John Miles Foley, editor. Oral Traditional Literature: A Festschrift for Albert Bates Lord. Columbus, Ohio: Slavica Publishers, 1981. 464 pp. $24.95.
Identifieur interne : 000597 ( Istex/Corpus ); précédent : 000596; suivant : 000598John Miles Foley, editor. Oral Traditional Literature: A Festschrift for Albert Bates Lord. Columbus, Ohio: Slavica Publishers, 1981. 464 pp. $24.95.
Auteurs : Ward ParksSource :
- Canadian-American Slavic Studies [ 0090-8290 ] ; 1982.
English descriptors
- Entity :
- org : Poland and Sweden, Poland, Sweden, the United States, and Canada, Ward Parks University.
- pers : Alain Renoir, Albert Lord, Barbara Halpern, David Bynum, Dolezel, Douglas Clayton, Gunter Schaarschmidt, J. T. Shaw, John Foley, Joseph Duggan, L. Dolezel, N. A. Nilsson, T. Pachmuss, Tradition, V. Terras.
- place : Berkeley, Canada, Columbia, Ottawa, Poland, Stockholm, Sweden, Toronto, United States, Uppsala.
- Teeft :
Url:
DOI: 10.1163/221023982X00993
Links to Exploration step
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<p>o f Slavic p l a c e - n a m e s in S a x o n y d e a l w i t h o n e o r m o r e d i s t r i c t s a t a t i m e . P e r h a p s , t h e n , t h e p r e s e n t r e p r i n t will s t i m u l a t e t h e p r e p a r a t i o n o f a m o r e u p d a t e d , c o m p r e h e n s i v e w o r k o n t h e Slavic p l a c e - n a m e s in S a x o n y . Gunter Schaarschmidt University o f Victoria John Miles Foley, editor. Oral Traditional Literature: A Festschrift for Albert Bates Lord. Columbus, Ohio: Slavica Publishers, 1981. 464 pp. $24.95. Since its inception with the seminal work of Milman Parry half a century ago, the oral- formulaic theory, as subsequently developed and reformulated by Albert Lord in his land- mark study The Singer o f Tales, has emerged as a growing force in the comparative study of oral poetic traditions. In this context the publication of Oral Traditional Literature is an event of some moment, for it seems to signal a new level of maturity in this field. Nineteen scholars working in the Greek, Russian, Yugoslav, English, French, German, Ice- landic, Tangu, and Yorub'a poetic traditions have contributed to this volume. Their col- lective efforts represent the present state of oral-formulaic scholarship, which continues to reveal its ability to contain a plurality of aims and subject areas within a limited frame- work o f shared insights and methods. Perhaps the principal tendency joining these essays is a concern for certain common poetic and narrative structures. In fact, the oral-formulaic theory originated in Parry's recognition that the high incidence of repeating phrases, which he termed "formulas," in both Greek and Serbo-Croatian epic verse must be the consequence of an oral composi- tional mode. These same concepts that Parry and Lord first articulated, notably the "for- mula," " t h e m e , " and "story pattern," still define the main parameters of research. At the same time, one remarks a greater sophistication and an increased awareness of the pit- falls of comparative study. Thus Patricia Arant in "The Intricate Web: Thematic Cohesion in Russian Oral Traditional Verse" tries through a detailed stylistic analysis to identify the particular redundancies constitutive of themes. Similarly concerned with the specifi- cation o f thematic structure, Alain Renoir's "Oral Formulaic Context: Implications for the Comparative Criticism of Mediaeval Texts" marks out the elements o f the "singer's performance" theme in the Odyssey, Beowulf, and the Song of Hildebrand, a demonstra- tion substantiating his remarks concerning the comparative utility of the oral-formulaic context. John Foley's "Tradition-dependent and -independent Features in Oral Literature: A Comparative View of the Formula" argues that, because Greek, Serbo-Croatian, and Old English epic meters differ in fundamental respects, no single definition o f the formula will serve for all three traditions. Albert Lord's contribution, "Memory, Fixity, and Genre in Oral Traditional Poetries," explores the problems of text fixity and composition by formulas in several versions of the Song o f Bagdad. All these studies show an equal con- cern for theory and its application; from their totality emerges a new, less mechanical, more pliant sense of those basic forms upon which the oral theory is based. Yet the volume contains a further selection of essays that reflect an emerging interest in the historical and cognitive matrices in which any oral tradition must be rooted. Joseph Duggan's "Legitimation and the Hero's Exemplary Function in the Cantar de Mio Cid and the Chanson de Roland," for example, links the characterization of the hero's role in these two epics to developments in social history. Approaching literature from the direc- tion of sociology, Barbara Halpern's "Genealogy as Oral Genre in a Serbian Village," working on material collected in recent field research, finds evidence of a poetic grammar operating in the common social practice of genealogical recitation. David Bynum's "Myth and Ritual: Two Faces of T r a d i t i o n identifies in English and Tangu folktales a four- element bridal pattern whose source, he argues, lies in a m y t h o f wide intercultural dis-</p>
