for Children' s Choir, Mixed Choir, Soloists, and Orchestra. Combined Choirs and State Orchestraof the USSR, Eugene Mravinsky, conductor), XXXVIII, Jul ‘ 52, 492−495; (Tschaikowsky:Mazeppa. Soloists, Chorus and orchestra of the Moscow Bolshoy Theater, Vasily Nebolsin, cond.), XLII, Jan ’ 56, 128129 Slumber Song (John Alden Carpenter), XI, Jul ‘ 25, 397 SMALL, Herbert F., “ On Opera,” IV, Jan ’ 18, 37−49 SMALLENS, Alexander, XXVI, Jan ‘ 40, 108 SMITH, C. Alphonso, III, Jul ’ 17, 364; XIV, Apr ‘ 28, 292 article by, “ Ballads Surviving in the United States,” II, Jan ’ 16, 109−129; XIV, Apr ‘ 28, 284 SMITH, Carleton Sprague, XX, Jan ’ 34, 61; XXXI, Apr ‘ 45, 264; XLII, Oct ’ 56, 486 articles by, “ Haydn' s Chamber Music and the Flute” Part I: XIX, Jul ‘ 33, 341- Song of the Forests, Op. 81, Oratorio 119 350; Part II: XIX, Oct ‘ 33, 434−455; “ The 1774 Psalm Book of the Reformed Protestant Dutch Church in New York City,” XXXIV, Jan ’ 48, 8496 SMITH, Cecil, book review (LETTERS OF COMPOSERS, AN ANTHOLOGY, by Gertrude Norman and Mirriam Lubell Schrifte), XXXII, Oct ‘ 46, 616−618 SMITH, Charles Edward, XXVII, Jan ’ 41, 50 SMITH, David Stanley, IX, Jan ‘ 23, 123; X, Oct ’ 24, 581; (See also: “*David Stanley Smith”) list of compositions, XXVIII, Jan ‘ 42, 7477 portrait, XXVIII, Jan ’ 42, Opp. 64 music by, Merrymount (opera), XXVIII, Jan ‘ 42, 73−74; XXXI, Jan ’ 45, 109110; Overture: Prince Hal, XXVIII, Jan ‘ 42, 72; Piano Quintet in E-flat, XXVIII, Jan ’ 42, 71; Prelude, Choral and Fugue (organ and orchestra), XXVIII, Jan ‘ 42, 64; Sonata for Piano, in A-Flat, Op. 61, XXVIII, Jan ’ 42, 70−71; Sonata for Violin, XXVIII, Jan ‘ 42, 71; Sonata for Violoncello, XXVIII, Jan ’ 42, 71; Sonata Pastorale for Oboe and Piano, XXVIII, Jan ‘ 42, 71; String Quartet No. 3, in C., Op. 46, XXVIII, Jan ’ 42, 68−69; String Quartet No. 4, in E-Flat, Op. 57, XXVIII, Jan ‘ 42, 69; String Quartet No. 6, in C, Op. 71, XXVIII, Jan ’ 42, 69; String Quartet No. 8, XXVIII, Jan ‘ 42, 66, 70 article by, “ A Study of Horatio Parker,” XVI, Apr ’ 30, 153−169 SMITH, Elihu Hubbard (librettist), XVIII, Jan ‘ 32, 161 SMITH, George H. L., Current Chronicle (Cleveland, Ohio), XXXIV, Jul ’ 48, 405−407 SMITH, Gerrit, XVIII, Jan ‘ 32, 85, 86, 95, 96, 97; XXXII, Apr ’ 46, 289, 290 portrait XVIII, Jan ‘ 32, Opp. 91 SMITH, H. Augustine, LYRIC RELIGION: THE ROMANCE OF IMMORTAL HYMNS, XXVI, Jul ’ 40, 364 SMITH, Reed, II, Jan ‘ 16, 110 book by, THE TRADITIONAL BALLAD AND ITS SOUTH CAROLINA SURVIVALS, XIV, Apr ’ 28, 285 SMITH, William and LITTLE, William, THE EASY INSTRUCTOR, OR A NEW METHOD OF TEACHING SACRED HARMONY, XIX, Oct ‘ 33, 394; XXIII, Jan ’ 37, 89 SMITH, Wilson G., XVIII, Jan ‘ 32, 78, 84, 87 Smith College Music Archives (Northhampton, Mass.), XXVII, Jul ’ 41, 274, 389 Smithsonian Institution (Washington, D.C.), XII, Apr ‘ 26, 250; XIII, Oct ’ 27, 556 SOCIAL HARP (Singing-School text, John G. Mc Curry, ed.), XIX, Oct ‘ 33, 396; XXII, Apr ’ 36, 162, 166, 168; XXVI, Oct ‘ 40, 483 SOCIAL HYMNS (Philadelphia, 1865), XXII, Apr ’ 36, 162 Sociedad de Compositores y Autores Dominicanos, XXXI, Apr ‘ 45, 224 Sociedad Filharm6nica (Dominican Republic, XXXI, Apr ’ 45, 213 Society for Music in the Liberal Arts College, XXXIX, Apr ‘ 53, 241 Society for the Publication of American Music, IX, Jan ’ 23, 143; XXXIV, Jan ‘ 48, 53; XXXVI, Apr ’ 50, 170; XXXIX, Jul ‘ 53, 496 Society of American Singers, VI, Jan ’ 20, 10 Society of the Friends of Music (NYC), VII, Jan ‘ 21, 33; XVIII, Jan ’ 32, 4 SOJO, Pedro Palacios y, XXIX, Apr ‘ 43, 200−201 SOKOLOFF, Nikolai, XXVI, Jan ’ 40, 102; XXXVI, Apr ‘ 50, 162 article by, “ Symphonic Music in Soviet Russia,” XVII, Apr ’ 31, 219−226 Soldier, The (Arthur Foote), XI, Jul ‘ 25, 383−384 Soldier' s Joy (fiddle tune), XVI, Apr ’ 30, 174 A Solemn Music (concert band) (Virgil Thomson), XXXV, Oct ‘ 49, 619−622; XXXVI, Oct ’ 50, 594; XLI, Jul ‘ 55, 407−408 SOLER, Alfredo Maximo, XXXI, Apr ’ 45, 216 Soliloquy (Roy Harris), XXV, Jul ‘ 39, 379 Soliloquy for Flute and Strings (Bernard Rogers), XXXIII, Apr ’ 47, 210, 212, 214 “ Solo Violin Sonata of the Bologna School, The,” (Henry G. Mishkin), XXIX, Jan ‘ 43, 92 Solomon and Balkis (radio opera, commissioned by League of Composers) (Randall Thompson), XXXIV, Jan ’ 48, 1011; XXXV, Jan ‘ 49, 21−23 Solstice (dance drama) (Lou Harrison), XXXVI, Jul ’ 50, 452 “ Some Aspects of Musical Beauty and its Appeal to Children” (Will Earhart), XI, Apr ‘ 25, 248−260 “ Some Aspects of the Revival of Bach” (Donald Mintz), XL, Apr ’ 54, 201−221 “ Some Comments on Musical Notation” (Philip Keppler, Jr.), XLII, Oct ‘ 56, 473−485 “ Some Guesses About Yankee Doodle” (Frank Kidson), III, Jan ’ 17, 98−103 120 “ Some Rhythmic Practices in Contemporary Music” (Arnold Elston), XLII, Jul ‘ 56, 318−329 SOMERS, Harry, XLII, Jan ’ 56, 113 Sonata Concertante, (Leon Kirchner), XLII, Apr ‘ 56, 245 Sonata da Chiesa (Sonata for the Church) (Virgil Thomson), XXXV, Apr ’ 49, 211−214 Sonata Eroica (Edward Mac Dowell), XI, Apr ‘ 25, 308 Sonata for Bassoon and Piano (Halsey Stevens), XL, Jan ’ 54, 57−58 Sonata for Clarinet and Piano (Paul Hindemith), XXXVIII, Jul ‘ 52, 487−489 (Record Review by Richard F. Goldman) Sonata for Clarinet (or vln.), and Piano, Op. 14 (Daniel Gregory Mason), XXXIV, Jan ’ 48, 52−53 Sonata for Flute and Piano (Walter Piston), XXXII, Jul ‘ 46, 361−362 Sonata for Four Hands (Paul Hindemith), XXXIX, Oct ’ 53, 654−655 (Record Review by Lawrence Morton) Sonata for Piano (William Flanagan), XXXVIII, Jul ‘ 52, 481 (Record Review by Irving Fine) Sonata for Piano (Alberto Ginastera) (commissioned by Carnegie Institute, Pittsburgh, Pa.), XXXIX, Oc ’ 53, 613, 616 Sonata for Piano, in A-Flat, Op. 61 (David Stanley Smith), XXVIII, Jan ‘ 42, 70−71 Sonata for Piano and Percussion (Peggy Glanville-Hicks), XLI, Oct ’ 55, 551, 554 Sonata for Piano and Violin (John Alden Carpenter), XVI, Oct ‘ 30, 457 Sonata for Piano Four Hands (Harold Shapero), XL, Jul ’ 54, 472, 474 Sonata for Saxophone and Piano, Op. 19 (Paul Creston), XLI, Oct ‘ 55, 551, 553 Sonata for Viola and Piano (Jacques de Menasce), XLI, Jul ’ 55, 373−376 Sonata for Viola and Piano (Halsey Stevens), XXXVI, Oct ‘ 50, 588−589 Sonata for Violin (David Stanley Smith), XXVIII, Jan ’ 42, 71 Sonata for Violin and Piano, Op. 43 (Blair Fairchild), XIV, Jan ‘ 28, 149−154 Sonata for Violin and Piano (Roy Harris), XL, Jul ’ 54, 472, 473 Sonata for Violin and Piano (Walter Piston), XXXII, Jul ‘ 46, 369 Sonata for Violin and Piano (Arthur Shepherd), XXXVI, Apr ’ 50, 170−171 Sonata for Violin and Piano (Gustav Strube), XI, Apr ‘ 25, 308 Sonata for Violoncello (David Stanley Smith), XXVIII, Jan ’ 42, 71 Sonata for Violoncello and Piano (Elliott Carter), XXXVII, Jan '51, 83, 87−89; XLI, Oct '55, 521 Sonata for Violoncello and Piano (Seymour Shifrin), XLII, Apr '56, 245 Sonata Heroic (piano) (Louis Campbell Tipton), XIV, Jan '28, 147−148 Sonata in C Minor (Randall Thompson), XXXV, Jan '49, 2 Sonata No. 1 for Piano (Harold Shapero), XXXVIII, Jul '52, 480 (Record Review by Irving Fine) Sonata No. I for Violin and Piano (Henry Cowell), XL, Jul '54, 472, 475 Sonata No. I for Violin and Piano (Charles Ives), XXXIX, Apr '53, 323−325 (Record Review by Henry Cowell) Sonata No. 2 for Piano (Arthur Shepherd), XXXVI, Apr '50, 166, 168, 169 Sonata No. 2 for Violin and Piano (George Antheil), XXXIX, Jan '53, 141−142 (Record Review by Vincent Persichetti) Sonata No. 3 for Violin and Piano (Charles Ives), XXXIX, Apr '53, 323−325 (Record Review by Henry Cowell) Sonata No. 3 (piano) (Carlos Chavez), XXII, Oct '36, 439, 442 Sonata No. 4 (piano) (Ernst Krenek), XXXIX, Jan '53, 141−142 (Record Review by Vincent Persichetti) Sonata Pastorale for Oboe and Piano (David Stanley Smith), XXVIII, Jan '42, 71 Sonatas Nos. 1 and 3 for Violin and Piano (Charles Ives), XXXIX, Apr '53, 323325 (Record Review by Henry Cowell) Sonatina for Violin and Harpsichord (Walter Piston), XXXII, Jul '46, 361−362, 372; XL, Jul '54, 472, 474 Sonatina for Violin and Piano (Wallingford Riegger), XXXVI, Jan '50, 52 Sonatinas (Carlos Ch Avez), XXII, Oct '36, 442 Song: For the Glorious Fourteenth of July (See also: COLUMBIAN SONGSTER), XXIII, Apr '37, 198 Song Cycle (setting of 12 poems by Emily Dickinson) (Aaron Copland), XXXVI, Jul '50, 453 Song for Occupations, A (Roy Harris), XXXI, Jan '45, 108, 109; XXXIV, Jan '48, 10 Song is so Old (Charles Repper), XI, Jul '25, 417 Song is so Old (Wintter Watts), XI, Jul '25, 392 Song of Aksiatak (Eskimo song), VIII, Jul '22, 380 Song of Anguish (solo cantata with orchestra (Lukas Foss), XXXVI, Jul '50, 441443 121 Song of Promise (John Knowles Paine), XXV, Jul ‘ 39, 264 Song of Songs (solo cantata with orchestra) (commissioned by Kulas Foundation through League of Composers) (Lukas Foss), XXXIV, Jan ’ 48, 10; XXXV, Apr ‘ 49, 287; XXXVI, Jul ’ 50, 441 Song of the Deer-Dance (Yaqui Indian Song), XVII, Oct ‘ 31, 471 Song of the Hand-Game (Pawnee Tribal air), XVII, Oct ’ 31, 477 Song of the Hand-Game (Ute Tribal air), XVII, Oct ‘ 31, 477 Song of the Nightingale, The (Bernard Rogers), XXXIII, Apr ’ 47, 215, 218 Song of the Open (Frank La Forge), XI, Jul ‘ 25, 416 Song of the Panthan Girl (Frederick Ayres), XI, Jul ’ 25, 414 Song of the Pilgrims (cantata for mixed chorus, tenor solo and orchestra), (Arthur Shepherd), XXXVI, Apr ‘ 50, 172 Song of the Sea (Frederick Converse), XXXI, Jan ’ 45, 114 Song of the Sun Dance (Sioux Indian Song), XVII, Oct ‘ 31, 468 Song Slides, XV, Apr ’ 29, 282 Song to German Words (Charles Ives), XIX, Jan ‘ 33, 53 Song to Musique (Albert Spalding), XI, Jul ’ 25, 413−414 Song to Rossetti (Charles Ives), XIX, Jan ‘ 33, 53 Songs: (of Schoenberg), Op. 2, Nos. 1, 2, 3, 4; Op. 3, Nos. 4, 6; Op. 6, Nos. 1−8; Op. 14, Nos. 1, 2, XXXIX, Apr ’ 53, 339−340 (Record Review by Richard F. Goldman) Songs for the Daughter of Jeptha (women' s chorus and chamber orchestra) (Eric Zeisl), XXXVI, Oct ‘ 50, 585−586 Songs from the Chinese (Blair Fairchild), XIV, Jan ’ 28, 149−154 SONGS FROM THE HILLS OF VERMONT (Edith B. Sturgis and Robert Hughes), XIV, Apr ‘ 28, 286 Songs of an American Peddler (Templeton Strong), XIV, Jan ’ 28, 145−147 “ Songs of Charles T. Griffes” (William Treat Upton), IX, Jul ‘ 23, 314−328 SONGS OF THE CHURCH (Thomas Hastings), XXXII, Apr ’ 46, 274 Songs of the Countryside (chorus and small orchestra with soprano and baritone soli) (Daniel Gregory Mason), XXXIV, Jan ‘ 48, 56 Songs My Mother Taught Me (Charles Ives), XIX, Jan ’ 33, 52 “ Songsters,” XXX, Jan ‘ 44, 51 122 SONNECK, Oscar G. (1873−1928) (Chief of Music Division, Library of Congress; Editor of The Musical Quarterly, Jan 1915-Oct 1928), III, Oct ‘ 17, 497, 629; VI, Jan ’ 20, 71; VII, Oct ‘ 21, 540; VIII, Apr ’ 22, 306; X, Oct ‘ 24, 594; XI, Jul ’ 25, 386; XII, Apr ‘ 26 161−162, 163; XIII, Apr ’ 27, 217, 233; XIV, Apr ‘ 28, 299−300, 305; XVII, Jan ’ 31, 25, 27; XVII, Apr ‘ 31, 272; XVIII, Jan ’ 32, 140, 144, 151; XVIII, Apr ‘ 32, 309, 310, 311, 318, 322, 323, 333; XIX, Jan ’ 33, 112; XXI, Jan ‘ 35, 78; XXI, Apr ’ 35, 195, 196; XXI, Jul ‘ 35, 369; XXIII, Jan ’ 37, 18, 22, 89; XXIII, Apr ‘ 37, 198199; XXIV, Jan ’ 38, 58, 101; XXIV, Apr ‘ 38, 222; XXV, Oct ’ 39, 493−494; XXVI, Apr ‘ 40, 167; XXIX, Jul ’ 43, 361, 362; XXX, Jan ‘ 44, 68−73, 75, 76, 81; XXX, Apr ’ 44, 237; XXX, Jul ‘ 44, 252; XXXI, Apr ’ 45, 137; (See also: “*Oscar G. Sonneck”) funeral services of, XV, Jan ‘ 29, 1−5 portraits, XV, Jan ’ 29, Opp. 1; XXV, Jan ‘ 39, Opp. 2 birthplace, (illustration), XIX, Oct ’ 53, Opp. 456 music by, Studies in Song, Op. 19, XI, Apr ‘ 25, 306; XI, Jul ’ 25, 413; To a Golden-Haired Girl, XI, Jul ‘ 25, 413; To Helen, XI, Jul ’ 25, 412; XV, Jan ‘ 29, 111−116 articles by, “ After Ten Years,” X, Oct ’ 24, 459−462; “ The American Composer and the American Music Publisher,” IX, Jan ‘ 23, 122−144; “ Beethoven to Diabelli: A Letter and a Protest,” XIII, Apr ’ 27, 294−316; “ The Future of Musicology,” XV, Jul ‘ 29, 317−321; “ Heinrich