Philippe de Novare: Another Epic Historian
Identifieur interne : 000204 ( Istex/Corpus ); précédent : 000203; suivant : 000205Philippe de Novare: Another Epic Historian
Auteurs : Geoffrey N. BromileySource :
- Neophilologus [ 0028-2677 ] ; 1998.
English descriptors
- Teeft :
- Aimery barlais, Anceau, Avoit, Baillis, Baruth, Brie, Bromiley, Casal imbert, Cele guerre, Chanja souvent coulour, Chipre, Cousin germain, Cyprus, Droit conte, Emperor frederick, Ensi, Enver dieu, Epic attitude, Epic historian, Epic influence, Epic model, Estoit, Estoit juene, Estoit sage, Favourable epithet, Firent homage, First time, Geoffrey, Historical verse narrative, Holy land, Holy roman emperor, Home liges, Home liges prierent, Ibelin, Ibelin family, Ibelins, Imperial baillis, Jeanette, Jeanette beer, Longobard presence, Medieval history, Messire, Messire johan, Messire phelippe, Monseignor, Moult, Mout, Mout corousci, Much more, Next paragraph, Novare, Oral delivery, Oral narrative, Other device, Other example, Other form, Phelippe, Philippe, Quatre, Quatre age, Renart, Seignor, Sire, Sire balian, Sire heimery, Stylistic feature, Synonymic repetition, Term vaillant, Tous, Toutes, Toutes guise, Toutes manieres, Tyre, Vaillant, Villehardouin, Young king.
Abstract
Abstract: The thirteenth-century author, Philippe de Novare, was writing close to the beginning of the French historiographic tradition. When he came to compose his Mémoires, his account of the war in Cyprus and the Holy Land between the Ibelin family and Emperor Frederick II, Philippe drew, like his predecessor, Geoffroy de Villehardouin, upon epic models. Epic influence can be seen in his structuring of the narrative, in his presentation of his protagonists and in his use of stylistic features. But Philippe was much more of a literary man than Villehardouin, which explains the more varied texture of his work.
Url:
DOI: 10.1023/A:1004354410777
Links to Exploration step
ISTEX:B0E4742DB21DB28477495FA39F2B6E2762BE6E01Le document en format XML
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When he came to compose his Mémoires, his account of the war in Cyprus and the Holy Land between the Ibelin family and Emperor Frederick II, Philippe drew, like his predecessor, Geoffroy de Villehardouin, upon epic models. Epic influence can be seen in his structuring of the narrative, in his presentation of his protagonists and in his use of stylistic features. 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When he came to compose his Mémoires, his account of the war in Cyprus and the Holy Land between the Ibelin family and Emperor Frederick II, Philippe drew, like his predecessor, Geoffroy de Villehardouin, upon epic models. Epic influence can be seen in his structuring of the narrative, in his presentation of his protagonists and in his use of stylistic features. 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