ChansonRolandV7, Istex, Corpus, bibRecord, 000D64

“La Bataille est Aduree Endementres”: Traditionalism and Individualism in Chanson-de-geste Studies

Identifieur interne : 000D64 ( Istex/Corpus ); précédent : 000D63; suivant : 000D65

“La Bataille est Aduree Endementres”: Traditionalism and Individualism in Chanson-de-geste Studies

Auteurs : W. G. Van Emden

Source :

Nottingham Medieval Studies [ 0078-2122 ] ; 1969-01.

RBID : ISTEX:C263ED8A8FF22BDCEC90A5B8C1C59C84D6104BF5

English descriptors

Teeft :
- Aduree, Aduree endementres, Aebischer, Assonanced version, Astronome limousin, Bataille, Bilingual society, Borel, Burger, Certain text, Chanson, Common measure, Controversial case, Couronnement louis, Dark age, Delbouille, Different poem, Early eleventh century, Emden, Endementres, Epic, Fait unique, Fourteenth century, French epic, French poem, Gaston paris, Genre, Geste, Guillaume, Hague fragment, Individualist explanation, Individualiste position, Italic mine, Jongleur, Karoli, Laisse, Laisse cliv, Latin poem, Lecoy, Literary poet, Local legend, Manuscript, Manuscript tradition, Mlle tyssens, Moniage guillaume, Ninth century, Notum emilianense, Oral composition, Oral diffusion, Oral epic, Oral poetic tradition, Oral poetry, Orale, Other culture, Other hand, Other manuscript, Other scholar, Other text, Pidal, Roland, Roland manuscript, Romania, Royal annals, Rychner, Same order, Same period, Same song, Same test, Same time, Second edition, Second half, Serbocroatian heroic song, Swiss scholar, Table ronde, Tenth century, Thirteenth century, Tradition orale, Traditionalist position, Traditionalist school, Traditionalistes, Twelfth century, Vernacular, Vers orphelin, Vita karoli, Vivante, Whole question, Yugoslav epic.

Url:

https://api.istex.fr/ark:/67375/NDQ-0D4NFZWG-0/fulltext.pdf

DOI: 10.1484/J.NMS.3.40

Links to Exploration step

ISTEX:C263ED8A8FF22BDCEC90A5B8C1C59C84D6104BF5

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“La Bataille est Aduree Endementres”: Traditionalism and Individualism in Chanson-de-geste Studies

“La Bataille est Aduree Endementres”: Traditionalism and Individualism in Chanson-de-geste Studies

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