Heine' s Musical Feuilltons” Part I: VIII, Jan ’ 22, 119−159; Part II: VIII, Apr ‘ 22, 273−296; Part III: VIII, Jul ’ 22, 435−468; “ Liszt' s Huldigungs Marsch and Weimar' s Volkslied,” IV, Jan ‘ 18, 61−73; XXII, Jul ’ 36, 326−338; “ Modernists, Classics and Immortality in Music,” XI, Oct ‘ 25, 572−590; “ 99 Pacific Avenue or, In Search of a Birthplace,” XIX, Oct ’ 33, 456−465 books by, BEETHOVEN: IMPRESSIONS OF CONTEMPORARIES, XV, Apr ‘ 29, 302; BEETHOVEN LETTERS IN AMERICA, XXVIII, Oct ’ 42, 463; A BIBLIOGRAPHY OF EARLY AMERICAN SONG. Revised and enlarged by William Treat Upton, XXXI, Oct ‘ 45, 536−538 (Book Review by John Tasker Howard); A BIBLIOGRAPHY OF EARLY SECULAR AMERICAN MUSIC, XXXI, Oct ’ 45, 536−537; EARLY CONCERT LIFE IN AMER- ICA, VI, Jan '20, 73; XIX, Jan '33, 16; XXI, Apr '35, 193; XXXI, Oct '45, 536; EARLY OPERA IN AMERICA, VI, Jan '20, 79; XVIII, Jan '32, 158, 159; XXXI, Oct '45, 536; FRANCIS HOPKINSON AND JAMES LYON, XXXI, Oct '45, 536; OPERA LIBRETTOS PRINTED BEFORE 1800, XXIX, Oct '43, 521; REPORT ON THE STAR SPANGLED BANNER, HAIL COLUMBIA, AMERICA, AND YANKEE SPALDING, Albert, XI, Apr '25, 309 music by, Cherrie Ripe, XI, Jul '25, 413414; The Rock of Rubies, XI, Jul '25, 413−414; Song to Musique, XI, Jul '25, 413−414; String Quartet, XXXIII, Jan '47, 136; To Daffodils, XI, Jul '25, 413- book by, THE ART OF ENJOYING MUSIC, XX, Jan '34, 122−123 DOODLE, III, Jan ‘ 17, 98, 100; XX, Jul ’ 34, 266 Sonneck Memorial Fellowship, XVIII, Apr ‘ 32, 327 Jul ’ 25, 410 “ Sound and Its Uses” (Arthur Elson), IV, Apr ‘ 18, 250−267 Sorrow of Mydath (Charles T. Griffes), XI, 414 SPALDING, Walter Raymond, XXI, Jan ‘ 35, 47; XXIII, Jan ’ 37, 43; XXV, Jul ‘ 39, 266 article by, “ The War in its Relation to American Music,” IV, Jan ’ 18, 1−11 book by, MUSIC AT HARVARD, XXII, Jan '36, 111−113 South Carolina Gazette, VII, Oct '21, 540; SOUTHERN HARMONY '17, 383; IV, Apr '18, 301 SOUSA, John Philip, XVIII, Jan '32, 95; XXI, Jan '35, 50 XXII, Apr '36, 173 (Colonial concert notices) text) (William Walker), XIX, Oct '33, 396; XXII, Apr '36, 167; XXVI, Oct '40, 483, 485, 487 (Singing-school Sourwood Mountain (Folk Ballad), III, Jul Spanish Earth (film music) (Virgil Thomson), XXXV, Jan '49, 116 SPARKS, Edward H., current chronicle, San Francisco, XLI, Apr '55, 229−233 record review by (Worksof Monteverdi, J. S. Bach, Weelkes, Gesualdo, Vol. 1; Works of Perotin, Dufay, Palestrina, Lassus, Handl, G. Gabrieli, Vol 2; Monteverdi: Messa a quatro Voci da Cappella, (1651); Lassus: Psaumes de la Pdnitence a cinq Voix), XLI, Jan '55, 126−129 Sparrow Song (Eskimosong), VIII, Jul '22, 378 SPEAKS, Oley, When the Southern Meredith Dietz, ed.), XXVIII, Oct '42, 393 Souvenir de Porto Rico Literary Messenger, The (F. SPECK, Frank G., XLII, Oct '56, 523, 526 Home, VI, Jan '20, 9 Piano Boys Come Gottschalk), XXXI, Jul ‘ 45, 357, 360 SOWERBY, Leo, VII, Jul ’ 21, 305; IX, Jan ‘ 23, 123, 132; XXIV, Jan ’ 38, 26, 2930 (on modern art-song); XXXII, Apr ‘ 46, 292; XXXIII, Jul ’ 47, 317; (See also: “*Leo Sowerby”) list of compositions, XXIV, Jul ‘ 38, 261264 portrait, XXIV, Jul ’ 38, Opp. 254 music by, Comes Autumn Time (over Overture, All on a Summer' s Day, XLI, Jan '55, 79; Passacaglia, Interlude (Louis Moreau SPEER, Klaus, record review (Bach, C.P.E.: Schnabel, piano; Vienna Philharmonia Orchestra, F. Charles Adler, conductor. Trio Concerto in D Major. Violin and Helen Camillo Wanausek, flute; Walter Schneiderhan, violin; Helen Schnabel, piano), XL, Oct '54, 620−622 SPELMAN, Timothy Mather, XIV, Jan '28, 144−145 SPELL, Lota M., “ The First Music-Books 54 for Flute, Piano. ture), XXIV, Jul '38, 252, 254, 258; and Fugue, XXIV, Jul '38, 256; G Major (string quartet), XXIV, Jul '38, 254, 260; XXXIII, Jul '47, 311; Set of Four (suite for orchestra), XXIV, Printed in America,“ XV, Jan ‘ 29, 50- Praire, XVIII, Jan '32, 13; Serenade in SPIER, H. Reginald, A Clear Midnight, SPENCER, Vernon, XI, Apr '25, 306 Jul '38, 251, 253; String Quartet, XVIII, Jan '32, 13; Suite for Organ, XXXIII, Jul '47, 315; Symphony for Organ, XXXIII, Jul '47, 317−318; Symphony in B, XXXV, Apr '49, 287 (first Spirit Flower, A (Louis Campbell Tipton), XIV, Jan '28, 147−148 Spirit Haunts the Year' s Last Hours, A 409 SPIRITUAL FOLK-SONGS OF EARLY XV, Jan '29, 102−105 SPINDEN, H. J., XXXVII, Jul '51, 369 SPINOSA, Antonia, XV, Jan '29, 52 (Charles Martin Loeffler), XI, Jul 25' performance) SPAETH, Sigmund, VIII, Jul '22, 361 '15, 291−298 AMERICA (George Pullen Jackson), XXVI, Oct '40, 483 '36, 155 article by, “ Translatingto Music,” I, Apr XXII, Apr “ Spiritualsongs” (c. 1800−1865), 123 SPIRITUAL SONGS FOR SOCIAL WORSHIP (Lowell Mason and Thomas Hastings), XXXII, Apr ‘ 46, 273 Spirituals (string choir and orchestra) (Morton Gould), XXXV, Apr ’ 49, 286 SPIVACKE, Harold (Chief of Music Division, Library of Congress), XXXI, Apr ‘ 45, 144; XXXII, Apr ’ 46, 303; XXXIX, Jan ‘ 53, 2 book review by, (CATALOGUE OF MUSIC IN THE HUNTINGTON LIBRARY, by Edythe N. Backus), XXXV, Oct ’ 49, 640−642 Spoon River (Percy Grainger), XXIII, Apr 37, 131 Sprig of Rosemary, A (Carl Engel), XI, Jul ‘ 25, 411−412 Spring Sadness (Henry S. Gerstle), XI, Jul ’ 25, 417 “ Spring” Symphony (John Knowles Paine), VI, Apr ‘ 20, 234 SPRINGFIELD COLLECTION (Solomon Warriner), XXXII, Apr ’ 46, 268, 273 Stabat Mater for Soprano and String Quartet (Virgil Thomson), XL, Jul ‘ 54, 471, 475 STAMMERS, Edward, XXIII, Jan ’ 37, 90, 91, 97 STANLEY, Albert A., XV, Jul ‘ 29, 317 Stanley String Quartet (University of Michigan), XLI, Oct ’ 55, 511 STARKE, Aubrey, H., “ Sidney Lanier as a Musician,” XX, Oct ‘ 34, 384−400 Star Spangled Banner (National Air) (Francis Scott Key), XIV, Jan ’ 28, 73, 300; XVIII, Jan ‘ 32, 152, 153, 155, 156; XX, Jul ’ 34, 261; XXIII, Apr ‘ 37, 198−200 Star Spangled Banner (setting by James Hewitt) (in Boston Public Library), XVII, Jan ’ 31, ‘ 28 STATE OF MUSIC, THE (Virgil Thomson), XXXV, Apr ’ 49, 210 Statements (commissioned by League of Composers) (Aaron Copland), XXXIV, Jan ‘ 48, 10 Steal Away to Jesus (Negro Spiritual), XVIII, Jan ’ 32, 68 STEARNS, Theodore, XXIV, Jan ‘ 38, 14 (on modern art-song) STEBBINS, George E. (See: “ Gospel Hymns”) STEEB, Olga, XXXVII, Oct ’ 51, 471 STEIGMAN, B. M., “ Nicht Mehr Tristan,” VII, Jan ‘ 21, 57 STEIN, Leon, Hassidic Dances, XLII, Jul ’ 56, 423−425 (record review by Edward T. Cone) STEIN, Leonard, XXXVII, Oct ‘ 51, 473, 478 STEINBERG, William, XXXVIII, Apr ’ 52, 301; XLI, Jul ‘ 55, 367 124 STEINERT, Alexander Jr., music by, Footsteps in the Sand, XI, Jul ‘ 25, 413; My Lady of Clouds, XI, Jul ’ 25, 413 Steinert Hall (Boston, Mass.), I, Jan ‘ 15, 27; XXX, Jul ’ 44, 311 STEINHARDT, Milton, book review POLYPHONIAE (MONUMENTA LITURGICAE, Series I, Vol. II, fasc. 1, 2, and 4. Ed. by Laurence Feininger), XLII, Oct ‘ 56, 546−549 STEINWAY, Theodore, XXXI, Apr ’ 45, 175 Steinway and Sons, XVIII, Jan ‘ 32, 96 Steinway Hall (on Fourteenth St., NYC), VI, Apr ’ 20, 231−233; XXXI, Apr ‘ 45, 175 STEPHEN FOSTER, AMERICA' S TROUBADOUR (John Tasker Howard), XX, Apr ’ 34, 255; XXII, Apr ‘ 36, 161 “ Stephen Foster and ’ Gregory Walker‘” (Otto Gombosi), XXX, Apr ’ 44, 133146 “ Stephen Foster and His Publishers” (John Tasker Howard), XX, Jan ‘ 34, 77−95 “ Stephen Foster' s Debt to American Folk Song” IGeorge Pullen Jackson), XXII, Apr ’ 36, 154−169 STERN, Isaac, XXXVI, Apr ‘ 50, 279 STERNBERG, Constantin, XVIII, Jan ’ 32, 80, 91 STERNFELD, Frederick W., articles by, “*Copland as a Film Composer,” XXXVII, Apr ‘ 51, 161−175; “ The Melodic Sources of Mozart' s Most Popular Lied,” XLII, Apr ’ 56, 213−222; “ The Musical Springs of Goethe' s Poetry,” XXXV, Oct ‘ 49, 511−527; “ Music and the Feature Films,” XXXIII, Oct ’ 47, 517−532 book by, GOETHE AND MUSIC, XLII, Jan ‘ 56, 105−107 (book review by Siegmund Levarie) book reviews by, (FELIX MENDELSSOHN LETTERS, by G. Selden-Goth, ed), XXXI, Oct ’ 45, 540−543; (FRANZ SCHUBERT: THE ARIEL OF MUSIC, by Robert Haven Schauffler), XXXVI, Jan ‘ 50, 138−141; (MUSIC AND SOCIETY: England and the European Tradition, by Wilfred Mellers), XXXIII, Apr ’ 47, 267−270; (MUSIC IN THE ROMANTIC ERA, by Alfred Einstein), XXXIII, Oct ‘ 47, 570575; (THE MUSIC OF SCHUBERT, Gerald Abraham, ed.), XXXIII, Jul ’ 47, 416−419 current chronicles by, New York, XXXV, Jan ‘ 49, 115−121; Apr ’ 50, 274−276 record reviews by, (Copland: Our Town, Music from the Film Score; Thomson: The Plough That Broke the Plains, Orchestra Suite from the Film Score. Little Orchestra Society, Thomas Scherman, conductor), XXXIX, Apr ‘ 53, 307310 STETSON, R. H., “ The Teaching of Rhythm,” IX, Apr ’ 23, 181−190 STEUERMANN, Clara Silvers, XXXVII, Oct ‘ 51, 478 STEVENS, Denis, book review, (THOMAS TOMKINS - KEYBOARD MUSIC, Musica Britannica V, Stephen Tuttle, editor and transcriber), XLII, Jul ’ 56, 402−407 record review, (Torelli: Twelve Concerti, Op. 8. Reinhold Barchet, Willi Beh, violins; Helma Elsner, harpsichord; Pro Musica String Orchestra, Stuttgart, Rolf Reinhardt, cond. Twelve Concerti Grossi, Op. 8. Louis Kaufman, George Ales, violins; Roger Albin, ‘ cello; Ruggero Gerlin, harpsichord; Ensemble Orchestral de L' Oiseau-Lyre, Louis Kaufman, conductor), XLII, Jan ’ 56, 129−133 STEVENS, Halsey, music by, Like as the Culver on the Bared Bough, XLII, Jan ‘ 56, 87, 88; Sonata for Bassoon and Piano, XL, Jan ’ 54, 57−58; Sonata for Viola and Piano, XXXVI, Oct ‘ 50, 588589; Triskelion, XLI, Jan ’ 55, 79 STEVENSON, Robert, articles by, “ John Marbeck' s ‘ Noted Booke’ of 1550,” XXXVII, Apr ‘ 51, 220−233; “’ The Rivals‘-Hawkins, Burney and Boswell,” XXXVI, Jan ’ 50, 67−82 books by, MUSIC IN MEXICO. A Historical Survey, XXXIX, Oct ‘ 53, 638640 (book review by Jesus Bal Y Gay); PATTERNS OF PROTESTANT CHURCH MUSIC, XL, Jul ’ 54, 421423 (book review by F. Mark Siebert) STEWART, Reginald (conductor), XLII, Jan ‘ 56, 123 STEWART, S. S., The Complete American Banjo School (1887), XLII, Oct ’ 56, 456 STILL, William Grant, XVIII, Jan ‘ 32, 11; XXXIII, Jul ’ 47, 322 music by, Blues; Here' s One, XXXVIII, Jul ‘ 52, 483 (Record Review by Irving Fine); In Memoriam: The Colored Soldiers Who Died for Democracy, XXXV, Apr ’ 49, 286; Kaintuck (commissioned by the League of Composers), XXXIV, Jan ‘ 48, 10 Stille, traumende Friilingsnacht (Henry Hadley), XI, Jul ’ 25, 415 STILLINGS, Frank S., book review (ARCANGELO CORELLI, by Mario Rinaldi), XLII, Oct ‘ 56, 549−552 STILLMAN-KELLY, Edgar (See also: Kelly, Edgar Stillman), XXXVI, Jan ‘ 50, 43 STIVEN, Frederick B., “ The Contribution of a University School of Music to the State and University,” IX, Jul ’ 23, 395400 STOCK, Frederick, XII, Apr ‘ 26, 160, 161; XVIII, Jan ’ 32, 181; XXIV, Jul ‘ 38, 251, 252; XXVI, Jan ’ 40, 108; XXXVI, Apr ‘ 50, 162 STOECKEL, Carl, IV, Jan ’ 18, 32 STOECKEL, Gustave, XVI, Apr ‘ 30, 158 STOESSEL, Albert, Flitting Bats,“ XXIV, Jan ’ 38, 96 STOJOWSKI, Sigismund, XXV, Apr ‘ 39, 132; XXX, Apr ’ 44, 204 article by, ”*Recollections of Brahms,“ XIX, Apr ‘ 33, 143−150 STOKES, Richard L. (librettist), XXII, Apr ’ 36, 149 STOKOWSKI, Leopold, XII, Apr ‘ 26, 154, 160; XV, Apr ’ 29, 284; XV, Oct ‘ 29, 611; XVI, Oct ’ 30, 461; XXII, Oct ‘ 36, 438; XXXIII, Apr ’ 47, 185; XXXIV, Jan ‘ 48, 7, 8; XXXVIII, Apr ’ 52, 301; XXXVIII, Jul ‘ 52, 440; XLII, Jan ’ 56, 142 Stopwatch and an Ordnance Map, A (Samuel Barber), XXXIII, Jan ‘ 47, 136 STOREY-SMITH, Warren, A Caravan from China Comes, XI, Jul ’ 25, 417 STORY OF THE GOSPEL HYMNS AND OF SACRED SONGS AND SOLOS (Ira D. Sankey), XXVI, Jul ‘ 40, 364 STORY OF THE HYMNS AND TUNES, THE (Theron Brown), XXVI, Jul ’ 40, 364 Stoughton (Mass.) Musical Society, XXI, Apr ‘ 35, 203, 207; XXV, Oct ’ 39, 483 Stoughton (Mass.) Singing Society, VII, Oct ‘ 21, 540 STOWE, Calvin E., XLII, Jul ’ 56, 358 STOWE, Harriet Beecher, XLII, Jul ‘ 56, 358 STRANG, Gerald, XXXVII, Oct ’ 51, 473 music by, Symphony No. 2, Op. 30, XXXVI, Oct ‘ 50, 588 ” Strange Music of the Old Order Amish, The“ (George Pullen Jackson), XXXI, Jul ’ 45, 275−288 