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Index « AbsEn.i » - entrée « music »
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List of bibliographic references

Number of relevant bibliographic references: 79.
[0-20] [0 - 20][0 - 50][20-40]
Ident.Authors (with country if any)Title
000003 (2002) Rebecca Wagner Oettinger [États-Unis]RICHARD FREEDMAN, The Chansons of Orlando di Lasso and their Protestant Listeners: Music, Piety, and Print in Sixteenth-Century France. Eastman Studies in Music. Rochester, NY, University of Rochester Press. 2000. xxiv + 259 pp.
000006 (2004) Franz Ko RndleOrlando di Lasso's ‘Fireworks’ music
000008 (2002) Christian Thomas Leitmeir [Allemagne]CATHOLIC MUSIC IN THE DIOCESE OF AUGSBURG c.1600: A RECONSTRUCTED TRICINIUM ANTHOLOGY AND ITS CONFESSIONAL IMPLICATIONS
000016 (2001) Rebecca Wagner Oettinger [États-Unis]LUDWIG SENFL AND THE JUDAS TROPE: COMPOSITION AND RELIGIOUS TOLERATION AT THE BAVARIAN COURT
000023 (1961) Justin Gray [États-Unis]A Personal Philosophy of Music Education
000025 (1978) Music in the Renaissance
000026 (2005) Sarah M. StoycosMaking an Initial Impression: Lassus’s First Book of Five-Part Madrigals
000048 (2004) David KidgerWillaert and Gabrieli secular music
000052 (2011) Nele GabriëlsDedicating Music: The Case of Philippus de Monte’s Motet Prints
000083 (1972) The Psychology of Music
000116 (2012) Anne SmithLasso’s Two-Part Fantasies as a Didactic Tool for Solmization
000134 (2006) Andrew Johnstone‘High’ clefs in composition and performance
000138 (1972) William S. NewmanThe Music Forum, Volume II
000149 (2003) Marco Della Sciucca‘S'Amor Non È’: Cesare Tudino and the Birth of the Purely Musical Dialogue
000162 (1937) Choral Music
000164 (1939) Choral Music
000169 (2005) Michael J. Levin [États-Unis] ; Steven Zohn [États-Unis]Don Juan de Austria and the Venetian music trade
000184 (1961) Music Theory: A Syllabus for Teacher and Student
000185 (1971) Ernest F. LivingstonThe Place of Music in German Education Around 1600
000205 (1983) Richard J. AgeeThe Venetian privilege and music-printing in the sixteenth century
000223 (2011) Elisabeth KleckerVirginio grates carmine grata canam: Elisabeth Westonia an Philippe de Monte

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