‘F***ing Peasants’: Presence, Status, and Sexuality in Renart et Bertot
Identifieur interne : 000C03 ( Main/Exploration ); précédent : 000C02; suivant : 000C04‘F***ing Peasants’: Presence, Status, and Sexuality in Renart et Bertot
Auteurs : James SimpsonSource :
English descriptors
- Teeft :
- Bertot, Chicago university press, Comic presence, Commentator such, Earthly paradise, Entire world, French literature, Glossa ordinaria, Goff, Holy grail, Iddle age, Jean dufournet, Kenneth varty, Local economy, Middle age, Monty python, Narratorial voice, Octo beatitudinibus, Paradisus coelestis, Peasant, Renart, Same time, Seduction, Sexual identity, Social status, Symbolic rite, Trans, Twelfth century, Vilain, Virile status, Vols.
Abstract
Celebrating the work of Brian J. Levy in the realm of comedy and humour in the Middle Ages, this collection of twenty essays explores unusual, unexpected or unacknowledged elements of humour in medieval literature and art. Scholars from Britain, France, Italy, the USA, Denmark, and the Netherlands consider comic elements taking an unusual form; a comic presence in unexpected places; comic elements intentionally or unintentionally hidden; comic elements surprisingly vaunted; a comic presence in standard contexts which stands out for a particular reason; comic elements which are for some reason controversial; comic elements as yet unidentified or unacknowledged; a commonly acknowledged comic presence which is in fact no such thing. Essays in English and French deal with a broad range of subjects. If the Roman de Renart is particularly well represented amongst these essays, other subjects make up the majority of the book. These include: Cicero’s De Oratorei; the Mannekin pis; late-medieval wall paintings; German and French Drama; fabliaux; vernacular pious tales and dits; the romance epic Richard Coeur de Lyon; Les Quinze joyes de mariage; bestiaries; and misericords. Sometimes shocking, often surprising, and always intriguing, the medieval comic presence rarely corresponds to our expectations and assumptions. This book shows that in numerous cases the medieval joke is actually on the modern scholar.
Url:
DOI: 10.1484/M.TCNE-EB.3.1992
Affiliations:
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<front><div type="abstract">Celebrating the work of Brian J. Levy in the realm of comedy and humour in the Middle Ages, this collection of twenty essays explores unusual, unexpected or unacknowledged elements of humour in medieval literature and art. Scholars from Britain, France, Italy, the USA, Denmark, and the Netherlands consider comic elements taking an unusual form; a comic presence in unexpected places; comic elements intentionally or unintentionally hidden; comic elements surprisingly vaunted; a comic presence in standard contexts which stands out for a particular reason; comic elements which are for some reason controversial; comic elements as yet unidentified or unacknowledged; a commonly acknowledged comic presence which is in fact no such thing. Essays in English and French deal with a broad range of subjects. If the Roman de Renart is particularly well represented amongst these essays, other subjects make up the majority of the book. These include: Cicero’s De Oratorei; the Mannekin pis; late-medieval wall paintings; German and French Drama; fabliaux; vernacular pious tales and dits; the romance epic Richard Coeur de Lyon; Les Quinze joyes de mariage; bestiaries; and misericords. Sometimes shocking, often surprising, and always intriguing, the medieval comic presence rarely corresponds to our expectations and assumptions. This book shows that in numerous cases the medieval joke is actually on the modern scholar.</div>
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