STRANSKY, Josef, XXIX, Jul ‘ 43, 321 STRAVINSKY, Igor (in America), XXXIV, Jan ’ 48, 7; XXXIV, Jul ‘ 48, 408−409; XXXVII, Oct ’ 51, 484−485; XL, Jan ‘ 54, 56−57; (See also: ”*Stravinsky in the Chair of Poetry“) music by, Cantata for Soprano, tenor, female chorus and small instrumental ensemble, XXXIX, Apr ’ 53, 251−254; In Memoriam Dylan Thomas, XLII, 125 String Quartet No. 2 (Wallingford Riegger), XXXVI, Jan ‘ 50, 52−55; XL, Jul ’ 54, 472, 473 String Quartet No. 2 (Roger Sessions), XLI, Jan ‘ 55, 94 (opera), XXXVIII, Jan ’ 52, 146−152; String Quartet No. 2 (Virgil Thomson), XLI, Jul ‘ 55, 412−414; Three Pieces for XLI, Oct ’ 55, 551, 552−553 (opera), XXXVIII, Jan ‘ 52, 146−152; String Quartet No. 3 (Roy Harris), XXXIII, Clarinet, XXXIV, Jan ’ 48, 1; Three Jan ‘ 47, 27 Songs from Shakespeare, XL, Oct ’ 54, String Quartet No. 3 (Robert Palmer), 572−575 XLI, Oct ‘ 55, 511−514 article by, “ Lectures on Musical Poetics,” String Quartet No. 3 (William Schuman), XXVI, Jul ’ 40, 284−296 XXXI, Jan ‘ 45, 17 (Introduction of); XXXI, Jan ’ 45, 20 (Finale, excerpt) “ Stravinsky in the Chair of Poetry” (Alexis Hall), XXVI, Jul ‘ 40, 283−296 String Quartet No. 3, in C (David StanSTRICKLAND, Lily (Mrs. Courtney Anley Smith), XXVIII, Jan ’ 42, 68−69 derson), articles by, “ Aboriginal and String Quartet No. 4, Op. 37 (Arnold Animistic Influences in Indian Music,” Schoenberg) (commissioned by Elizabeth Sprague Coolidge), XXXVII, Oct XV, Jul ‘ 29, 371−387; “ The Cambodian Ballet,” XII, Apr ’ 26, 266−274; “ Music ‘ 51, 474 in Malaya,” XI, Oct ’ 25, 506−514; “ The String Quartet No. 4 (William Schuman), XXXVII, Jul ‘ 51, 394−396; XL, Jul ’ 54, Mythological Background of Hindu Music,” XVII, Jul ‘ 31, 330−340; “ Ra472, 474 buidraneth Tagore-Poet-Composer,” String Quartet No. 4 in E-Flat, Op. 57, X, Oct ’ 24, 463−474 (David Stanley Smith), XXVIII, Jan STRICKLAND, William, XXXI, Apr ‘ 45, ’ 42, 69 148 String Quartet No. 6 (Ross Lee Finney), XLI, Jul ‘ 55, 361−363 String Quartet (John Cage), XL, Jul ’ 54, 472, ‘ 475−476 String Quartet No. 6 (Quincy Porter), XLII, Jan ’ 56, 118, 119 String Quartet (1927) John Alden Carpenter), XVI, Oct ‘ 30, 465−466 String Quartet No. 6 in C, Op. 71 (David String Quartet (Carlos Ch Avez), XXII, Oct Stanley Smith), XXVIII, Jan ’ 42, 69 ‘ 36, 442 String Quartet No. 8 (David Stanley Smith), String Quartet (Irving Fine), XL, Jul ’ 54, XVIII, Jan ‘ 42, 66, 70 472, 476 String Quartet No. 8 (Heitor Villa-Lobos), String Quartet, Op. 23 (Howard Hanson), XXXVI, Jan ’ 50, 92−94 XXII, Apr ‘ 36, 142, 143 String Quartets, Nos. 1−4, Op. 7, 10, 30, 37 String Quartet (Frederick Jacobi), XVIII, (Arnold Schoenberg), XL, Jul ’ 54, 435444 Jan ‘ 32, 12 String Quartet, Op. 107 (ose de Jesus Ra- String Trio, Op. 45, Arnold Schoenberg) velo), XXXI, Apr ’ 45, 216−217 (commissioned by Harvard University), String Quartet (Leo Sowerby), XVIII, Jan XXXVII, Oct ‘ 51, 481 ’ 32, 13 STRINGFIELD, Lamar, music by, From String Quartet (Albert Spalding), XXXIII, the Southern Mountains, XXXI, Oct Jan ‘ 47, 136 ’ 45, 418 (See: King, A Hyatt); Mounin D (Leonard Ratner), String Quartet tain Episode (string quartet), XXXI, XLI, Apr ‘ 55, 229−231 Oct ’ 45, 418 (See: King, A. Hyatt); String Quartet in E Minor (Roger Sessions), Mountain Sketches (piano trio), XXXI, XXXII, Apr ‘ 46, 203, 205−206 Oct ’ 45, 417 (See: King, A. Hyatt) String Quartet No. 1 (Alexei Haieff), XLI, STRINGHAM, Edwin J., XXVII, Jan ‘ 41, Oct ’ 55, 551, 553 47 String Quartet No. 1 (Leon Kirchner), XL, article by, “ Jazz’-An Educational Prob Jul ‘ 54, 472, 476; XLI, Jan ’ 55, 94 lem,” XII, Apr ‘ 26, 190−195 String Quartet No. 1 (Jerome Rosen), XLI, Apr ’ 55, 229, 231−233 Strings in the Earth and Air (Israel Citko String Quartet No. 1, D Minor (Randall witz), XXIV, Jan ‘ 38, 12, 15−16, 19, 22, 23−24 Thompson), XXXV, Jan ’ 49, 7−9 String Quartet No. 2 (Boris Koutzen), STRONG, Templeton, I, Jan ‘ 15, 22, 23, XXXIX, Jul ’ 53, 496−497, 498 34; XIV, Jan ‘ 28, 143, 145−147; XVIII, String Quartet No. 2 (Walter Piston), Jan ’ 32, 80; XXIII, Jan ‘ 37, 42; XXXII, Jul ’ 46, 367−368 XXVIII, Jul ‘ 42, 271 126 Apr '56, 236−239; Mass for Mixed Chorus and Double Woodwind Quintet, XXXV, Jul '49, 451−458; Oedipus Rex, XXXIX, Oct '53, 659−661; Orphde, XLI, Jan '55, 94; The Rake' s Progress music by, Au pays de Pan des Peaux-Ronges piano), XIV, Jan '28, 145−147; Au pays XIV, Jan '28, 145−147; Drei Gesange, Op. 32 (for voice), XIV, Jan '28, 145147; Elegie (cello and orchestra), XIV, (suite for piano), (suite for Palestrina' s ‘ 46, 411; “ Guglielmo Gonzaga and Missa Dominicalis,“ Jan '28, 145−147; An Indian Chief' s Re147; Petite Suite de morceaux a deux voix dans le style du passe (for piano), ply, XIV, Jan '28, 145−147; Die Nacht (suite for orchestra), XIV, Jan '28, 145XIV, Jan '28, 145−147; Le Roi Arthur (symphonic poem), XIV, Jan '28, 145- VI, Apr ‘ 20, 234; Three Songs, Op. 38, XIV, Jan ’ 28, 145−147 Strong as Death (Frederick Ayres), XI, Jul ‘ 25, 414 STRUBE, Gustav, IX, Apr ’ 23, 296−297; XXVIII, Jul ‘ 42, 288−301 (See: “*Gustav Strube: The Man and the Musician”) list of compositions, XXVIII, Jul ’ 42, 299301 portrait, Jul ‘ 42, Opp. 288 music by, Americana (symphonic fantasy), XXVIII, Jul ’ 42, 290; Black Bess (cakewalk, orchestra), XXVIII, Jul ‘ 42, 294; The Captive (opera), XXVIII, Jul ‘ 42, 290; Comedy Overture, “ Puck” Concerto for Violin and Orchestra, XXVIII, Jul ’ 42, 295−296; Cruiser Har- 147; Songs of an American Peddler, XIV, Jan '28, 145−147; Symphony in F, XXXIII, Apr ‘ 47, 228−239; Haydn' s Divertimenti for Baryton, Viola and Bass,“ XVIII, Apr ’ 32, 216−251, 335; ” Intonations and Signatures of the Byzantine Modes,“ XXXI, Jul ‘ 45, 339355; ” The Music of the Old Hall Manuscript a Postscript,“ XXXV, Apr ’ 49, 244−249; ” Notes on a Haydn Autograph,“ XX, Apr ‘ 34, 192−205; ” The Tonal System of Byzantine Music,“ XXVIII, Apr ’ 42, 190−204;” Vergil in Music,“ XVI, Oct ‘ 30, 482−497 book by, SOURCE READINGS IN MUSIC HISTORY. From Classical An- tiquity through the Romantic Era, XXXVII, Jul ‘ 51, 430−432 (Book Review by Erich Hertzmann) STRUNK, William J. Jr., XXXIV, Apr ’ 48, 229 STUBBS, G. Edward, articles by, “ Secularization of Sacred Music,” II, Oct ‘ 16, 615−627; “ Why We Have Male Choirs in Churches,” III, Jul ’ 17, 416−427 Studies in Song, Op. 19 (Oscar G. Sonneck), STUDY XI, Apr '25, 306; XI, Jul '25, 413 COURSE IN MUSIC UNDER- STANDING (S. N. F. M. C.), XI, Apr '25, 306 Study in Sonority (for 10 violins) (Wal- (Orchestra), XXVIII, Jul '42, 294; vard (band), XXVIII, Jul '42, 294; Festival March (band), XXVIII, Jul '42, 294; Harz Mountains (orchestra), XXVIII, Jul '42, 289; Kleine Suite nade, XXVIII, Jul '42, 294; Sonata for Violin and Piano, XI, Apr '25, 308; Trio for Violin, 'Cello and Piano, (orchestra), XXVIII, Jul '42, 294; Sere- books by, THE THEORY AND USE OF CHORDS (See also: TREATISE ON AND ADVANCED ELEMENTARY HARMONY), XXVIII, Jul '42, 299; TREATISE ON ELEMENTARY AND ADVANCED HARMONY (See also: THEORY AND USE OF THE CHORDS), XXXVIII, Jul '42, 299 STRUCTURAL FUNCTIONS OF HAR- XXVIII, Jul '42, 296 lingford Riegger), XXXIII, Jul ‘ 47, 313; XXXVI, Jan ’ 50, 42, 44−45, 46 “*Study of Horatio Parker, A” (David Stanley Smith), XVI, Apr ‘ 30, 153−169 “ Study of Indian Music, The” (Francis Densmore), I, Apr ’ 15, 187−197; Oct ‘ 15, 392 “ Study of Music at the University of Oxford in the Renaissance, The” (Nan Cooke Carpenter), XLI, Apr ’ 55, 191214 STURGIS, Edith B., and HUGHES, Robert, SONGS FROM THE HILLS OF VERMONT, XIV, Apr '28, 286 Sudden Light (Walter Golde), XI, Jul '25, 417 SUFFOLK HARMONY, THE Billings), XVI, Apr '30, 228; XXV, Oct '39, 482 Sugar in a Gourd (Fiddle tune), XLII, Oct (William '56, 466 MONY (Arnold Schoenberg), XLI, Jan '55, 109−115 STRUNK, W. Oliver, XX, Jan '34, 57; Suite after English Folk-Songs (orchestra) XXVIII, Jul ‘ 42, 289; XXX, Jan ’ 44, 78; Suite Archaique (Arthur Honegger), XLI, XXXI, Apr ‘ 45, 266; XXXVIII, Jan Jan ’ 55, 77 Suite for ‘ Cello and Harp (Lou Harrison), ’ 52, 37; XXXIX, Jul ‘ 53, 373 articles by, “ A Comparison Between the XL, Jul ’ 54, 471, 475 French and Italian Music” by Francois Suite for Flute Alone (Wallingford Rieg Raguenet (ed. by Strunk), XXXII, Jul ger) XXXVI, Jan ‘ 50, 46 127 (Daniel Gregory Mason), XXXIII, Jan '47, 136; XXXIV, Jan '48, 55 Suite for Oboe and Piano (Walter Piston), XXXII, Jul ‘ 46, 365−366 Suite for Oboe, Clarinet and Viola (Randall Thompson), XXXV, Jan ’ 49, 1, 6−7 Suite for Orchestra (Walter Piston), XXXII, Jul ‘ 46, 363 Suite for Orchestra, Op. 87 (Alexander Tcherepnin), XLI, Jan ’ 55, 79 Suite for Organ (Leo Sowerby), XXXIII, Jul ‘ 47, 315 Suite for String Orchestra and Oboe (Richard Donovan), XLII, Jan ’ 56, 122, 123 Suite for Strings in G Major (Arnold Schoenberg), (Schoenberg' s first composition in America), XXXVII, Oct ‘ 51, 469−470 Suite for Timpani (Elliott Carter), XXXVIII, Oct ’ 52, 597 Suite for Viola and Piano (Ernest Bloch), IX, Jan ‘ 23, 125; XXX, Jan ’ 44, 69 Suite from “ Medea” (Samuel Barber), XXXIV, Jul ‘ 48, 328 Suite from “ The Black Maskers” (orchestra) (Roger Sessions), XXXII, Apr ’ 46, 209−210, 211 Suite from the Miraculous Mandarin (Bela Bart6k), XXXIX, Oct ‘ 53, 641−645 (Record Review by Henry Cowell) Suite in E Major for Strings (Arthur Bird), XXIX, Jan ’ 43, 88 Suite No. 2 (piano) (Lou Harrison), XXXVI, Jul ‘ 50, 451−452 Suite No. 2 (“ Indian Suite”) (Edward Mac Dowell), I, Jan ’ 15, 37 Suite No. 2 for String Quartet (Lou Harrison), XL, Jul ‘ 54, 471, 475 Summer Lullaby (Eric de Lamarter), XI, Jul ’ 25, 414 Supper at Emmaus, The (Bernard Rogers), XXXIII, Apr ‘ 47, 210, 212 SUPPLEMENT TO THE KENTUCKY HARMONY (Singing-school text), XXII, Apr ’ 36, 157 SURETTE, Thomas W., III, Oct ‘ 17, 653; XXV, Jul ’ 39, 266 SURINACH, Carlos, Sinfonia Flamenca, XLI, Jan ‘ 55, 79; XLI, Apr ’ 55, 223225 Survivor from Warsaw, A, Op. 46 (for narrator, men' s chorus and orchestra) (Arnold Schoenberg), XXXVI, Jul ‘ 50, 450−451; XXXVII, Oct ’ 51, 482, 486 Susie in the Parlor (old singing game), III, Jul ‘ 17, 383 SUTHERLAND, Gordon, “ The Ricercari of Jacques Buus,” XXXI, Oct ’ 45, 448463 SVENCENSKI, Louis, XXV, Apr ‘ 39, 132 SWAN, Alfred J., XXVIII, Apr ’ 42, 202; XL, Jul ‘ 54, 425 articles by, “ Moussorgsky and Modern Music,” XI, Apr ‘ 25, 271−280; “ Music of the Eastern Churches,” XXII, Oct ’ 36, 430−434; “ The Nature of the Russian Folk-Song,” XXIX, Oct ‘ 43, 498516; “ New Developments in the Transcription of Byzantine Melodies,” XXIX, Apr ’ 43, 254−256; “ The Present State of Russian Music,” XIII, Jan ‘ 27, 29−38; “ The Znamenny Chant of the Russian Church” Part I: XXVI, Apr ’ 40, 232−243; Part II: XXVI, Jul ‘ 40, 365−380; Part III: XXVI, Oct ’ 40, 529545 book review by, (THE DIARIES OF TSCHAIKOWSKY, Wladimir Lakond, translator and editor), XXXII, Apr ‘ 46, 308−310 SWAN, A. J. and Katherine, “*Rachmaninoff” (Personal Reminiscences), Part I: XXX, Jan ’ 44, 1−19; Part II: XXX, Apr ‘ 44, 174−191 SWAN, Alfred J. and ABBOT, Francis H., EIGHT NEGRO SONGS, XIV, Apr ’ 28, 286 SWAN, Howard, MUSIC IN THE SOUTHWEST, 1825−1950, XXXIX, Oct ‘ 53, 630, 634 (Book Review by Willard Rhodes) SWAN, Katherine and A. J., “*Rachmaninoff” (Personal Reminiscences), Part I: XXX, Jan ’ 44, 1−19; Part II: XXX, Apr ‘ 44, 174−191 SWAN, M. L., XIX, Oct ’ 33, 398; XXVI, Oct ‘ 40, 485, 492 Swans (A. Walter Kramer), XI, Jul ’ 25, 402 SWANSON, Howard, XXXVI, Jul ‘ 50, 453 music by, Short Symphony, XXXVII, Apr ’ 51, 252−253 Swapping Song (Folk ballad), IV, Apr ‘ 18, 301 Swarthmore College (Swarthmore, Pa.), XXVIII, Apr ’ 42, 202 Sweet By-and-By (Bennet-Webster) (See: “ Gospel Hymns”), XXVI, Jul ‘ 40, 361 Sweet Hour of Prayer (Walford-Bradbury) (See: “ Gospel Hymns”), XXVI, Jul ’ 40, 361 SWEET SONGSTER, THE (Singing-school text), III, Jul ‘ 17, 382 Sweetly She Sleeps (Stephen C. Foster), XXII, Apr ’ 36, 161 SWINDELL, James H. (editor and publisher), XIII, Apr ‘ 27, 229 “ Swiss Bellringing” in the United States, XXXII, Jan ’ 46, 63 (Paul