ChansonRolandV7, Hal, Checkpoint, bibRecord, 000012

Dancing with Tenses in Epic, from Homer to the Song of Roland

Identifieur interne : 000012 ( Hal/Checkpoint ); précédent : 000011; suivant : 000013

Dancing with Tenses in Epic, from Homer to the Song of Roland

Auteurs : Nicolas Lakshmanan-Minet [France]

Source :

RBID : Hal:tel-01743583

Descripteurs français

mix :
- Ancien français, Aoriste, Augment, Aède, Chanson de geste, Chant, Danse, Futur, Gestuelle, Grec ancien, Homère, Imparfait, Jongleur, Latin, Narrateur, Parfait, Passé simple, Performance, Présent de narration, Temps verbaux, Virgile, Voix, Épopée.

English descriptors

mix :
- Aorist, Archaic greek, Augment, Bards, Chanson de geste, Dance, Epics, Future, Gestures, Historic present, Homer, Imperfect, Jongleur, Latin, Narrator, Old french, Perfect, Performance, Simple past, Singing, Tenses, Vergil, Voice.

Abstract

The Homeric and Virgilian epics, as well as the Chanson de Roland are full of tenseswitching, the use of which might seem capricious to the modern reader. It is in fact much better understood when bodies’ presence is taken into account — these bodies being the bard’s one as well as the audience’s. Postures, gestures, moves, eyes, breath, music are joint partners to tenseswitching, so that tenses really dance in epics. This study is firstly about how each one of the main narrative tenses dances in Homer and the Roland, and also in the Æneid. Then it studies the way tenses dance in each of the small pieces we find in the classical epics as well as in the Roland : the laisses.

Url:

https://tel.archives-ouvertes.fr/tel-01743583

Links toward previous steps (curation, corpus...)

to stream Hal, to step Corpus: 000000
to stream Hal, to step Curation: 000000

Links to Exploration step

Hal:tel-01743583

Le document en format XML

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<front><div type="abstract" xml:lang="en">              <p>The Homeric and Virgilian epics, as well as the Chanson de Roland are full of tenseswitching, the use of which might seem capricious to the modern reader. It is in fact much better understood when bodies’ presence is taken into account — these bodies being the bard’s one as well as the audience’s. Postures, gestures, moves, eyes, breath, music are joint partners to tenseswitching, so that tenses really dance in epics. This study is firstly about how each one of the main narrative tenses dances in Homer and the Roland, and also in the Æneid. Then it studies the way tenses dance in each of the small pieces we find in the classical epics as well as in the Roland : the laisses.</p>
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   |texte=   Dancing with Tenses in Epic, from Homer to the Song of Roland
}}

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	Serveur d'exploration sur la Chanson de Roland
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Serveur d'exploration sur la Chanson de Roland

Dancing with Tenses in Epic, from Homer to the Song of Roland

Dancing with Tenses in Epic, from Homer to the Song of Roland

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