Imagery and Interactivity: Ritual Transaction at the Saint’s Tomb
Identifieur interne : 000E68 ( Main/Exploration ); précédent : 000E67; suivant : 000E69Imagery and Interactivity: Ritual Transaction at the Saint’s Tomb
Auteurs : Rocío Sánchez AmeijeirasSource :
English descriptors
- Teeft :
- Active response, Alamo, Alamo martinez, Ameijeiras, Archivo espanol, Berceo, Bulletin monumental, Burgo, Calzada, Carro otero, Castilian saint, Catedral, Celanova, Cenotaph, Chapter house, Cogolla, Compostela, Cuerpo santo, Cult image, Daniel cortezo, Daniel rico camp, Descripcion historica, Devotional tour, Diaz, Domingo, Dona blanca, Edad medium, Effigy, Eleventh century, Elizabeth valdez, Emiliani, Escultura, Escultura funeraria, Estudios, Estudios gallegos, Estudios riojanos, Figurative device, Francesca espanol, Gisant, Hagiographical cycle, Hagiographical record, Historia, Holy dead, Interactivity, Joaquin yarza luaces, Lisbon national library, Literatura emilianense, Logrono, Lugo cathedral, Madrid, Manuel cecilio diaz, Matthew paris, Medieval cult, Medieval death, Medieval tomb, Middle age, Millan, Monasterio, Monastery, Monastic museum, Monk fernandus, Monk reading, Narrative cycle, Nicolas rabal, Obispado, Oria, Original burial place, Osma, Osma monument, Other hand, Other ritual, Pardo gomez, Pedro, Pictorial hagiography, Pilgrimage road, Poet berceo, Porting figure, Posthumous, Posthumous miracle, Real academia, Reliquary, Rocio, Rocio sanchez ameijeiras, Rodriguez, Rudesindi, Sanchez, Sancti, Santa maria, Santa oria, Santiago, Santo, Santo domingo, Sarcophagus, Sepulchre, Sepulcro, Silo, Small figure, Soledad silva, Soria, Stephen lamia, Suso, Suso yyuso, Tableau vivant, Thirteenth century, Tomb, Transept, Twelfth century, Up church, Valdez, Vida, Vilarino pinto, Visual language, Vita, Vita rudesindi, Vita sancti emiliani, Yuso.
Abstract
Devotion to saints, their cult, and memory was enormously popular in medieval Europe. Factual evidence in the form of tombs, shrines, reliquaries, pilgrimages, vitae and souvenirs is legion and attests to the all-pervasive nature of the phenomenon. Despite the massive bibliography on hagiography, few if any books are devoted entirely to the study of saints’ burial places. The purpose of the papers gathered here, based on presentations sponsored by the International Center of Medieval Art at the International Medieval Congress in Leeds (1999), plus additional papers commissioned by the editors, is to examine the interaction between the visual arts at specific loci sancti and saints’ cults and, further, to enquire whether a corpus of more unusual motifs appeared at saintly sites, beyond the more predictable narrative, symbolic, and iconic representations of saints. The papers address the active role saints’ tombs and their embellishments assumed within the fabric of medieval society: rituals enacted at saints’ burial places, altarpieces, reliquaries, cloister as shrine, the aura of the venerable past, secular burial near saints’ tombs, and political and feminist elements in devotional practice. Monuments from Spain, France, Italy, Greece, Hungary, and England are examined and the volume incorporates 104 illustrations.
Url:
DOI: 10.1484/M.IMR-EB.3.3476
Affiliations:
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Factual evidence in the form of tombs, shrines, reliquaries, pilgrimages, vitae and souvenirs is legion and attests to the all-pervasive nature of the phenomenon. Despite the massive bibliography on hagiography, few if any books are devoted entirely to the study of saints’ burial places. The purpose of the papers gathered here, based on presentations sponsored by the International Center of Medieval Art at the International Medieval Congress in Leeds (1999), plus additional papers commissioned by the editors, is to examine the interaction between the visual arts at specific loci sancti and saints’ cults and, further, to enquire whether a corpus of more unusual motifs appeared at saintly sites, beyond the more predictable narrative, symbolic, and iconic representations of saints. The papers address the active role saints’ tombs and their embellishments assumed within the fabric of medieval society: rituals enacted at saints’ burial places, altarpieces, reliquaries, cloister as shrine, the aura of the venerable past, secular burial near saints’ tombs, and political and feminist elements in devotional practice. Monuments from Spain, France, Italy, Greece, Hungary, and England are examined and the volume incorporates 104 illustrations.</div></front></TEI><affiliations><list></list><tree><noCountry><name sortKey="Sanchez Ameijeiras, Rocio" sort="Sanchez Ameijeiras, Rocio" uniqKey="Sanchez Ameijeiras R" first="Rocío" last="Sánchez Ameijeiras">Rocío Sánchez Ameijeiras</name></noCountry></tree></affiliations></record>Pour manipuler ce document sous Unix (Dilib)
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