Hindemith), Symphonic Dances XXXVIII, Jul ‘ 52, 487−488 (Record Review by Richard F. Goldman) 128 Symphonic Fantasia (on The (John Knowles Paine), XXI, Jan '35, 87 Tempest) Symphony No. 1 mith), XL, Jul '54, 462−463 Symphonic Ode (Aaron Copland), XXXI, Oct '45, 422, 429−430 Symphonic Piece (Henry F. Gilbert), XXXI, Jan '45, 108 Chadwick), XXI, Jan '35, 44 Symphony (Roger Sessions), XXXVI, Jan '50, 94−98 Symphony (for Classical Orchestra) (Harold Symphonic Sketches (George Whitefield Symphonic Metamorphoses on Themes of Carl Maria von Weber (Paul Hinde- Symphony No. 2 (Samuel Barber), XXXV, Symphony No. 2 (George W. Chadwick), Symphony No. 2 (Paul Creston), XXXIV, XXXV, Jan '49, 3−4, 9 (Randall Thompson), Apr '49, 296 X, Jul '24, 451 Oct '48, 539−540; XXXV, Apr '49, 286; XL, Oct '54, 624−625 XXIII, Jan '37, 41 Shapero), (commissioned by Kousse- Symphony No. 2 (George Perle), XLI, Jan '55, 77 vitzky Music Foundation), XXXIV, Apr '48, 249−250; XXXV, Apr '49, 287 Symphony No. 2 (Walter Piston), XXXII, (first performance) Jul '46, 363, 370 for Symphony No. 2 (John Knowles Paine), Apr '49, 286 (first performance) Symphony No. 2 (Charles Ives), XXXVII, Jul '51, 399−402 Symphony No. 2 (David Diamond), XXXV, Symphony XXXIII, Jul '47, 317−318 Organ (Leo Sowerby), Symphony No. 2-of Symphony for Strings (Vincent Persichetti), XLI, Jan '55, 78 Symphony for Strings (William Schuman), Symphony for Voices (Roy Harris), XXXI, XXXI, Jan '45, 20 (slow movement excerpt); XXXI, Jan '45, 17−18, 23 (Finale, excerpt) Symphony No. 2, Op. 30 (Gerald Strang), Saminsky), XXXI, Oct '45, 417 (See: King, A. Hyatt) Symphony No. 2 (William Schuman), XXV, Jul '39, 380 XXXVI, Oct '50, 588 No. No. 2 2 (Randall (Virgil Thompson), Thompson), Wagenaar), the Summits (Lazare Symphony Symphony Symphony XXXIII, Jul ‘ 47, 313 Symphonyin F (George Templeton Strong), Symphony No. 3 (David Diamond), VI, Apr ’ 20, 234 XXXVII, Jan ‘ 51, 81−83 Symphony “ Israel” (Ernest Bloch), XXXVIII, Oct ’ 52, 647−651 (Record Symphony No. 3 (Roger Goeb), XXXVIII, Jul ‘ 52, 440−442 Review by A. W. Binder) Symphony No. 1 Symphony No. 1 (Henry Brant), XL, Jul Symphony in C-sharp Minor (Ernest Bloch), Jan '45, 108 Symphony Hall (Boston, Mass.), XXXI, Apr '45, 182 Symphony in A (Douglas Moore), XXXIV, Jul '48, 410, 412−413 Symphonyin B (Leo Sowerby), XXXV, Apr '49, 287 (first performance) XXV, Jan '49, 5−6 No. 2 XXXV, Apr '49, 215−217 XXXIII, Apr '47, 185 (Bernard Apr '49, 287 (first performance); XL, Apr '54, 294−296 Symphony No. 3 (Paul Creston), XXXVII, Jan '51, 78−81; XL, Oct '54, 624−625 Symphony No. 3 (Aaron Copland), XXXV, XXXVI, Jul '50, 447 (William Bergsma), Symphony No. 3 XXXIII, Apr '47, 186 (Howard Hanson), '54, 398 Symphony No. 1 (Aaron Copland), XXXIII, Jul '47, 312 Symphony No. 1 (Paul Creston), XXXIV, '39, 378−379; XXXIII, Apr '47, 186 Symphony No. 3 (Charles Ives), XLII, Jan '56, 122−123 Symphony No. 3 Symphony No. 3 (Roy Harris), XXV, Jul Oct '48, 533 Symphony No. 1 (Dai-Keong Lee), XXXVII, Apr '51, 250−252 Arredondo), XXXI, Apr '45, 219 XLI, Jul '55, 367−368 (Nikolai Lopatnikoff), Symphony No. 3 (A Lincoln Symphony), Symphony No. 3 (Peter Mennin), XXXV, Symphony No. 1, A Major (Enrique Mejfa- Op. 35 (Daniel Gregory Mason), XXXIV, Jan '48, 53−56 XXI, Jan '35, 87 Symphony No. 1 (Walter Piston), XXXII, Jul '46, 364−365 Symphony No. I (Roger Sessions), XLII, Apr '56, 244 Symphony No. 1 (John Knowles Paine), Jan '49, 111−115; XL, Oct '55, 558 Symphony No. 3 (Walter Piston) (commissioned by Koussevitzky Music Foundation), XXXIV, Apr '48, 249−250; XXXV, Apr '49, 287 (first performance) 129 Symphony No. 3 No. XXXIV, Oct '48, 594−599; XXXVI, Jan '50, 40, 55−56; XLI, Oct '55, 558 3 (William Schuman), (Wallingford Riegger), Symphony Symphony No. 5 (Peter Mennin), XXXVII, Apr '51, 248−250 Symphony No. 5 (Walter Piston), XLII, Jul '56, 390 Symphony No. 3 (Robert Ward), XLII, Symphony No. 6 (Henry Cowell), XLII, Jul '56, 423−425 Jan '56, 142 Symphony No. 4 (Carlos Ch Avez), XLI, Symphony No. 6 (Peter Mennin), XLI, Jan '55, 77 Jan '55, 77 Symphony No. 4 (David Diamond) (com- Symphony No. 6 (William Schuman) (com Music Founmissioned by Dallas Symphony Orchesmissionedby Koussevitzky tra), XXXVIII, Apr '52, 298−301; XLI, dation), XXXIV, Apr '48, 249, 250−251; Symphony No. 3 XXXI, Jan '45, 17; First movementex- Symphony No. 5 (Henry Cowell), XXXVI, cerpt: XXXI, Jan '45, 19; Themes of Jul '50, 446 various movements: XXXI, Jan '45, Symphony No. 5 (Roy Harris), XXXIII, 21; XXXIII, Jul '47, 313, 320 Jan '47, 21−22, 23−24 (Randall Thompson), Symphony No. 4 (William Schuman), Second Movementexcerpt; XXXI, Jan '45, 19; Last Movementexcerpt:XXXI, Jan '45, 23 XXXV, Jul '49, 463, 465 Symphony No. 3 (Ernst Toch), XLII, Jul '56, 395−396 Oct '55, 551, 553 XXXV, Apr '49, 287 (first performance) Symphohny No. 11 (Henry Cowell), XLI, Jan '55, 78; XLI, Oct '55, 551, 552 Symphony No. 4 (Roger Goeb), XLII, Jul '56, 394−395 '33, 51, 57−58 Symphony No. 4 (Charles Ives), XIX, Jan Symphony No. 4 (Walter Piston), XLI, Oct Symphony No. 4 (Bernard Rogers), XXXIII, Apr '47, 221−222; XXXIV, Jul '48, 415417 '55, 551, 554−555 Symphony on a Hymn-Tune (Virgil Thomson), XVIII, Jan '32, 12 Symphony Orchestra (Mexico), XXII, Oct '36, 439, 441−442 Symphony Society (NYC), XXV, Apr '39, 129 S7.F.T., George, XXXIV, Jul '48, 406; XXXVI, Apr '50, 159, 310 T Tabasco (opera, George W. Chadwick), Tarrant Moss (Charles Ives), XIX, Jan '33, Tabernacle Choir (Latter Day Saints, Salt Lake City), XXXIX, Oct '53, 631 Tabuh Tabuhan (orchestra) (Colin Mc Phee), XXXIV, Jul '48, 410, 412; XL, Jan '54, 58−59 Take Me Home to the Sunny South (John X, Jul 24, 448 53 Tartiniana (Luigi Dallapiccola), XLI, Oct '55, 551, 555 TAUBMAN, Howard,“ Toscaniniin America,” XXXIII, Apr ‘ 47, 178−187 TAYLOR, Deems, IX, Jan ’ 23, 122, 134, 136; XII, Apr ‘ 26, 153; XIX, Oct ’ 33, 416 music by, Captain Stratton' s Fancy, XI, Jul ‘ 25, 417; Janice Meredith (film music), XXVII, Apr ’ 41, 147; Three Songs, Op. 13 (a cycle), XI, Jul ‘ 25, 417; Through the Looking-Glass, XI, Apr ’ 25, 307 TAYLOR, Loomis, II, Jul ‘ 16, 393, 395 TAYLOR, Marshall W., A COLLECTION OF REVIVAL HYMNS AND PLANTATION MELODIES, II, Jan ’ 16, 116118 TAYLOR, Raynor, XVIII, Jan ‘ 32, 165; XXI, Apr ’ 35, 191, 193, 202; XXIX, Jan ‘ 43, 114 music by, The Shipwrecked Mariners Tamineh (orchestra) (Blair XIV, Jan '28, 149−154 Hill Hewitt), XVII, Jan '31, 37 Tam O' Shanter (GeorgeW. Chadwick), X, Jul '24, 452; XXI, Jan '35, 44 Fairchild), Tammany (ballad opera) (James Hewitt), XVII, Jan ‘ 31, 31−32; XVIII, Jan ’ 32, 160−161 SevenTANGEMAN, Robert S., “ Mozart' s teen Epistle Sonatas,” XXXII, Oct ‘ 46, 588−601 Tango Americaine (John Alden Carpenter), XVI, Oct '30, 458 TANSMAN, Alexander, Capriccio, XLI, Jan '55, 79 TANS' UR, William, XIII, Apr '27, 236; XXV, Oct '39, 481 Preserved (ballet), XXIV, Jan '38, 65 130 TCHEREPNIN, Alexander, Suite for Orchestra, Op. 87, XLI, Jan '55, 79 Tears (A. Walter Kramer), XI, Jul '25, 403 TECHNIQUE OF VARIATION, THE. A Study of the Instrumental Variation from Antonio Cabezon to Max Reger, THEMATIC PROCESS IN MUSIC, THE (Rudolph Reti) (book review by Vincent Persichetti), XXXVII, Oct '51, 612−613 THEME AND VARIATIONS (Bruno Wal- ter) (book review by Max Graf), XXXII, Oct '46, 619−622 by Robert U. Nelson (book review by Ernest T. Ferand), XXXV, Apr '49, 331−334 (Silvestre Revu- Tecolote, El (The Owl) eltas), XXVII, Apr '41, 128 Telesis (Frank Wigglesworth), XXXVII, Jan '51, 76−78 band) (Arnold Schoenberg), XXXVI, Oct '50, 594; XXXVII, Oct '51, 479 THEODOROWICZ, Julius, XXV, Apr '39, 132 THEORY AND USE OF CHORDS, THE There is a Garden in Her Face (A. Walter Theme and Variations, Op. 43a (concert Jan '32, 153 Temple University (Philadelphia, Pa.), XXXIX, Oct '53, 656 Ten Etudes for Piano Ten Laconic Tell Me, Soldier (Benjamin Carr), XVIII, (Gustav Strube), XXVIII, Jul '42, 299 XL, Oct '54, 629−630 Variations (Virgil Thomson), (Donald Jenni), 222 THEREMIN, Leon, XXXIV, Jan '48, 12 There' ll Be a Hot Time, XXXV, Apr '49, Kramer), XI, Jul '25, 402 THESAURUS OF ORCHESTRA DEVICES Tender Land, The XLI, Jul '55, 363−367 Walter Kramer), XI, Jul ‘ 25, 404 and orchestra) (Randall Thompson), THOMAS, Isaiah, LAUS DEO, THE WORCESTER COLLECTION OF SACRED XXXV, Jan ’ 49, 20, 21; (first performHARMONY, XXI, Apr ‘ 35, 203; (Facance), XXXV, Apr ’ 49, 286 simile of page from), XXI, Apr ‘ 35, Texas Folk-Lore Society, XXII, Apr ’ 36, 162 Opp. 201 That Soothin‘ Song (See: Four Negro THOMAS, Rose Fay (Mrs. Theodore Songs) Thomas), XXXVII, Apr ’ 51, 185 THAYER, Alexander Wheelock, III, Oct THOMAS, Theodore, I, Jan ‘ 15, 22; III, ’ 17, 629−640; VIII, Apr ‘ 22, 305−307; Oct ’ 17, 653; VI, Jan ‘ 20, 85; VI, Apr XI, Jan ’ 25, 63; XI, Apr ‘ 25, 305; XIII, ’ 20, 233, 234, 237−238, 239, 246; XI, Jul Apr ‘ 27, 220−221, 251, 269; XIII, Oct ’ 25, 317, 318; XVI, Apr ‘ 30, 156; XVI, ’ 27, 648; XV, Jul ‘ 29, 317; XXI, Jan Oct ’ 30, 450; XVIII, Jan ‘ 32, 77, 84, Oct ’ 46, 544; XXXV, ‘ 35, 75; XXXII, 97, 101, 181; XIX, Apr ’ 33, 169; XX, Oct ‘ 49, 528, 529, 547; XXXVIII, Jan Oct ’ 34, 388, 395; XXI, Jan ‘ 35, 73, 81; ’ 52, 157; XLII, Jul ‘ 56, 355−365 (See: XXII, Jan ’ 36, 3; XXIII, Oct ‘ 37, 413; “ Education of HATCH, Christopher, XXIV, Apr ’ 38, 215, 216, 217; XXV, A. W. Thayer, The‘) Jul ’ 39, 261; XXVI, Apr ‘ 40, 143−152; article by, ” The Man Beethoven: An XXVI, Jul ’ 40, 299, 300; XXVIII, Jul Estimate of his Character,“ VII, Oct ‘ 42, 270; XXIX, Jan ’ 43, 79; XXIX, ‘ 21, 483−492 Jul ’ 43, 314; XXX, Apr ‘ 44, 201; XXXI, THAYER, Eugene, X, Jul ’ 24, 443 Apr ‘ 45, 175; XXXI, Oct ’ 45, 502; Theatre, Early American, XVIII, Jan ‘ 32, XXXII, Jul ’ 46, 448; XXXVII, Apr 157−158 ‘ 51, 184−202 Theatre in Havana, 1776 et seq., XXXIII, portrait, XXXVII, Apr ’ 51, Opp. 186 Jul ‘ 47, 370, 371 Theatre orchestras (c1934), XX, Oct ’ 34, *” Thomas and Central Park Garden“ (Edwin T. Rice), XXVI, Apr ‘ 40, 143−152 426−434 *” Thomas Hastings“ (Mary Browning Theatre play-bills (See: Widener Library, Harvard University, Theatre Collec Scanlan), XXXII, Apr ’ 46, 265−277 THOMPSON, Oscar, XXV, Oct ‘ 39, 507; tion), XXIX, Apr ’ 43, 246, 249 Theatrical Arts Collection of Harvard ColXXXIII, Jul ‘ 47, 355 articles by ” An American School of Critilege Library, XXXI, Jul ’ 45, 323 cism: the Legacy Left by W. J. Hen Theatrical Register (NYC), XVIII, Jan derson, Richard Aldrich and Their ‘ 32, 158 Testament of Freedom, The (men' s voices land), XL, Jul '54, 394−397 Tenor, The (opera) (Hugo Weisgall), XXXVIII, Apr '52, 285−287 (opera) (Aaron Cop- (Gardner Reed), XL, Jul '54, 419−421 (book review by William Schuman) Thief of Bagdad, The (film music) (Morti- mer Wilson), XXVII, Apr '41, 147 This Is the Day the Christ Was Born. (A. 131 Colleagues of the Old Guard,“ XXIII, Oct ‘ 37, 428−439; ” If Beethoven Had Writen ’ Faust‘,“ X, Jan ’ 24, 13−20 THOMPSON, Randall, XXXVI, Jan ‘ 50, 91; (See: *” The Music of Randall Thompson“) list of compositions, XXXV, Jan ’ 49, 2425 portrait, XXXV, Jan ‘ 49, Opp. 4 music by, Alleluia for mixed voices a cappella (commissioned by Serge Koussevitzky), XXXV, Jan ’ 49, 20; Americana for mixed voices and piano or orchestra (commissioned by the League of Composers), XXXIV, Jan ‘ 48, 10; XXXV, Jan ’ 49, 12−15; Five Odes of Horace (chorus), XXXV, Jan ‘ 49, 912; The Last Invocation (choral), XXXV, Jan ’ 49, 9; Montium custos nemorumque, Virgo (mixed voices a cappella, from Five Odes of Horace), XXXV, Jan ‘ 49, 10−12; 0 Venus, regina Cnidi Paphique (chorus with orchestra, from Five Odes of Horace), XXXV, Jan ’ 49, 9−10; The Peaceable Kingdom (choral, commissioned by League of Composers), XXXIV, Jan ‘ 48, 10; XXXV, Jan ’ 49, 1, 15−20, 21; The Piper at the Gates of Dawn (symphonic prelude), XXXV, Jan ‘ 49, 3; Pueri Hebraeorum, for double chorus of women' s voices a cappella, XXXV, Jan ’ 49, 12; Solomon and Balkis (radio opera, commissioned by Columbia Broadcasting System and League of Composers), XXXIV, Jan ‘ 48, 10−11; XXXV, Jan ’ 49, 21−23; Sonata in C Minor (piano), XXXV, Jan ‘ 49, 2; String Quartet No. 1, D Minor (commissioned by Mrs. Elizabeth Sprague Coolidge), XXXV, Jan ’ 49, 7−9; Suite for Oboe, Clarinet, and Viola (commissioned by League of Composers), XXXV, Jan ‘ 49, 1, 6−7; Symphony No. 1, XXXV, Jan ’ 49, 3−4, 9; Symphony No. 2, XXXV, Jan ‘ 49, 5−6; Symphony No. 3, XXXV, Jul ’ 49, 463, 465; The Testament of Freedom (men' s voices with orchestra), XXXV, Jan ‘ 49, 20, 21; (first performance), XXXV, Apr ’ 49, 286; The Wind in the Willows (String Quartet), XXXV, Jan ‘ 49, 3 article by, ” The Contemporary Scene in American Music,“ XVIII, Jan ’ 32, 9−17; (on moder art-song), XXIV, Jan ‘ 38, 24 THOMSON, Virgil, XVIII, Jan ’ 32, 14; XXVI, Jan ‘ 40, 106; XXVII, Jan ’ 41, 54; XXVII, Apr ‘ 41, 163; XXVIII, Apr ’ 42, 140; XXXII, Jul ‘ 46, 357; XXXIII, Jul ’ 47, 324; XXXIV, Jan ‘ 48, 6; 132 XXXV, Jan ‘ 49, 115−121; XXXVI, Jan ’ 50, 55; XXXVI, Apr ‘ 50, 259; XXXVI, Oct ’ 50, 584; XXXVII, Oct ‘ 51, 484; (See: *“ Virgil Thomson”) list of compositions, XXXV, Apr ’ 49, 224225 portrait, XXXV, Apr ‘ 49, Opp. 210 music by, Capital, Capitals for four men and a piano, XL, Jul ’ 54, 471, 475; Concerto for Flute, XLII, Jul ‘ 56, 389390; Filling Station (ballet), XXXIV, Jan ’ 48, 8; Five Phrases from Song of Solomon, XXXVIII, Oct ‘ 52, 596; Five Songs after William Blake, XLI, Jan ’ 55, 77; Four Saints in Three Acts (opera), XXXV, Apr ‘ 49, 210; XXXV, Apr ’ 49, 217−219; Hymn Tune Symphony, XXXV, Apr ‘ 49, 214−215; Louisiana Story (film music), XXXV, Jan ’ 49, 116−121; XXXV, Apr ‘ 49, 220221, 222−223; Mass for Women' s Voices (commissioned by League of Composers), XXXIV, Jan ’ 48, 10; The Mother of Us All (opera), XXXV, Apr 49, 210; XXXV, Apr ‘ 49, 219; The Plough That Broke the Plains (film music), XXXV, Jan ’ 49, 115, 116; XXXV, Apr ‘ 49, 210; XXXV, Apr ’ 49, 221−222; XXXVII, Apr ‘ 51, 161; (Orchestral Suite from the film score, See: record review by Frederick W. Sternfeld), XXXIX, Apr ’ 53, 308−310; The River (film music), XXXV, Jan ‘ 49, 116; XXXV, Apr ’ 49, 210; XXXV, Apr ‘ 49, 222; XXXVII, Apr ’ 51, 161; The Seine at Night, XXXIV, Jul ‘ 48, 410, 413−415; XXXV, Apr ’ 49, 220−221; A Solemn Music (symphonic band, commissioned by League of Composers), XXXV, Oct ‘ 49, 619−622; XXXVI, Oct ’ 50, 594; A Solemn Music, XLI, Jul ‘ 55, 407−408 (record review by Richard Franko Goldman); Sonata da Chiesa (Sonata for the Church), XXXV, Apr ’ 49, 211−214; Spanish Earth (film music), XXXV, Jan ‘ 49, 116; Stabat Mater for Soprano and String Quartet, XL, Jul ’ 54, 471, 475; String Quartet No. 2, XLI, Oct ‘ 55, 551, 552−553 (record review by Nathan Broder); Symphony No. 2, XXXV, Apr ’ 49, 215−217; Symphony on a Hymn-Tune, XVIII, Jan ‘ 32, 12; Ten Etudes for Piano, XL, Oct ’ 54, 629−630 (record review by Irving Fine); Tuesday in November (film music), XXXV, Jan ‘ 49, 116; Wheat Field at Noon (Louisville Orchestra commission), XXXVII, Apr ’ 51, 255; XLI, Jan ‘ 55, 77 article by, “ Looking Forward,” XXXI, books by, THE ART Apr '45, 157−162; (on modern artsong), XXIV, Jan '38, 24, 25 OF JUDGING STATE OF MUSIC, XXXV, Apr '49, Three Songs for Soprano and Orchestra Three Songs from Shakespeare (Igor Stra- (Andrew Imbrie), XLII, Apr '56, 244245 vinsky), XL, Oct '54, 572−575 MUSIC, XXXV, Apr ‘ 49, 210; THE 210 current chronicle by, (San Francisco), XXXVI, Jan ’ 50, 99−105 record review by, (Satie: Socrate. Soloists and Paris Philharmonic Orchestra, Rene Leibowitz, conductor), XXXIX, Jan ‘ 53, 147−149 THORPE, Harry Colin, articles by, “ Breathing and Common Sense,” IX, Jan ’ 23, 56−64; “ Interpretative Studies in American Song,” XV, Jan ‘ 29, 88116; *“ Sidney Lanier,” XI, Jul ’ 25, 373382; “ The Songs of Sidney Homer,” XVII, Jan ‘ 31, 47−73. Thou and I (Alexander Rihm), XI, Jul ’ 25, 415 THREE CENTURIES OF AMERICAN HYMNODY (Hen r y W. Foote), XXVIII, Apr '42, 177; XXXII, Apr “ Threnodies of the Ladies' Book” (Paul Fatout), XXXI, Oct ‘ 45, 464−478 lor), XI, Apr ’ 25, 307 Thunderbolt (film music) (Gail Kubik), THURBER, Mrs. Jeanette, XXIX, Jul ‘ 43, 314 THURMOND, James, XXXI, Apr ’ 45, 144 THURSTONE, L. L., “ The Problem of Melody,” VI, Jul ‘ 20, 426−429 Thy Dark Eyes to Mine (Charles T. Griffes), XI, Jul '25, 409 Thy Heart is Like a Tomb (Richard HageXXXVI, Apr '50, 275 Through the Looking-Glass (Deems Tay- Threepenny Opera, The (Kurt Weill), XL, Jul '54, 454−456 man), XI, Jul '25, 416 TICKNOR, George, XLII, Jul '56, 358 '46, 273 Tierra Majada (Carlos Chavez), XXII, Oct '36, 439 (James H. Rogers), XI, Jul '25, 384 of Parting, The Three Chorales from Tagore (Paul Cres Three Hills ton), XXXIII, Jan '47, 136 '25, 417 (Charles H. Marsh), XI, Jul TILL, John C., XXIII, Jul '37, 313 Time for Making Songs Has Come, The Time Three Japanese Dances (Bernard Rogers), XXXIII, Apr '47, 210 Three Love Songs (Alice Barnett), XI, Jul Time of Saffron Moons, The XI, Jul '25, 415−416 (Henry Hadley), (Alice Bar- '25, 399 Three Maries, The (Heitor Villa-Lobos), XLI, Apr '55, 275−276 Three Moods (Leo Ornstein), XXXV, Apr nett), XI, Jul '25, 400 Time Suite (Roy Harris), XXXIII, Jan '47, 26 Timon of Athens-A Symphonic Portrait After Shakespeare (David Diamond), XXXVII, Apr '51, 255 Lewis TIMOTHY, (colonial printer), '49, 292−293 Three Nautical Songs (George W. Chad Three-Page Sonata (Charles Ives), XXXV, Jul ‘ 49, 459−461 Three Pieces for Clarinet (Igor Stravinsky), XXXIV, Jan ’ 48, 1 Three Pieces for Flute, Clarinet, and Bas Three Places in New England (“ orchestral Three Rondos for the Piano Forte or Harp Three Sonatas for Organ (Paul Hinde- wick), XI, Jul '25, 384 XXXIV, Jan '48, 84 TISCHLER, Hans, current chronicle (Chicago), XXXVI, Jan '50, 92−94; XXXVII, soon (Walter Piston), XXXII, Jul ‘ 46, 354, 359 set“) (Charles Ives), XXXIV, Apr ’ 48, 251−252; XXXV, Apr ‘ 49, 287 “ Mendelssohn' s Songs Without Words,” XXXIII, Jan ‘ 47, 1−16 TISCHLER, Louise H., article by (with Without Apr '51, 245−247; XLI, Jul '55, 363−367 article by (with Louise H. Tischler), Hans Tischler), “ Mendelssohn' s Songs 1−16 Words,“ XXXIII, Jan ‘ 47, sichord (William Brown), XXX, Jan '44, 67 mith), XL, Oct '54, 626−628 Three Sonatas for the Pianoforte (James Hewitt), XVII, Jan '31, 31 Three Songs, Op. 38 (Templeton Strong), XIV, Jan '28, 145−147 Three Songs, Op. 13 (Deems Taylor), XI, Jul '25, 417 'Tis Me, 0 Lord (Negro spiritual), XVI, Jul '30, 409 'Tis the Gift to be Simple (Shaker song), XXIII, Oct '37, 495 TITCOMB, Caldwell, record reviews by (Anthology of French Baroque Organ Music. Clarence Watters, organ), XL, Jan '54, 131−135; (Frescobaldi: Organ Music, Guiseppe de Dona, organ), XLI, Oct '55, 555−557; (Andrea and Giovanni Gabrieli: Organ Music, Guiseppe de Dona, organ), XLI, Jul '55, 398- 133 399; (Hindemith: Three Sonatas for Organ, Robert Noehren, organ), XL, Oct '54, 626−628; (Vincent Lubeck: Cantatas: Hilf deinem Volk; Gott, vie dein Name. Anna Maria Augenstein, soprano; Hetty Plumacher, alto; Werner Hohmann, tenor; Otto von Rohr, bass; Stuttgart Choral Society, Swabian Symphony Orchestra, Herbert Leidecke, conductor; Prelude and Fugue in E Major; Prelude and Fugue in C Minor. Eva Holderein, organist), XXXIX, Apr '53, 325−327; (Music for Trumpet, Woodwinds and Strings, by Locatelli, Torelli and Vivaldi. Huguette Fernandez, violin; Maurice Andre, trumpet; J. M. Leclair Instrumental Ensemble, Jean-Francois Pai 1lard, cond.), XLII, Oct '56, 561−563; (Organ Works by Andrea and Giovanni Gabrieli, Palestrina, Brignoli, Cavazzoni, Guami, Frescobaldi, and Martini. Flor Peeters, organ), XL, Jul '54, 477479; (Spanish Keyboard Music by Mateo Albeniz (c. 1760−1831), Rafael Angles (1730−1816), Cantallos (c. 1760-?), Antonio Francisco Narciso Casanovas (1737−1799), Hip6lito Fernandez c. 1762-?), Freizanet (c. 1730-?), Jose Gall6s y Selabert (1761−1836), Francisco Felipe Rodrigues (1759−1814), and Blas Serrano (c. 1770-?). Fernando Valenti, harpsichord), XLII, Jan '56, 126−127; (Vivaldi: Laudate Pueri I and II. Rosanna Giancola, soprano; Chamber Orchestra of the Scuola Veneziana, Angelo Ephrikian, conductor), XXXIX, Jul '53, 501−502 To a Butterfly (John Powell), XI, Jul '25, 416 To a Golden-Haired Girl (Oscar G. Sonneck), XI, Jul '25, 413 To a Nordic Princess (Percy Grainger), XXIII, Apr '37, 132 To Anacreon in Heaven (See: Star Spangled Banner), XVIII, Jan '32, 152; XXIII, Apr '37, 198, 199 To Arcady (Bainbridge Crist), XI, Jul '25, 405 To Columbine (Bainbridge Crist), XI, Jul '25, 406 To Daffodils (Albert Spalding), XI, Jul '25, 413−414 To Helen (Charles Martin Loeffler), XI, Jul 25, 409 To Helen (Oscar G. Sonneck), XI, Jul '25, 412; XV, Jan '29, 111−116 To One Away (Alexander Rihm), XI, Jul '25, 415 To One Unknown (John Alden Carpenter), XI, Jul '25, 395 134 To the Fallen (Bernard Rogers), VIII, Oct ‘ 22, 551; XXXIII, Apr ’ 47, 209 Toccata (Henry Cowell), XLI, Oct ‘ 55, 551, 552 Toccata Concertante (Irving Fine), XXXV, Apr ’ 49, 283−285; (first performance), XXXV, Apr ‘ 49, 287 Toccata for Strings, Solo Winds and Percussion (Leon Kirchner), XLII, Apr ’ 56, 245−247 Toccata Giocosa, Op. 94 (Gardner Read), XLI, Jan ‘ 55, 78 Toccata on “ Ein Feste Burg ist Unser Gott” (Wilhelm Middleschulte), XIV, Apr ’ 28, 198 TOCH, Ernst, XXVII, Apr ‘ 41, 163; (See: “ Ernst Toch”) portrait, XXIV, Oct ’ 38, Opp. 440 music by, Cantata of the Bitter Herbs, XXXVI, Oct ‘ 50, 585; Notturno, XLI, Jan ’ 55, 79; Outcast (film music), XXIV, Oct ‘ 38, 450; Peter Ibbetson (film music), XXIV, Oct ’ 38, 450; XXVII, Apr ‘ 41, 163; Third Symphony, Op. 75, XLII, Jul ’ 56, 395−396 TODD, Robert (Manager, early NYC concert hall), XXII, Apr ‘ 36, 170, 174, 175 et seq. Tom Smith' s Confession (folk ballad), III, Jul ’ 17, 383 TOMASOW, Jan, XLII, Apr ‘ 56, 265 TOMLINS, William L., XI, Apr ’ 25, 305 TOSAR, Errecart Hector, XXXIV, Jan ‘ 48, 3 TOSCANINI, Arturo, XXIV, Oct ’ 38, 534539; (comes to NYC), XXXIII, Apr ‘ 47, 175 article about, *“ Toscanini in America” (Howard Taubman), XXXIII, Apr ’ 47, 178−187 list of compositions, XXXIII, Apr ‘ 47, 175, 176 portraits, XXXIII, Apr ’ 47, Opp. 149, 156, 157, 164, 165 letter to Nathan Broder, XXXIII, Apr ‘ 47, Opp. 184 TOWARD A NEW MUSIC (Carlos Chivez), XXVII, Apr ’ 41, 152 Tower of St. Barbara, The (Ingolf Dahl), XLI, Jan ‘ 55, 79 Town Hall (NYC), XVI, Oct ’ 30, 464 Toys, for voice and orchestra (Carl Ruggles), XVIII, Oct ‘ 32, 578; XXIV, Jan ’ 38, 12, 20−22 TRABUE, M. R., XIX, Jul ‘ 33, 321 TRADITIONAL BALLAD AND ITS SOUTH CAROLINA SURVIVALS (Reed Smith), XIV, Apr ’ 28, 285 “ Tragica” Sonata (Mac Dowell), I, Jan ‘ 15, 37 Transatlantic (George Antheil), XVIII, Jan ‘ 32, 11 Transformation (Wintter Watts), XI, Jul ’ 25, 391 Translators of articles (See: Orlando Mansfield, Theodore Baker, Abram Loft) Transposed Heads, The (Peggy Glanville Hicks), XLI, Jan ‘ 55, 79 TRAVIS, James, “ Celtic Elements in Beethoven' s Seventh Symphony,” XXI, Jul ’ 35, 255−265; “ Irish National Music,” XXIV, Oct ‘ 38, 451−480 TREASURY OF SOUTHERN FOLKLORE, A (B. A. Botkin), XLII, Oct ’ 56, 467 TREATISE ON ELEMENTARY AND ADVANCED HARMONY (See: THE THEORY AND USE OF CHORDS by Gustav Strube), XXVIII, Jul ‘ 42, 299 Tree on the Plains, A (Ernst Bacon) (opera, commissioned by the League of Composers), XXXIV, Jan ’ 48, 9; XXXVII, Jul ‘ 51, 328 Tres Himnos (Wells Hively’, XLII, Jul ‘ 56, 419, 420 Tres Preguntas (Luis Emilio Mena), XXXI, Apr ’ 45, 219−220 Triakontameron (Leopold Godowsky), VII, Apr ‘ 21, 270 Trial at Rouen, The (opera) (Norman Dello Joio), XLII, Jul ’ 56, 383−386 Tribute to Foster (Percy Grainger), XXIII, Apr ‘ 37, 131 TRIMBLE, Lester, record reviews (Kodaly: Duo for Violin and ’ Cello, Op. 7. Arnold Eidus, violin; Janos Starker, ‘ cello. Sonata for ’ Cello and Piano, Op. 4. Janos Starker, ‘ cello; Otto Herz, piano), XLII, Oct ’ 56, 561; (Nielsen: Symphony No.5, Op. 50; Maskarade (Overture). Danish State Radio Symphony Orchestra, Thomas Jensen, cond.), XLII, Jul ‘ 56, 417−419 Trinity Church (NYC), XVII, Jan ’ 31, 27 