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The Lady Lunete: Literary Conventions of Counsel and the Criticism of Counsel in Chrétien's Yvain and Hartmann's Iwein

Identifieur interne : 000248 ( Istex/Corpus ); précédent : 000247; suivant : 000249

The Lady Lunete: Literary Conventions of Counsel and the Criticism of Counsel in Chrétien's Yvain and Hartmann's Iwein

Auteurs : J. M. Sullivan

Source :

RBID : ISTEX:642FCA68B85AD8C0B1B86E85EBFF5423BABD8F8F

English descriptors

Abstract

Abstract: This article proposes the creation by the Old French romancier Chrétien de Troyes of a distinctly romance type of counsel distinguished by an emphasis on private counsel between individual characters and the adoption and modification of that convention by authors of Arthurian romance in the Middle High German tradition. Specifically, it examines the German author Hartmann of Aue's reception of Chrétien's convention of counsel by comparing Chrétien's own cica 1180 Yvain and Hartmann's reworking of the tale, his Iwein, from about 1195. A focal point for the comparative analysis of counsel in the two texts is the lady-in waiting, Lunete, who in both is prominent in her advice to her lady, Laudine, to marry Yvain/Iwein after he has killed Laudine's husband. From a more cultural perspective, moreover, the article clarifies the extents to which the representations of Lunete's counsel by Chrétien and his Swabian counterpart, Hartmann, function as authorial commentaries on the place of counsel in noble society. While Chrétien greatly problematizes the positive nature of counsel, in Hartmann's reinterpretation of both Chrétien's convention of counsel and his Lunete figure, counsel, in both its private and public forms, becomes singularly positive.

Url:
DOI: 10.1023/A:1010328302589

Links to Exploration step

ISTEX:642FCA68B85AD8C0B1B86E85EBFF5423BABD8F8F

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<Para>This article proposes the creation by the Old French
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Chrétien de Troyes of a distinctly romance type of counsel distinguished by an emphasis on private counsel between individual characters and the adoption and modification of that convention by authors of Arthurian romance in the Middle High German tradition. Specifically, it examines the German author Hartmann of Aue's reception of Chrétien's convention of counsel by comparing Chrétien's own cica 1180
<Emphasis Type="Italic">Yvain</Emphasis>
and Hartmann's reworking of the tale, his
<Emphasis Type="Italic">Iwein</Emphasis>
, from about 1195. A focal point for the comparative analysis of counsel in the two texts is the lady-in waiting, Lunete, who in both is prominent in her advice to her lady, Laudine, to marry Yvain/Iwein after he has killed Laudine's husband. From a more cultural perspective, moreover, the article clarifies the extents to which the representations of Lunete's counsel by Chrétien and his Swabian counterpart, Hartmann, function as authorial commentaries on the place of counsel in noble society. While Chrétien greatly problematizes the positive nature of counsel, in Hartmann's reinterpretation of both Chrétien's convention of counsel and his Lunete figure, counsel, in both its private and public forms, becomes singularly positive.</Para>
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<abstract lang="en">Abstract: This article proposes the creation by the Old French romancier Chrétien de Troyes of a distinctly romance type of counsel distinguished by an emphasis on private counsel between individual characters and the adoption and modification of that convention by authors of Arthurian romance in the Middle High German tradition. Specifically, it examines the German author Hartmann of Aue's reception of Chrétien's convention of counsel by comparing Chrétien's own cica 1180 Yvain and Hartmann's reworking of the tale, his Iwein, from about 1195. A focal point for the comparative analysis of counsel in the two texts is the lady-in waiting, Lunete, who in both is prominent in her advice to her lady, Laudine, to marry Yvain/Iwein after he has killed Laudine's husband. From a more cultural perspective, moreover, the article clarifies the extents to which the representations of Lunete's counsel by Chrétien and his Swabian counterpart, Hartmann, function as authorial commentaries on the place of counsel in noble society. While Chrétien greatly problematizes the positive nature of counsel, in Hartmann's reinterpretation of both Chrétien's convention of counsel and his Lunete figure, counsel, in both its private and public forms, becomes singularly positive.</abstract>
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