List of bibliographic references
Number of relevant bibliographic references: 32.
[0-20] [
0 - 20][
0 - 32][
20-31][
20-40]
Ident. | Authors (with country if any) | Title |
---|
000004 (1993) |
Nicola Pedone | Intersubjectivity, time and social relationship in Alfred Schutz's philosophy of music |
000079 (2006) |
Gregory Barnett [États-Unis] | Handel's borrowings and the disputed Gloria |
000108 (1996) |
Peter Weeks [Canada] | Synchrony lost, synchrony regained: The achievement of musical co-ordination |
000116 (2010) |
Kathleen E. Jenkins | In Concert and Alone: Divorce and Congregational Experience |
000257 (1987) |
Cai Svensson | The construction of poetic meaning |
000273 (2000) |
John C. Meyer [États-Unis] | Humor as a Double‐Edged Sword: Four Functions of Humor in Communication |
000331 (2008) |
Stuart Taberner [Royaume-Uni] | From Luther to Hitler?‘Ordinary Germans’, National Socialism and Germany's Cultural Heritage in F. C. Delius's Bildnis der Mutter als junge Frau |
000338 (1989) |
Robert Platt | Reflexivity, recursion and social life: elements for a postmodern sociology |
000463 (1982) |
D. Baker [Australie] | The adolescent as theorist: An interpretive view |
000495 (2011) |
Michael Morris [Allemagne] | The French Revolution and the New School of Europe: Towards a Political Interpretation of German Idealism |
000614 (2000) |
Sanjoy Mazumdar ; Shampa Mazumdar [États-Unis] ; Faye Docuyanan ; Colette Marie Mclaughlin | CREATING A SENSE OF PLACE: THE VIETNAMESE-AMERICANS AND LITTLE SAIGON |
000665 (1989) |
Catherine Kohler Riessman [États-Unis] | Life events, meaning and narrative: The case of infidelity and divorce |
000754 (2003) |
Rupert Read | Against ‘Time–Slices’ |
000769 (2004) |
John Forester [États-Unis] | Responding to Critical Moments with Humor, Recognition, and Hope |
000789 (2009) |
C. Jason Throop | ‘Becoming Beautiful in the Dance’: On the Formation of Ethical Modalities of Being in Yap, Federated States of Micronesia |
000976 (2010) |
Kim Richmond [Royaume-Uni] | Negotiating ‘Femininity’ in the GDR Prison Narrative: Discourses of Character Development and Incorrigibility in Elisabeth Graul's Die Farce (1991) |
000B61 (1982) |
Eugene Rochberg-Halton [États-Unis] | Qualitative immediacy and the communicative act |
000C39 (2001) |
Colwyn Trevarthen [Royaume-Uni] | Intrinsic motives for companionship in understanding: Their origin, development, and significance for infant mental health |
000C64 (2010) |
Michael Skey [Royaume-Uni] | ‘A sense of where you belong in the world’: national belonging, ontological security and the status of the ethnic majority in England |
000C98 (1998) |
Zali Gurevitch [Israël] | The Break of Conversation |
000D87 (2009) |
Michael Minden | Kafka's ‘Josefine die Sängerin oder Das Volk der Mäuse’ |
Pour manipuler ce document sous Unix (Dilib)
EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/SchutzV1/Data/Main/Curation
HfdIndexSelect -h $EXPLOR_AREA/Data/Main/Curation/AbsEn.i -k "sense"
HfdIndexSelect -h $EXPLOR_AREA/Data/Main/Curation/AbsEn.i \
-Sk "sense" \
| HfdSelect -Kh $EXPLOR_AREA/Data/Main/Curation/biblio.hfd
Pour mettre un lien sur cette page dans le réseau Wicri
{{Explor lien
|wiki= Wicri/Musique
|area= SchutzV1
|flux= Main
|étape= Curation
|type= indexItem
|index= AbsEn.i
|clé= sense
}}
| This area was generated with Dilib version V0.6.38. Data generation: Mon Feb 8 17:34:10 2021. Site generation: Mon Feb 8 17:41:23 2021 | |