Church Trinity (NYC) music, 1744, XXXVI, Oct ‘ 50, 518, 519 Trio (1954) (Leon Kirchner), XLII, Apr ’ 56, 245 Trio for Flute, Clarinet and Violin (Christian Wolff), XXXVIII, Jan ‘ 52, 132 Trio for Piano, Violin and ’ Cello, Op. 24, (Blair Fairchild), XIV, Jan ‘ 28, 149154 Trio for Violin, ’ Cello and Piano (Walter Piston), XXXIII, Jul ‘ 47, 313−314 Trio for Violin, ’ Cello and Piano (Gustav Strube), XXVIII, Jul ‘ 42, 296 Trio in B Minor for Piano, Violin and ’ Cello (Wallingford Riegger), XXXVI, Jan ‘ 50, 40, 43 Triptych (for high voice and string quartet) (Arthur Shepherd), XXXVI, Apr ‘ 50, 170; XXXVI, Jul ’ 50, 445; XXXIX, Jul ‘ 53, 496−499 Triskelion (Halsey Stevens), XLI, Jan ’ 55, 79 Triumph (Frederic Ayres), XI, Jul ‘ 25, 414 Triumph of St. Joan Symphony, The (Norman Dello Joio) (record review by Rudolph Reti), XXXIX, Apr ’ 53, 314316; XLI, Jan ‘ 55, 77 Trois Lys, Les (Henri Sauguet), XLI, Jan ’ 55, 79 Trouble in Tahiti (Leonard Bernstein), XXXIX, Jan ‘ 53, 94−98 True Beauty, The (Charles Mills), XLII, Jan ’ 56, 89 “ Truth About the New England Puritans and Music, The” (Percy Scholes), XIX, Jan ‘ 33, 1−17 Tryst (Alice Barnett), XI, Jul ’ 25, 398 Tryste Noel (Wintter Watts), XI, Jul ‘ 25, 390 TUCKEY, William, VI, Apr ’ 20, 252; XXI, Apr ‘ 35, 195, 196; XXXVI, Oct ’ 50, 519, 520, 523 Tuesday in November (film music) (Virgil Thomson), XXXV, Jan ‘ 49, 116 TUFTS, Rev. John, XIX, Oct ’ 33, 393; XXI, Apr ‘ 35, 197 books by, INTRODUCTION TO THE ART OF SINGING, XVI, Apr ’ 30, 216, 218−219; INTRODUCTION TO THE SINGING OF PSALM-TUNES… by the Rev. Mr. Tufts, XXI, Apr ‘ 35, 198; of page from same), XXI, (Facsimile Apr ’ 35, Opp. 201 TUNE IN, AMERICA (Daniel Gregory Mason), XVIII, Jan ‘ 32, 180−181 Turkey in the Straw (American fiddle tune), IV, Jan ’ 18, 29 TURNER, G. Chittenden, ‘ The Role of Affectation in Music,“ XII, Oct ’ 26, 526533 TURNER, Lucile Price, ” Negro Spirituals in the Making,“ XVII, Oct ‘ 31, 480485 TURNER, W. J., XXVII, Jan ’ 41, 48 TUTHILL, Burnet C., articles by, *” Daniel Gregory Mason,“ XXXIV, Jan ‘ 48, 46−60; ” David Stanley Smith,“ XXVIII, Jan ’ 42, 63−77; *” Howard Hanson,“ XXII, Apr ‘ 36, 140−153; *” Leo Sowerby,“ XXIV, Jul ’ 38, 249−264; ” Mrs. H. H. A. Beach,“ XXVI, Jul ‘ 40, 297310 TUTTLE, Stephen D., (as editor and transcriber of THOMAS TOMKINSKEYBOARD MUSIC in Musica Britannica V), XLII, Jul ’ 56, 402−407 135 book review by, (JOHN JENKINS (15921678), FANCIES AND AYRES, edited by Helen Joy Sleeper), XXXVIII, Apr ‘ 52, 322−325 record reviews by (Antonin Dvorik: Rusalka. Lyric Fairy Tale in Three Acts. Orchestra of the Dresden State Opera. Saxon State Orchestra. Josef Keilberth, conductor), XXXIX, Apr ’ 53, 316−318; (Giles Farnaby: Canzonets and Virginals Music. The Oriana Singers, Charles M. Hobbs, conductor; Blanch Winigron, virginals), XXXIX, Apr ‘ 53, 318−319; (Two Anthologies: Early English Keyboard Music. Thurston Dart, harpsichord; Elizabeth Goble, harpsichord and virginals; Geraint Jones, organ; Robert Donington, viola da gamba. Elizabethan Keyboard Music. Charles Koenig, harpsichord), XL, Jan ’ 54, 127−131 TWEEDY, Donald N., “ The Approach to Music,” VIII, Jan ‘ 22, 76−83 music by, The Little Angels of Heaven, XI, Jul ’ 25, 417 Twelve Apostles (old ballad), XVI, Apr ‘ 30, 186−190 Twilight Fear (Arthur Foote), XI, Jul ’ 25, 383−384 Two Bible Lyrics, Op. 27 (Blair Fairchild), XIV, Jan ‘ 28, 149−154 Two Chinese Nocturnes, Op. 34 (Emerson Whithorne), IX, Apr ’ 23, 298 Two Chinese Poems, Op. 18 (Emerson Whithorne), IX, Apr ‘ 23, 298 Two Episodes for Orchestra (Arthur Bird), XXIX, Jan ‘ 43, 87 “ Two Inflation Songs of the Civil War” (Hans Nathan), XXIX, Apr ’ 43, 242253 Two Interludes from The Island God (Gian Carlo Menotti), XXXV, Apr ‘ 49, 286 Two Jester Songs (Louis Campbell-Tipton), XIV, Jan ’ 28, 147−148 Two Loves (William Reddick), XI, Jul ‘ 25, 417 Two Mystical Songs: Thou Hast Made Me, and Shall Thy Work Decay?; At the Round Earth' s Imagined Corners (Godfrey Ridout), XL, Jan ’ 54, 61−62 Two Pastorals (Lou Harrison), XXXVI, Jul ‘ 50, 452 Two Portraits (Bela Bartok) (record review by Henry Cowell), XXXIX, Oct ’ 53, 641−645 Two Rhapsodies (L' etang, La Cornemuse) (Charles Martin Loeffler), XI, Jul ‘ 25, 323 Two Rhapsodies for Violin and Orchestra (Bela Bartok) (record review by Henry Cowell), XXXIX, Oct ’ 53, 641−645 Two Short Love Lyrics (voice) (Louis Campbell-Tipton), XIV, Jan ‘ 28, 147148 “ Tyrolese Family Rainer, and the Vogue of Singing Mountain-Troupes in Europe and America, The” (Hans Nathan), XXXII, Jan ’ 46, 63−79 U U. Kayil Chaac (Daniel Ayala), XXII, Oct ‘ 36, 440 UCLA, XXXVII, Oct ’ 51, 473, 474 UCLA Composers Council, XXXVI, Oct ‘ 50, 584−585 Ukulele Serenade; Hoe Down (Aaron Copland) (See: record review by Irving Fine), XXXVIII, Jul ’ 52, 483 ULRICH, Homer, CHAMBER MUSIC (book review by Quincy Porter), XXXV, Jan ‘ 49, 153−156 Unanswered Question, The (Charles Ives), XLI, Jan ’ 55, 85, 87−88 (See also: Ivesiana) Undertow (William Schuman), XL, Oct ‘ 54, 622−624 UNESCO, XLII, Jan ’ 56, 143; XLII, Jul ‘ 56, 386 (National Commission of) UNION HARMONY (Singing-school text), XIX, Oct ’ 33, 396 Union Theological Seminary, XXXII, Apr ‘ 46, 268 136 Unitas Fratrum (Bethlehem, Pa.), XXVIII, Apr ’ 42, 177 “ United States Navy Bands, Old and New” (Edwin H. Pierce), XXXIII, Jul ‘ 47, 381 United States Navy School of Music, XXXI, Apr ’ 45, 144−147 United States Section, International Society of Music, XV, Jul ‘ 29, 317 Universe Symphony (Charles Ives), XLI, Apr ’ 55, 254 University of California, XXI, Apr ‘ 35, 186; XXVIII, Apr ’ 42, 182 University of California at Berkeley (chorus), XXXIX, Apr ‘ 53, 340−342 University of California, University of California Press, and Publications, XLII, Jul ’ 56, 297−301 (See: BUKOFZER, Manfred F., Bibliography) University of Michigan Commissions, XLI, Oct ‘ 55, 511 536−538 (book review by John Tasker Universityof New York, VI, Apr ‘ 20, 246 Howard); WILLIAM HENRY FRY: University of Pennsylvania (See: Francis AMERICAN JOURNALIST AND Hopkinson, Dr. J. Fred Wolle), XXI, COMPOSER-CRITIC, XL, Oct ’ 54, Apr ‘ 35, 185 606−608 (book review by Christopher University of Virginia, XVII, Jan ’ 31, 36 University School of Music (Lincoln, Hatch) book review by (OUR AMERICAN Nebr.), XXII, Apr ‘ 36, 141 MUSIC, John Tasker Howard, revised University Schools of Music (See: Frederick B. Stiven), IX, Jul ’ 23, 395−400 edition), XXXIII, Jan ‘ 47, 130−132 “ Unknown Composition by Dufay? An” Uranian Academy (Philadelphia), XXI, Apr ’ 35, 202 (Dragan Plamenac), XL, Apr ‘ 54, 190200 Uranian Society (Philadelphia), XXIII, Unto all Things Voice is Given (A. Wal Jan ’ 37, 89, 91 ter Kramer), XI, Jul ‘ 25, 402 “ Use of Music in the Treatment of the Sick by American Indians, The” UPTON, George P., I, Oct ’ 15, 628; XVIII, Jan ‘ 32, 127; XXXI, Jul ’ 45, 366 (Frances Densmore), XIII, Oct ‘ 27, book by, ART SONG IN AMERICA, 555−565 XVIII, Jan ’ 32, 166 USSACHEVSKY, Vladimir, XXXIX, Apr UPTON, Robert, XXIV, Jan ‘ 38, 59 ’ 53, 254−255; XLI, Jul ‘ 55, 373; (with Otto Luening), incidental music to UPTON, William Treat, XXI, Jan ’ 35, 78, 81, 85; XXXI, Oct ‘ 45, 537 Orson Welles' s version of King Lear, articles by, “ Aspectsof the Modem ArtXLII, Apr ’ 56, 242−243; Rhapsodic Variations for Tape-Recorder and Orches Song,” XXIV, Jan ‘ 38, 11−30; *“ Frederick Ayres,” XVII, Jan ’ 32, 39−59;“ Our tra, XLI, Jan ‘ 55, 78 Musical Expatriates,” XIV, Jan ’ 28, Utah Symphony Orchestra(Salt Lake City), 143−154; “ Some Recent Representative XXXIX, Oct ‘ 53, 631 American Song Composers,” XI, Jul Ute Indian song, Bear-Dance Song, XVII, Oct ’ 31, 474−475 ‘ 25, 383−418;“ The Songs of Charles T. Griffes,” Jul ’ 23, 314−328 IX, Ute tribal air, Song of the Hand-Game, books by, A BIBLIOGRAPHY OF XVII, Oct ‘ 31, 477 EARLY AMERICAN SONG by Oscar G. Sonneck. Revised and enlarged by William Treat Upton, XXXI, Oct '45, UTICA COLLECTION (Thomas Hastings), XXXII, Apr '46, 268, 273 Utopia (Wintter Watts), XI, Jul '25, 389 V Gluck' s Armide,“ III, Oct ‘ 17, 539−547; Vagrom Ballad (George W. Chadwick), X, ” On Hearing What You Want When Jul ’ 24, 452, 453 VAIL, Silas J., portrait, XXXII, Apr ‘ 46, You Want It,“ VII, Oct ’ 21, 559; ” Shall We Realize Wagner' s Ideals?“ II, Jul Opp. 266 VAN ANTWERP, Jacobus (colonial ” Voor' 16, 387−401 VARESE, Edgar, XXXVI, Jan ‘ 50, 40 singer“), XXXIV, Jan ’ 48, 89, 95−96 VAN DER STUCKEN, Frank, VI, Apr ‘ 20, music by, Deserts, XLI, Jul ’ 55, 370−373; 232; XVIII, Jan ‘ 32, 80, 81, 82−83, 87, Hyperprism (orchestra), XXXV, Apr 88 ’ 49, 292−293; lonization (percussioninportrait, XVIII, Jan ‘ 32, Opp. 91 struments), XXXIII, Jan ’ 47, 105; VAN DE WALL, Willem, XXX, Oct ‘ 44, XXXVIII, Oct ’ 52, 595−596 414−415 Variations, Chaconne and Finale (Norman Dello Joio), XXXV, Apr ‘ 49, 287 VANHAGEN, Peter Albrecht, XVIII, Jan Variations and Capriccio for Violin and ’ 32, 161−162; XXIX, Jan ‘ 43, 113 Piano (Norman Dello Joio), XL, Jul VANHAGEN, Mrs. Peter Albrecht, XVIII, ’ 54, 472, 474 Apr ‘ 32, 329 VAN VECHTEN, Carl, VIII, Jul ’ 22, 416; Variations and Epilogue for ‘ Cello and Piano (Nikolai Lopatnikoff), XLI, Oct X, Jan ’ 24, 151−152; XV, Apr ‘ 29, 284285 ’ 55, 551, 554 articles by, ” Back to Delibes,“ VIII, Oct Variations for Orchestra (Luigi Dallapic' 22, 605−610; ” The Cat in Music,“ VI, cola), XLI, Jan ‘ 55, 79−85 Oct 20, 573−585; ” De Senectute Can- Variations for Piano and Orchestra (Waltorum,“ IV, Oct ’ 18, 604−617;” Noteson lingford Riegger), XLI, Jan ‘ 55, 78 137 Variations on a Recitative for Organ, Op. 40, (Arnold Schoenberg), XXXVII, Oct ‘ 51, 478 Variations on a Theme of John Powell for String Quartet, Op. 24 (Daniel Gregory Mason), XXXIV, Jan ’ 48, 51−52 Variations on an American Folksong, Op. 34 (flute and orchestra) (Arthur Bird), XXIX, Jan ‘ 43, 89 Variazioni per Orchestra (Luigi Dallapiccola), XLI, Jan ’ 55, 78 VARRO, Margit, “ Imponderable Elements of Musicality,” XXVI, Oct ‘ 40, 446455 Vaux Hall Gardens (NYC), XXI, Apr ’ 35, 194 VEGA, Augusto, music by Folklore Sinfonico (concert overture on Dominican themes), XXXI, Apr ‘ 45, 216, 217−218; Himno Filial (choral), XXXI, Apr ’ 45, 216, 217−218; Himno Hispano-Americano (choral), XXXI, Apr ‘ 45, 216, 217−218; Indigena (opera), XXXI, Apr ’ 45, 216, 217−218; Juan Pablo Duarte (concert overture), XXXI, Apr ‘ 45, 216, 217−218 Veil, The (Bernard Rogers), XXXVII, Jul ’ 51, 328 Venado, El (Luis Sandi), XXII, Oct ‘ 36, 440 VENTH, Carl, XVIII, Jan ’ 32, 91 VERNON, P. E., XIX, Jul ‘ 33, 321 VESCELIUS, Eva Augusta, “ Music and Health,” IV, Jul ’ 18, 376−401 VICTOR, H. B., COMPLEAT INSTRUCTOR FOR THE VIOLIN (1778), XXXVI, Oct ‘ 50, 520 *“ Victor Maurel: His Career and His Art” (Francis Rogers), XII, Oct ’ 26, 580−601 Victor Talking Machine Co. (Camden, N.J.), XXIX, Jan ‘ 43, 139 Victory Riders, The (Philip James), XI, Jul ’ 25, 414 “ Views and Reviews” (Carl Engel), IX, Oct 23, 578−587; X, Oct ‘ 24, 622−633; XI, Apr ’ 25, 301−309; XI, Oct ‘ 25, 617−629; XII, Apr ’ 26, 299−314; XII, Jul ‘ 26, 472−479; XII, Oct ’ 26, 631−641; XIII, Jan ‘ 27, 147−160; XIII, Oct 27, 646662; XIV, Apr ’ 28, 297−306; XV, Apr ‘ 29, 297−305; XVII, Apr ’ 31, 272−283; XVII, Jul ‘ 31, 404−408; XVII, Oct ’ 31, 525−533; XVIII, Jan ‘ 32, 178; XVIII, Apr ’ 32, 338−348; XVIII, Jul ‘ 32, 483497; XVIII, Oct ’ 32, 646−652; XIX, Apr ‘ 33, 214−221; XIX, Jul ’ 33, 351−359; XIX, Oct ‘ 33, 466−472; XX, Jan ’ 34, 117−124; XX, Apr ‘ 34, 246−253; XX, Jul ’ 34, 354−360; XX, Oct ‘ 34, 467−478; XXI, Jan ’ 35, 107−112; XXI, Apr ‘ 35, 230−240; XXI, Jul ’ 35, 368−375; XXI, 138 Oct '35, 484−491; XXII, Jan '36, 107115; XXII, Apr '36, 234−239; XXII, Jul '36, 354−361; XXII, Oct '36, 470476; XXIII, Jan '37, 98−106; XXIII, Apr '37, 238−247; XXIII, Jul '37, 388395; XXIV, Jan '38, 104−109; XXIV, Apr '38, 219−225; XXIV, Oct '38, 534539; XXVI, Jan '40, 113−121; XXVI, Apr '40, 260−267; XXVI, Jul '40, 393400; XXVI, Oct '40, 546−549; XXVII, Apr '41, 243−248; XXVII, Oct '41, 527538; XXVIII, Apr '42, 