Introduction à la pensée conservatrice de T.S. Eliot
Identifieur interne : 000561 ( Hal/Curation ); précédent : 000560; suivant : 000562Introduction à la pensée conservatrice de T.S. Eliot
Auteurs : Jean-Paul Rosaye [France]Source :
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Abstract
In his preface to For Lancelot Andrewes: Essays on Style and Order, T.S. Eliot defined himself as an anglo-catholic, a classicist and a royalist. This article aims at commenting this definition, showing that it reveals a certain type of conservatism linking Eliot to Burke and Coleridge as well as to a counter-revolutionary tradition obviously present with Charles Maurras in France. Yet, the core of this conservative attitude is not to be found in any political activity, but rather in what Eliot described as « the pre-political area ». The role of artists is not to voice a static or an aggressive vision of tradition in order to set it into a naive political stance, but to work for its regeneration through a spiritual endeavour.
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ELiot</term><term>conservatisme</term><term>contre-révolution</term><term>critique artiste</term><term>tradition</term></keywords></textClass></profileDesc></teiHeader><front><div type="abstract" xml:lang="en">In his preface to For Lancelot Andrewes: Essays on Style and Order, T.S. Eliot defined himself as an anglo-catholic, a classicist and a royalist. This article aims at commenting this definition, showing that it reveals a certain type of conservatism linking Eliot to Burke and Coleridge as well as to a counter-revolutionary tradition obviously present with Charles Maurras in France. Yet, the core of this conservative attitude is not to be found in any political activity, but rather in what Eliot described as « the pre-political area ». The role of artists is not to voice a static or an aggressive vision of tradition in order to set it into a naive political stance, but to work for its regeneration through a spiritual endeavour.</div></front></TEI><hal api="V3"><titleStmt><title xml:lang="fr">Introduction à la pensée conservatrice de T.S. Eliot</title><author role="aut"><persName><forename type="first">Jean-Paul</forename><surname>Rosaye</surname></persName><email>jpaul.rosaye@univ-artois.fr</email><idno type="halauthor">353557</idno><affiliation ref="#struct-74134"></affiliation></author><editor role="depositor"><persName><forename>Jean-Paul</forename><surname>Rosaye</surname></persName><email>jpaul.rosaye@univ-artois.fr</email></editor></titleStmt><editionStmt><edition n="v1" type="current"><date type="whenSubmitted">2011-03-18 17:31:27</date><date type="whenWritten">1999-03</date><date type="whenModified">2015-06-15 15:07:41</date><date type="whenReleased">2011-03-22 14:42:18</date><date type="whenProduced">1999-03</date><date type="whenEndEmbargoed">2011-03-18</date><ref type="file" target="https://hal.archives-ouvertes.fr/hal-00578260/document"><date notBefore="2011-03-18"></date></ref><ref type="file" subtype="author" n="1" target="https://hal.archives-ouvertes.fr/hal-00578260/file/la_pensA_e_conservatrice_de_tse.pdf"><date notBefore="2011-03-18"></date></ref></edition><respStmt><resp>contributor</resp><name key="131590"><persName><forename>Jean-Paul</forename><surname>Rosaye</surname></persName><email>jpaul.rosaye@univ-artois.fr</email></name></respStmt></editionStmt><publicationStmt><distributor>CCSD</distributor><idno type="halId">hal-00578260</idno><idno type="halUri">https://hal.archives-ouvertes.fr/hal-00578260</idno><idno type="halBibtex">rosaye:hal-00578260</idno><idno type="halRefHtml">Jean-Paul Barbiche. "Cultures et sociétés : Ordre et désordre », Université du Havre, Mar 1999, France. L'Harmattan, pp.84-95, 1999</idno><idno type="halRef">Jean-Paul Barbiche. "Cultures et sociétés : Ordre et désordre », Université du Havre, Mar 1999, France. 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Eliot</title><author role="aut"><persName><forename type="first">Jean-Paul</forename><surname>Rosaye</surname></persName><email>jpaul.rosaye@univ-artois.fr</email><idno type="halAuthorId">353557</idno><affiliation ref="#struct-74134"></affiliation></author></analytic><monogr><title level="m">Littérature et ordre socia</title><meeting><title>"Cultures et sociétés : Ordre et désordre », Université du Havre</title><date type="start">1999-03</date><date type="end">1999-03</date><country key="FR">France</country></meeting><editor>Jean-Paul Barbiche</editor><imprint><publisher>L'Harmattan</publisher><biblScope unit="pp">84-95</biblScope><date type="datePub">1999</date></imprint></monogr></biblStruct></sourceDesc><profileDesc><langUsage><language ident="fr">French</language></langUsage><textClass><keywords scheme="author"><term xml:lang="en">conservatism</term><term xml:lang="en">conservative party</term><term xml:lang="fr">T.S. ELiot</term><term xml:lang="fr">tradition</term><term xml:lang="fr">conservatisme</term><term xml:lang="fr">contre-révolution</term><term xml:lang="fr">critique artiste</term></keywords><classCode scheme="halDomain" n="shs.phil">Humanities and Social Sciences/Philosophy</classCode><classCode scheme="halDomain" n="shs.scipo">Humanities and Social Sciences/Political science</classCode><classCode scheme="halDomain" n="shs.litt">Humanities and Social Sciences/Literature</classCode><classCode scheme="halTypology" n="COMM">Conference papers</classCode></textClass><abstract xml:lang="en">In his preface to For Lancelot Andrewes: Essays on Style and Order, T.S. Eliot defined himself as an anglo-catholic, a classicist and a royalist. This article aims at commenting this definition, showing that it reveals a certain type of conservatism linking Eliot to Burke and Coleridge as well as to a counter-revolutionary tradition obviously present with Charles Maurras in France. Yet, the core of this conservative attitude is not to be found in any political activity, but rather in what Eliot described as « the pre-political area ». The role of artists is not to voice a static or an aggressive vision of tradition in order to set it into a naive political stance, but to work for its regeneration through a spiritual endeavour.</abstract><abstract xml:lang="fr">Dans la préface de For Lancelot Andrewes: Essays on Style and Order, Eliot se définissait lui-même comme anglo-catholique en religion, royaliste en politique et classique en littérature. Cet article tente de commenter cette définition en montrant qu'elle est révélatrice d'un certain type de conservatisme qui relie Eliot à Burke, à Coleridge, et de façon plus générale à une tradition contre-révolutionnaire que l'on retrouve en France au vingtième siècle chez Maurras par exemple. Le cœur de son conservatisme, toutefois, n'est pas à rechercher dans un certain activisme politique; il se rapporte à ce qu'Eliot appelait le « pré-politique »: le rôle des artistes ne consiste pas, selon lui, à propager une vision statique et agressive de la tradition pour lui donner la possibilité de s'insérer dans un discours politique actif, mais d'œuvrer pour la régénérer régulièrement à travers une quête spirituelle d'une certaine ampleur.</abstract></profileDesc></hal></record>Pour manipuler ce document sous Unix (Dilib)
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