ChansonRolandV1, Main, Corpus, bibRecord, 000038

Two liturgical responses to the protestant reformation at the collegiate church of saint mary in aachen, 1570-1580

Identifieur interne : 000038 ( Main/Corpus ); précédent : 000037; suivant : 000039

Two liturgical responses to the protestant reformation at the collegiate church of saint mary in aachen, 1570-1580

Auteurs : Eric Rice

Source :

Viator : (Berkeley) [ 0083-5897 ] ; 2007.

RBID : Francis:08-0064234

Descripteurs français

Pascal (Inist)
- La Réforme, Liturgie chrétienne, Musique liturgique, Chaire, Contre Réforme, Charlemagne, Polyphonie.

English descriptors

KwdEn :
- Christian liturgy, Counter-Reformation, Liturgical music, Pulpit, The Reformation.

Abstract

i. The identity of Aachen's "royal basilica" was dominated by Charlemagne, it founder, but was also bound up with a septennial pilgrimage and thus personal devotion. The church became an important center for the articulation of the Holy Roman Empire's struggle against Protestantism, prompting liturgical changes during the last third of the sixteenth century. This article discusses two such changes between 1570 and 1580: the clear presentation of centuries-old plainchant melodies for the Feast of Charlemagne in up-to-date polyphonic settings by Johannes Mangon (ca. 1525-1578) and the construction of a new pulpit for vernacular preaching in close proximity to the former location of an ancient one. Each of these modifications updates an old or existing practice in a way that renews its relevance in light of the increase of Protestantism in the area. Such updates resonate with the Counter-Reformation goal of preserving and renewing the Catholic faith.

Notice en format standard (ISO 2709)

Pour connaître la documentation sur le format Inist Standard.

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C01	`01`		`ENG`	@0 i. The identity of Aachen's "royal basilica" was dominated by Charlemagne, it founder, but was also bound up with a septennial pilgrimage and thus personal devotion. The church became an important center for the articulation of the Holy Roman Empire's struggle against Protestantism, prompting liturgical changes during the last third of the sixteenth century. This article discusses two such changes between 1570 and 1580: the clear presentation of centuries-old plainchant melodies for the Feast of Charlemagne in up-to-date polyphonic settings by Johannes Mangon (ca. 1525-1578) and the construction of a new pulpit for vernacular preaching in close proximity to the former location of an ancient one. Each of these modifications updates an old or existing practice in a way that renews its relevance in light of the increase of Protestantism in the area. Such updates resonate with the Counter-Reformation goal of preserving and renewing the Catholic faith.
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C03	`03`	`R`	`FRE`	`@0 Musique liturgique @5 03`
C03	`03`	`R`	`ENG`	`@0 Liturgical music @5 03`
C03	`04`	`R`	`FRE`	`@0 Chaire @5 04`
C03	`04`	`R`	`ENG`	`@0 Pulpit @5 04`
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Format Inist (serveur)

NO :	FRANCIS 08-0064234 INIST
ET :	Two liturgical responses to the protestant reformation at the collegiate church of saint mary in aachen, 1570-1580
AU :	RICE (Eric)
AF :	Department of Music University of Connecticut 1295 Storrs Road Unit 1012/Storrs, CT 06269-1012/Etats-Unis (1 aut.)
DT :	Publication en série; Niveau analytique
SO :	Viator : (Berkeley); ISSN 0083-5897; Etats-Unis; Da. 2007; Vol. 38; No. 2; x, 291-318 [29 p.]; Bibl. dissem.
LA :	Anglais
EA :	i. The identity of Aachen's "royal basilica" was dominated by Charlemagne, it founder, but was also bound up with a septennial pilgrimage and thus personal devotion. The church became an important center for the articulation of the Holy Roman Empire's struggle against Protestantism, prompting liturgical changes during the last third of the sixteenth century. This article discusses two such changes between 1570 and 1580: the clear presentation of centuries-old plainchant melodies for the Feast of Charlemagne in up-to-date polyphonic settings by Johannes Mangon (ca. 1525-1578) and the construction of a new pulpit for vernacular preaching in close proximity to the former location of an ancient one. Each of these modifications updates an old or existing practice in a way that renews its relevance in light of the increase of Protestantism in the area. Such updates resonate with the Counter-Reformation goal of preserving and renewing the Catholic faith.
CC :	5271149; 527
FD :	La Réforme; Liturgie chrétienne; Musique liturgique; Chaire; Contre Réforme; Charlemagne; Polyphonie
ED :	The Reformation; Christian liturgy; Liturgical music; Pulpit; Counter-Reformation
LO :	INIST-23418.354000160987180120
ID :	08-0064234

Links to Exploration step

Francis:08-0064234

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La Chanson de Roland dans Francis

Two liturgical responses to the protestant reformation at the collegiate church of saint mary in aachen, 1570-1580

Two liturgical responses to the protestant reformation at the collegiate church of saint mary in aachen, 1570-1580

Source :

Descripteurs français

English descriptors

Abstract

Notice en format standard (ISO 2709)

Format Inist (serveur)

Links to Exploration step

Le document en format XML

Pour manipuler ce document sous Unix (Dilib)

Pour mettre un lien sur cette page dans le réseau Wicri