248−257; XXVIII, Oct '42, 514−524; XXIX, Jan '43, 138145; XXIX, Jul '43, 405−409; XXIX, Oct '43, 521−530; XXX, Apr '44, 234241 Vignettes of Italy (Wintter Watts), XI, Jul '25, 489 Viking' s Last Voyage (George W. Chadwick), X, Jul '24, 446 Village Scenes (League of Composers Commission) (Bela Bartok), XXXIV, Jan '48, 5 VILLA-LOBOS, Heitor, XXV, Oct '39, 515518; XXXIV, Jan '48, 3 music by, Alvorada na Floresta Tropical (Dawn in a Tropical Forest), XLI, Jan '55, 79; Amazones, XLI, Apr '55, 225; Bachianas Brasileiras No. 5, XXXVIII, Jul '52, 500 (record review by Irving Fine); Children' s Doll Suite, XLI, Apr '55, 275−276 (record review by Irving Fine); Concerto for Harp, XLI, Apr '55, 225; Concerto for Violoncello and Orchestra, No. 2, XLI, Apr '55, 225227; Erosion: The Origin of the Amazon River, XXXIX, Apr '53, 314−316 (record review by Rudolph Reti); XLI, Jan '55, 77; Fantasia for Violoncello and Orchestra, XXXVIII, Apr '52, 303306; Mass of Saint Sebastian (for three voices, a cappella), XXXIX, Apr '53, 340−342 (record review by Henry Cowell); Nonetto (for flute, oboe, clarinet, saxophone, bassoon, harp, celesta, battery, and mixed chorus), XL, Jan '54, 157−158; Odyssey of a Race, XLI, Jan '55, 95; Quatuor (for flute, harp, celesta, alto saxophone, and women' s voices), XL, Jan '54, 157, 158; Rude Poema, XLI, Apr '55, 275−276 (record review by Irving Fine); String Quartet No. 8 (in C), XXXVI, Jan '50, 92−94; The Three Maries, XLI, Apr '55, 275276 (record review by Irving Fine) Villanelle du Diable, La (Charles Martin Loeffler), XI, Jul '25, 323 VILLATE, Gaspar (Cuban composer), XXXIII, Jul '47, 379 DIA TONIC VINCENT, John, THE MODES IN MODERN MUSIC (book Vitebsk, A Study on a Jewish Theme review by Joseph Yasser), XXXVIII, Jul ‘ 52, 468−477 *“ Vincent D' Indy: An Estimate” (Edward Burlingame Hill), I, Apr ’ 15, 246−259 Violin Concertino (A. Brott), XL, Jan '54, Vivandiere, The (opera) (John Hill Hew Voice in the Wilderness (Ernest Bloch), XXXIII, Jan '47, 136 Volpone (opera) (George Antheil), XXXIX, Oct '53, 600−604 VON EINEM, Gottfried, Meditations, XLI, (Aaron Copland), XXXI, Oct '45, 432 itt), XVII, Jan '31, 37 60−61 Vitaphone, XV, Apr '29, 287 VON STERNBERG, Constantin, “ Against missioned by Samuel Dushkin), XXXVI, Modern' ism‘,” VII, Jan ’ 21, 1−7; The Chimera of Tradition,“ VI, Jan ‘ 20, 62Apr ’ 50, 279−282; XLII, Jul ‘ 56, 390 Violin Sonata (Ernest Bloch), IX, Jan ’ 23, 68; ” Music and Its Auditors,“ IX, Jul 150 ‘ 23, 343−349; ” Singing or Music: A Violin Sonata (Aaron Copland), XXXI, Oct Suggestion,“ III, Apr ’ 17, 243−248 45, 436, 440 VOORHEES, Irvin Wilson, ” Caring for the Voice,“ XII, Jan ‘ 26, 32−39; ” Vocal *“ Virgil Thomson” (P. Glanville-Hicks), Disabilities as Described by a Voice XXXV, Apr ’ 49, 209−225 Virtuoso Etudes (Mac Dowell), I, Jan ‘ 15, Physician,“ X, Jan ’ 24, 39−50 37−38 Voyage (William Schuman), XLI, Oct ‘ 55, Vision of Glory, A (Leo Orstein), XI, Jul 551, 553 ’ 25, 413 Voyage of Columbus (Dudley Buck), VI, Violin Concerto, Op. 36 (Arnold Schoenberg), XXXVII, Oct '51, 473 Violin Concerto (William Schuman) (com- Jan '55, 78 Apr '20, 234 W “ WPA and the American Composer, The” (Ashley Pettis), XXVI, Jan '40, 101−112 WADDINGTON, Geoffrey, XLII, Jan '56, 114 WAGENAAR, Bernard (on moder artsong), XXIV, Jan '38, 28, 29 music by, Concertino (commissioned by the League of Composers), XXXIV, Jan '48, 10; Short Overture, XLI, Jan '55, 79; Symphony No. 2, XXXIII, Apr '47, 185 book by, SOUTHERN HARMONY (Singing-school text), XIX, Oct '33, 396 Walking Song (Charles Ives), XIX, Jan '33, 53 WALLENSTEIN, Alfred, XXXVI, Oct '50, 579 WALTER, Arnold, XLII, Jan ‘ 56, 114 XXXII, Oct ’ 46, 503 book by, THEME AND VARIATIONS (book review by Max Graf), XXXII, Oct ‘ 46, 619−622 WALTER, Rev. Thomas, XIX, Oct ’ 33, 393; XXI, Apr ‘ 35, 197 book by, GROUND AND RULES OF MUSIC, XVI, Apr ’ 30, 216, 220−221 *“ Walter Piston” (Elliott Carter), XXXII, Jul ‘ 46, 354−375 WALTERS, Raymond, “ Bach at Bethlehem, Pennsylvania,” XXI, Apr ’ 35, 179−189 book by, THE BETHLEHEM (Pa.) BACH CHOIR, XXVIII, Apr ‘ 42, 177 Wanderchild (Marshall Kernochan), XI, Jul ’ 25, 417 Wanderer' s Psalm, Op. 50 (Horatio Parker), XVI, Apr ‘ 30, 156, 157, 161 Waning, The (Carl Deis), XI, Jul ’ 25, 416 “ War in its Relation to American Music, The” (Walter R. Spalding), IV, Jan ‘ 18, 1−11 WALTER, Bruno, XII, Apr '26, 160; WAGNER, Roger, XXXVII, Oct '51, 489 Wai Kiki (Charles T. Griffes), XI, Jul '25, 409 Wait for the Wagon (old ballad), XXIX, WAITE, G. & R. (publishers of singingWAITE, William G., book by, THE RHYTHM OF TWELFTH CENTURY POLYPHONY, ITS THEORY AND PRACTICE, XLI, Apr ‘ 55, 250−253 Walden String Quartet (University of Illinois), XXXIX, Jul ’ 53, 496; XXXIX, Oct ‘ 53, 657−659; XLII, Jan ’ 56, 47 Walden Trio, XXXVII, Oct ‘ 51, 481 *“ Waldo Selden Pratt” (Otto Kinkeldey), XXVI, Apr ’ 40, 162−174 WALKER, William (editor and compiler, Singing-school manuals), XIX, Oct ‘ 33, 398; XXII, Apr ’ 36, 158; XXVI, Oct ‘ 40, 485, 492 Apr '43, 251 school manuals), XXIII, Jan '37, 91 (book review by Leonard Ellingwood) 139 WARD, John, book review by (FRANCISCO CORREA DE ARAUXO, Libro de Tientos y Discursos de Musica Practica, y Theorica de Organo Intitulado Facultad de Organica (1626), Vol. I; Edited by Santiago Kastner), XL, Apr ‘ 54, 244−247; record review by, (Banchieri: Festino. The Primavera Singers, Noah Greenberg, cond.), XL, Apr ’ 54, 275−276 WARD, ROBERT, Euphony for Orchestra, XLI, Jan ‘ 55, 79; Symphony No. 3, XLII, Jul ’ 56, 423−425 (record review by Edward T. Cone) WARE, Helen, “ The American-Hungarian Folk-Song,” II, Jul ‘ 16, 434−441 WARFIELD, William, XXXVIII, Oct ’ 52, 655, 659 WARREN, Arthur (as critic), XXXI, Apr ‘ 45, 173 WARREN, Samuel P., XVIII, Jan ’ 32, 85, 88; XXXII, Apr ‘ 46, 290 WARRINER, Solomon, books by, SPRINGFIELD COLLECTION, XXXII, Apr ’ 46, 268, 273; (with Thomas Hastings), MUSICA SACRA, XXXII, Apr ‘ 46, 268, 273 Warrior, The (Bernard Rogers), XXXIII, Apr ’ 47, 215−216 (excerpt), 218−220 Warriors, The (Percy Grainger), XXIII, Apr ‘ 37, 131, 132 Warrior' s Welcome Home, The (Alexander Reinagle), XXIV, Jan ’ 38, 69 WARUKE, Heinrich, XXVIII, Jul ‘ 42, 296 Was My Brother in the Battle? (Stephen C. Foster), XXII, Apr ’ 36, 167 Washington' s March, XXX, Jan ‘ 44, 51 Wasserfahrt, Die (Lehigh Boatride) (David Moritz Michael), XXVIII, Apr ’ 42, 179 Watercolors (John Alden Carpenter), XI, Jul ‘ 25, 396, 410; XVI, Oct ’ 30, 456 WATERMAN, Richard A., XLII, Oct ‘ 56, 467 WATERS, Edward N., articles by, “ John Sullivan Dwight, First American Critic of Music,” XII, Jan ’ 35, 69−88; “*Liszt and Longfellow,” XLI, Jan ‘ 55, 1−25 book review by (NEW LETTERS OF BERLIOZ, 1830−1868, by Jacques Barzun), XL, Jul ’ 54, 430−434 WATERS, Horace & Co. (music publisher, NYC), XX, Jan ‘ 34, 93 Waters & Co., THE ATHENAEUM COLLECTION, XX, Jan ’ 34, 93; THE GOLDEN HARP, XX, Jan ‘ 34, 93 WATSON, Henry C., XXIII, Oct ’ 37, 434 WATTS, Wintter, XI, Jul ‘ 25, 387−392, 409; (Analytical review of songs), XI, Jul ’ 25, 388−392, Bring Her Again to Me; Dark Hills; The Golden Rose; Intreat Me Not to Leave Thee; Joy; Let it be Forgotten; Like Music on the Waters; Little Page' s Song; Little Shepherd' s Song; Love Me; Miniver Cheevy; My Heart, Like the Bird in the Tree; Nightingale and the Rose; Only a Cry; Only and Forever; Over the Western Sea; Pierrot; The Poet Sings; Song is so Old; Transformation; Tryste Noel; Utopia; Vignettes of Italy; A White Rose; Wild Tears; Wings of Night; With the Tide; Locations Wave, The (Redes) (film music) (Sylvestre Revueltas), XXVII, Apr ‘ 41, 164 Wa-Wan Press (See: Arthur Farwell), IV, Jan ’ 18, 27; VII, Apr ‘ 21, 295; XXVI, Jan ’ 40, 115; XXXVI, Apr ‘ 50, 162 WAXMAN, Franz, XXXVII, Oct ’ 51, 471 WEAKLAND, Rembert, O.S.B., “ Hucbald as Musician and Theorist,” XLII, Jan ‘ 56, 66−84 WEAVER, Paul J., XXIV, Oct ’ 38, 410 WEBB, George James, XXVI, Apr ‘ 40, 156157, 159; XXXII, Jan ’ 46, 74; (as cofounder of Boston Academy of Music), XIII, Apr ‘ 27, 242−243; XLII, Jul ’ 56, 361 WEBB, Thomas Smith, XVIII, Apr ‘ 32, 328 WEBER, Benjamin, Concert Aria after Solomon, Op. 29, XXXVI, Jul ’ 50, 445; Prelude and Passacaglia, XLI, Jan ‘ 55, 79 WEDGE, George, XXX, Jul ’ 44, 309, 314 Weekly Mirror and Advertiser (NYC), XVII, Jan ‘ 31, 33 Weekly Post Boy (NYC), XXI, Apr ’ 35, 190 WEIDIG, Adolf, XVIII, Jan ‘ 32, 100, 101 book by, HARMONIC MATERIAL, HOW TO USE IT, XIV, Apr ’ 28, 197 WEILL, Kurt, XXVII, Apr ‘ 41, 163; XXXIII, Jan ’ 47, 111; XXXIV, Apr ‘ 48, 297 music by, Down in the Valley (opera), XXXVII, Jul ’ 51, 328; Dreigroschenoper (record review by H. W. Heinsheimer), XXXIX, Jan ‘ 53, 155−157; Kleine Dreigroschenmusik (Suite from The Threepenny Opera), XL, Jul ’ 54, 454−456 (record review by Marc Blitzstein); You and Me (film music), XXVII, Apr ‘ 41, 163 WEINRICH, Carl, XXXVII, Oct ’ 51, 478 WEINSTOCK, Herbert, XXX, Apr ‘ 44, 238−241 article by, *“ Carlos Chavez,” XXII, Oct ’ 36, 435−445 books by, CHOPIN: THE MAN AND HIS MUSIC (book review by Daniel Gregory Mason), XXXV, Jul ‘ 49, 482485; (and Brockway, Wallace), THE OPERA: a history of its creation and 140 ‘ 42, 253−254 XXXVII, Apr ’ 51, 255; XLI, Jan ‘ 55, 77 WEISER, Bernhard (pianist), XXXVIII, When Johnny Comes Marching Home (Roy Jul ’ 52, 480 WEISGALL, Hugo, The Tenor (opera), Harris), XXXIII, Jan ‘ 47, 25 When the Shades of Night Pursuing (James XXXVIII, Apr ’ 52, 285−287 WEISS, Adolph (on modern art-song), Hewitt), XVII, Jan ‘ 31, 30 When Jesus Comes (P. P. Bliss) (See: XXIV, Jan ’ 38, 28−29 music by, Petite Suite, XXXVI, Oct ‘ 50, “ Gospel Hymns”), XXVI, Jul ’ 40, 359 591−592; Sextet and Woodwinds, Horn When Thou Commandest Me performance, 1600−1941, XXVIII, Apr Wheat Field at Noon (Virgil Thomson), and Piano, XXXV, Oct ‘ 49, 615−616 (Philip James), XI, Jul ’ 25, 414 Where the Misty Shadows Glide (John WEISS, John George, XXI, Apr ‘ 35, 184 Alden Carpenter), XI, Jul ’ 25, 392, 395, WEISS, Mathias, XXI, Apr ‘ 35, 184 397 WEISSE, Hans, XXXIX, Jan ’ 53, 126 WELCH, Roy Dickinson, XXVI, Apr ‘ 40, Whimsy (Wallingford Riegger), XXXVI, 266; XXXI, Apr ’ 45, 144 Jan ‘ 50, 43 articles by, “ The Assault on Modernism WHITE, B. F., XXVI, Oct ’ 40, 492 in Music,” VII, Jul ‘ 21, 408−417; WHITE, Elise Fellows, “ The Anaesthetic of Conceit,” XI, Jul ’ 25, 339−344;“ MuVIII, Oct ‘ 22, ” Shakespeare-Musician,“ sic Versus Materialism,” VIII, Jan ’ 22, 510−527 38−43 book by, HOW TO LISTEN TO MUSIC, WHITE, Richard Grant (early NYC critic), XXXI, Apr ‘ 45, 149 We' re Coming, Father Abram (Civil War XXIII, Oct ’ 37, 434; XXVIII, Jan ‘ 42, 102−103 song), XXIX, Apr ’ 43, 249 WERNER, Eric, “ The Psalmodic Formula White Gulls (Charles Ives), XIX, Jan ‘ 33, Neannoe and Its Origin,” XXVIII, Jan 54−55 ’ 42, 93−99 WHITEHEAD, Alfred North, XXXIX, Oct book review by, (A HISTORY OF BY' 53, 557 ZANTINE MUSIC AND HYMNOGRAPHY, Egon Wellesz), XXXV, Oct WHITEMAN, Paul, X, Apr ‘ 24, 299; XI, Apr ’ 25, 308; XV, Oct ‘ 29, 607, 615, ’ 49, 644−649 616, 617, 618, 624; XVIII, Oct ‘ 32, 651; WESSEL, Mark, Sinfonia Concertante, XXI, Jan ’ 35, 54, 55, 68; XXVII, Jan XVIII, Jan ‘ 32, 13 ’ 41, 49, 50, 53; XXXIII, Jan ‘ 47, 106; WESTERMAN, Erik, XXIII, Jul ’ 37, 309 XLI, Apr ‘ 55, 269 (Charles Griffes), editor), XXXII, Apr ‘ 46, 268 XXXIII, Apr ’ 47, 186 Western Reserve University (Cleveland, “ White Pioneers and Black” (John Jacob Ohio), XLII, Jul ‘ 56, 292 Niles), XVIII, Jan ’ 32, 60−75 Western Reserve University, Department of White Rose, A (Wintter Watts), XI, Jul Music (Cleveland, Ohio), XXXVI, Apr ‘ 25, 392 163 ’ 50, WHITE SPIRITUALS IN THE SOUTHWestern Suite (Elie Siegmeister) XXXIII, ERN UPLANDS (George Pullen Jack186 Apr ‘ 47, son), XIX, Apr ’ 33, 220−221; XXIII, WETMORE, Susannah and Bartholomew, Jan ‘ 37, 89, 96; XXVI, Oct ’ 40, 483 SONGS OF Marshall, MOUNTAIN White Wings (Douglas Moore), XXXV, Jul NORTH CAROLINA, XIV, Apr ‘ 28, ’ 49, 448−451 286 White' s New Ethiopian Song Book (1854), WEYBRIGHT, Victor (See: “ New Light