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Index « EntPers.i » - entrée « Stephen Heath »
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List of bibliographic references

Number of relevant bibliographic references: 18.
Ident.Authors (with country if any)Title
000320 (2013) Theodore Gracyk [États-Unis]Meanings of Songs and Meanings of Song Performances
000403 (2012) Michael RennettQuentin Tarantino and the Director as DJ
000623 (2011) Phyllis WeliverA Score of Change: Twenty Years of Critical Musicology and Victorian Literature
000689 (2010) Jerome Mcgann ; Hans Walter Gabler [Allemagne] ; Susan J. Wolfson [États-Unis] ; Lynda Pratt [Royaume-Uni] ; Stuart Curran ; Arthur F. Marotti ; Steven W. May ; Margaret J. M. Ezell ; Daniel Paul O Onnell ; Laura Mandell [États-Unis]Special Issue: ‘Scholarly Editing in the Twenty‐First Century’– Combined Bibliography
000C00 (2008) Justin London [États-Unis]Third‐Party Uses of Music and Musical Pragmatics
000C23 (2008) Jennifer L. KoosedNine Reflections on the Book: Poststructuralism and the Hebrew Bible
000C48 (2008) Vickie WillisBe‐in‐tween the Spa[ ]ces: The Location of Women and Subversion in Jazz
000D01 (2007) Gabriel Solis“Workin' Hard, Hardly Workin'/Hey Man, You Know Me”: Tom Waits, Sound, and the Theatrics of Masculinity
000E64 (2006) Fred MausIntimacy and Distance: On Stipe's Queerness
000E89 (2006) Stacy MagedanzAllusion as Form:
001103 (2003) Paul Thom [Australie]The Interpretation of Music in Performance
001338 (2000) Carol BanksSHADOW AND SUBSTANCE: ANOTHER LOOK AT AN ELIZABETHAN LYRIC
001462 (1999) Leah GuentherLuhrmann's Top 40 Shakespeare and the Crisis of Shakespearean Consumption
001753 (1995) David BrackettThe electro‐acoustic mirror: voices in American pop
001B20 (1987) Felicity CollinsA (SAD) Song of the Body
001B37 (1986) Vic Gammon‘Two for the show’: David Harker, Politics and Popular Song
001C26 (1984) Robert LangCarnal Stereophony
001C46 (1984) Inez Hedges ; John BernsteinHistory, Style, Authorship: The Question of Origins in the New German Cinema

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