From the living room to the museum and back again

From the living room to the museum and back again

Source :

• Journal of the History of Collections [ 0954-6650 ] ; 2004-11.

English descriptors

• Teeft :
  • Alexandre lenoir, Alfred darcel, Alphonse germain, Anatole, Anatole france, Antonin proust, Architectural fragments, Arij prins, Arts decoratifs, Authentic objects, Authentic works, Avec, Bibelot, Bibelots, Bibliotheque, Bibliotheque nationale, Bourgeois, Bourgeois consumer, Bourgeois consumers, Broadest sense, Camille enlart, Charles rearick, Christian amalvi, Church treasures, Classical architecture, Cluny, Collector, Comparee, Contemporary artists, Courajod, Crystal palace, Cultural production, Debora silverman, Decorative arts, Department store, Didactic goals, Direct result, Edmond, Edmond bonnafee, Elizabeth emery, Emery, Emile molinier, Emile zola, Entire books, Ernest odiot, Esseintes, Eugen weber, Exposition, Exposition retrospective, Exposition universelle, Expositions universelles, Famous people, Figaro illustre, Fine arts, Francais, Francis haskell, Francoise choay, French literature, French manuscripts, French masters, French nation, French nationalism, French primitifs, Fteenth century, Gaston paris, Germain, Gold work, Goncourt, Gonse, Gothic, Gothic architecture, Gothic dining room, Gothic masterpieces, Gothic revival, Gothic throne, Great deal, Gure, Henri bouchot, Huysmans, Illustree, Important function, Important scholars, Incomparable cabinet, Inexpensive reproductions, Interior decorators, Interior design, Janell watson, Jean fouquet, Jean mallion, Jean moreas, Jules, Last quarter, Late france, Laura morowitz, Lecons professees, Legitimizing discourse, Lenoir, Louis courajod, Louis gonse, Louvre, Material culture, Medieval, Medieval chapel, Medieval heritage, Medieval history, Medieval manuscripts, Medieval museum, Medieval museums, Medieval objects, Medieval pieces, Medieval revival, Medieval rulers, Medieval treasures, Medieval works, Medievalism, Michael camille, Michel espagne, Middle ages, Modern collector, Modern france, Modern replicas, Molinier, Montclair state university, Monuments francais, Monuments historiques, Morowitz, Moyen, Musee, Musee carnavalet, Musees, Musees resource, National museum, National treasures, Nationale, Nationalist appropriation, Nineteenth century, Original function, Palais, Paul frantz marcou, Paul vitry, Pearce, Pierre loti, Popular consumption, Popular culture, Poulot, Presse illustree, Primitif paintings, Primitifs, Primitifs francais, Private collections, Private collector, Private collectors, Private consumption, Private display, Private passion, Proust, Public display, Public museum, Public museums, Remy saisselin, Renaissance periods, Retrospective, Revue, Revue illustree, Roger marx, Rosalind williams, Same time, Scholarly research, Sculpture, Sculpture comparee, Sculpture moderne, Sculpture wing, Shane adler davis, Siecle, Siecle france, Silverman, Sole province, Sommerard, Spitzer collection, Strawberry hill, Susan pearce, Tapestry, Temp, Third republic, Thirteenth century, Thorough discussion, Tony bennett, Tres riches heures, Trocadero, Troubadour style, Union centrale, Vieux paris, Vitraux, Vitraux glacier, Wagner college, Xiiie siecle, Xixe siecle, York university, Zola.

Abstract

• https://api.istex.fr/ark:/67375/HXZ-HMXHN1NQ-Z/fulltext.pdf

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