The Oral-Written Continuum as a Space
Identifieur interne : 000453 ( Main/Exploration ); précédent : 000452; suivant : 000454The Oral-Written Continuum as a Space
Auteurs : Slavica RankoviSource :
English descriptors
- Teeft :
- Arkiv nordisk filologi, Authorship, Autobiographical component, Bakhtin, Bosnian, Bosnian muslim, Bosnian muslim epic, Bosnian muslim epic song, Case study, Certain extent, Christian epic, Common folk, Communal identity, Comparative study, Continuum, Contributor, Control group, Creative practice, Dark moustache, Definitive text, Dialogic, Dialogic imagination, Dialogism, Dramatic move, Early modern scandinavian culture, Egils saga, Epic, Epic song, External recording medium, External textual recording medium, Finnegan, Foley, Folk poetry, Genre, Great deal, Greater degree, Heteroglossia, Huseinbeg kulenovi, Icelander, Icelandic chieftain, Immanent, Individual authorship, Individual talent, Intellectual ownership, Interface period, James joyce, Letter scheme, Linear model, Literacy, Literary poetics, Literary tradition, Literary work, Long prose form, Many people, Medieval iceland, Medieval icelandic saga, Medieval literature, Medieval narrative, Middle age, Modernist novel, Modernist novel ulysses, Monologic, More detail, More dialogic, More recent, Muslim, Online resource, Oral culture, Oral epic, Oral literature, Oral lore, Oral performer, Oral poetics, Oral poetry, Oral prehistory, Oral style, Oral tradition, Oral verbal, Orality, Other hand, Other word, Particular contribution, Peace treaty, Petite auto, Poetic principle, Present form, Present volume, Prime representative, Ranko, Relative placement, Ruth finnegan, Saga, Saga author, Saga manuscript, Saga writer, Same time, Serbian, Serbian christian, Serbian epic, Serbian epic poetry, Serbian epic song, Single author, Skaldic, Skaldic poetry, Skaldic verse, Slavic, Snorri sturluson, Social force, Specific work, Srpske narodne pjesme, Strahinja, Text literature, Text such, Text tradition, Textual, Traditional idiom, Traditional literature, Traditional matter, Ulysses, Unique place, Various kind, Verbal artwork, Wikipedia.
Abstract
Ever since its introduction in the 1970s, Ruth Finnegan’s notion of the oral-written, or the oral-literate, continuum has served as one of the most effective means of dispelling the dichotomous understanding of the two principal media of communication in the Middle Ages. However, while often casually invoked, the concept has never been made a focus of study in its own right. The present volume is an attempt to place the oral-written continuum at the heart of discussion as an object of a head-on theoretical investigation, as a backdrop to distinct processes of acquisition of literacy in different European regions, and, indeed, as a tool for navigating the rugged landscape of verbal forms, exploring the complexity of oral-literary interrelationships that they manifest. The articles probe the concept with a variety of theoretical and methodological approaches, span diverse texts and genres, and involve a range of European cultural contexts, with special emphasis on Scandinavia and Northern Europe, but also reaching out to various other corners of the continent: from France, the Netherlands and England in the West, over Germany, Bohemia and Poland in the central region, to Serbia and Bosnia in the Southeast.
Url:
DOI: 10.1484/M.USML-EB.3.4277
Affiliations:
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since its introduction in the 1970s, Ruth Finnegan’s notion of the oral-written, or the oral-literate, continuum has served as one of the most effective means of dispelling the dichotomous understanding of the two principal media of communication in the Middle Ages. However, while often casually invoked, the concept has never been made a focus of study in its own right. The present volume is an attempt to place the oral-written continuum at the heart of discussion as an object of a head-on theoretical investigation, as a backdrop to distinct processes of acquisition of literacy in different European regions, and, indeed, as a tool for navigating the rugged landscape of verbal forms, exploring the complexity of oral-literary interrelationships that they manifest. The articles probe the concept with a variety of theoretical and methodological approaches, span diverse texts and genres, and involve a range of European cultural contexts, with special emphasis on Scandinavia and Northern Europe, but also reaching out to various other corners of the continent: from France, the Netherlands and England in the West, over Germany, Bohemia and Poland in the central region, to Serbia and Bosnia in the Southeast.</div></front></TEI><affiliations><list></list><tree><noCountry><name sortKey="Rankovi, Slavica" sort="Rankovi, Slavica" uniqKey="Rankovi S" first="Slavica" last="Rankovi">Slavica Rankovi</name></noCountry></tree></affiliations></record>Pour manipuler ce document sous Unix (Dilib)
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