Hunting for the beat in the body: on period and phase locking in music-induced movement.
Identifieur interne : 000016 ( PubMed/Checkpoint ); précédent : 000015; suivant : 000017Hunting for the beat in the body: on period and phase locking in music-induced movement.
Auteurs : Birgitta Burger [Finlande] ; Marc R. Thompson [Finlande] ; Geoff Luck [Finlande] ; Suvi H. Saarikallio [Finlande] ; Petri Toiviainen [Finlande]Source :
- Frontiers in human neuroscience [ 1662-5161 ] ; 2014.
Abstract
Music has the capacity to induce movement in humans. Such responses during music listening are usually spontaneous and range from tapping to full-body dancing. However, it is still unclear how humans embody musical structures to facilitate entrainment. This paper describes two experiments, one dealing with period locking to different metrical levels in full-body movement and its relationships to beat- and rhythm-related musical characteristics, and the other dealing with phase locking in the more constrained condition of sideways swaying motions. Expected in Experiment 1 was that music with clear and strong beat structures would facilitate more period-locked movement. Experiment 2 was assumed to yield a common phase relationship between participants' swaying movements and the musical beat. In both experiments optical motion capture was used to record participants' movements. In Experiment 1 a window-based period-locking probability index related to four metrical levels was established, based on acceleration data in three dimensions. Subsequent correlations between this index and musical characteristics of the stimuli revealed pulse clarity to be related to periodic movement at the tactus level, and low frequency flux to mediolateral and anteroposterior movement at both tactus and bar levels. At faster tempi higher metrical levels became more apparent in participants' movement. Experiment 2 showed that about half of the participants showed a stable phase relationship between movement and beat, with superior-inferior movement most often being synchronized to the tactus level, whereas mediolateral movement was rather synchronized to the bar level. However, the relationship between movement phase and beat locations was not consistent between participants, as the beat locations occurred at different phase angles of their movements. The results imply that entrainment to music is a complex phenomenon, involving the whole body and occurring at different metrical levels.
DOI: 10.3389/fnhum.2014.00903
PubMed: 25426051
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Thompson</name><affiliation wicri:level="1"><nlm:affiliation>Department of Music, Finnish Centre for Interdisciplinary Music Research, University of Jyväskylä Jyväskylä, Finland.</nlm:affiliation><country xml:lang="fr">Finlande</country><wicri:regionArea>Department of Music, Finnish Centre for Interdisciplinary Music Research, University of Jyväskylä Jyväskylä</wicri:regionArea><wicri:noRegion>University of Jyväskylä Jyväskylä</wicri:noRegion></affiliation></author><author><name sortKey="Luck, Geoff" sort="Luck, Geoff" uniqKey="Luck G" first="Geoff" last="Luck">Geoff Luck</name><affiliation wicri:level="1"><nlm:affiliation>Department of Music, Finnish Centre for Interdisciplinary Music Research, University of Jyväskylä Jyväskylä, Finland.</nlm:affiliation><country xml:lang="fr">Finlande</country><wicri:regionArea>Department of Music, Finnish Centre for Interdisciplinary Music Research, University of Jyväskylä Jyväskylä</wicri:regionArea><wicri:noRegion>University of Jyväskylä Jyväskylä</wicri:noRegion></affiliation></author><author><name sortKey="Saarikallio, Suvi H" sort="Saarikallio, Suvi H" uniqKey="Saarikallio S" first="Suvi H" last="Saarikallio">Suvi H. Saarikallio</name><affiliation wicri:level="1"><nlm:affiliation>Department of Music, Finnish Centre for Interdisciplinary Music Research, University of Jyväskylä Jyväskylä, Finland.</nlm:affiliation><country xml:lang="fr">Finlande</country><wicri:regionArea>Department of Music, Finnish Centre for Interdisciplinary Music Research, University of Jyväskylä Jyväskylä</wicri:regionArea><wicri:noRegion>University of Jyväskylä Jyväskylä</wicri:noRegion></affiliation></author><author><name sortKey="Toiviainen, Petri" sort="Toiviainen, Petri" uniqKey="Toiviainen P" first="Petri" last="Toiviainen">Petri Toiviainen</name><affiliation wicri:level="1"><nlm:affiliation>Department of Music, Finnish Centre for Interdisciplinary Music Research, University of Jyväskylä Jyväskylä, Finland.