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The speed of our mental soundtracks: Tracking the tempo of involuntary musical imagery in everyday life

Identifieur interne : 000046 ( Pmc/Curation ); précédent : 000045; suivant : 000047

The speed of our mental soundtracks: Tracking the tempo of involuntary musical imagery in everyday life

Auteurs : Kelly Jakubowski [Royaume-Uni] ; Nicolas Farrugia [Royaume-Uni] ; Andrea R. Halpern [États-Unis] ; Sathish K. Sankarpandi [Royaume-Uni] ; Lauren Stewart [Royaume-Uni]

Source :

RBID : PMC:4624826

Abstract

The study of spontaneous and everyday cognitions is an area of rapidly growing interest. One of the most ubiquitous forms of spontaneous cognition is involuntary musical imagery (INMI), the involuntarily retrieved and repetitive mental replay of music. The present study introduced a novel method for capturing temporal features of INMI within a naturalistic setting. This method allowed for the investigation of two questions of interest to INMI researchers in a more objective way than previously possible, concerning (1) the precision of memory representations within INMI and (2) the interactions between INMI and concurrent affective state. Over the course of 4 days, INMI tempo was measured by asking participants to tap to the beat of their INMI with a wrist-worn accelerometer. Participants documented additional details regarding their INMI in a diary. Overall, the tempo of music within INMI was recalled from long-term memory in a highly veridical form, although with a regression to the mean for recalled tempo that parallels previous findings on voluntary musical imagery. A significant positive relationship was found between INMI tempo and subjective arousal, suggesting that INMI interacts with concurrent mood in a similar manner to perceived music. The results suggest several parallels between INMI and voluntary imagery, music perceptual processes, and other types of involuntary memories.


Url:
DOI: 10.3758/s13421-015-0531-5
PubMed: 26122757
PubMed Central: 4624826

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PMC:4624826

Le document en format XML

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<pmc article-type="research-article">
<pmc-dir>properties open_access</pmc-dir>
<front>
<journal-meta>
<journal-id journal-id-type="nlm-ta">Mem Cognit</journal-id>
<journal-id journal-id-type="iso-abbrev">Mem Cognit</journal-id>
<journal-title-group>
<journal-title>Memory & Cognition</journal-title>
</journal-title-group>
<issn pub-type="ppub">0090-502X</issn>
<issn pub-type="epub">1532-5946</issn>
<publisher>
<publisher-name>Springer US</publisher-name>
<publisher-loc>New York</publisher-loc>
</publisher>
</journal-meta>
<article-meta>
<article-id pub-id-type="pmid">26122757</article-id>
<article-id pub-id-type="pmc">4624826</article-id>
<article-id pub-id-type="publisher-id">531</article-id>
<article-id pub-id-type="doi">10.3758/s13421-015-0531-5</article-id>
<article-categories>
<subj-group subj-group-type="heading">
<subject>Article</subject>
</subj-group>
</article-categories>
<title-group>
<article-title>The speed of our mental soundtracks: Tracking the tempo of involuntary musical imagery in everyday life</article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author" corresp="yes">
<name>
<surname>Jakubowski</surname>
<given-names>Kelly</given-names>
</name>
<address>
<phone>44-75-3003-5647</phone>
<email>k.jakubowski@gold.ac.uk</email>
</address>
<xref ref-type="aff" rid="Aff1"></xref>
</contrib>
<contrib contrib-type="author">
<name>
<surname>Farrugia</surname>
<given-names>Nicolas</given-names>
</name>
<xref ref-type="aff" rid="Aff1"></xref>
</contrib>
<contrib contrib-type="author">
<name>
<surname>Halpern</surname>
<given-names>Andrea R.</given-names>
</name>
<xref ref-type="aff" rid="Aff2"></xref>
</contrib>
<contrib contrib-type="author">
<name>
<surname>Sankarpandi</surname>
<given-names>Sathish K.</given-names>
</name>
<xref ref-type="aff" rid="Aff3"></xref>
</contrib>
<contrib contrib-type="author" corresp="yes">
<name>
<surname>Stewart</surname>
<given-names>Lauren</given-names>
</name>
<address>
<phone>44-20-7919-7873</phone>
<email>l.stewart@gold.ac.uk</email>
</address>
<xref ref-type="aff" rid="Aff1"></xref>
</contrib>
<aff id="Aff1">
<label></label>
Department of Psychology, Goldsmiths, University of London, New Cross Road, New Cross, London, SE14 6NW UK</aff>
<aff id="Aff2">
<label></label>
Department of Psychology, Bucknell University, Lewisburg, PA USA</aff>
<aff id="Aff3">
<label></label>
School of Nursing and Health Sciences, University of Dundee, Dundee, UK</aff>
</contrib-group>
<pub-date pub-type="epub">
<day>30</day>
<month>6</month>
<year>2015</year>
</pub-date>
<pub-date pub-type="pmc-release">
<day>30</day>
<month>6</month>
<year>2015</year>
</pub-date>
<pub-date pub-type="ppub">
<year>2015</year>
</pub-date>
<volume>43</volume>
<issue>8</issue>
<fpage>1229</fpage>
<lpage>1242</lpage>
<permissions>
<copyright-statement>© The Author(s) 2015</copyright-statement>
<license license-type="OpenAccess">
<license-p>
<bold>Open Access</bold>
This article is distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution, and reproduction in any medium, provided you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license, and indicate if changes were made.</license-p>
</license>
</permissions>
<abstract id="Abs1">
<p>The study of spontaneous and everyday cognitions is an area of rapidly growing interest. One of the most ubiquitous forms of spontaneous cognition is involuntary musical imagery (INMI), the involuntarily retrieved and repetitive mental replay of music. The present study introduced a novel method for capturing temporal features of INMI within a naturalistic setting. This method allowed for the investigation of two questions of interest to INMI researchers in a more objective way than previously possible, concerning (1) the precision of memory representations within INMI and (2) the interactions between INMI and concurrent affective state. Over the course of 4 days, INMI tempo was measured by asking participants to tap to the beat of their INMI with a wrist-worn accelerometer. Participants documented additional details regarding their INMI in a diary. Overall, the tempo of music within INMI was recalled from long-term memory in a highly veridical form, although with a regression to the mean for recalled tempo that parallels previous findings on voluntary musical imagery. A significant positive relationship was found between INMI tempo and subjective arousal, suggesting that INMI interacts with concurrent mood in a similar manner to perceived music. The results suggest several parallels between INMI and voluntary imagery, music perceptual processes, and other types of involuntary memories.</p>
</abstract>
<kwd-group xml:lang="en">
<title>Keywords</title>
<kwd>Music cognition</kwd>
<kwd>Imagery</kwd>
<kwd>Involuntary musical imagery</kwd>
<kwd>Involuntary memory</kwd>
<kwd>Spontaneous cognition</kwd>
<kwd>Tempo</kwd>
</kwd-group>
<custom-meta-group>
<custom-meta>
<meta-name>issue-copyright-statement</meta-name>
<meta-value>© Psychonomic Society, Inc. 2015</meta-value>
</custom-meta>
</custom-meta-group>
</article-meta>
</front>
</pmc>
</record>

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