ARCHITECTURE, GENDER AND POLITICS: THE VILLA IMPERIALE AT PESARO
Identifieur interne : 005540 ( Main/Exploration ); précédent : 005539; suivant : 005541ARCHITECTURE, GENDER AND POLITICS: THE VILLA IMPERIALE AT PESARO
Auteurs : Catherine KingSource :
- Art History [ 0141-6790 ] ; 2006-11.
English descriptors
- Teeft :
- Active life, Alberto lollio, Andrea doria, Antonio brancati, Antonio pinelli, Baldesar castiglione, Barbaro, Bembo, Bernardo tasso, Bernhard patzak, Brancati, Cardinal giulio, Casa, Castiglione, Catherine king, Clorinda pietrangela, Conduct books, Copyright, Court ladies, Decisive victory, Della, Della rovere, Dilwyn knox, Ducal, Duchess, Duchy, Duke, Eiche, Elisabetta gonzaga, Federico gonzaga, Former courtier, Francesco, Francesco barbaro, Francesco maria, Gender decorum, Genga, Georg gronau, Girolamo, Girolamo genga, Giulio romano, Gonzaga, Gratissima consolatione, Gronau, Ground level, Guido arbizzoni, High walls, Honest leisure, Imperiale, Inscription, Ionic order, Italian renaissance, Italian translation, John shearman, Leonard tennenhouse, Leonora, Leonora gonzaga, Loggia, Lorenzo valla, Madama, Main facade, Male patrons, Mantua, Mantuan inscription, Many windows, Maria letizia brancati, Maria rosaria valazzi, Mary rogers, Medici, Medici pope, Nancy armstrong, Noble visitors, Noblewoman, Older villa, Papal forces, Papal legate, Pendant apartments, Pesaro, Piano nobile, Pinelli, Quello, Recto, Regole generali, Renaissance italy, Renaissance studies, Romisches jahrbuch, Rosalind jones, Rossi, Rovere, Sabine eiche, Same time, Sebastiano serlio, September, Social conduct, Sunken court, Tasso, Terrace garden, Treatise, Tuscan order, Urbino, Valazzi, Venetian republic, Villa, Villa building, Villa doria, Villa giulia, Villa imperiale, Villa madama, Women patrons.
Abstract
Factors addressed by art historians in interpreting and explaining the unconventional design of the new Villa Imperiale at Pesaro by Girolamo Genga (c1529‐38) have included functional questions of topography and aspect, the court year, court ceremonies and theatre, and its relation to the older villa beside it, as well as stylistic explanations associated with ‘Mannerism.’ However the new villa was inscribed on its façade as having been built by Leonora Gonzaga Duchess of Urbino for her husband Duke Francesco Maria I. This essay discusses gender decorum to understand more about the interplay of factors underlying the choice of its peculiar design. The evidence of contemporary texts addressing the proper feminine appearance and behaviour of the Duchess and other noblewomen is considered in relation to the unusually enclosed and private themes characterising the plan and elevation of this villa.
Url:
DOI: 10.1111/j.1467-8365.2006.00524.x
Affiliations:
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<term>Andrea doria</term>
<term>Antonio brancati</term>
<term>Antonio pinelli</term>
<term>Baldesar castiglione</term>
<term>Barbaro</term>
<term>Bembo</term>
<term>Bernardo tasso</term>
<term>Bernhard patzak</term>
<term>Brancati</term>
<term>Cardinal giulio</term>
<term>Casa</term>
<term>Castiglione</term>
<term>Catherine king</term>
<term>Clorinda pietrangela</term>
<term>Conduct books</term>
<term>Copyright</term>
<term>Court ladies</term>
<term>Decisive victory</term>
<term>Della</term>
<term>Della rovere</term>
<term>Dilwyn knox</term>
<term>Ducal</term>
<term>Duchess</term>
<term>Duchy</term>
<term>Duke</term>
<term>Eiche</term>
<term>Elisabetta gonzaga</term>
<term>Federico gonzaga</term>
<term>Former courtier</term>
<term>Francesco</term>
<term>Francesco barbaro</term>
<term>Francesco maria</term>
<term>Gender decorum</term>
<term>Genga</term>
<term>Georg gronau</term>
<term>Girolamo</term>
<term>Girolamo genga</term>
<term>Giulio romano</term>
<term>Gonzaga</term>
<term>Gratissima consolatione</term>
<term>Gronau</term>
<term>Ground level</term>
<term>Guido arbizzoni</term>
<term>High walls</term>
<term>Honest leisure</term>
<term>Imperiale</term>
<term>Inscription</term>
<term>Ionic order</term>
<term>Italian renaissance</term>
<term>Italian translation</term>
<term>John shearman</term>
<term>Leonard tennenhouse</term>
<term>Leonora</term>
<term>Leonora gonzaga</term>
<term>Loggia</term>
<term>Lorenzo valla</term>
<term>Madama</term>
<term>Main facade</term>
<term>Male patrons</term>
<term>Mantua</term>
<term>Mantuan inscription</term>
<term>Many windows</term>
<term>Maria letizia brancati</term>
<term>Maria rosaria valazzi</term>
<term>Mary rogers</term>
<term>Medici</term>
<term>Medici pope</term>
<term>Nancy armstrong</term>
<term>Noble visitors</term>
<term>Noblewoman</term>
<term>Older villa</term>
<term>Papal forces</term>
<term>Papal legate</term>
<term>Pendant apartments</term>
<term>Pesaro</term>
<term>Piano nobile</term>
<term>Pinelli</term>
<term>Quello</term>
<term>Recto</term>
<term>Regole generali</term>
<term>Renaissance italy</term>
<term>Renaissance studies</term>
<term>Romisches jahrbuch</term>
<term>Rosalind jones</term>
<term>Rossi</term>
<term>Rovere</term>
<term>Sabine eiche</term>
<term>Same time</term>
<term>Sebastiano serlio</term>
<term>September</term>
<term>Social conduct</term>
<term>Sunken court</term>
<term>Tasso</term>
<term>Terrace garden</term>
<term>Treatise</term>
<term>Tuscan order</term>
<term>Urbino</term>
<term>Valazzi</term>
<term>Venetian republic</term>
<term>Villa</term>
<term>Villa building</term>
<term>Villa doria</term>
<term>Villa giulia</term>
<term>Villa imperiale</term>
<term>Villa madama</term>
<term>Women patrons</term>
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<front><div type="abstract" xml:lang="en">Factors addressed by art historians in interpreting and explaining the unconventional design of the new Villa Imperiale at Pesaro by Girolamo Genga (c1529‐38) have included functional questions of topography and aspect, the court year, court ceremonies and theatre, and its relation to the older villa beside it, as well as stylistic explanations associated with ‘Mannerism.’ However the new villa was inscribed on its façade as having been built by Leonora Gonzaga Duchess of Urbino for her husband Duke Francesco Maria I. This essay discusses gender decorum to understand more about the interplay of factors underlying the choice of its peculiar design. The evidence of contemporary texts addressing the proper feminine appearance and behaviour of the Duchess and other noblewomen is considered in relation to the unusually enclosed and private themes characterising the plan and elevation of this villa.</div>
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