</nlm:affiliation><country xml:lang="fr">Finlande</country><wicri:regionArea>Department of Music, Finnish Centre for Interdisciplinary Music Research, University of Jyväskylä Jyväskylä</wicri:regionArea><wicri:noRegion>University of Jyväskylä Jyväskylä</wicri:noRegion></affiliation></author></analytic><series><title level="j">Frontiers in human neuroscience</title><idno type="ISSN">1662-5161</idno><imprint><date when="2014" type="published">2014</date></imprint></series></biblStruct></sourceDesc></fileDesc><profileDesc><textClass></textClass></profileDesc></teiHeader><front><div type="abstract" xml:lang="en">Music has the capacity to induce movement in humans. Such responses during music listening are usually spontaneous and range from tapping to full-body dancing. However, it is still unclear how humans embody musical structures to facilitate entrainment. This paper describes two experiments, one dealing with period locking to different metrical levels in full-body movement and its relationships to beat- and rhythm-related musical characteristics, and the other dealing with phase locking in the more constrained condition of sideways swaying motions. Expected in Experiment 1 was that music with clear and strong beat structures would facilitate more period-locked movement. Experiment 2 was assumed to yield a common phase relationship between participants' swaying movements and the musical beat. In both experiments optical motion capture was used to record participants' movements. In Experiment 1 a window-based period-locking probability index related to four metrical levels was established, based on acceleration data in three dimensions. Subsequent correlations between this index and musical characteristics of the stimuli revealed pulse clarity to be related to periodic movement at the tactus level, and low frequency flux to mediolateral and anteroposterior movement at both tactus and bar levels. At faster tempi higher metrical levels became more apparent in participants' movement. Experiment 2 showed that about half of the participants showed a stable phase relationship between movement and beat, with superior-inferior movement most often being synchronized to the tactus level, whereas mediolateral movement was rather synchronized to the bar level. However, the relationship between movement phase and beat locations was not consistent between participants, as the beat locations occurred at different phase angles of their movements. The results imply that entrainment to music is a complex phenomenon, involving the whole body and occurring at different metrical levels.</div></front></TEI><pubmed><MedlineCitation Status="PubMed-not-MEDLINE" Owner="NLM"><PMID Version="1">25426051</PMID><DateCreated><Year>2014</Year><Month>11</Month><Day>26</Day></DateCreated><DateCompleted><Year>2014</Year><Month>11</Month><Day>26</Day></DateCompleted><DateRevised><Year>2017</Year><Month>02</Month><Day>20</Day></DateRevised><Article PubModel="Electronic-eCollection"><Journal><ISSN IssnType="Print">1662-5161</ISSN><JournalIssue CitedMedium="Print"><Volume>8</Volume><PubDate><Year>2014</Year></PubDate></JournalIssue><Title>Frontiers in human neuroscience</Title><ISOAbbreviation>Front Hum Neurosci</ISOAbbreviation></Journal><ArticleTitle>Hunting for the beat in the body: on period and phase locking in music-induced movement.</ArticleTitle><Pagination><MedlinePgn>903</MedlinePgn></Pagination><ELocationID EIdType="doi" ValidYN="Y">10.3389/fnhum.2014.00903</ELocationID><Abstract><AbstractText>Music has the capacity to induce movement in humans. Such responses during music listening are usually spontaneous and range from tapping to full-body dancing. However, it is still unclear how humans embody musical structures to facilitate entrainment. This paper describes two experiments, one dealing with period locking to different metrical levels in full-body movement and its relationships to beat- and rhythm-related musical characteristics, and the other dealing with phase locking in the more constrained condition of sideways swaying motions. Expected in Experiment 1 was that music with clear and strong beat structures would facilitate more period-locked movement. Experiment 2 was assumed to yield a common phase relationship between participants' swaying movements and the musical beat. In both experiments optical motion capture was used to record participants' movements. In Experiment 1 a window-based period-locking probability index related to four metrical levels was established, based on acceleration data in three dimensions. Subsequent correlations between this index and musical characteristics of the stimuli revealed pulse clarity to be related to periodic movement at the tactus level, and low frequency flux to mediolateral and anteroposterior movement at both tactus and bar levels. At faster tempi higher metrical levels became more apparent in participants' movement. Experiment 2 showed that about half of the participants showed a stable phase relationship between movement and beat, with superior-inferior movement most often being synchronized to the tactus level, whereas mediolateral movement was rather synchronized to the bar level. However, the relationship between movement phase and beat locations was not consistent between participants, as the beat locations occurred at different phase angles of their movements. The results imply that entrainment to music is a complex phenomenon, involving the whole body and occurring at different metrical levels.