Of swords and swordmaking
Identifieur interne : 001281 ( Istex/Curation ); précédent : 001280; suivant : 001282Of swords and swordmaking
Auteurs : Madeleine Durand-Charre [France]Source :
- Engineering Materials and Processes [ 1619-0181 ]
English descriptors
- Teeft :
- Blade, Carbide, Carbide row, Carbon content, Cast iron, Cementite, Cementite particle, Certain degree, Composite structure, Courtesy bern hisrorical museum, Courtesy university, Damascene, Damascene structure, Damascus, Damascus steel, Damascus steel blade, Different layer, Different material, Dorsal ridge, Etching, Ferrite, Fine cementite particle, Heat treatment cycle, High carbon, High carbon steel, High degree, High quality, Highest carbon content, Loeh century, Martensite, Martensitic structure, Merovingian, Merovingian sword, Meteoritic iron, Microstructure, Middle age, Muslim country, Oldest sword, Out envelope, Phase diagram, Phosphorus, Powder metallurgy technique, Second world, Sheet stack, Small amount, Soft iron, Sword, Swordmaking, Swordsmiths, Tene period, Thin decarburised layer, True damascus steel, Uniform steel, Various clay, Welding, Western smith, Wootz, Wootz steel, Wootz steel blade, Yoshindo yoshihara.
Abstract
Abstract: In her hook La Ville Noire (Levy, Paris, 1860l, the French 19th century novelist George Sand describes her impressions of the metalworking profession, gained during a visit to cutlery workshops in Thiers, in the following terms : “There is nothing in the world more delightful than to see all those people, so sharp, so dexterous, so skilful, and so careful, each in his own domain... they (armourers, cutlers, locksmiths, men of fire) twist a har of raw metal and pass it from hand to hand so fast and so expertly that in less than twenty minutes you see it change into a handy, light and sturdy tool, as Bright and shiny as you could wish.”
Url:
DOI: 10.1007/978-3-662-08729-9_2
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<term>Carbide</term>
<term>Carbide row</term>
<term>Carbon content</term>
<term>Cast iron</term>
<term>Cementite</term>
<term>Cementite particle</term>
<term>Certain degree</term>
<term>Composite structure</term>
<term>Courtesy bern hisrorical museum</term>
<term>Courtesy university</term>
<term>Damascene</term>
<term>Damascene structure</term>
<term>Damascus</term>
<term>Damascus steel</term>
<term>Damascus steel blade</term>
<term>Different layer</term>
<term>Different material</term>
<term>Dorsal ridge</term>
<term>Etching</term>
<term>Ferrite</term>
<term>Fine cementite particle</term>
<term>Heat treatment cycle</term>
<term>High carbon</term>
<term>High carbon steel</term>
<term>High degree</term>
<term>High quality</term>
<term>Highest carbon content</term>
<term>Loeh century</term>
<term>Martensite</term>
<term>Martensitic structure</term>
<term>Merovingian</term>
<term>Merovingian sword</term>
<term>Meteoritic iron</term>
<term>Microstructure</term>
<term>Middle age</term>
<term>Muslim country</term>
<term>Oldest sword</term>
<term>Out envelope</term>
<term>Phase diagram</term>
<term>Phosphorus</term>
<term>Powder metallurgy technique</term>
<term>Second world</term>
<term>Sheet stack</term>
<term>Small amount</term>
<term>Soft iron</term>
<term>Sword</term>
<term>Swordmaking</term>
<term>Swordsmiths</term>
<term>Tene period</term>
<term>Thin decarburised layer</term>
<term>True damascus steel</term>
<term>Uniform steel</term>
<term>Various clay</term>
<term>Welding</term>
<term>Western smith</term>
<term>Wootz</term>
<term>Wootz steel</term>
<term>Wootz steel blade</term>
<term>Yoshindo yoshihara</term>
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<front><div type="abstract" xml:lang="en">Abstract: In her hook La Ville Noire (Levy, Paris, 1860l, the French 19th century novelist George Sand describes her impressions of the metalworking profession, gained during a visit to cutlery workshops in Thiers, in the following terms : “There is nothing in the world more delightful than to see all those people, so sharp, so dexterous, so skilful, and so careful, each in his own domain... they (armourers, cutlers, locksmiths, men of fire) twist a har of raw metal and pass it from hand to hand so fast and so expertly that in less than twenty minutes you see it change into a handy, light and sturdy tool, as Bright and shiny as you could wish.”</div>
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