XLII, Oct ‘ 56, 458 Western Recorder, The (Thomas Hastings, White Peacock, The T. to Sing Apr ‘ 37, 199, 200 WEYMAN, Wesley, articles by, “ The Passing of the Pressure Touch,” VII, Jan 21, 127; “ The Science of Pianoforte Technique,” IV, Apr ’ 18, 168−173 What Shall the Harvest Be? (Oakey-Bliss) on The Star Spangled Banner“), XXIII, WHITHORNE, Emerson, VII, Jul '21, 306, 307; IX, Jan '23, 123; XV, Apr '29, 292; XIX, Oct '33, 416 music by, The Babe in the Garden, XI, Jul '25, 410−411; Invocation, XI, Jul '25, 410−411; New York Days and Nights, IX, Apr '23, 297−298; Pierrette and I, XI, Jul '25, 410−411; Saturday' s (See: “ Gospel Hymns‘), XXVI, Jul ’ 40, 360 WHAT TO LISTEN FOR IN MUSIC (Aaron Copland), XXXI, Oct '45, 424 141 Child (commissioned by League of Composers), XVIII, Jan '32, 11; XXXIV, Jan '48, 10; Two Chinese Nocturnes, Op. 34, IX, Apr ‘ 23, 298; Two Chinese Poems, Op. 18, IX, Apr ’ 23, 298 WHITING, Arthur, IV, Jul ‘ 18, 331; IX, Jan ’ 23, 123; X, Jul ‘ 24, 449; XV, Jan ’ 29, 8; XXIII, Jan ‘ 37, 41; XXVI, Jul ’ 40, 297; (See: *“ Arthur Whiting”) portrait, XXIII, Jan ‘ 37, Opp. 28, 29 music by, Piano Concerto, VI, Apr 20, 234 WHITING, George E., X, Jul ’ 24, 443; XVIII, Jan ‘ 32, 79, 80 WHITMER, T. Carl, “ The Energy of American Crowd Music,” IV, Jan ’ 18, 98−116; “ A Post-Impressionistic View of Beethoven,” II, Jan ‘ 16, 13−31 WHITNEY, Josiah D., IV, Jan ’ 18, 26 WHITNEY, Robert, XLI, Oct ‘ 55, 485 (See: Louisville (Ky.) Orchestra) Whittall Foundation Collection (See: Gertrude Clarke Whittall) Why De We Mourn? (funeral hymn from THE EASY INSTRUCTOR), XIX, Oct ’ 33, Opp. 401 WICK, Mrs. Henrietta Foster, XXI, Jan ‘ 35, 19 Wide Awake (Dar' s a Monkey in de Tent) (Daniel D. Emmett), XXXV, Jan ’ 49, 60−61 Wife of Martin Guerre, The (opera) (William Bergsma), XLII, Jul ‘ 56, 391−394 WIGGLESWORTH, Frank, Telesis (orchestra), XXXVII, Jan ’ 51, 76−78 WIGNELL, Thomas, XVIII, Jan ‘ 32, 158; XXI, Apr ’ 35, 203; XXX, Jan ‘ 44, 51 Wignell and Reinagle Company, XXX, Jan ’ 44, 51 WILD, Harrison M., X, Jul ‘ 24, 444 Wild Flower' s Song, The (Arthur Farwell), XI, Jul ’ 25, 415 Wild Goose Chase (James Hewitt), XVII, Jan ‘ 31, 32 Wild Men' s Dance (Leo Orstein), IV, Apr ’ 18, 177, 178, 179; IV, Jul ‘ 18, 445 Wild Tears (Wintter Watts), XI, Jul ’ 25, 391 *“ Wilhelm Middelschulte, Master of Counterpoint,” (John L. Becker), XIV, Apr ‘ 28, 192−202 Will You Come to My Mountain Home? (a song of the “ Orphean Family Singers” 1845), XXXII, Jan ’ 46, 64 WILLAN, Healey, Coronation Suite, XL, Jan ‘ 54, 59 “ Willem Pijper and the ’ Netherlands School‘ of the 20th Century” (Alexander L. Ringer), XLI, Oct ’ 55, 427445 *“ William Billings and His Times” (Carl E. Lindstrom), XXV, Oct ‘ 39, 479−497 142 *“ William Gericke: A Centennial Retrospect” (John N. Burk), XXXI, Apr ‘ 45, 163−187 WILLIAM HENRY FRY: AMERICAN AND COMPOSERJOURNALIST CRITIC (William Treat Upton), XL, Oct ’ 54, 606−608 (book review by Christopher Hatch) WILLIAM SCHUMAN (Flora Rheta Schreiber and Vincent Persichetti), XLI, Jan ‘ 55, 105−106 (book review by Alfred Frankenstein) WILLIAMS, Alberto, XXXIV, Jan ’ 48, 3 WILLIAMS, David McK., XXXII, Apr ‘ 46, 292 Williamsburg (Va.) Music in Colonial Era, XXXIV, Jul ’ 48, 358−364 Willie We Have Missed You (Stephen C. Foster), XXII, Apr ‘ 36, 163, 167 WILLIG, George (music publisher in Philadelphia and Baltimore), XVIII, Jan ’ 32, 153, 331, 332, 334; XX, Jan ‘ 34, 78 Willow Song (Percy Grainger), XXIII, Apr ’ 37, 129 WILSON, M. E., XIX, Jul ‘ 33, 322 WILSON, Mabel Bishop, XV, Apr ’ 29, 284 WILSON, Mortimer, The Thief of Bagdad (film music), XXVII, Apr ‘ 41, 147 Wind Among the Reeds, The (Charles Martin Loeffler), XI, Jul ’ 25, 324, 409 Wind in the Willows, The (Randall Thompson), XXXV, Jan ‘ 49, 3 Wings of Night (Wintter Watts), XI, Jul ’ 25, 390 WINTER, Marian Hannah, “ American Theatrical Dancing from 1750 to 1800,” XXIV, Jan ‘ 38, 58−73; “ The Function of Music in Sound Films,” XXVII, Apr ’ 41, 146−164 WINTERNITZ, Emanuel, book review by (I DISEGNI MUSICALI DEL GABINETTO DEGLI “ UFFIZI,” by Luigi Parigi; MOSTRA DI STRUMENTI MUSICALI IN DISEGNI DEGLI UFFIZI by Luigi Parigi; GLI STRUMENTI MUSICALI NEI DIPINTI DELLA GALLERIA DEGLI UFFIZI by Marziano Bernardi and Andrea della Corte; CATALOGO DELLA MOSTRA CORELLIANA), XL, Oct ‘ 54, 608−614 WINTERNITZ, Felix, XXI, Jan ’ 35, 39, 41, 46 “ Wireless” (first transmission of music), XXIV, Apr ‘ 38, 223 WISTER, Owen, XXII, Jan ’ 36, 113 article by, “ Strictly Hereditary,” XXII, Jan ‘ 36, 1−7 With the Tide (Wintter Watts), XI, Jul ’ 25, 390 WOLF, Robert Erich, “ Liege' s Buried Treasure,” XLI, Jul ‘ 55, 355−360 WOLFF, Christian, Trio for Flute, Clarinet and Violin, XXXVIII, Jan ’ 52, 132 WOLFF, Konrad, current chronicle (England), XLII, Oct ‘ 56, 536−538 WOLLE, Dr. John Frederick, XXIII, Jul ’ 37, 313; VII, Jan ‘ 21, 118, 119, 122, 125; XXI, Apr ’ 35, 180, 183−188 portrait, XXVIII, Apr ‘ 42, Opp. 175 WOLLE, Peter, XXIII, Jul ’ 37, 313 music by, Am Fenster bey Mondschein, XXX, Jan ‘ 44, 58 WOLLE, Theodore F., XXIII, Jul ’ 37, 313 Wolle family musicians (Bethlehem, Pa.), XXVIII, Apr ‘ 42, 180−183 Wondrous Love (folk-hymn), XXVI, Oct ’ 40, 485, 487; (facsimile), XXVI, Oct ‘ 40, Opp. 485 WOOD, Dr. David, XXI, Apr ’ 35, 185 Wood Song (Alexander Rihm), XI, Jul ‘ 25, 415 WOODBURY, I. B., HARP OF THE SOUTH, XVI, Apr ’ 30, 224; THE ANTHEM DULCIMER, XVI, Apr ‘ 30, 225, 227 WOODFILL, Walter L., MUSICIANS IN ENGLISH SOCIETY FROM ELIZABETH TO CHARLES I, XL, Jan ’ 54, 106−110 (book review by A. Hyatt King) Woodland Sketches (Edward Mac Dowell), I, Jan ‘ 15, 46 WOODMAN, R. Huntington, XVIII, Jan ’ 32, 86, 92; XXXII, Apr ‘ 46, 290, 293 Woodman, Spare That Tree (Henry Russell), XXXII, Jan ’ 46, 74 WORCESTER COLLECTION (Singingschool text), XXIV, Oct ‘ 38, 481; XXV, Oct ’ 39, 483 Worcester (Mass.) Festival, XXVIII, Jul ‘ 42, 294 WORK, John W., XVI, Jul ’ 30, 391 article by, “ Plantation Meistersinger,” XXVII, Jan ‘ 41, 97−106 Would You Go So Soon (Bainbridge Crist), XI, Jul ’ 25, 407 Wounded Hussar (James Hewitt), XVII, Jan ‘ 31, 30 WRIGHTSON, Herbert J., “ The Secret of Technique,” II, Oct ’ 16, 562−565 WYMAN, Lorain and Brockway, Howard, books by, FOLK-SONGS FROM THE KENTUCKY MOUNTAINS, XIV, Apr ‘ 28, 286; LONESOME TUNES, XIV, Apr ’ 28, 286 WYNN, James, “ The Flute,” XV, Jul ‘ 29, 469−474 Wyoming Band (Wilkes-Barre, Pennsylvania), XVIII, Jan ’ 32, 156 Y Yaddo Festival, XXXIV, Oct ‘ 48, 533; XXXI, Oct ’ 45, 422, 428 Yale Beethoven Society (New Haven, Conn.), XIII, Apr ‘ 27, 247 Yale School of Music (New Haven, Conn.), XVI, Apr ’ 30, 158; XXVIII, Jan ‘ 42, 65 Yale Studies in the History of Music, XXXIII, Apr ’ 47, 274 Yale University, Department of the History of Music, XXXIX, Apr ‘ 53, 247 Yankee Doodle (folk air), XIV, Jan ’ 28, 73; XVIII, Jan ‘ 32, 156; (See: “ Some Guesses About Yankee Doodle”); Variations on Yankee Doodle (Anton Rubinstein), VI, Apr ’ 20, 247. Yaqui Indian song, Song of the Deer-Dance, XVII, Oct ‘ 31, 471 Yaqui Song (tribal air, Yaqui Indians), XVII, Oct ’ 31, 472 YARDUMIAN, Richard, music by, Armenian Suite (orchestra), XLI, Oct ‘ 55, 551, 554 (record review by Nathan Broder); Concerto for Violin and Orchestra, XLI, Oct ’ 55, 551, 554 (record review by Nathan Broder); Desolate City (orchestra), XLI, Oct ‘ 55, 551, 554 (record review by Nathan Broder); Psalm 130, XLI, Oct ’ 55, 551, 554 (record review by Nathan Broder) YASSER, Joseph, XXVI, Oct ‘ 40, 490; XXXIX, Jan ’ 53, 30 articles by, “ Gretchaninoff' s ‘ Heterodox’,” XXVIII, Jul ‘ 42, 309−317; “ Mediaeval Quartel Harmony: A Plea for Restoration” (Part I), XXIII, Apr ’ 37, 170197; ((Part II), XXIII, Jul ‘ 37, 333366; (Part III), Jul ’ 38, 351−385 book by, A THEORY OF EVOLVING TONALITY, XXII, Jan ‘ 36, 15 book review by, THE DIATONIC MODES IN MODERN MUSIC, by John Vincent, XXXVIII, Jul ’ 52, 468477 Ye Nations Round the Earth Rejoice (from THE ART OF SINGING), XIX, Oct ‘ 33, Opp. 401; (from THE EASY INSTRUCTOR), XIX, Oct ’ 33, Opp. 401 143 YEAR IN AMERICAN MUSIC. 1946−1947, THE, Julius Bloom, editor (book respiritual), IV, Jul ‘ 18, 326−327, 328 view by Francis D. Perkins), XXXIV, You Will Not Come Again (Bainbridge Crist), XI, Jul ’ 25, 406 Apr ‘ 48, 297−299 YEWDALE, M. S., “ The Metaphysical YOUNG, William (colonial flautist), XVII, Jan ’ 31, 26 Foundation of Pure Music,” XIV, Jul Young Peoples' Concert (NYC), XXXIV, ‘ 28, 397−402 Jan ’ 48, 2−3 YODER, Don (editor of SONGS ALONG Young Peoples' Symphony (NYC), XXXIII, THE MAHANTONGO), XXXVIII, Apr ‘ 47, 208 Jan ’ 52, 81 Young Peoples' Symphony Concerts (NYC), YODER, Joseph W., AMISCHE LIEDER, XVIII, Jan ‘ 32, 6 XXXI, Jul ’ 45, 277−288 Yuma Healing Song (Indian tribal air), YON, Pietro, XXXIV, Oct ‘ 48, 543 XIII, Oct ’ 27, 564 You and Me (film music) (Kurt Weill), Yuma Lullaby (tribal air), VII, Oct 21, 551−552 XXVII, Apr ‘ 41, 163 You May Bury Me in the East (Negro z ZIEHN, Bernhard, XVI, Oct ‘ 30, 451, 457 portrait, XIX, Apr ’ 33, Opp. 170 ZEISL, Eric, Songs for the Daughter of Zip Coon (Americanfiddle tune), IV, Jan ‘ 18 29, 30 Jeptha (women' schorus and chamber ZILEVICIUS, Juozas, “ Native Lithuanian XXXVI, Oct ’ 50, 585−586 orchestra), Musical Instruments,” XXI, Jan ‘ 35, ZEISLER, Fannie Bloomfield, XVIII, Jan 99−106 ’ 32, 101; XIX, Apr ‘ 33, 169 ZERRAHN, Carl, XXIX, Jan ’ 43, 79 ZINZENDORF, Count, XXI, Apr ‘ 35, 180 ZACH, Max, XXXVI Apr ’ 50, 162 ZAMECNIK, S., XXIX, Jul ‘ 43, 316 J. 144 </meta-value></custom-meta></custom-meta-wrap></article-meta></front></article></istex:document></istex:metadataXml><mods version="3.6"><titleInfo lang="en"><title>Americana Index to The Musical Quarterly 1915–1957</title></titleInfo><titleInfo type="alternative" lang="en" contentType="CDATA"><title>Americana Index to The Musical Quarterly 1915–1957</title></titleInfo><typeOfResource>text</typeOfResource><genre type="other" displayLabel="other" authority="ISTEX" authorityURI="https://content-type.data.istex.fr" valueURI="https://content-type.data.istex.fr/ark:/67375/XTP-7474895G-0">other</genre><originInfo><publisher>SAGE Publications</publisher><place><placeTerm type="text">Sage CA: Los Angeles, CA</placeTerm></place><dateIssued encoding="w3cdtf">1958-10</dateIssued><copyrightDate encoding="w3cdtf">1958</copyrightDate></originInfo><language><languageTerm type="code" authority="iso639-2b">eng</languageTerm><languageTerm type="code" authority="rfc3066">en</languageTerm></language><relatedItem type="host"><titleInfo><title>Journal of Research in Music Education</title></titleInfo><genre type="journal" authority="ISTEX" authorityURI="https://publication-type.data.istex.fr" valueURI="https://publication-type.data.istex.fr/ark:/67375/JMC-0GLKJH51-B">journal</genre><identifier type="ISSN">0022-4294</identifier><identifier type="eISSN"></identifier><identifier type="PublisherID">JRM</identifier><identifier type="PublisherID-hwp">spjrm</identifier><part><date>1958</date><detail type="volume"><caption>vol.</caption><number>6</number></detail><detail type="issue"><caption>no.</caption><number>2</number></detail><extent unit="pages"><start>5</start><end>144</end></extent></part></relatedItem><identifier type="istex">0CACEA0A54BE5A041F76245F2EF04491E9D007CC</identifier><identifier type="ark">ark:/67375/M70-HX4XGRQ8-Q</identifier><identifier type="DOI">10.1177/002242945800600204</identifier><identifier type="ArticleID">10.1177_002242945800600204</identifier><recordInfo><recordContentSource authority="ISTEX" authorityURI="https://loaded-corpus.data.istex.fr" valueURI="https://loaded-corpus.data.istex.fr/ark:/67375/XBH-0J1N7DQT-B">sage</recordContentSource></recordInfo></mods><json:item><extension>json</extension><original>false</original><mimetype>application/json</mimetype><uri>https://api.istex.fr/ark:/67375/M70-HX4XGRQ8-Q/record.json</uri></json:item></metadata><author></author><serie></serie></istex></record>Pour manipuler ce document sous Unix (Dilib)
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