</AbstractText></Abstract><AuthorList CompleteYN="Y"><Author ValidYN="Y"><LastName>Burger</LastName><ForeName>Birgitta</ForeName><Initials>B</Initials><AffiliationInfo><Affiliation>Department of Music, Finnish Centre for Interdisciplinary Music Research, University of Jyväskylä Jyväskylä, Finland.</Affiliation></AffiliationInfo></Author><Author ValidYN="Y"><LastName>Thompson</LastName><ForeName>Marc R</ForeName><Initials>MR</Initials><AffiliationInfo><Affiliation>Department of Music, Finnish Centre for Interdisciplinary Music Research, University of Jyväskylä Jyväskylä, Finland.</Affiliation></AffiliationInfo></Author><Author ValidYN="Y"><LastName>Luck</LastName><ForeName>Geoff</ForeName><Initials>G</Initials><AffiliationInfo><Affiliation>Department of Music, Finnish Centre for Interdisciplinary Music Research, University of Jyväskylä Jyväskylä, Finland.</Affiliation></AffiliationInfo></Author><Author ValidYN="Y"><LastName>Saarikallio</LastName><ForeName>Suvi H</ForeName><Initials>SH</Initials><AffiliationInfo><Affiliation>Department of Music, Finnish Centre for Interdisciplinary Music Research, University of Jyväskylä Jyväskylä, Finland.</Affiliation></AffiliationInfo></Author><Author ValidYN="Y"><LastName>Toiviainen</LastName><ForeName>Petri</ForeName><Initials>P</Initials><AffiliationInfo><Affiliation>Department of Music, Finnish Centre for Interdisciplinary Music Research, University of Jyväskylä Jyväskylä, Finland.</Affiliation></AffiliationInfo></Author></AuthorList><Language>eng</Language><PublicationTypeList><PublicationType UI="D016428">Journal Article</PublicationType></PublicationTypeList><ArticleDate DateType="Electronic"><Year>2014</Year><Month>11</Month><Day>07</Day></ArticleDate></Article><MedlineJournalInfo><Country>Switzerland</Country><MedlineTA>Front Hum 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Version="1">23641220</PMID></CommentsCorrections><CommentsCorrections RefType="Cites"><RefSource>Cortex. 2009 Jan;45(1):35-43</RefSource><PMID Version="1">19054504</PMID></CommentsCorrections><CommentsCorrections RefType="Cites"><RefSource>Brain Cogn. 2013 Jul;82(2):127-36</RefSource><PMID Version="1">23660433</PMID></CommentsCorrections><CommentsCorrections RefType="Cites"><RefSource>J Cogn Neurosci. 2007 May;19(5):893-906</RefSource><PMID Version="1">17488212</PMID></CommentsCorrections></CommentsCorrectionsList><OtherID Source="NLM">PMC4224089</OtherID><KeywordList Owner="NOTNLM"><Keyword MajorTopicYN="N">dance</Keyword><Keyword MajorTopicYN="N">entrainment</Keyword><Keyword MajorTopicYN="N">motion capture</Keyword><Keyword MajorTopicYN="N">music-induced movement</Keyword><Keyword MajorTopicYN="N">period locking</Keyword><Keyword MajorTopicYN="N">phase locking</Keyword></KeywordList></MedlineCitation><PubmedData><History><PubMedPubDate PubStatus="received"><Year>2014</Year><Month>05</Month><Day>24</Day></PubMedPubDate><PubMedPubDate PubStatus="accepted"><Year>2014</Year><Month>10</Month><Day>22</Day></PubMedPubDate><PubMedPubDate PubStatus="entrez"><Year>2014</Year><Month>11</Month><Day>27</Day><Hour>6</Hour><Minute>0</Minute></PubMedPubDate><PubMedPubDate PubStatus="pubmed"><Year>2014</Year><Month>11</Month><Day>27</Day><Hour>6</Hour><Minute>0</Minute></PubMedPubDate><PubMedPubDate PubStatus="medline"><Year>2014</Year><Month>11</Month><Day>27</Day><Hour>6</Hour><Minute>1</Minute></PubMedPubDate></History><PublicationStatus>epublish</PublicationStatus><ArticleIdList><ArticleId IdType="pubmed">25426051</ArticleId><ArticleId IdType="doi">10.3389/fnhum.2014.00903</ArticleId><ArticleId IdType="pmc">PMC4224089</ArticleId></ArticleIdList></PubmedData></pubmed><affiliations><list><country><li>Finlande</li></country></list><tree><country name="Finlande"><noRegion><name sortKey="Burger, Birgitta" sort="Burger, Birgitta" uniqKey="Burger B" first="Birgitta" last="Burger">Birgitta Burger</name></noRegion><name sortKey="Luck, Geoff" sort="Luck, Geoff" uniqKey="Luck G" first="Geoff" last="Luck">Geoff Luck</name><name sortKey="Saarikallio, Suvi H" sort="Saarikallio, Suvi H" uniqKey="Saarikallio S" first="Suvi H" last="Saarikallio">Suvi H. Saarikallio</name><name sortKey="Thompson, Marc R" sort="Thompson, Marc R" uniqKey="Thompson M" first="Marc R" last="Thompson">Marc R. Thompson</name><name sortKey="Toiviainen, Petri" sort="Toiviainen, Petri" uniqKey="Toiviainen P" first="Petri" last="Toiviainen">Petri Toiviainen</name></country></tree></affiliations></record>Pour manipuler ce document sous Unix (Dilib)
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