<p>t r i b u t i o n . T a k i n g a m o r e p s y c h o l o g i c a l t u r n , D o n a l d F r y ' s " T h e M e m o r y o f C a e d m o n " l o c a t e s t h e s o u r c e s o f o r a l p a t t e r n i n g t e n d e n c i e s in t h e v e r y s t r u c t u r e s o f t h e m i n d a n d m e m o r y . I n a d d i t i o n t o t h e s e a n d o t h e r o r i g i n a l c o n t r i b u t i o n s , t h e v o l u m e also o f f e r s v a l u a b l e b i b l i o g r a p h i c a l m a t e r i a l in t h e e d i t o r ' s i n t r o d u c t i o n , " T h e O r a l T h e o r y in C o n - t e x t , " w h i c h r e v i e w s in d e t a i l t h e w o r k o f P a r r y , L o r d , a n d A n g l o - S a x o n i s t s f r o m t h e n i n e t e e n t h c e n t u r y t o 1 9 7 8 w h o s e c o n t r i b u t i o n s b e a r o n t h e o r a l t h e o r y . F u r t h e r b i b l i o - g r a p h i c a l m a t t e r a p p e a r s in J o h n M i l e t i c h ' s " H i s p a n i c a n d S o u t h Slavic T r a d i t i o n a l N a r r a - tive P o e t r y a n d R e l a t e d F o r m s : A S u r v e y o f C o m p a r a t i v e S t u d i e s ( 1 8 2 4 - 1 9 7 7 ) . " , I n all t h e s e e f f o r t s o n e p a r t i c u l a r l y w e l c o m e s t h e r e j e c t i o n o f d o g m a t i s m a n d t h e will- i n g n e s s t o e n t e r t a i n n e w m e t h o d s a n d ideas. A t t i m e s , i n d e e d , t h i s b r o a d e n i n g a n d diversi- f i c a t i o n b e g i n t o l o o k like d i f f u s i o n a n d i n c o h e r e n c e ; t h e o r a l t h e o r y m u s t b e w a r e o f los- i n g its c e n t e r . A n d y e t t h e t h e o r y ' s g r e a t e s t s t r e n g t h h a s a l w a y s b e e n t h e i m a g i n a t i o n w h i c h it h a s b r o u g h t t o b e a r o n o l d p r o b l e m s . C o l l e c t i o n s s u c h as t h e p r e s e n t o n e , w h i c h f o s t e r i n t e r a c t i o n b e t w e e n f i e l d s a n d s c h o l a r s w h o m i g h t o t h e r w i s e n e v e r t o u c h , h e l p in p r o m o t i n g a n i n t e l l e c t u a l c l i m a t e in w h i c h s u c h c r e a t i v e s c h o l a r s h i p c a n c o n t i n u e t o f l o u r i s h . Ward Parks University o f Missouri, Columbia J. Douglas Clayton and Gunter Schaarschmidt, editors.Poetica Slavica: Studies in Honour o f Zbigniew Folejewski (Comparative Literature, No. 2). Ottawa: University of Ottawa Press, 1981, xii, 226 pp. $9.00 Can. (paper). Zbigniew Folejewski is the undisputed doyen of Slavic studies in Canada. Spanning almost forty years, his academic career winds from Poland to Manchuria (1934-37), Sweden (1937-51: Stockholm, Uppsala), the United States (1951-67: Wisconsin, Berkeley, Illinois) and to Canada (1967- : UBC, Ottawa, Victoria and, omitted here, Visiting Profes- sor at Toronto 1962-63). A native speaker o f Polish who uses Swedish at home, charming in French and English, Zbigniew Folejewski has published in a number o f languages on a variety o f topics in Polish and Russian language and literature, Slavic philology and com- parative literature (the Bibliography lists nearly 200 items). After honors in Poland and Sweden thisFestschrift is a fitting tribute from the New World. Given Folejewski's diverse career, it is particularly appropriate that there be scholars from Poland, Sweden, the United States, and Canada contributing papers in those areas in which he has himself worked. With his encouragement of young scholars, it is also good to see junior colleagues published along with established people such as L. Dolezel, N. A. Nilsson, T. Pachmuss, J. T. Shaw, or V. Terras. In a review it is unfortunately impossible to comment on all the articles, other than to say that each can be read with profit, be it on Polish or Russian literature, semiotics or comparative literature. Well known for his work on stylistics, Dolezel tackles a basic problem for all readers of fiction, that of the relationship between the writer's life and his art. Dolezel points out the varying degrees o f identification between Hašek's life and different stories and how these lead up to The Good Soldier Svejk. In Hasek's own life Dolezel detects a "cir- cular pattern o f departures and returns," which in his fiction can also be seen in a series of "loops" and "detours." Each involves danger, b u t Svejk always escapes unharmed be- cause he is, Dolezel suggests, basically an archetypical figure, "invulnerable like the heroes o f myths and fairy tales." Such an analysis not only is useful for our understanding o f Hazes, b u t provides a nice integration of different approaches to literature which can be an instructive model in teaching and research. ' Garrard's article on Lermontov's legacy reminds us that his "metaphysical concerns and the importance attached to ideas by his characters certainly look ahead to the novels</p>
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|texte= John Miles Foley, editor. Oral Traditional Literature: A Festschrift for Albert Bates Lord. Columbus, Ohio: Slavica Publishers, 1981. 464 pp. $24.95.
}}
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